Here are 78 books that Black Sun Rising fans have personally recommended if you like
Black Sun Rising.
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In my teens, I read a book by Charles Berlitz titled Atlantis: the lost continent. I was enthralled and fascinated about this lost race of people, who were technically and sophisticated advance society and on one fateful day, vanished. My appetite for Greek mythology and ancient history grew from there, and I wanted to learn more about various ancient cultures and their mythologies. I eventually studied ancient history and continue my education as new archaeological discoveries and advancements are made. It wasn’t until a trip to Europe and seeing the Roman Forum and Colosseum, that I was inspired to write and combine my love for mythology and ancient history into historical fiction fantasy.
I’m cheating a little here by recommending a trilogy but this was one of the best historical fiction I’ve read.
The series is about Prince Aeneas and the legendary story of the war between the Trojans and the Greeks. David Gemmell sets the scene prior to war from the POV of Aeneas, who was regarded as pirate but as the story progresses you learn more about his actions and why he keeps roaming the sea.
It is full of action and stays true to the unfolding drama of the Trojan War. For me, the historical backdrop and the research the author included was one of the main reasons this series wins.
Three lives will change the destiny of nations. Hellkaon, the young prince of Dardania, haunted by a scarred and traumatic childhood. The priestess Andromache, whose fiery spirit and fierce Independence threatens the might of kings. And the legendary warrior Argurios, cloaked in loneliness and driven only by thoughts of revenge. In Troy they find a city torn apart by destructive rivalries - a maelstrom of jealousy, deceit and murderous treachery. And beyond its fabled walls blood-hungry enemies eye its riches and plot its downfall. It is a time of bravery and betrayal; a time of bloodshed and fear. A time…
While Dune, Star Wars, Battlestar Galactica (1980s), and other SF staples laid the foundation for my love of SFF, I was also reading about the universe from a young age. Along came Star Trek: The Next Generation in the ‘90s and the stage was set. Completing Bachelor’s Degrees in Ancient History & Archaeology; Religions & Theology; and a PhD in Near and Middle Eastern Studies copper-fastened my passion for the ancient world and the history of religion, and along with reading historical fiction and fantasy, everything merged into the almost allegorical universe you’ll find in Kiranis. Lovers of all the above will find something here.
I had been reading Heroic and Epic Fantasy for years, and I’d purposely avoided reading Sci-Fi, convinced that it would influence my burgeoning plot development. I wanted to maintain my plot integrity and not be subconsciously led by other authors in the genre (but of course I couldn’t avoid the influence of the SF I watched on TV). Of course, I was missing out on some great writing. I was enthralled by this story—it combined an undead trope with space opera, as the ‘risen empire’ maintains its territory while facing an external threat from the technologically hybrid Rix. There’s a fascination with the potential of biological augmentation and the place of AI in our distant future (consider ‘immortal’ humans against potentially ‘eternal’ hybrid humans), but this story is extremely character-driven and concerned with the place of the individual. The fictional science was breathtaking and not without research, but what stuck…
The undead Emperor has ruled his mighty interstellar empire of 80 human worlds for 1600 years. Because he can grant a form of eternal life-after-death, creating an elite known as the Risen, his power is absolute. He and his sister, the Child Empress, who is eternally a little girl, are worshipped as living gods. No one can touch them. No until the Rix, machine-augmented humans who worship planetary Al compound minds. The Rix are cool, relentless fanatics, and their only goal I to propagate such Als throughout the galaxy. They seek to end, by any means necessary, the Emperor's prolonged…
As a fantasy writer, I love to play with possibilities and invent new words for our experiences. I find that humorous fantasy is especially powerful in this regard because it pairs possibilities with absurdity, coming at reality sideways or backwards, putting everyday life into a new and more interesting light. Humor has the unique ability to transcend genres, from thrillers to cozy mysteries. It helps you process difficult emotions, or lift your spirits when the world feels a little too dark. These are some of my favorites within this category, and they all happen to be the first books in a series (you’re welcome). I hope you enjoy them as much as I do!
This is possibly the best known book on my list, yet it took me a long time to discover it.
This is a thriller-style adventure that follows Nathaniel, a young magician’s apprentice on a quest for revenge, who summons Bartimaeus, an all-powerful djinni. Nathaniel (unwittingly) and Bartimaeus (unwillingly) get caught up in a tangled plot of magic-fueled mayhem in which they have to work together to survive.
Bartimaeus’ sarcastic observations and side tangents add an element of humor that keep it from staying dark and somber, while also highlighting the underlying threads of slavery and social injustice in this fantasy world.
The first volume in the brilliant, bestselling Bartimaeus sequence.
When the 5,000-year-old djinni Bartimaeus is summoned by Nathaniel, a young magician's apprentice, he expects to have to do nothing more taxing than a little levitation or a few simple illusions. But Nathaniel is a precocious talent and has something rather more dangerous in mind: revenge. Against his will, Bartimaeus is packed off to steal the powerful Amulet of Samarkand from Simon Lovelace, a master magician of unrivalled ruthlessness and ambition. Before long, both djinni and apprentice are caught up in a terrifying flood of magical intrigue, murder and rebellion.
