Here are 100 books that Creatures fans have personally recommended if you like
Creatures.
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As a 34-year-old memoirist, one of the most frequent questions I get about my genre, delivered with both curiosity and disdain, is: “Why?” After all, why? What could I, the life experience and literary equivalent of a pollywog, have to share about my journey—or, gasp, what I’ve LEARNED? The fun thing is, as someone who once broke my parents’ computer by using dial-up internet to download Napster, I’m used to disappointing people. Even more fun: as a millennial memoirist, I don’t believe in writing books that will tell people what I’ve learned. I hope my writing shows, through both merit and content, that I have indeed learned something.
I’m sorry, but can we finally remove Frankenstein from every undergraduate Literature 101 course and demand instead that our brightest young minds read THIS? My college boyfriend’s mother gifted it (prescient) during my sophomore year, and I read it on repeat during that whole relationship… and through every major challenge that came after.
I have a particular appreciation for Chödrön, and any Tibetan Buddhist nun for that matter, who can, in one breath, extend the most heartfelt, accessible nugget for finding peace AND relay the experience of throwing a flower pot at her ex-husband's head. Namaste.
Pema Choedroen reveals the vast potential for happiness, wisdom and courage even in the most painful circumstances.
Pema Choedroen teaches that there is a fundamental opportunity for happiness right within our reach, yet we usually miss it - ironically, while we are caught up in attempt to escape pain and suffering.
This accessible guide to compassionate living shows us how we can use painful emotions to cultivate wisdom, compassion and courage, ways of communication that lead to openness and true intimacy with others, practices for reversing our negative habitual patterns, methods for working with chaotic situations and ways to cultivate…
As a 34-year-old memoirist, one of the most frequent questions I get about my genre, delivered with both curiosity and disdain, is: “Why?” After all, why? What could I, the life experience and literary equivalent of a pollywog, have to share about my journey—or, gasp, what I’ve LEARNED? The fun thing is, as someone who once broke my parents’ computer by using dial-up internet to download Napster, I’m used to disappointing people. Even more fun: as a millennial memoirist, I don’t believe in writing books that will tell people what I’ve learned. I hope my writing shows, through both merit and content, that I have indeed learned something.
All hail the queen. Sally Rooney makes it look easy, with just the right amount of Irish, nothing-is-easy-you-insufferable-wanker on the side. This book has it all: awkward yet undeniably hot sexual tension! Arguments! Cool names! A house that is bigger than yours!
And within Rooney’s stupidly gorgeous prose, we find ourselves not only yelling “EXACTLY!” out loud, many times, to an empty room but answering the book’s central question: right here. As long as we have a good book, that beautiful world is right here.
Beautiful World, Where Are You is a new novel by Sally Rooney, the bestselling author of Normal People and Conversations with Friends.
Alice, a novelist, meets Felix, who works in a warehouse, and asks him if he’d like to travel to Rome with her. In Dublin, her best friend, Eileen, is getting over a break-up, and slips back into flirting with Simon, a man she has known since childhood.
Alice, Felix, Eileen, and Simon are still young—but life is catching up with them. They desire each other, they delude each other, they get…
As a 34-year-old memoirist, one of the most frequent questions I get about my genre, delivered with both curiosity and disdain, is: “Why?” After all, why? What could I, the life experience and literary equivalent of a pollywog, have to share about my journey—or, gasp, what I’ve LEARNED? The fun thing is, as someone who once broke my parents’ computer by using dial-up internet to download Napster, I’m used to disappointing people. Even more fun: as a millennial memoirist, I don’t believe in writing books that will tell people what I’ve learned. I hope my writing shows, through both merit and content, that I have indeed learned something.
If I could take one book to a desert island, it might well be this one. I’m hesitant to even describe it, in the same way, I’d hesitate to dole out unsolicited advice to any millennial—or human being, for that matter—who is staring down the kaleidoscope of their identity, asking, “Which one? Which one do I choose?”
