Here are 100 books that The Call is Coming from Inside the House fans have personally recommended if you like
The Call is Coming from Inside the House.
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I’m fascinated by the intersection of mental health and horror specifically because of how the two seem (to me) to speak to one another. Both mental health and horror are confronted best by shining a light on them, by addressing them fully, personally. Horror makes intangible things tangible, I think, for the average person; and for those of us who struggle or have struggled with our mental health, it gives us the tools to detail the experience for others, to, hopefully, elicit understanding if not empathy.
This book, about a young recluse losing grip on reality, unable to discern truth from her own memory, had me hooked. I found the writing vicious and fierce, the imagery haunting, and the overall focus on memory and trauma as horrors that can both shape and betray us distressing in the very best of ways. Memory and one’s sense of self are important to my own work, and as such, this book managed to tap into some personal unease.
That it’s also so sharply written (and wonderfully f*cked-up) is the icing on an already delicious narrative cake. Recommended for those who like their horror to mess with their sense of reality—personal and not. My favorite read of 2023.
WINNER OF THE 2023 KOBO EMERGING WRITER PRIZE FOR LITERARY FICTION
A GLOBE AND MAIL BEST BOOK OF 2022
49TH STREET EDITOR'S PICK FOR SEPTEMBER 2022
A reclamation of
female rage and a horrifyingly deformed Bildungsroman.
Frances is quiet and reclusive,
so much so that her upstairs roommates sometimes forget she exists. Isolated in
the basement, and on the brink of graduating from university, Frances herself
starts to question the realities of her own existence. She can't remember there
being a lock on the door at the top of the basement stairs-and yet, when she
turns the knob, the door…
I studied psychology in college and am fascinated with the human mind. The psyche holds so many joys, wonders, and the deepest horrors imaginable, all compact and functioning within our skulls. My love for psychology grew into the horror realm, where I read and watched anything revolving around the character study of an individual driven to the brink. Now, I write stories about the morality of actions taken by those who have found themselves in a peculiar position. I believe there is more to the clean-cut view of right versus wrong regarding the decision-making of one’s self-preservation.
This book stressed me out. What starts as the tale of a married couple dealing with a death in the family devolves into something chaotic. I couldn’t stop reading because I was desperate to see where this downward spiral would take me next.
I resonated deeply with the main character and her quest to be so perfect that it drove her to the brink. I, too, sometimes focus on perfectionism so hard that I feel the subtle whisper of insanity. I love it when stories relate to the darker thoughts we keep hidden inside.
'A gruesome, blackly funny, utterly original feminist horror story' New York Times, Notable Book of the Year
'A buzz-worthy and ferocious horror comedy from one of the genre's most promising voices' Buzzfeed
Abby Lamb has done it. She's found the Great Good in her husband, Ralph, and together they will start a family and put all the darkness in her childhood to rest. But then the Lambs move in with Ralph's mother, Laura, whose depression has made it impossible for her to live on her own. She's venomous and cruel, especially to Abby, who has a complicated understanding of motherhood…
I’m fascinated by the intersection of mental health and horror specifically because of how the two seem (to me) to speak to one another. Both mental health and horror are confronted best by shining a light on them, by addressing them fully, personally. Horror makes intangible things tangible, I think, for the average person; and for those of us who struggle or have struggled with our mental health, it gives us the tools to detail the experience for others, to, hopefully, elicit understanding if not empathy.
In my own work, as is likely obvious, mental health is a huge focus. I’m someone with a history of depression, anxiety, and anorexia. That middle element here, anxiety, is something I’ve seen written about a great deal, but rarely have I experienced it as profoundly as I did in this book.
When Alice starts losing control of her reality when her spiral begins in earnest… It was like reading what a panic attack feels like. And I mean that as the highest of compliments. I think this might make this read a difficult pill for some to swallow, but I was left in awe of Elliott’s skill.
The book is captivating in its own right, the story (and story within the story) entertaining and engaging, but this personal connection to the feel of it all has cemented it in my brain.
'Mesmeric, intoxicatingly original' Hannah Kent, bestselling author of Burial Rites
'Haunting and surreal... With its sharp wit and beautiful writing, this book had me flying through the pages.' Ana Reyes, New York Times bestselling author of The House in the Pines
'A towering achievement, stunningly good storytelling.' Melissa Lucashenko, Miles Franklin Award winning author of Too Much Lip
On the surface, Alice is exactly where she should be in life: she's just given birth to a beautiful baby girl; her ever-charming husband - an academic whose area of study is conveniently her own Mohawk…
I’m fascinated by the intersection of mental health and horror specifically because of how the two seem (to me) to speak to one another. Both mental health and horror are confronted best by shining a light on them, by addressing them fully, personally. Horror makes intangible things tangible, I think, for the average person; and for those of us who struggle or have struggled with our mental health, it gives us the tools to detail the experience for others, to, hopefully, elicit understanding if not empathy.
