77 books like Black Sun Rising

I’m cheating a little here by recommending a trilogy but this was one of the best historical fiction I’ve read.

The series is about Prince Aeneas and the legendary story of the war between the Trojans and the Greeks. David Gemmell sets the scene prior to war from the POV of Aeneas, who was regarded as pirate but as the story progresses you learn more about his actions and why he keeps roaming the sea.

It is full of action and stays true to the unfolding drama of the Trojan War. For me, the historical backdrop and the research the author included was one of the main reasons this series wins.

I had been reading Heroic and Epic Fantasy for years, and I’d purposely avoided reading Sci-Fi, convinced that it would influence my burgeoning plot development. I wanted to maintain my plot integrity and not be subconsciously led by other authors in the genre (but of course I couldn’t avoid the influence of the SF I watched on TV). Of course, I was missing out on some great writing. I was enthralled by this story—it combined an undead trope with space opera, as the ‘risen empire’ maintains its territory while facing an external threat from the technologically hybrid Rix. There’s a fascination with the potential of biological augmentation and the place of AI in our distant future (consider ‘immortal’ humans against potentially ‘eternal’ hybrid humans), but this story is extremely character-driven and concerned with the place of the individual. The fictional science was breathtaking and not without research, but what stuck… show more.

This is possibly the best known book on my list, yet it took me a long time to discover it.

This is a thriller-style adventure that follows Nathaniel, a young magician’s apprentice on a quest for revenge, who summons Bartimaeus, an all-powerful djinni. Nathaniel (unwittingly) and Bartimaeus (unwillingly) get caught up in a tangled plot of magic-fueled mayhem in which they have to work together to survive.

Bartimaeus’ sarcastic observations and side tangents add an element of humor that keep it from staying dark and somber, while also highlighting the underlying threads of slavery and social injustice in this fantasy world.

I was in the sixth grade and had just moved over Christmas break. Maybe a month after the move, my mom, out of the blue, bought me this book, sensing I was having a rough time. The story follows a teenager, about 15, as he goes on a quest. It enthralled me as I followed Garion on his story.

The perfect book for a boy to read and hooked me on Fantasy.

It was this book that disabused me of the notion that fantasy had to be written in a specific way, often in highfalutin or profound language. It encouraged me to put my own stories into writing.

Though very much a historical fantasy novel, this book was easy to understand despite the unfamiliar terms and background details of a fantastical universe. I think it’s due to Katheryn Kurtz’s initial use of simple, down-to-earth language and a fairly straightforward story, which, looking back now, was probably aimed at teenagers or young adults. I was sometimes reminded of the first volume of JRR Tolkien’s epic novel, especially because the succeeding books got progressively darker and more complex.

In this introductory book, the world of the Deryni, a race of mortals with magical powers, is fleshed out so well that the kingdom of Gwynedd, its people, and its neighboring realms feel so real that… show more.

Royce Melborn is exactly the assassin I’d expect: scowling, suspicious, irritable, prone to violence, and scarred by hard life. So, of course, he ends up forming a team with Hadrian Blackwater, the most cheerful, upbeat swordsman in the world.

The “mismatched friends” and “grumpy/sunshine” flavor of the story was immensely fun—reminiscent of all my favorite buddy cop TV shows and movies—and did a wonderful job of anchoring me to these two characters as they fought their way through a world determined to harm them.

The dynamic between the characters is mirrored by a twisty-turny plot, a fascinatingly detailed world, and an epic storyline that kept me turning the pages to find out what came next. 

This was the first Feist book I read, back then having no knowledge of the enormity of the Midkemia universe and yet to read Magician (oh, to be young again!). Shadow is the first book of the Serpentwar Saga, starting decades after the events of the preceding Riftwar Saga. Aside from the building scope of this book and its introduction to the breathtaking scale of events to come, I can still recall the tone and clarity of the scenes in which young Erik, initially an apprentice blacksmith, is facing the noose. For me, Feist captured the dread and hopelessness of impending nothingness, and…well, I won’t spoil it.

There’s a massive plot developing, as you’d expect from Feist, but I think this was probably the first time I’d appreciated the political and military machinations of large-scale campaigns, and it wasn’t just one day there’s peace, the next there’s war. That sense… show more.

This is one of those books that sticks with you. It permeates your thoughts; it entangles itself in your psyche. I find myself wandering into the world of Red Rising on the regular because he built his characters to be real and so flawed.

When I read this book, I was in a personal state of turmoil, which drew me closer to the characters and the rigorous trials they faced. I identified with their fierce desperation and often modeled my mindset after Darrow, the main character.

The first in a series of six (but soon to be seven), the story overflows with love, pain, desperation, and, most importantly, hope. 

The Tasmanian setting and more subtle, understated snark of the protagonist threw me for a loop for the first part of this book, but it had been highly recommended to me so I stuck with it (plus I loved the premise and characters of this urban fantasy romp). By the end of it and into the second and third books in the series I was head-over-heels in love with the series, the author’s voice, and her wonderfully unique Aussie sense of humor. We all know that the first book can be a bit rough, and I promise you that by the end of the series I was so blown away by the excellent story-smithing and craftsmanship of Ms. Gingell that this series is one of my top favorite.

This book was so much fun. Quintessential urban fantasy—a supernatural world overlaying the real world, with a fantastic jumble of supernatural characters, including fae, shifters, vampires, genies, and more. There’s mystery and romance and fae politics and magic, and it was an absolute blast to uncover the world and get to know the characters. The main character is part-genie, but has a curse put on her so she can only use a little of her magic. She is framed for a crime, so she has to figure out what is really going on. One of my favorite aspects was that it was pretty mild when it came to the sensual elements, so while it had plenty of romantic tension, there was more plot than sex, which I prefer.