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Most of my mysteries fall somewhere on a humor continuum from laugh-out-loud to edgy. Because of the tone and lack of graphic sex or violence, they are often labeled as “cozies.” But all humorous mysteries are not cozies. To explain the different types of humor, I developed a matrix of five categories—kooky, comic, amusing, edgy, and dark. I’ve done numerous guest posts on my matrix, identifying authors from each category and discussing why readers are drawn to different types of humor based on brain dominance profiles and personality types. I also refer to my matrix and the nature of branding when discussing the function of humor in mysteries.
The opening scene in this first in the series is one of the funniest I’ve ever read. I also like the character of “Izzy” Spellman, a twelve-year-old with attitude issues and a need to prove herself.
Although their dysfunctional family would drive me crazy if I were a part of it, I find the Spellman Investigations the perfect vehicle for occasionally dark humor and twisted plots.
From the award-winning author of The Passenger comes the first novel in the hilarious Spellman Files mystery series featuring Isabel “Izzy” Spellman (part Nancy Drew, part Dirty Harry) and her highly functioning yet supremely dysfunctional family of private investigators.
Meet Isabel “Izzy” Spellman, private investigator. This twenty-eight-year-old may have a checkered past littered with romantic mistakes, excessive drinking, and creative vandalism; she may be addicted to Get Smart reruns and prefer entering homes through windows rather than doors—but the upshot is she’s good at her job as a licensed private investigator with her family’s firm, Spellman Investigations. Invading people’s privacy…
I worked for many years in business consultancy (writing many books like the bestselling “Successful Time Management [Kogan Page]) before branching into other genres, including fiction and light-hearted travel writing (e.g., Beguiling Burma [Rethink Press]). My five novels all involve ordinary people caught up in situations that involve mystery or crime (or both). Like most fiction writers, I find it difficult to recognize where ideas come from, though I do draw on various aspects of my own life; for example, Long Overdue [Stanhope Books] involves sailing and a missing person. Certainly, I relate to sailing and, for many years, owned a boat.
Another unusual premise. An asteroid has been spotted on a collision course with Earth, and civilization appears doomed, yet our hero remains set on solving his current case, a death originally dismissed as suicide, which is, in fact, a murder.
Surprisingly, the two themes are made to sit well together, and the intent to solve the crime never seems inappropriate in dire circumstances. This is a real page-turner, which I loved.
In THE LAST POLICEMAN, Edgar Award winner and New York Times bestselling author Ben H. Winters, offers readers something they've never seen before: A police procedural set on the brink of an apocalypse. What's the point in solving murders when we're going to die soon, anyway? Hank Palace, a homicide detective in Concord, New Hampshire, asks this question every day. Most people have stopped doing whatever it is they did before the asteroid 2011L47J hovered into view. Stopped selling real estate; stopped working at hospitals; stopped slinging hash or driving cabs or trading high-yield securities. A lot of folks spend…
I worked for many years in business consultancy (writing many books like the bestselling “Successful Time Management [Kogan Page]) before branching into other genres, including fiction and light-hearted travel writing (e.g., Beguiling Burma [Rethink Press]). My five novels all involve ordinary people caught up in situations that involve mystery or crime (or both). Like most fiction writers, I find it difficult to recognize where ideas come from, though I do draw on various aspects of my own life; for example, Long Overdue [Stanhope Books] involves sailing and a missing person. Certainly, I relate to sailing and, for many years, owned a boat.
Everything about the premise here is somewhat unusual, creating a delightful tale. The main character is a crime reporter who goes a good bit further than just reporting as she gets involved in a variety of criminal endeavors.
The main unusual feature is that she comes with an entire family who are… well, eccentric does not begin to describe it. Throw in a setting in Thailand and a quirky feel to the whole thing (one character dismisses a body as an animal, which another corrects by pointing out that it is wearing a hat!). It's Great fun, as are sequels featuring the same characters.
When crime reporter Jimm Juree is forced to follow her family from Chiang Mai to a fishing village on the Gulf of Siam, she's convinced her career is over. Her journalism will surely dwindle to reports on the annual monsoon-induced floods, for what crimes could possibly happen in such an out-of-the-way place? A local palm oil plantation owner and his worker are excavating a well. They dig down six feet and hit metal. It turns out to be the roof of an old Volkswagen combi, which, once unearthed, is found to contain two skeletons - one of them wearing a…
Most of my mysteries fall somewhere on a humor continuum from laugh-out-loud to edgy. Because of the tone and lack of graphic sex or violence, they are often labeled as “cozies.” But all humorous mysteries are not cozies. To explain the different types of humor, I developed a matrix of five categories—kooky, comic, amusing, edgy, and dark. I’ve done numerous guest posts on my matrix, identifying authors from each category and discussing why readers are drawn to different types of humor based on brain dominance profiles and personality types. I also refer to my matrix and the nature of branding when discussing the function of humor in mysteries.