Full disclosure: I was an early reader of this book and have offered it a blurb. But I wouldn’t have done so had it not significantly impacted me.
Aiello’s memoir, though not strictly horror, uses aspects of genre and pop culture—including aspects of horror—to detail their own history with mental illness and the surrounding difficulties and stigmas attached to it. They go to great and much-needed lengths to dissect how mental illness has been made out to be one of the great boogeymen of our lives via its myriad portrayals in culture (as a villain, a threat, a diabolical force, etc.) and detail the damage that’s been done as a result.
This is a powerful book in which I saw myself reflected all too often.
Revelatory memoir and cultural criticism that connects popular fantasy and our perceptions of mental illness to offer an empathetic path to compassionate care
Growing up, K.J. Aiello was fascinated by magical stories of dragons, wizards, and fantasy, where monsters were not what they seemed and anything was possible. These books and films were both a balm and an escape, a safe space where Aiello’s struggle with mental illness transformed from a burden into a strength that could win battles and vanquish villains.
A unique blend of memoir, research, and cultural criticism, The Monster and the Mirror charts Aiello’s life as…
I have been writing about LGBTQ+ culture for magazines and newspapers for almost a decade, and am a voracious consumer of queer stories. Queer literature makes our various needs and desires as a community come alive on the page, and helps us to connect with and understand one another. Reading LGBTQ+ books is a way to learn about contemporary queer life, and work out what more we can be doing to help those more marginalised than us.
Recently published and super accessible, this book is a modern catalogue of lesbian and bi culture for women. It looks at the recent evolution of queer female visibility in the mainstream and across pop culture, asking what material changes this visibility has for the life of queer women everywhere. It’s funny and pacey and broad in scope, as it asks: How islesbian culture changing?
'This "love letter of sorts" to inclusive queer women's culture is perfect for anyone who's just come out, wants to know what the heck's going on or has yearned for an entire chapter dedicated to the film Carol.' - DIVA
'An introspective dive into the fast-moving world of queer culture, Daisy unpacks some of the 21st century's biggest lesbian and bisexual moments to paint a portrait of what modern-day queerness looks like.' - GAY TIMES
'Daisy Jones effortlessly explores queer culture' - COSMOPOLITAN ______________________________________________________________________________________
I’ve struggled with mental health for most of my life, as have family members and friends I love. It’s extremely important to me that we normalize discussions of mental health so that we can find the best solutions. Anxiety and depression have been major themes in all of the young adult novels I’ve written; it’s my little way of furthering these conversations with the people who need them. I hope you’ll find these suggestions relatable, enjoyable, and question-inducing!
Anna Birch’s I Kissed Aliceis an enemies-to-lovers story about two gifted artists, Rhodes and Iliana, at a school for the arts who despise each other in person but fall hard for each other’s online fanfiction personas. Rhodes’s depression and anxiety consume her in the race to win a prestigious scholarship and navigate a complicated dynamic with her alcoholic mother. I found Rhodes’s on-page therapy sessions incredibly refreshing and relatable, something I don’t see enough of in YA fiction. The characters in this story are unlikeable and flawed—extremely so—but for that reason, my heart clenched often at their actions, assumptions, and reactions. Bonus points for the beautiful fanfiction graphics illustrated by Victoria Ying.
Rhodes and Iliana couldn't be more different, but that's not why they hate each other. Hyper-gifted painter Rhodes has always excelled at the Alabama Fine Arts Academy despite a secret bout of creator's block, while transfer student Iliana tries to outshine everyone with her intense work ethic. But since only one of them can get the coveted Capstone scholarship, and the competition between them grows fierce. They both escape the pressure on a fanfic site where they are unknowingly collaborating on a webcomic. Their anonymous online identities I-Kissed-Alice and Curious-in-Cheshire begin to fall in love, despite being worst enemies in…
I’ve always loved retellings of all kinds, but my favorites subvert expectations, and I believe queer retellings provide the richest opportunities for subversion. In my own writing, I try to balance honoring the source material while also providing new perspectives, and nothing helps me achieve that more than reading widely. Retellings were also the subject of my master's critical thesis for Hamline University’s writing for children and young adults program.
I loved McLemore’s retelling of “The Red Shoes” because the novel felt uniquely historical and modern due to its dual timelines, with one storyline in 1518 and the other five centuries later. Despite being so far apart, the timelines were connected by the intriguing mystery of a dancing fever.
