100 books like Every Last Cuckoo

This book is my favorite in Lisa Wingate’s Tending Roses series.

I could so relate to Karen Sommerfield and her struggles. Karen’s life is falling apart. The passion in her marriage has cooled, she is unable to have the children she longs for, and on the same day she receives frightening news from her doctor and is let go from a company she put her whole heart and soul into.

On impulse, she returns to her grandmother’s farm in the Ozarks to try and regroup. Right away the old tensions resurface between her and her sister, who seems to have it all together, and Karen feels returning may have been a mistake.

But then she begins to hear her grandmother’s wisdom whispering in the century-old sycamore trees and finds the courage to examine her heart and reconstruct her life.

I loved that Grandma Rose’s influence lived on in her granddaughters… show more.

I love the idea that there is someone out there who perfectly understands you. Even when I’m cranky, or when I’m making references to obscure bands, or when I’m not making a lot of sense, but I am clearly emotional.

This book introduced me to two people who love each other but can’t communicate well except through flowers. 

I loved this book from start to finish. The collection of characters in this dysfunctional family were extremely well drawn and their misadventures kept me turning pages until the very end.

Polly springs to life in a curious, quirky mixture of tough and tender. Loveable Willow, her ten-year-old daughter, whose father died young, lives in fear that she will lose Polly too. Her friends’ mothers are all young and fun, but in her fifties when Willow was born, Willow fears Polly’s time is running out.

She longs to uncover the secrets of Polly’s past-secrets which Polly is determined to keep hidden. A wonderful story of the complex relationship between a mother and daughter, told with a lovely blend of warmth and wit.

I came across this little gem at a garage sale. I am not a big reader of YA fiction, but the blurb on the back jacket spoke to me, so I bought it. I’m so glad I did!

This astoundingly beautifully written book chronicles the journey of twelve-year-old Grace in the aftermath of her mother’s death. A free but tormented spirit, Grace’s “Mama” could never seem to put down roots after leaving her small town behind as a teen. But Grace longs for a real home.

After her mother’s tragic death, she goes to live with the grandmother she never knew in a town she has never set foot in. All she knows is that her grandmother sent her Mama away when she was young and pregnant.

I love small-town stories and the town and its characters come alive in this book in the most loving of ways as Grace… show more.

Few things put me off more in a novel than a protagonist I can’t relate to. With this book, though, it’s precisely the nuance of the unreliability of Charity—the female main character—that conquered me. Her bossy yet loving attitude toward her husband, children, and friends worked like a magnet. I was fascinated by her continuous shifts to and fro the ideal woman and the nightmare of a wife.

In this novel, I admired Stegner’s ability to give depth to his characters—Charity, in particular. Under different circumstances (a different story or writing style), her slap-me-across-the-face attitude might have made me throw the book across the room. Instead, it firmly sits on my bookshelf, ready to be read again in the coming future.

There’s a valid argument to be made that Shadowland is perhaps more of a horror novel than fantasy, but it’s never really out-and-out scary.

It’s certainly more magical than bloody, concerning two friends in the 1950s who spend a hallucinatory summer at an uncle’s place in the Vermont woods. And man do things get weird.

After a long, lovely prelude at a boarding school, Tom and Del have to navigate their failing friendship and the strange happenings in the woods, but most of all they have to look out for Del’s uncle Cole, an old-school magician who, it turns out, is far from an avuncular old guardian.

Full of fairy tales and fables and wonderful digressions (with Straub, the digressions are often the point), Shadowland feels timeless in a way Stephen King never does. It might be the best book I’ve ever read.

This book has all of the same selling points as Carol Deppe's but is geared a bit more toward those with larger homesteads rather than a simple backyard plot. Even if you're an urban homesteader, though, the title is well worth a read to drum up outside-the-box ideas.

This Picoult novel, written close to the time I began to shape my book, asks whether we can love across time. While the theme is much more grounded in practical and natural circumstances, the fact that the question is teased out in this novel helps shape the same question my character, Adelyn, finds herself embroiled in. Is Innis capable of breaking the barrier using the strength of a first love?

Many YA novels set in a theatrical environment are heavily romance-focused. This book is the best I’ve found in that category. The hero, recent high school graduate Cass, has a super-strong voice that made me laugh out loud. She’s snarky, off-color, bold, and impatient. The theater plotline weaves throughout the story as Cass and cohorts perform The Taming of the Shrew at a summer theater. She steals ideas from Shakespeare’s play to torment her costar and nemesis, Drew. 

Theater Quotient: High. Much of the plot revolves around rehearsals and elements of the play trickle into real life.

Various poetry collections have become important to me throughout my life, but if I had to choose a favorite poet and favorite book right now, it would be Voigt and Headwaters. Something new reveals itself each time I read this collection, and it is a particular thrill that so many aspects of a place I know show up in poems of such fierce beauty—the groundhogs and winter snows, the larch and birch and owls.

Voigt moves from one line to the next with such smooth velocity—not slowed down by a single piece of punctuation—that the tumbling forth of images, moods, memories, questions, and quips can create a whiplash effect of the most pleasing kind. A poem that begins with heavy frost and hibernation moves through insomnia, deception, and the pleasure of smoking, and by the end, I find myself marveling, how did we get here?

There’s really no point… show more.