100 books like Girls Made of Snow and Glass

The main thing I loved was Leigh Bardugo’s writing. She has a way of being elegant yet succinct with her writing which makes it easier for me to get lost in the intricate world she creates. And what a world she creates!

I fell in love with all the characters in this book. They had deep flaws and the vulnerability made me love them so much – it made them so real. There’s a powerful female lead in Nina, a passionate, voluptuous grisha (type of witch) who loves food, making her immediately relatable. The plot had me hooked and I didn’t want the book to end.

Be careful what you say out loud. You never know who might hear you.

In this story, you have a cruel and harsh Staryk lord with only care for his silver to be turned to gold. He’s cold and indifferent to the one he appoints to this seemingly impossible task, yet you find yourself clinging to hope he will change.

There are multiple POV, so if this is your thing, trust me you’ll love how many are in here. It’s like getting multiple thrilling stories in one book. Redeemable monsters is how I would label this book in two words if I had to.

A story with magic and mystery, like my first book, Daughter of the Burning City is unlike any book I have read. The magic system within the book is called “Jynx-work” and the users of the magic often inhabit the traveling city circus of Gomorrah Festival, a place of vice and sin shunned by the more pious world around them. 

Sorina is the first illusion worker in years. She creates tangible illusions, ones with personalities and free will to exist outside of her control. But when they start dying like real people would in a series of gruesome murders, there appears more to Sorina’s magic than meets the eye. I love magic mysteries because they keep readers engaged and wanting to unravel the questions left behind during shocking twists.

Retellings are some of my favorite fantasy stories as they rely on new, inventive ways to spin the same yarn. Little Thieves is a reimagining of the Goose Girl from the perspective of the original villain as our main character. Vanja is the goddaughter of Death and Fortune, two of the goddesses in a pantheon with deities who represent abstract concepts like Time and Justice. 

Vanja has spent her life conning and stealing like when she steals the identity of her former friend, Princess Giselle, and steals from the haughty nobles. She maintains these three identities by using magic pearls that change her appearance. But the story truly begins when Vanja is cursed to either return what she has stolen or be consumed by her greed.

Nguyen is another artist whose drawings blow my mind. On top of his gorgeous, fluid, imaginative artwork, this book showcases a unique and gently told story about a boy who processes his burgeoning queerness through his and his mother’s shared passion for fairy tales.

Nguyen adds literary flair with a limited and intentional color palette—red shades for the present, blue for fairy tales, and yellow for memory—and also explores themes of immigration and assimilation. (The protagonist and his family, like the author-illustrator, are Vietnamese.)

Spooner incorporates a classic Russian fairy tale into her rendition of Beauty and the Beast, creating a rich narrative set in an enchanted forest, both mysterious and dangerous. Though the framework of the original tales is there, this novel does a great job redressing the mannequin (figuratively speaking) so that we get a fresh and enjoyable exploration into the duality of human nature—among other things. I loved the tenacious heroine, who’s a skilled archer and feels more at home in the woods, and it’s her desire for revenge that sparks the chain of events that follow. The author’s version of the beast goes beyond the archetypal motif of “bad guy with good heart,” and the pacing of the book allows for a more authentic delivery (and transformation) of emotion between the characters.  

Rapunzel meets Snow White, and this encounter will reveal the true colours of all those involved. The Fairest of Them All acts as a continuation of one classic tale that eventually intrudes on another, making for a creative “what if” narrative while maintaining a strict fairy tale atmosphere. A more mature tone adds a layer of depth to this story, where characters are not limited to purely virtuous or villainous qualities, and happily ever afters are neither simple nor guaranteed. As a reader, you really feel for Rapunzel as she struggles to overcome hardship, betrayal, jealousy, and regret—she’s human after all—and the author doesn’t hold back when it comes to unexpected plot twists and dark themes.

If you’ve ever wondered what it would be like if all the iconic fairy tale characters were friends and lived in the modern world, then this is the novel for you. Kill Me Softly is the ultimate fairy tale mashup, with heroes and heroines—and of course, villains—from Sleeping Beauty, Snow White, Beauty and the Beast, and countless others, all living in one enchanted town where magic comes in two forms: blessings and curses. The reader follows a teenage orphan as she gradually comes to understand what it means to have the mark that brands her as an inevitable victim, though her stubborn determination to change her fate and go against the norm is a welcoming variation. With a plot chock-full of intrigue, love triangles, and dark twists, this YA novel is sure to charm.   

This novella has some of my favorite descriptions of the natural world and I love how it plays with its protagonist’s sense of time.

The lead character and his relationship to the forest draw from the mythology of the Green Man, and it’s a fantastic example of how much the narration style can be affected by the viewpoint character.

Tesh’s pose is dreamlike and slow, and all of its elements—the plot, the characters, the relationships—unfold slowly, like winter melting into spring.

Stories rife with forest magic and characters who learn to let go of past hurts are two of my favorite things, and Silver in the Wood executes both beautifully. 

This book, a retelling of “Cinderella,” is widely considered to be a foundational queer retelling, and I wholeheartedly agree with that assessment.

It was the first queer retelling I ever read and continues to be a favorite. It inspired me to write my own queer retellings and is a fine example of a novel that didn’t need sweeping battles and world-ending threats to be compelling.

I found Ash’s journey through grief and her path to love to be strong in their own ways. Quietly powerful stories like Ash are what I most enjoy, though they are a rarity, especially in YA, where things tend to be very high stakes.