Another element I loved is that the 1518 timeline featured a queer romance with a trans character, which you don’t see often, even in queer retellings, and added another layer of richness to the story.
I’m a fan of everything McLemore writes because of their lush prose and compelling characters, but this one remains my favorite of theirs.
With Anna-Marie McLemore's signature lush prose, Dark and Deepest Red pairs the forbidding magic of a fairy tale with a modern story of passion and betrayal.
Summer, 1518. A strange sickness sweeps through Strasbourg: women dance in the streets, some until they fall down dead. As rumors of witchcraft spread, suspicion turns toward Lavinia and her family, and Lavinia may have to do the unimaginable to save herself and everyone she loves.
Five centuries later, a pair of red shoes seal to Rosella Oliva’s feet, making her dance uncontrollably. They draw her toward a boy who knows the dancing fever’s…
I’ve adored holiday love stories ever since I was a kid watching Hallmark movies. There’s something about the magic of the holidays that makes two people falling in love even more special. That’s why I chose a contemporary holiday romance for my debut. And we see so much straight romance on TV and in bookstores, but I want to contribute to the queer community with my writing. I write a mix of sexualities;Make the Yuletide Gay features two lesbian women. All that to say, I just love queer holiday romances!
This book made me not notice the traffic on the drive to and from my day job. I love how petty Kiskeya is, especially in the first few chapters. Also, both the leads are funny in their narration. It’s great for a li’l tee-hee-hee. I also like how the characters manage to be both similar and different – there’s enough to bond over, but they aren’t duplicates or stereotypes. Plus, who’s gonna turn down a grump/sunshine-baking partners story? Not me.
"I had so much fun reading Mangos and Mistletoe and now I want everyone else to read it too. This is Adriana Herrera's first f/f romance and I hope it's not her last..." -The Lesbian Review
One is grumpy. One is sunshine. There is only one bed.
Kiskeya Burgos left the tropical beaches of the Dominican Republic with a lot to prove. As a pastry chef on the come up, when she arrives in Scotland, she has one goal in mind: win the Holiday Baking Challenge. Winning would prove to her family, her former boss, and most importantly to herself,…
Megan is a long-time resident of queer fantasy romance and keeps herself busy reading and writing it. She has been doing so for nearly twenty years, and hopes to do it at least another twenty. She is asexual, biromantic, and married to a wonderful woman. When she’s not busy writing, she likes to cook, harass her wife and cats, or watch movies and play video games.
This is one of the best books of redemption I've ever read, about a man who did some truly horrible, some would say unforgivable things, and has been working hard the past several years to make amends for his wrongs, a journey he continues even as he meets the man who just might be the love of his life. All this in a beautifully built fantasy world, and while it is book two in the series it stands on its own just fine. When it comes to tales of redemption and forgiveness, though, of facing a sordid past and working to overcome it, this book continues to set the bar for me.
On the outside, Mayr seems to have it all: a successful career as Head of the Guard for a prominent politician, family and friends who rely on him, and the attention of beautiful lovers. But appearances are a good way to bury secrets, including mistakes he can never fix and a broken heart that never seems to heal, forever searching for the one person to share his life with.When his last girlfriend takes him back and suggests an intimate night together with Tash, one of her lovers, Mayr reluctantly agrees. The last thing he expects is to fall hard for…
Growing up in an eccentric, liberal family, as a member of the Church of England, under the shadow of the British Government’s homophobic Section 28, the messages I received were distinctly mixed. If I’d heard the word ‘bisexual’ before the age of twenty my life might have been very different. And to this day, the most common assumption is that one can’t be simultaneously queer and Christian. As I’ve discovered, and as these books show, that isn’t true – and moving beyond that assumption reveals new and fascinating horizons.
I’ve never read a book quite like this, and yet it felt hauntingly familiar. The population of Earth is rescued en masse from a destructive solar event and has to start again from scratch on an unknown planet. But of course humanity has taken the problems of its own nature with it, and the encounter with its new hosts only raises further questions – around sex, gender, love, and nature. It’s brave and beautiful, hopeful and sad and dynamic all at once, and it kept me reading and guessing all the way to the end.
In the year 2035 humanity is rescued from a lethal solar flare by seven mysterious beings and transported across the universe to the uninhabited planet of Ansar. Earth's major cities are recreated, and a stunned but thankful humanity mostly carries on with life and society. But is everything as it appears? Just who are the semi-omniscient beings who rescued them? What do they really want? And to what secret place do they retreat every night? With that appearance of the seven, all the old divisions concerning gender, privilege, and power re-emerge in unexpected and increasingly dangerous ways. Conspiracy theories abound.…
