100 books like Among Others

I felt a deep connection to the characters in this book as they go through a journey of intense struggle. It is a thorough exploration of another world, including both the good and darker aspects of human nature. When I finished this book, I felt I had returned from a great adventure to another land with characters that I had come to know well. The book has a timeless relevance with its insights into human nature and the corruption of power.

I think Le Guin's world-building is nothing short of remarkable. Through her meticulous attention to detail, she crafts a society unlike any other. The exploration of power and its corrupting influence is a central theme.

The two main reasons I’m including 334 on this list are its structure and themes. This is an intricate mosaic novel built around a series of interconnected tales set in an apartment building, following characters through a four-year period.

It explores ideas like people inhabiting such subjectively different worlds that they can’t truly communicate with each other, the visibility or lack thereof of class lines, and the ultimate futility of crime, virtual reality, and cryonics to provide any true solution to life’s woes. Irony, art, and death are always a stone’s throw away.

Disch’s mastery of style and the rhythm of his prose are also on display in this book. Besides his brilliant fiction and poetry, he wrote several volumes with strong opinions about science fiction, reflecting his deep, if critical, engagement with the genre. My novel includes more than one reference to this complex and visionary artist.

When I discovered this book as a teenager, it exploded my understanding of what science fiction could do. After revisiting it recently, I found its absurdism, dark humor, and satire to be as fresh, funny, biting, and original as ever.

Voice is probably the most distinctive literary characteristic of Malzberg’s vast short fiction output, of which this collection contains a number of 70s gems. This work showcases some of Malzberg’s obsessive interests, like alienated astronauts, hallucinating patients, assassinations, and the deconstruction of genre tropes. Malzberg’s commentary on science fiction and fandom–the recursive strand in his work–links it directly to my novel, which mentions his work explicitly.

The stories in this collection are short but savage, genius, offensive, and maniacal. You’ve been warned! 

As a teen in the 90s, I bought a lot of used science fiction paperbacks from the 70s; I loved this tribute to that era’s key artists and their signature styles. I found this book to be much more than a pretty exercise in nostalgia, however, weaving in smart historical commentary and creating an interesting context for works through subject-related groupings like “Life in the Future(s)” and “Cryptozoology and the Paranormal.”

By chronicling the science fiction art of the time during which Jason Velez in Equimedian is active in fandom and builds his collection, this thorough, gorgeous survey doubles as a kind of extended universe artifact for my novel! It’s a beautiful resource that includes full-page reproductions of stunning covers (including some by authors on this list, like Malzberg), and I find that it inspires me to continue exploring the strange byways of 70s science fiction.

White Oleander, the 2002 film, was one of the most shocking and nuanced depictions of motherhood I had ever seen onscreen—I had to read the book. What most transfixed me about the story is, on the surface, Astrid’s mother and foster mothers had everything society tells you should make life a cakewalk: beauty, ingenuity, and, in one case, wealth.

But the truth is, they are all battling a host of demons, ultimately blessing and cursing Astrid with their flawed, life-worn wisdom. Even still, I love that author Janet Fitch never sacrifices the women to easy “bad mother” stereotypes. It’s clear each mother is mostly doing the best she knows how to outsmart a world riddled with traps.

I stole this book off my mother’s shelf when I was fifteen, and no book has ever hit me as hard regarding the complexities inside female friendships.

While I was enthralled by the love triangle in this book, I think the greatest love story Blume has ever written is Vix and Caitlin’s honest, imperfect friendship, revisited year after year as they summer together in Martha’s Vineyard. 

This is another novel I enjoy teaching; students respond well to it. Desai excels in giving detailed domestic pictures of life in India. Here she recounts how an ungainly disabled daughter with what seems to be epilepsy and a learning disability is largely kept out of sight by her upper-middle-class family in the 20th century. The daughter, Uma, goes away with assorted other characters, finding a measure of freedom, but invariably needs to return to her parents’ confining house. At the end of the novel, she is largely taking care of them. Desai shows what we might call a “feminist ethic of care” as she writes of a disabled woman as interesting and worthy of sustained attention, which implicitly feeds into advocates’ contention of the value of all disabled people.

This book oozed into my life, much like the creatures it portrays, at a moment when I desperately needed to read a beautifully written novel about very ugly things. Van Meter holds nothing back and has a spaciousness in writing that gives ample room for one’s own anxieties/fears/weak spots/obsessions to layer over her lush metaphor.

What does the ill-timed, putrid whale carcass offshore represent—our relationship with our mother? Our $60,000 student loan balance? That one cabinet above the sink that we’re too short to reach that hasn’t been cleaned since he moved out? Dealer’s choice. 

Great adventure doesn’t always mean jungles, star-wastes, or derring-do. The human heart – what one poet called "the wilderness behind the eyes" – can be as electrifying as any firefight. In this tradition, Alice Munro won the 2013 Nobel Prize in Literature. Lives of Girls and Women is her second novel, and like all great adventure stories will tell you more about yourself than you ever suspected. As Sir Walter Scott said of Jane Austen: "That young lady has a talent for describing the involvements and feelings and characters of ordinary life."

I was twelve when I fell in love with the old fashioned allure of the 19th century that I discovered in this book, which provided an early template (1868), for generations of books to follow that break down female stereotypes.

I identified with different aspects of all four March daughters, but most powerfully with Jo, the writer, who secretively pursues publication, prevails as a successful author, and no doubt provided a template for my own development as a writer.

And Marmee’s nurturing model of mothering was especially consoling to me as I grew up entangled in a difficult mother/daughter relationship, later to be recycled in my own books.