Here are 100 books that Tear fans have personally recommended if you like
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I studied psychology in college and am fascinated with the human mind. The psyche holds so many joys, wonders, and the deepest horrors imaginable, all compact and functioning within our skulls. My love for psychology grew into the horror realm, where I read and watched anything revolving around the character study of an individual driven to the brink. Now, I write stories about the morality of actions taken by those who have found themselves in a peculiar position. I believe there is more to the clean-cut view of right versus wrong regarding the decision-making of one’s self-preservation.
This book stressed me out. What starts as the tale of a married couple dealing with a death in the family devolves into something chaotic. I couldn’t stop reading because I was desperate to see where this downward spiral would take me next.
I resonated deeply with the main character and her quest to be so perfect that it drove her to the brink. I, too, sometimes focus on perfectionism so hard that I feel the subtle whisper of insanity. I love it when stories relate to the darker thoughts we keep hidden inside.
'A gruesome, blackly funny, utterly original feminist horror story' New York Times, Notable Book of the Year
'A buzz-worthy and ferocious horror comedy from one of the genre's most promising voices' Buzzfeed
Abby Lamb has done it. She's found the Great Good in her husband, Ralph, and together they will start a family and put all the darkness in her childhood to rest. But then the Lambs move in with Ralph's mother, Laura, whose depression has made it impossible for her to live on her own. She's venomous and cruel, especially to Abby, who has a complicated understanding of motherhood…
I’m fascinated by the intersection of mental health and horror specifically because of how the two seem (to me) to speak to one another. Both mental health and horror are confronted best by shining a light on them, by addressing them fully, personally. Horror makes intangible things tangible, I think, for the average person; and for those of us who struggle or have struggled with our mental health, it gives us the tools to detail the experience for others, to, hopefully, elicit understanding if not empathy.
In my own work, as is likely obvious, mental health is a huge focus. I’m someone with a history of depression, anxiety, and anorexia. That middle element here, anxiety, is something I’ve seen written about a great deal, but rarely have I experienced it as profoundly as I did in this book.
When Alice starts losing control of her reality when her spiral begins in earnest… It was like reading what a panic attack feels like. And I mean that as the highest of compliments. I think this might make this read a difficult pill for some to swallow, but I was left in awe of Elliott’s skill.
The book is captivating in its own right, the story (and story within the story) entertaining and engaging, but this personal connection to the feel of it all has cemented it in my brain.
'Mesmeric, intoxicatingly original' Hannah Kent, bestselling author of Burial Rites
'Haunting and surreal... With its sharp wit and beautiful writing, this book had me flying through the pages.' Ana Reyes, New York Times bestselling author of The House in the Pines
'A towering achievement, stunningly good storytelling.' Melissa Lucashenko, Miles Franklin Award winning author of Too Much Lip
On the surface, Alice is exactly where she should be in life: she's just given birth to a beautiful baby girl; her ever-charming husband - an academic whose area of study is conveniently her own Mohawk…
I’m fascinated by the intersection of mental health and horror specifically because of how the two seem (to me) to speak to one another. Both mental health and horror are confronted best by shining a light on them, by addressing them fully, personally. Horror makes intangible things tangible, I think, for the average person; and for those of us who struggle or have struggled with our mental health, it gives us the tools to detail the experience for others, to, hopefully, elicit understanding if not empathy.
Allyson’s book is a collection of essays on the intersection of queerness, identity, and pop culture—horror primarily. Which means, yeah, it was practically engineered for me.
I found much to love and much to relate to within these pages. The way she weaves together personal experience, horror tropes, and urban legends is masterful, and I found the descriptions of gatekeeping and how it results in questioning one’s identity/place in things to hit rather personally.
From Allyson McOuat, author of the popular 2020 New York Times Modern Love essay “The Ghost Was the Least of Our Problems,” comes her debut essay collection
In a series of intimate and humorous dispatches, McOuat examines her identity as a queer woman, and as a mother, through the lens of the pop culture moments in the ’80s and ’90s that molded her identity. McOuat stirs the ingredients required to conjure an unsettled spirit: the horrors of pregnancy and motherhood, love and loss, the supernatural, kaleidoscopic sexuality, near-miss experiences, and the unexplained moments in life that leave you haunted.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I’m fascinated by the intersection of mental health and horror specifically because of how the two seem (to me) to speak to one another. Both mental health and horror are confronted best by shining a light on them, by addressing them fully, personally. Horror makes intangible things tangible, I think, for the average person; and for those of us who struggle or have struggled with our mental health, it gives us the tools to detail the experience for others, to, hopefully, elicit understanding if not empathy.
Full disclosure: I was an early reader of this book and have offered it a blurb. But I wouldn’t have done so had it not significantly impacted me.
Aiello’s memoir, though not strictly horror, uses aspects of genre and pop culture—including aspects of horror—to detail their own history with mental illness and the surrounding difficulties and stigmas attached to it. They go to great and much-needed lengths to dissect how mental illness has been made out to be one of the great boogeymen of our lives via its myriad portrayals in culture (as a villain, a threat, a diabolical force, etc.) and detail the damage that’s been done as a result.