I appreciate the lighthearted tone and well-informed information about gardens and gardening in this series. I started with the first in the series.
In this book, the gardener protagonist moves to London and takes a job where she, of course, finds a body. The nice thing about this book is that it combines a complex mystery with fully developed characters, an interesting location, and a touch of romance. These three characteristics are also true of the other books in this series that I’ve read.
I worked for many years in business consultancy (writing many books like the bestselling “Successful Time Management [Kogan Page]) before branching into other genres, including fiction and light-hearted travel writing (e.g., Beguiling Burma [Rethink Press]). My five novels all involve ordinary people caught up in situations that involve mystery or crime (or both). Like most fiction writers, I find it difficult to recognize where ideas come from, though I do draw on various aspects of my own life; for example, Long Overdue [Stanhope Books] involves sailing and a missing person. Certainly, I relate to sailing and, for many years, owned a boat.
I love this author whose books are full of wonderful quirky descriptions and dark humour unusual in this genre. I love the unusual characters and setting. A writer living in Thailand and getting to grips with the culture and people as he also gets caught up in criminal activity.
This title is the first of a series (best read in order)–I have enjoyed reading all of them enormously as the long-term story has developed alongside clever page-turning standalone plots.
Travel writer Poke Rafferty was good at looking for trouble - so good that he made a little money writing a few offbeat travel guides for the young and terminally bored. But that was before Bangkok stole his heart. Now the expat American is happily playing family with Rose, the former go-go dancer he wants to marry, and with Miaow, the wary street child he wants to adopt. Yet just when everything is beginning to work out, trouble comes looking for Poke in the guise of good intentions. First he takes in Miaow's friend, a troubled and terrifying street urchin…
I worked for many years in business consultancy (writing many books like the bestselling “Successful Time Management [Kogan Page]) before branching into other genres, including fiction and light-hearted travel writing (e.g., Beguiling Burma [Rethink Press]). My five novels all involve ordinary people caught up in situations that involve mystery or crime (or both). Like most fiction writers, I find it difficult to recognize where ideas come from, though I do draw on various aspects of my own life; for example, Long Overdue [Stanhope Books] involves sailing and a missing person. Certainly, I relate to sailing and, for many years, owned a boat.
I loved this book, a thriller from a writer normally at the literary end of the spectrum (the writing is great) in which the hero is the murderer. A bored Englishman working as a teacher in Italy looks to solve his money problems by marrying a student from a well to do family.
The situation spirals out of control as theft, blackmail, and murder spin from his obsessions. It is a great story, and I loved the fact that it never lost credibility for a moment and that I questioned the way I regarded such an essentially unsympathetic character as the hero.
The first Duckworth novel is "Better than Silence of the Lambs . . . Macabre fun orchestrated with immaculate precision. It's a killer" (Los Angeles Times)
Morris Duckworth teaches English to the pampered rich of Verona, and Morris is not pleased. Living a meager existence in a squalid apartment, he regards his privileged students with envy and disdain, first wreaking revenge by petty theft, and then, like all good criminals, graduating to grander larceny. When one of those students, a beautiful but vapid heiress named Massimina, falls in love with him, Morris can almost smell upward mobility. However, after the…
Most of my mysteries fall somewhere on a humor continuum from laugh-out-loud to edgy. Because of the tone and lack of graphic sex or violence, they are often labeled as “cozies.” But all humorous mysteries are not cozies. To explain the different types of humor, I developed a matrix of five categories—kooky, comic, amusing, edgy, and dark. I’ve done numerous guest posts on my matrix, identifying authors from each category and discussing why readers are drawn to different types of humor based on brain dominance profiles and personality types. I also refer to my matrix and the nature of branding when discussing the function of humor in mysteries.
I’ve read quite a few books by Cindy Sample. They are reliably funny, have interesting plots, and happy endings. In this book, Sierra Sullivan, an aging entertainer, swallows her pride and agrees to do a children’s birthday party.
When she discovers a corpse, becomes a suspect, and then wants to help her police detective daughter find the killer, I knew it was going to be a smile-filled journey filled with quirky characters until the killer was apprehended.
FROM CINDY SAMPLE, NATIONAL BESTSELLING AUTHOR AND FIVE-TIME FINALIST FOR THE LEFTY AWARD FOR BEST HUMOROUS MYSTERY COMES A NEW SERIES - SPINDRIFT COVE MYSTERIES
After Sierra Sullivan is furloughed from her cruise director position, she moves to Spindrift Cove, Washington, to be closer to her married daughter. She soon discovers that gigs for middle-aged entertainers are scarcer than good hair days in the Pacific Northwest. With her bank account sliding toward zero, she swallows the indignity of donning a ten-pound wig and elaborate costume to perform at a child’s birthday party.