Heti’s answer to that question—and to anyone asking her to pigeonhole her writing into one genre—is the same experience I’ve had in the many, many times I’ve read this glimmering text. Whatever you want, darling. Whatever you need.
Chosen as one of fifteen remarkable books by women that are shaping the way we read and write in the 21st century by the book critics of The New York Times
"Funny...odd, original, and nearly unclassifiable...unlike any novel I can think of."—David Haglund, The New York Times Book Review
"Brutally honest and stylistically inventive, cerebral, and sexy."—San Francisco Chronicle
Named a Book of the Year by The New York Times Book Review, The New Yorker, San Francisco Chronicle, Salon, Flavorpill, The New Republic, The New York Observer, The Huffington Post
A raw, startling, genre-defying novel of friendship, sex, and love…
As a 34-year-old memoirist, one of the most frequent questions I get about my genre, delivered with both curiosity and disdain, is: “Why?” After all, why? What could I, the life experience and literary equivalent of a pollywog, have to share about my journey—or, gasp, what I’ve LEARNED? The fun thing is, as someone who once broke my parents’ computer by using dial-up internet to download Napster, I’m used to disappointing people. Even more fun: as a millennial memoirist, I don’t believe in writing books that will tell people what I’ve learned. I hope my writing shows, through both merit and content, that I have indeed learned something.
Before Wild, before Reese found her, before I even knew how to do my taxes, Cheryl Strayed was the anonymous voice behind the “Dear Sugar” column in online lit mag The Rumpus. Over her tenure, she answered some of the most achingly beautiful/painful letters that people wrote in, and with such smack-you-upside-the-head affection that one cannot help but fall in love with the human behind each tender inquiry.
Strayed is one of those rare writers whom I believe when she says that she woke in the night to answer these letters simply because she cared so much about the stranger behind them. If I were to get a tattoo, or perhaps just a really nice poster (less commitment), it would likely feature Sugar’s line: “Forgiveness doesn’t sit there like a pretty boy in a bar,” or “The fuck is your life. Answer it.”
NOW A HULU ORIGINAL SERIES •NEW YORK TIMES BESTSELLER • REESE'S BOOK CLUB PICK • An anniversary edition of the bestselling collection of "Dear Sugar" advice columns written by the author of #1 bestseller Wild—featuring a new preface and six additional columns.
For more than a decade, thousands of people have sought advice from Dear Sugar—the pseudonym of bestselling author Cheryl Strayed—first through her online column at The Rumpus, later through her hit podcast, Dear Sugars, and now through her popular Substack newsletter. Tiny Beautiful Things collects the best of Dear Sugar in one volume, bringing her wisdom to many…
I am a professor of creative writing who knows when readers stop feeling, they stop reading. We all want to feel, to live vicariously. To experience the unimaginable. I’ve lived large. I’ve raced on the back of an ostrich, rode an elephant through the jungles of Thailand, raced catamarans in the Caribbean, and danced with the Shaka Zulu in Africa. The best books are those that feel like memories…that touch us…that make us feel.
I think every woman should read this book. In a time when we need a “movement” to be seen or heard, Dragons reminded me of our strength, of how often the world has its boot on the back of our necks.
I loved the story of 2 sisters-one who desperately wants to be a dragon and the other, who does not. It was my first audiobook and I finished it in 2 days.
A KIRKUS BEST BOOK OF 2022 • A rollicking feminist tale set in 1950s America where thousands of women have spontaneously transformed into dragons, exploding notions of a woman’s place in the world and expanding minds about accepting others for who they really are. • The first adult novel by the Newbery award-winning author of The Girl Who Drank the Moon
Alex Green is a young girl in a world much like ours, except for its most seminal event: the Mass Dragoning of 1955, when hundreds of thousands of ordinary wives and mothers sprouted wings, scales, and talons; left a…
I have always loved reading about individuals and the ways they behave in extraordinary or unusual circumstances. Stories that are about a person growing up and coming to an understanding that the world around them is deeply flawed, and that they themselves are patched-up, imperfect creatures, fascinate me. I find myself observing people and the words they say. Those are the kinds of stories I write, about regular people stumbling along and discovering some truths about themselves.
