82 books like Truly Devious

Constance Kopp was a real person, one of the first female deputy sheriffs in the United States, and the inspiration for this book.

I love how Stewart plays off brief mentions in the historical record and brings her fully to life. Constance doesn’t fit the expectations of a proper lady in 1914 New Jersey—she’s too outspoken, too tall, too independent. This is a feminist story, a finding-your-purpose story, and a wonderful historical snapshot.

The next book in the series is called Lady Cop Makes Trouble, and if you haven’t figured it out yet, I love women who make trouble.

I admit it: I underestimated Flavia de Luce.

She is 11 years old, self-schooled, and lives outside a small English town in the 1950s. She is overlooked and underestimated by everyone. Deep inside, I’m still 11 years old, underestimated, and overlooked. I had an insatiable desire to learn about my environment, and I often saw things others didn’t. Flavia also reminds me of my childhood living in the country in the 1980s. I ran unchecked, safe, and constantly delighted in discovering new things about my corner of the world. I wince at the de Luce family politics. I cheer Flavia’s investigations and her fearlessness. I want nothing more than to stay in Flavia’s 11-year-old world forever. She is the kick-ass kid I wanted to be. 

I love all of Jacqueline Winspear’s books about Maisie Dobbs and am sorry to see that the author is retiring this character. I liked Maisie from the first, maybe because the 1920s are an era of fascination for me.

Not only was the mystery a good read, but it led me to do further research on the after-effects of World War I and the toll it took on the young soldiers, most of them barely out of their teens. Winspear is a great storyteller with a compelling heroine.

I enjoyed being along for this wacky ride as Finlay accidentally gets herself hired as a contract killer, disposes of a body, and navigates the criminal underworld–all while raising her two small children and dealing with her infuriating ex-husband. There’s a love triangle in this book, but the relationship I enjoyed most was the friendship that develops between Finlay and Vero, her former nanny turned partner in crime.

This story is completely absurd, laugh-out-loud funny, and very suspenseful. 

Detective Renée Ballard is a woman I hate to love. She sleeps during the day in a tent on the beach–who needs a solid roof over your head when you’re working graveyard for the L.A.P.D.–and occasionally shags the lifeguard. She is a loner, super smart, super tough, touchy, relentlessly driven, bitchy. What’s not to like?

This book got pretty scary. I like to be scared, and there are three more in the series.

Claire DeWitt is a troubled detective hired to solve a disappearance in post-Katrina New Orleans.

She learned her craft by studying the teachings of an elusive French detective, and was set on her career path after failing to find her missing friend as a teenager. She is haunted by disappearances of all kinds, and through this fascinating main character Gran weaves an atmospheric, compelling mystery.

The first time I read this book a hidden door in my writing brain unlocked—detective novels can be more than the classic setup of a talented sleuth following the clues. They can be messy and enigmatic and unsettling—in fact, Gran convinced me that they should be.

This book is a gripping story that reads like a thrilling noir caper.

I felt drawn into the main character’s story, both as she navigated the mystery and in her stirring relationship with her family. The intersection of her identity as a queer woman from a Chinese-American family provided so much of the story’s heart and stakes—I found myself reading to see how these tensions would resolve as much as to figure out whodunnit.

For me, there’s something extra compelling about a crime novel set in Los Angeles. I can’t remember why I picked up this first book in the Elouise (Lou) Norton series, but I’m glad I did.

In the first few pages, Lou is called out to the scene of an apparent suicide that may have connections to her own sister’s long-ago disappearance, which instantly intrigued me. I loved getting to follow fierce, tough Lou around the city as she investigated her current case, broke in her newbie partner, and also tried to figure out, once and for all, what really happened to her sister.

There’s a valid argument to be made that Shadowland is perhaps more of a horror novel than fantasy, but it’s never really out-and-out scary.

It’s certainly more magical than bloody, concerning two friends in the 1950s who spend a hallucinatory summer at an uncle’s place in the Vermont woods. And man do things get weird.

After a long, lovely prelude at a boarding school, Tom and Del have to navigate their failing friendship and the strange happenings in the woods, but most of all they have to look out for Del’s uncle Cole, an old-school magician who, it turns out, is far from an avuncular old guardian.

Full of fairy tales and fables and wonderful digressions (with Straub, the digressions are often the point), Shadowland feels timeless in a way Stephen King never does. It might be the best book I’ve ever read.

This lovely story is one of loss, tragedy, hope, family, and new beginnings that come in the most unexpected ways.

Seventy-five-year-old Sarah has a good life. She’s been married to Charles, a man she adores, for fifty years. She assumes they will live out the rest of their lives together in the tranquil setting of their Vermont country home. But when Charles unexpectedly passes away, Sarah’s beautiful life is shattered.

With her children grown and raising families of their own, she finds herself alone in her big house, no one to nurture, no place to put her love. Until a collection of displaced characters begin to find shelter in her home. Working through her grief, Sarah discovers interests she never took the time to explore, and in pouring into others, soon finds her own cup overflowing. 

This story provides perspective on what things are important, and what are not. So… show more.