96 books like Shadowland

Mythago Wood is the kind of book that pulls you in and settles you down for a great, blanket-comfy, rainy-day read.

Concerning Ryhope Wood, an ancient, primeval forest in England that seems bigger the deeper in you go, it explores human psychology, both personal and collective, particularly the ideas of Carl Jung.

The forest somehow uses human psychology to create “mythagos,” complex unconscious creations built upon human memories and myths, and our hero Stephen Huxley is compelled to learn the secrets of the wood, whether or not he makes it back out alive.

As psychologically astute as it is thrilling, Holdstock’s book won the World Fantasy Award in 1985 and launched a successful series of fantasies that’s even more widely respected today.

For a more traditional take on fantasy, Sofia Samatar’s A Stranger in Olondria is lovely and immersive, a fascinating new world worthy of Ursula Le Guin and Gene Wolfe.

Reportedly, she created Olondria from a combination of regions in Turkey and North Africa, and it feels absolutely fresh and instantly powerful. A teenage merchant becomes haunted by the ghost of a young girl and must find a way to put her to rest.

But the story is really about the power of books and stories and language itself. It’s a love letter to adventure and open seas, harbors, and alleys, and snowy mountains in the distance.

Ms. Samatar holds several advanced degrees in language and literature, including Arabic and various African dialects, and you can feel the joy of her verbal artistry dancing on the page.

Stranger is not to be missed.

Crowley is the author of the timeless classic Little, Big, of course (which is also essential reading), but his novel, The Solitudes, began a tetralogy that explores history, alternate history, and the grand Hermetic framework which contains it all.

Centering around a historian working to connect an alternate imagined world, Ægypt, with the real one today, Crowley’s readers take a deep dive into the Renaissance world of Giordano Bruno, Doctor Dee, Shakespeare, and others, while simultaneously exploring the arcane world of the present.

It feels strangely akin to something Umberto Eco might come up with if he ever wanted to write fantasy.

As with any Crowley novel, the prose is absolutely gorgeous—a masterclass of beautiful, thoughtful writing. This series has been unjustly overlooked. Give it a try.

The Sorcerer of the Wildeeps, Wilson’s debut work, is another wonder among wonders.

It feels like an epic fantasy, but instead of following more Viking-blonde heroes with their magical swords, we’re following hired mercenaries to escort a caravan through dangerous lands.

And instead of the usual fantasy worlds descended from the Western European Middle Ages, we’re in one influenced by re-colonial Africa.

There are magical jungles and magical tigers, and violence and death, and an LGBT love story between smart, dedicated men.

It’s a character study worthy of a literary novel, but the love of words, and the masterful inclusion of various dialects, particularly a kind of medieval hip-hop slang, makes this a truly fascinating read.

This book had a very dramatic “reveal” that would make HGTV jealous.

I liked not immediately guessing the doer of bad things and blaming others only to learn I was wrong and also when Mother Nature threw obstacles. I could identify with the husband and wife who are building a new future and a new house for themselves after teaching. I also liked the interplay between the locals and the land and the use of research to get to the heart of the problem.

Most of all, I loved the ending with a twist, and I vowed to read more books by McMahon. 

My first experience reading a book with dual storylines, this novel held me spellbound cover to cover. McMahon has since become an auto-buy author for me, thanks to this fantastical story that puts a magnifying glass on the life of two sisters, a childhood friend, and an unexplained disappearance. The story moves between past and present and revolves around the Tower Motel in Vermont, now a ruined shell that refuses to yield its secrets. Secrets the girls discovered while playing games there as children. 

An unexpected splash of the paranormal and the use of letters from one sister to Mr. Hitchcock (yes, that Hitchcock) add the perfect touch to this disturbing gem.

Three generations of women act victoriously throughout this white-knuckle tale. Anne, who met the man of her dreams – slash the man of her nightmares – right out of college; her daughter, Thea; and the tough matriarch to them all. When these women thread their way through the winter woods to hole up in a cabin, they don't know the identity of the man who has chased them there, or the threat they will face. They only know their fierce love for each other, a bond too strong for any man to break. Told in the voices of these women, with interlocking timelines, there is an ageless, fairy tale quality to this thriller. It will raise your heart rate even as it tugs at your heartstrings.

I can’t get enough of quirky, indefatigable teen sleuth Stevie Bell. She’s determined to solve a decades-old cold case, but must also navigate social awkwardness, anxiety, and people who literally want her dead.

I enjoyed how this book flip-flopped between the present-day narrative and the past. My friend and I got to see Maureen Johnson give a talk at a nearby bookstore, and we loved it; she’s basically a stand-up comedian. 

I’ve often wondered about the lives of the migrant farmworkers who come to Vermont, most often from Mexico, Guatemala, and Jamaica, but whom I only ever see in the grocery store checkout line or waiting at the service desk for cash transfers.

While it’s easy to idealize the rolling hills dotted with Holsteins, perfect for postcards and Ben & Jerry’s ice cream cartons, dairy is big business in Vermont, and, like everywhere in the US, many of our farmworkers are immigrants without legal protection. Language and cultural barriers, and their very real fears of deportation, keep these workers’ lives hidden. This book, which brings together nineteen stories of personal witness, told by immigrant workers and illustrated, graphic-novel-style, by local comics artists, goes a long way to change that. While there are some common themes—the dangers of crossing the desert, longing for home, working endless shifts in all weather—the stories are… show more.

Few things put me off more in a novel than a protagonist I can’t relate to. With this book, though, it’s precisely the nuance of the unreliability of Charity—the female main character—that conquered me. Her bossy yet loving attitude toward her husband, children, and friends worked like a magnet. I was fascinated by her continuous shifts to and fro the ideal woman and the nightmare of a wife.

In this novel, I admired Stegner’s ability to give depth to his characters—Charity, in particular. Under different circumstances (a different story or writing style), her slap-me-across-the-face attitude might have made me throw the book across the room. Instead, it firmly sits on my bookshelf, ready to be read again in the coming future.