Most of my mysteries fall somewhere on a humor continuum from laugh-out-loud to edgy. Because of the tone and lack of graphic sex or violence, they are often labeled as “cozies.” But all humorous mysteries are not cozies. To explain the different types of humor, I developed a matrix of five categories—kooky, comic, amusing, edgy, and dark. I’ve done numerous guest posts on my matrix, identifying authors from each category and discussing why readers are drawn to different types of humor based on brain dominance profiles and personality types. I also refer to my matrix and the nature of branding when discussing the function of humor in mysteries.
I particularly like Weidner’s plots, which are always driven by interesting settings. Unlike many cozies, the settings don’t fall into traditional categories. For instance, her glamping series involves tiny houses whose renters often have short life spans. All sorts of strange—and deadly—people/groups can be renters, so the possibilities for interesting characters are huge.
In spite of the deaths that occur, there’s plenty in her books to make me smile. I’m also a fan of her Delanie Fitzgerald Mysteries because I find her strong female protagonist appealing.
Hollywood has come to Fern Valley, and the one stoplight town may never be the same. Everyone wants to get in on the act.
The crew from the wildly popular, fan favorite, Fatal Impressions, takes over Jules Keene's glamping resort, and they bring a lot of offscreen drama and baggage that doesn't include the scads of costumes, props, and crowds that descend on the bucolic resort in the Blue Ridge Mountains. Added security, hundreds of calls from hopeful extras, and some demanding divas keep Jules's team hopping.
When the show's prickly head writer ends up dead under the L. Frank…
I have been fascinated by James Ellroy’s life and writing since I first discovered it as a lonely teenager on a rainswept family holiday. He went through dark times; the unsolved murder of his mother and his subsequent struggles with addiction. But how he overcame this to become one of America’s greatest writers is an inspiring story and has inspired me to get through my own personal turmoil. Indeed, many Ellroy readers will attest to how his life story and writing helped them overcome their struggles. Now as Ellroy’s biographer, I am continually drawn back to his work. Reading just a few pages allows me to contemplate what Ellroy calls ‘the Wonder’.
This was James Ellroy’s debut novel and has been all but forgotten compared to the masterpieces he later produced. But there is so much in this book that reveals why Ellroy was destined for greatness: strong plotting, vivid characters, electrifying prose. The plot involves a car repo man who takes on a private eye case for an oddball golf caddy. The plot owes a lot to Raymond Chandler, but it still feels original in Ellroy’s hands. Allow yourself to be swept away by it.
Beneath the slick, glittering surface of L.A., an underworld of depravity and wickedness reins. Fritz Brown is a part-time private eye and full-time repo-man who gets his kicks listening to classical music. But the waters get too deep for Brown when he takes a case from a cash-flashing golf caddy named Freddy “Fat Dog” Baker that puts him on the trail of his client’s sister and the older gentleman she’s run off with. But more suspicious than his sister, a classy cellist, is Fat Dog himself, who has a past more sordid than he lets on. Diving into a cesspool…
I’m a retired surgeon and have no expertise in espionage, law enforcement, or the legal system. But I enjoy thriller novels that feature these things, and I follow the adage, “Write what you like to read.” But I do have medical/surgical expertise and have followed another adage: “Write what you know,” so I have inserted medical situations into many of my stories and one of my published books is a medical thriller. What I like about thrillers is the ability to show each side of the conflict. The good guys against the bad guys, neither side knowing what the other is doing. But the reader knows, and this adds to the suspense.
There isn’t a Robert Crais novel I haven’t thoroughly enjoyed, but I especially like the ones featuring PI Elvis Cole and his no-nonsense, stoic buddy Joe Pike. What is especially good about this novel is the character development of the two antagonists. Their personalities, often clashing with each other, make them more than one-dimensional killers, adding spice to the story—something I try to do in my own books.
'Just keeps getting better and better' Evening Standard As addictive as Lee Child and as explosive as Michael Connelly - THE WANTED is the new thriller from Robert Crais, and a NEW YORK TIMES BESTSELLER
Seventeen-year-old Tyson is a normal teenaged boy - he's socially awkward, obsessed with video games, and always hungry. But his mother is worried that her sweet, nerdy son has started to change... and she's just found a $40,000 Rolex watch under his bed. Suddenly very frightened that Tyson has gotten involved in something illegal, his mother gets in touch with a private investigator named Elvis…