Bunny is an American teenager in Azerbaijan. Her father is a diplomat. She grows up in a world where oil is everything, listening to the language of the adults around her as some want their share of the profits reaped by this energy source while (a few) others point out the inequities in this industry and its potential long-term effects on the world.
What is fascinating as well is how she herself becomes part of this same world when she is an adult, almost as if she cannot help but be subsumed by the vast structure of the oil industry.
“A masterpiece of misdirection.” ―Geraldine Brooks
“Mobility is a truly gripping coming-of-age story about navigating a world of corporate greed that’s both laugh-out-loud funny and politically incisive.” ―Jon Favreau, Jon Lovett, and Tommy Vietor
Bunny Glenn believes in climate change. But she also likes to get paid.
The year is 1998. The Soviet Union is dissolved, the Cold War is over, and Bunny Glenn is a lonely American teenager in Azerbaijan with her Foreign Service family. Through Bunny’s bemused eyes, we watch global interests flock to her temporary backyard for Caspian oil and pipeline access, hearing rumbles of the expansion…
Relationships are treacherous terrain for people outside the mainstream. Whether we’re tangling with the unwelcome biases of those who do not understand us or trying to navigate situations designed without us in mind, trying to find “our people” is tricky and often exhausting. I am an autistic polyamorous sapphic trans woman and each of those adjectives adds a layer of challenge to the life I have to lead. I am also the holder of a doctorate and like to think I’m pretty clever. Between these realities, I’ve found books about relationships, neurodivergence, and what it’s like to be someone like me that I think do a pretty good job. I hope you enjoy them.
Neurodivergence, queerness, and the power of spreading love far and wide will find few more apt combinations than in Kai Cheng Thom’s magical-realist faux-memoir, Fierce Femmes and Notorious Liars.
This surreal, poignant piece of fiction hits so many notes that resonate for people like us that it is difficult to list them all.
In its violent and sometimes confusing splendor, one finds a story of someone finding the people who will love her through the pain of a world that neither understands nor respects our difference, and in the end, what more could we want than that?
Fiction. LGBTQIA Studies. Asian and Asian American Studies. Young Adult. FIERCE FEMMES AND NOTORIOUS LIARS: A DANGEROUS TRANS GIRL'S CONFABULOUS MEMOIR is the highly sensational, ultra-exciting, sort-of true coming-of-age story of a young Asian trans girl, pathological liar, and kung-fu expert who runs away from her parents' abusive home in a rainy city called Gloom. Striking off on her own, she finds her true family in a group of larger-than-life trans femmes who live in a mysterious pleasure district known only as the Street of Miracles. Under the wings of this fierce and fabulous flock, the protagonist blossoms into the…
When I first traveled to Africa in my early 20s as a volunteer teacher, I naively thought I would have much to teach Africans. It became clear quickly that I had far more to learn than I did to teach. Since then, I have been immersed in African cultures and their histories and believe deeply that their long-standing social, political, and economic formations are necessary for a sustainable global future. I have written three books from my African history training and experience, including the one promoted below. I regularly teach introductory and upper-level African History courses at Xavier University in Cincinnati, Ohio.
I love this book and have taught it a number of times because the protagonist challenges us not to like her, and we do anyway. The novel's first line is that her brother died, and she is not sad. From that point on, you are enveloped in the complex and conflicting dynamics of an extended Shona family that has been changed by missionary education in what was then Southern Rhodesia.
It becomes clear that Western education, mostly by design, introduces students to concepts (if not languages) foreign to their families of origin. The result can be estrangement and division. The novel is semi-autobiographical and a moving illustration of colonialism's social and cultural impact.