This is a powerful book in which I saw myself reflected all too often.
Revelatory memoir and cultural criticism that connects popular fantasy and our perceptions of mental illness to offer an empathetic path to compassionate care
Growing up, K.J. Aiello was fascinated by magical stories of dragons, wizards, and fantasy, where monsters were not what they seemed and anything was possible. These books and films were both a balm and an escape, a safe space where Aiello’s struggle with mental illness transformed from a burden into a strength that could win battles and vanquish villains.
A unique blend of memoir, research, and cultural criticism, The Monster and the Mirror charts Aiello’s life as…
I have been fascinated with mental health since long before I was officially diagnosed with Bipolar I. Even as an elementary schooler, I recognized that I was different from my peers: I thought more deeply and often more darkly, I experienced higher highs and lower lows, often beyond my control, and I very rarely discussed my home life. Writing became a logical and perhaps life-saving outlet as soon as I learned to put words into letters (mostly the wrong letters, but thank God for spell-check).
This coming-of-age novel has everything: love, grunge music, angst, and a slow revelation of past trauma. I don't think I speak for everyone with mental health issues, but I know that having a traumatic childhood is a common, shared factor amongst people with serious diagnoses. I read this one before I understood why I identified so strongly with it.
Charlie lives on the fringes, barely dipping a toe into the social melee that is high school life, yet, with courage and determination, he carves out a place for himself. While his new friendships allow him to find himself, they also allow him the safety to confront the wounds of his past, wounds too large for even his teenage self to come to grips with.
Even though my last manic episode was over sixteen years ago, I am only recently doing the real work of processing and understanding the traumatic experiences…
A modern cult classic, a major motion picture and a timeless bestseller, The Perks of Being a Wallflower is a deeply affecting coming-of-age story.
Charlie is not the biggest geek in high school, but he's by no means popular.
Shy, introspective, intelligent beyond his years, caught between trying to live his life and trying to run from it, Charlie is attempting to navigate through the uncharted territory of high school. The world of first dates and mixed tapes, family dramas and new friends. The world of sex, drugs, and music - when all one requires to feel infinite is that…
Right from an early age, I have always been interested in the fallibility of the human condition, being particularly conscious of my own faults. People who are too good to be true are of little interest, except that I want to know their faults or their secrets. I have found myself drawn to complex characters, those who have good and bad characteristics, and some of the novels and movies that I have enjoyed most feature such characters. In my career as a lawyer, I have met all kinds of people who have made bad decisions or suffered misfortune, and it has always been a pleasure trying to help them.
This was one of the few books I read during my teens that seemed to describe accurately the angst of growing up in a world where no one teaches you how to be an adult, and you learn simply to cope and, possibly and with luck, thrive after a series of bad personal experiences.
The protagonist in it is born with a club foot (which most equate to Maugham's stutter or, more likely, his closeted homosexuality), which makes him always an outsider yet also a keen observer of others. I have always thought this to be one of the best and most influential books I have ever read.
Selected by the Modern Library as one of the 100 best novels of all time
"It is very difficult for a writer of my generation, if he is honest, to pretend indifference to the work of Somerset Maugham," wrote Gore Vidal. "He was always so entirely there."
Originally published in 1915, Of Human Bondage is a potent expression of the power of sexual obsession and of modern man's yearning for freedom. This classic bildungsroman tells the story of Philip Carey, a sensitive boy born with a clubfoot who is orphaned and raised by a religious aunt and uncle. Philip yearns…
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…
After finding out a close friend of mine had what was once called Multiple Personality Disorder, I set out looking for stories, only to find that, according to most fictional representations, my friend was likely to be a violent, amnesiac murderer. Fortunately, this is wildly inaccurate. Unfortunately, it's socially prominent, and enormously destructive. This has sparked a decade-long obsession (and close friendship), the result of which is my debut novel, When Fire Splits the Sky, which was released in November of 2022 by Unsolicited Press. My other writing has been nominated for the Rhysling and Best of the Net, and has appeared in Asimov’s Science Fiction and F(r)iction, among others.
Paul Lynch was recently announced as the (very deserving) winner of the Booker Prize, but I’ve been a fan of his ever since his spectacular novel about the Ireland’s Great Famine, Grace.
How do you capture trauma on a national level? Of course, you embody it in the personal, and I was in constant awe of Lynch’s immediate, visceral sentences, and their ability to force me to embody Grace’s experience living through absolutely unimaginable history.
One memorable section is made up of four entirely blacked-out pages, a brilliant nod to the way trauma overwhelms and erases.
From the Booker Prize-winning author of Prophet Song, a sweeping, Dickensian story of a young girl on a life-changing journey across nineteenth-century Ireland on the eve of the Great Famine.
Early one October morning, Grace's mother snatches her from sleep and brutally cuts off her hair, declaring, "You are the strong one now." With winter close at hand and Ireland already suffering, Grace is no longer safe at home. And so her mother outfits her in men's clothing and casts her out.