I’m a military veteran who has read science fiction and fantasy since the second grade. After reading everything on my parent’s bookshelves, everything in the school and public libraries, I had a teacher recommend I become an author. I love stories about strong-willed individuals standing up for what they believe in and changing the world. I have a master’s degree in engineering, a love for well-built things and taking stuff apart to see how it works, and a fascination with people and how they behave. In addition to writing, I am an avid gamer and a dabbler in a variety of things, from metalworking to hiking.
I first read the Belgariad as a series of books as a child. I love the banter between characters, the growth, and development of the characters throughout the story, the way that individuals impact the world, sometimes in great ways and sometimes in small ones, and how there is a contrast between good and evil, hope and despair.
The first part of a saga set against a history of 7000 years of struggles of gods and kings and men. Long ago, the evil god Torak sought dominion and drove men and gods to war. Belgarath the Sorcerer led a quest to reclaim the Orb of Aldur - but so long as it lay at Riva, men would be safe.
I’ve been a lover of fantasy stories, mythology, and folklore for a long time, mostly because fully realized fictional settings beyond our world enthralled me. My first forays into writing dwelt on fantasy with a strong historical slant, even when I dabbled in romance. It was also then that I realized my male characters had more chemistry with each other than with the females I’d paired them with. This is how I wound up in fan fiction, where virtually anything goes. During those years, I honed my writing, deepened my fascination with world-building, and crafted stories that would feed the wellspring of my first historical fantasy novel.
It was this book that disabused me of the notion that fantasy had to be written in a specific way, often in highfalutin or profound language. It encouraged me to put my own stories into writing.
Though very much a historical fantasy novel, this book was easy to understand despite the unfamiliar terms and background details of a fantastical universe. I think it’s due to Katheryn Kurtz’s initial use of simple, down-to-earth language and a fairly straightforward story, which, looking back now, was probably aimed at teenagers or young adults. I was sometimes reminded of the first volume of JRR Tolkien’s epic novel, especially because the succeeding books got progressively darker and more complex.
In this introductory book, the world of the Deryni, a race of mortals with magical powers, is fleshed out so well that the kingdom of Gwynedd, its people, and its neighboring realms feel so real that…
In the kingdom of Gwynedd, the mysterious forces of magic and the superior power of the Church combine to challenge the rule of young Kelson. Now the fate of the Deryni -- a quasi-mortal race of sorcerers -- and, indeed, the fate of all the Eleven Kingdoms, rests on Kelson's ability to quash the rebellion by any means necessary . . . including the proscribed use of magic!
I’ve always loved the darker side of fantasy. While heroes, knights, and handsome kings can occasionally be enjoyable, I want to know the other characters who have suffered, hurt, lost, grieved, and been hardened by grim circumstances and cruel fate. Those characters demonstrate the resilience of human nature and how goodness truly can exist even in the harshest environment. I love using this darkness in my own novels to show that even the tiniest spark can shine immensely bright—a true testament to the indefatigability of our spirits.
Royce Melborn is exactly the assassin I’d expect: scowling, suspicious, irritable, prone to violence, and scarred by hard life. So, of course, he ends up forming a team with Hadrian Blackwater, the most cheerful, upbeat swordsman in the world.
The “mismatched friends” and “grumpy/sunshine” flavor of the story was immensely fun—reminiscent of all my favorite buddy cop TV shows and movies—and did a wonderful job of anchoring me to these two characters as they fought their way through a world determined to harm them.
The dynamic between the characters is mirrored by a twisty-turny plot, a fascinatingly detailed world, and an epic storyline that kept me turning the pages to find out what came next.
Royce Melborn, a skilled thief, and his mercenary partner, Hadrian Blackwater, make a profitable living carrying out dangerous assignments for conspiring nobles-until they are hired to pilfer a famed sword. What appears to be just a simple job finds them framed for the murder of the king and trapped in a conspiracy that uncovers a plot far greater than the mere overthrow of a tiny kingdom.
Can a self-serving thief and an idealistic swordsman survive long enough to unravel the first part of an ancient mystery that has toppled kings and destroyed empires?
While Dune, Star Wars, Battlestar Galactica (1980s), and other SF staples laid the foundation for my love of SFF, I was also reading about the universe from a young age. Along came Star Trek: The Next Generation in the ‘90s and the stage was set. Completing Bachelor’s Degrees in Ancient History & Archaeology; Religions & Theology; and a PhD in Near and Middle Eastern Studies copper-fastened my passion for the ancient world and the history of religion, and along with reading historical fiction and fantasy, everything merged into the almost allegorical universe you’ll find in Kiranis. Lovers of all the above will find something here.
This was the first Feist book I read, back then having no knowledge of the enormity of the Midkemia universe and yet to read Magician (oh, to be young again!). Shadow is the first book of the Serpentwar Saga, starting decades after the events of the preceding Riftwar Saga. Aside from the building scope of this book and its introduction to the breathtaking scale of events to come, I can still recall the tone and clarity of the scenes in which young Erik, initially an apprentice blacksmith, is facing the noose. For me, Feist captured the dread and hopelessness of impending nothingness, and…well, I won’t spoil it.
