100 books like Maisie Dobbs

I’ve been fascinated by Marie Antoinette since I watched Sofia Coppola’s film about her as a teenager. Pair that with a Les Miserables musical obsession and a Francophile dad that loved history, and I became fascinated with the French Revolution. My interest was re-ignited years later after I visited Versailles and wandered the foggy gardens where I must have gotten haunted by a French ghost because the idea for Cake Eater struck me after I returned home. I was in a bit of a writing slump at the time, but the idea took hold of me and wouldn’t let go. I drafted Cake Eater for Nanowrimo and it became my debut novel.

Sadly, there is not one Jewish family in this world who does not have a connection to the Holocaust. I imagine that my pull towards World War II heroic women is become I am a Jewish woman. I have a passion for books and many of the characters in my choices share this passion. I also have a passion for Britain. France is not too shabby either; the Parisian setting in some of the books are descriptive and gripping.

I love reading complicated women. Messy, difficult, sarcastic, strong, clever, unusual, prickly women—works in progress who don’t always make good decisions and defy expectations. Characters shaped by their circumstances—good or bad—who use their considerable talents to figure their way out of difficult situations. I crave books that make me look anew at familiar genres or subjects. An element of mystery is the secret ingredient that makes me fall hard for a story; add a memorable female lead, and you’ve got the perfect book. It wasn’t long before I switched from reading female-led mysteries to writing them. I haven’t looked back.

Before I became an author of ten historical fiction novels (thus far), I was a reader of historical fiction. The challenges of history are best navigated by strong characters. Throughout history, women have played an integral role but have been overlooked too often. Historical fiction with strong women brings these characters to life, giving them a voice and agency. Whatever role the woman has, from nurse to investigator to planter to maid to scientist to artist and more… interesting characters are necessary to activate an engaging plot, and that is something I look for both as a reader and as an author.

I’m the author of The Larkin Day Mysteries, a cozy-comedy-nerdy-mathy-theater-geeky mystery series set in Eastern Iowa. I’ve been a full-time freelance writer for over a decade, and you may have seen my work in Vox, Morning Brew, Dwell, Lifehacker, Popular Science, and/or The Billfold. I live in a small Midwestern town with the Great Love of My Life and we spend our time practicing the piano, playing chess, and cultivating our garden. I spent a few years working in both amateur and professional theater, including a semester teaching Shakespeare at the University of Hyderabad. By the time I was ready to become a full-time freelancer and part-time novelist, I had plenty of experiences to draw from.

I made up Faythe of North Hinkapee by being a jerk! I was ranting about how bad a "best seller" book I had read was. My wife looked at me and said, "So, could you write a bestseller?" I was challenged, and then, somehow, this book just tumbled out. It was about a girl in Colonial Times—her family burned as witches—vowing vengeance and how she gets it. My wife looked at me and said: “My God, that could be a bestseller!’ My kids also loved the story. For about twenty years, I planned to write it, and after a ton of work, I finally finished.

Historical fiction, specifically historical mysteries, is my favorite category whether I’m reading for pleasure or writing my own stories, and the decade of the Roaring Twenties is certainly the most colorful era in American history. As a historian, I want to learn; as a writer, I want to teach. But—and this is a big “but”—it’s critical that historical novels are both accurate and subtle. If I find the author has misrepresented the history or larded the story, I’m done. Which is why I can recommend the following five Roaring Twenties series. All feature characters that grow as the series progresses so it’s best to begin at the beginning and proceed mostly in order.

In my own writing, the setting always is an important backdrop to the novel. Sometimes, it is the element that drives the plot forward. The seedy nature of Atlantic City, where most of my first mystery takes place, is essential to the story. I want my readers to be able to feel that they are witnessing a scene first-hand, whether on the Boardwalk, in a pawn shop on Atlantic Avenue, or in Damien’s favourite hangout. I also want them to identify with the characters. To root for the good guy in spite of his flaws–or for the bad guy if that is their preference.

I grew up on a steady diet of Nancy Drew and Encyclopedia Brown. Then, in a plot twist that surprised exactly no one, I became an English teacher, a librarian (did you know you can recommend books for a LIVING???), and an author. I love books where the sleuth must not only solve the case at hand, but also wrestle with some sort of ongoing personal problem–bonus points if they can simultaneously pull the curtain back on societal issues and make me feel like I’m getting to experience life in a place where I don’t actually live (I’m looking at you, London and L.A.). 

I made up Faythe of North Hinkapee by being a jerk! I was ranting about how bad a "best seller" book I had read was. My wife looked at me and said, "So, could you write a bestseller?" I was challenged, and then, somehow, this book just tumbled out. It was about a girl in Colonial Times—her family burned as witches—vowing vengeance and how she gets it. My wife looked at me and said: “My God, that could be a bestseller!’ My kids also loved the story. For about twenty years, I planned to write it, and after a ton of work, I finally finished.