When her younger brother Colly follows after her, the two set off on a remarkable odyssey in the…
Reseda, California plays an important part in my novels. I grew up there in a middle-class Jewish family, and we experienced the turmoil of the 1960s and 1970s. My parents got divorced, and my brother and I were raised by our working mom until she became paralyzed by a stroke. I found refuge in writing. I wrote The Remainders in 2016 during a tumultuous time when issues of family conflict, homelessness, and the growing cruelty of society came into focus. Still, I believe decency and compassion will prevail. The books I write and enjoy reading seek to find light in the darkest of circumstances.
This novel shows how the drive for material achievement and spiritual fulfillment can tear a family apart.
As an honors student in school, I related to nine-year-old Eliza’s climb up the ranks of a spelling bee and the pressures of academic success. I also related to her brother Aaron’s search for spirituality outside of Judaism. The book shows the pressures Jewish families like mine face in seeking success and meaning.
Eliza Naumann, a seemingly unremarkable nine-year-old, expects never to fit into her gifted family: her autodidact father, Saul, absorbed in his study of Jewish mysticism; her brother, Aaron, the vessel of his father's spiritual ambitions; and her brilliant but distant lawyer-mom, Miriam. But when Eliza sweeps her school and district spelling bees in quick succession, Saul takes it as a sign that she is destined for greatness. In this altered reality, Saul inducts her into his hallowed study and lavishes upon her the attention previously reserved for Aaron, who in his displacement embarks upon a lone quest for spiritual fulfillment.…
I grew up in Spain, the U.S., and Germany, but no matter where we lived I always felt at home with a book in my hands. From a young age, I was drawn to stories with otherworldly content or told in dazzling ways. My curiosity about the workings of nature led me to a degree in Theoretical Physics, and later, I studied the history of science fiction and the craft of storytelling. Science fiction from the 60s and 70s, setting out to push the boundaries of the possible, hit me at exactly the right time in my development as a reader and changed me forever.
Jo Walton is a wonderfully humanistic storyteller with a deep knowledge of history and art who excels at creating alternate societies, and I was fascinated to see her work on a deliberately smaller, more intimate scale in this novel. The text is made up of the diary entries of Morgana, a precocious teenager who is a voracious science fiction and fantasy reader, as is Jason Velez in my novel. Though published in 2011, the book begins at the end of the 70s and perfectly captures the period.
Among Others excels at character development. It feels like a literary mainstream novel about a young person–imagine, say, the best of Judy Blume–smartly mixed in with glimpses of the fantastic. It wears its love for 70s science fiction on its sleeve and won the Hugo and Nebula awards.
Winner of the 2011 Nebula Award for Best Novel Winner of the 2012 Hugo Award for Best Novel
Startling, unusual, and yet irresistably readable, Jo Walton's Among Others is at once the compelling story of a young woman struggling to escape a troubled childhood, a brilliant diary of first encounters with the great novels of modern fantasy and SF, and a spellbinding tale of escape from ancient enchantment.
Raised by a half-mad mother who dabbled in magic, Morwenna Phelps found refuge in two worlds. As a child growing up in Wales, she played among the spirits who made their homes…
A life-changing tragedy. Conflicting memories. Is she a killer or a victim? Drawn From Life tells the story of a young woman driven to seek the truth about her traumatic past. As she sifts through the real and not-real landscapes of memory, she must re-examine her own agency in the…
I am uniquely qualified to assemble this list because I gave my heart and head to the fictional and true West in fourth grade. When I learned California history, enraptured by images of wild horses and vaqueros, the cruelty of bear and bullfighting (no one talked then about cruelty to “converted” Native Americans), and the myth of Zorro. I grabbed the chance to move to the cowgirl state of Nevada, where I learned to love the scents of sagebrush and alkali flats. Research for my fiction and non-fiction has given me license to ride in a Pony Express reenactment and 10-day cattle drive and spend all night bottle-feeding an orphan mustang.
When I taught Developmental Reading (aka English for Gang Members) in Los Angeles, this book made them cry. Sad stories that include animals can jab straight into the most sheltered heart, while books about suffering humans only evoke yawns.
Reading this as an adult, it’s clearly NOT a horse story, but that’s its camouflage. There’s a lot of death in this book–a beloved pony, an old man with a stolen old horse, a mare giving birth, and the main character’s innocence. Childhood innocence dies over and over again. Just when his faith in what matters resurfaces, it gets smacked down again. The older I get, the more this book hurts.
Jody, the boy at the center of all 3 parts of the book (there are different versions of the book…some have 4 parts), wants to put the adults in his life on pedestals, but his father is as callous as…
Written at a time of profound anxiety caused by the illness of his mother, Nobel Prize winner John Steinbeck draws on his memories of childhood in these stories about a boy who embodies both the rebellious spirit and the contradictory desire for acceptance of early adolescence. Unlike most coming-of-age stories, the cycle does not end with a hero "matured" by circumstances. As John Seelye writes in his introduction, reversing common interpretations, The Red Pony is imbued with a sense of loss. Jody's encounters with birth and death express a common theme in Steinbeck's fiction: They are parts…
