90 books like Shadowland

My name is Polly Schattel, and I’m a novelist, screenwriter, and film director. I wrote and directed the films Sinkhole, Alison, and Quiet River, and my written work includes The Occultists, Shadowdays, and the novella 8:59:29. I grew up loving fantasy—Tolkien, Moorcock, Zelazny—but phased out of it somewhat when I discovered writers like Raymond Carver, EL Doctorow, and Denis Johnson. Their books seemed more adult and more complex, not to mention the prose itself was absolutely transporting. In comparison, the fantasy I’d read often felt quite rushed and thin, with get-it-done prose. I drifted away from genre fiction a bit, but dove back to it with my first novel, the historical dark fantasy The Occultists.

My name is Polly Schattel, and I’m a novelist, screenwriter, and film director. I wrote and directed the films Sinkhole, Alison, and Quiet River, and my written work includes The Occultists, Shadowdays, and the novella 8:59:29. I grew up loving fantasy—Tolkien, Moorcock, Zelazny—but phased out of it somewhat when I discovered writers like Raymond Carver, EL Doctorow, and Denis Johnson. Their books seemed more adult and more complex, not to mention the prose itself was absolutely transporting. In comparison, the fantasy I’d read often felt quite rushed and thin, with get-it-done prose. I drifted away from genre fiction a bit, but dove back to it with my first novel, the historical dark fantasy The Occultists.

My name is Polly Schattel, and I’m a novelist, screenwriter, and film director. I wrote and directed the films Sinkhole, Alison, and Quiet River, and my written work includes The Occultists, Shadowdays, and the novella 8:59:29. I grew up loving fantasy—Tolkien, Moorcock, Zelazny—but phased out of it somewhat when I discovered writers like Raymond Carver, EL Doctorow, and Denis Johnson. Their books seemed more adult and more complex, not to mention the prose itself was absolutely transporting. In comparison, the fantasy I’d read often felt quite rushed and thin, with get-it-done prose. I drifted away from genre fiction a bit, but dove back to it with my first novel, the historical dark fantasy The Occultists.

My name is Polly Schattel, and I’m a novelist, screenwriter, and film director. I wrote and directed the films Sinkhole, Alison, and Quiet River, and my written work includes The Occultists, Shadowdays, and the novella 8:59:29. I grew up loving fantasy—Tolkien, Moorcock, Zelazny—but phased out of it somewhat when I discovered writers like Raymond Carver, EL Doctorow, and Denis Johnson. Their books seemed more adult and more complex, not to mention the prose itself was absolutely transporting. In comparison, the fantasy I’d read often felt quite rushed and thin, with get-it-done prose. I drifted away from genre fiction a bit, but dove back to it with my first novel, the historical dark fantasy The Occultists.

I love jewelry that calls to me. When I make jewelry, I believe some of my spirit is infused in it. Later, the buyer’s spirit takes over the piece. I believe in life after death, and I interviewed a medium who performed spirit releases, which helped me build my ghost framework. A cold case of a missing teen I knew gave me a scene I still cry about. The best mysteries have revelations of the heart. My book, even after revising many times, still makes me laugh and cry too. In my opinion, there is no clock or calendar dictating forgiveness for the living or dead. There is only hope.

I’ve loved mysteries since childhood. That passion started with silly attractions like Scooby-Doo, Dark Shadows, and Nancy Drew. As I grew older, my love of mystery expanded to include the “what if” elements of folklore and urban legends. I’ve written two, 3-book series employing dual timelines, each wrapped in multiple layers of folklore. Crafting separate plotlines then weaving them into a tidy ending takes patience. I enjoy reading books that are well-executed and if they include a touch of the supernatural, all the better. My passion for urban legends has led me to give presentations to local community groups and also to engage in travel when needed for on-site research.

I've always been obsessed with justice, but as a five-foot, zero-inch woman, I can't exactly kill a bad guy with my bare hands. So I right wrongs in my books, which always end on a note of triumph, and where people who do dread, nefarious things tend to meet with rightful ends. Before I became a writer, I worked as a psychotherapist, and one day I was assigned the case of this adorable five-year-old who had just killed the family pet. Drilling down into the reasons behind the acts people commit helped me save this child, and has come to consume me. It also happens to be something every author on this list does brilliantly well.

I grew up on a steady diet of Nancy Drew and Encyclopedia Brown. Then, in a plot twist that surprised exactly no one, I became an English teacher, a librarian (did you know you can recommend books for a LIVING???), and an author. I love books where the sleuth must not only solve the case at hand, but also wrestle with some sort of ongoing personal problem–bonus points if they can simultaneously pull the curtain back on societal issues and make me feel like I’m getting to experience life in a place where I don’t actually live (I’m looking at you, London and L.A.). 

When I met my husband, he had two dogs—Gus the collie and Charlie the Yorkie. When the collie crossed the rainbow bridge, we brought another big dog into the household—a golden retriever. Charlie let Sam know that my husband was HIS human, and Sam could have me if he wanted. That began a beautiful twelve-year love affair. I knew I had to write about the relationship between man and dog, and chose the mystery novel as my framework. I spend hours every day researching my books – walking my current goldens, Brody and Griffin; feeding them; grooming them; playing with them; and observing how they interact with the world.

As a teenager, I didn’t have the lack of inhibition or abundant self-confidence to excel in high school drama. Like Sadie in Bit Players, I finally wowed the directors at my senior year audition, only to learn the lead was promised in advance to someone else. I recovered and stayed involved in theater: cast, crew, and front-of-house jobs for a summer theater program; the box office for Cornell’s MFA program; and supporting my kids’ drama activities. Performing in a show is different from any other experience. If you’ve been in a show, you know this. If you haven’t, read on to enter the magical world of theatre.