There’s a massive plot developing, as you’d expect from Feist, but I think this was probably the first time I’d appreciated the political and military machinations of large-scale campaigns, and it wasn’t just one day there’s peace, the next there’s war. That sense…
The astonishing first volume in Raymond E. Feist's bestselling Serpentwar Saga...
A nest of vipers is stirring. . .
Ancient powers are readying themselves for a devastating confrontation. A dark queen has raised her standard and is gathering armies of unmatched might.
Into this battleground of good and evil a band of desperate men are forced, whose only hope for survival is to face this ancient power and discover its true nature.
Among them are some unlikely heroes - Erik, a bastard heir denied his birth right, and his friend Roo, an irrepressible scoundrel with a penchant for thievery. They…
As the author of 10+ books in my snark-filled and magical Love, Lies, and Hocus Pocus universe, I’ve had plenty of practice mixing humor and urban fantasy. I’m also addicted to British humor like Monty Python and Black Books. Sir Edgar Allan Kipling, the magical talking cat in my books is my main outlet for humor with his feline aphorisms like “pride is unbecoming to humans, only cats and dragons do it justice,” and “if you wanted sympathy, you should have adopted a dog.” It has been my joy to seek out the snort-laugh-worthiest novels, learn from them, and produce laugh-out-loud adventures for my own wonderful readers.
The Tasmanian setting and more subtle, understated snark of the protagonist threw me for a loop for the first part of this book, but it had been highly recommended to me so I stuck with it (plus I loved the premise and characters of this urban fantasy romp). By the end of it and into the second and third books in the series I was head-over-heels in love with the series, the author’s voice, and her wonderfully unique Aussie sense of humor. We all know that the first book can be a bit rough, and I promise you that by the end of the series I was so blown away by the excellent story-smithing and craftsmanship of Ms. Gingell that this series is one of my top favorite.
When you get up in the morning, the last thing you expect to see is a murdered guy hanging outside your window. Things like that tend to draw the attention of the local police, and when you're squatting in your parents' old house until you can afford to buy it, another thing you can't afford is the attention of the cops.
Oh yeah. Hi. My name is Pet. It's not my real name, but it's the only one you're getting. Things like names are important these days.
I love urban fantasy and all the associated genres, like paranormal and horror. I love the question of “what if” and exploring how things would work if certain rules of magic or the supernatural were real. I love the variety and scope of world building that can be done parallel to and within our world through urban fantasy. That “what if” question is at the center of my own writing, and especially when I read non-fiction on topics like parallel universes and aliens and demons, I get so much inspiration for stories and worlds and what might be happening just beyond our view.
This book was so much fun. Quintessential urban fantasy—a supernatural world overlaying the real world, with a fantastic jumble of supernatural characters, including fae, shifters, vampires, genies, and more. There’s mystery and romance and fae politics and magic, and it was an absolute blast to uncover the world and get to know the characters. The main character is part-genie, but has a curse put on her so she can only use a little of her magic. She is framed for a crime, so she has to figure out what is really going on. One of my favorite aspects was that it was pretty mild when it came to the sensual elements, so while it had plenty of romantic tension, there was more plot than sex, which I prefer.
With genie powers I shouldn’t be able to use, thanks to my curse-mark.
In my defense, the damn grizzly was threatening civilians and might have been a vampire as well. Pittsburgh is safer without him. Only the Fae court doesn’t believe my story, and the shifters are out for blood.
Now I’ve lost my job as a romantic investigator, and I’m on death row. My only hope is an oddly outgoing vegetarian vampire lawyer who seems strangely familiar. Too familiar. Almost like we’ve met before, and this whole thing was a set-up…
I’ve been obsessed with fantasy stories for as long as I can remember, but the books I read growing up usually took place “somewhere else.” When I first started seeing books that brought magic to a world that resembled mine, I fell in love. Reading magic in a modern setting brought it home and made it real. Now, I gobble up every story I can find that brings magic to the mundane, and I even write my own. I hope the books on this list inspire you to look for the magic in your own life, as they have for me.
This book holds a very special place in my heart because this is the book I was reading on the day I decided to become an author. The way the characters, world-building, mythos, and action came together in this story was pure magic, and I wanted more.
I’ve since read the entire series, though it’s ongoing, and I haven’t been disappointed. The heart and soul of this book is how much the main character cares about her friends and how far she will go to keep them safe. Joining Mercy’s pack, even for just a few pages at a time, feels like coming home.
The third novel in the international No. 1 bestselling Mercy Thompson series - the major urban fantasy hit of the decade
'I love these books!' Charlaine Harris
'The best new fantasy series I've read in years' Kelley Armstrong
MERCY THOMPSON: MECHANIC, SHAPESHIFTER, FIGHTER
It wasn't hard to follow the scent of blood to the living room where the fae had been killed. It had been a violent death, perfect for creating ghosts.
Mercy Thompson enjoys life as a mechanic, but life is never simple given her increasing closeness to the local werewolf pack, and her ability to change into coyote…