FROM THE BOOKER PRIZE SHORTLISTED AUTHOR OF THIS MOURNABLE BODY, ONE OF THE BBC'S 100 WOMEN FOR 2020
'UNFORGETTABLE' Alice Walker 'THIS IS THE BOOK WE'VE BEEN WAITING FOR' Doris Lessing 'A UNIQUE AND VALUABLE BOOK.' Booklist 'AN ABSORBING PAGE-TURNER' Bloomsbury Review 'A MASTERPIECE' Madeleine Thien 'ARRESTING' Kwame Anthony Appiah
Two decades before Zimbabwe would win independence and ended white minority rule, thirteen-year-old Tambudzai Sigauke embarks on her education. On her shoulders rest the economic hopes of her parents, siblings, and extended family, and within her burns the desire for independence. A timeless coming-of-age tale, and a powerful exploration of…
I grew up in Spain, the U.S., and Germany, but no matter where we lived I always felt at home with a book in my hands. From a young age, I was drawn to stories with otherworldly content or told in dazzling ways. My curiosity about the workings of nature led me to a degree in Theoretical Physics, and later, I studied the history of science fiction and the craft of storytelling. Science fiction from the 60s and 70s, setting out to push the boundaries of the possible, hit me at exactly the right time in my development as a reader and changed me forever.
Jo Walton is a wonderfully humanistic storyteller with a deep knowledge of history and art who excels at creating alternate societies, and I was fascinated to see her work on a deliberately smaller, more intimate scale in this novel. The text is made up of the diary entries of Morgana, a precocious teenager who is a voracious science fiction and fantasy reader, as is Jason Velez in my novel. Though published in 2011, the book begins at the end of the 70s and perfectly captures the period.
Among Others excels at character development. It feels like a literary mainstream novel about a young person–imagine, say, the best of Judy Blume–smartly mixed in with glimpses of the fantastic. It wears its love for 70s science fiction on its sleeve and won the Hugo and Nebula awards.
Winner of the 2011 Nebula Award for Best Novel Winner of the 2012 Hugo Award for Best Novel
Startling, unusual, and yet irresistably readable, Jo Walton's Among Others is at once the compelling story of a young woman struggling to escape a troubled childhood, a brilliant diary of first encounters with the great novels of modern fantasy and SF, and a spellbinding tale of escape from ancient enchantment.
Raised by a half-mad mother who dabbled in magic, Morwenna Phelps found refuge in two worlds. As a child growing up in Wales, she played among the spirits who made their homes…
I'm passionate about stories that portray women as full human beings managing their passions, challenges, and obligations with grit because I grew up surrounded by a phalanx of them. Those who add “wife” and “mother” to their plate fascinate me all the more, especially as I grow older and better understand the pressures heaped on women. I saw my mother, sister, grandmothers, and aunties in all their complexities, building themselves up as they built families and businesses, starting over when they had to, overcoming the seemingly insurmountable, challenging the status quo, and never giving up. I gravitate toward female characters who share that spirit or grapple with how to get it.
White Oleander, the 2002 film, was one of the most shocking and nuanced depictions of motherhood I had ever seen onscreen—I had to read the book. What most transfixed me about the story is, on the surface, Astrid’s mother and foster mothers had everything society tells you should make life a cakewalk: beauty, ingenuity, and, in one case, wealth.
But the truth is, they are all battling a host of demons, ultimately blessing and cursing Astrid with their flawed, life-worn wisdom. Even still, I love that author Janet Fitch never sacrifices the women to easy “bad mother” stereotypes. It’s clear each mother is mostly doing the best she knows how to outsmart a world riddled with traps.
White Oleander is a painfully beautiful first novel about a young girl growing up the hard way. It is a powerful story of mothers and daughters, their ambiguous alliances, their selfish love and cruel behaviour, and the search for love and identity.Astrid has been raised by her mother, a beautiful, headstrong poet. Astrid forgives her everything as her world revolves around this beautiful creature until Ingrid murders a former lover and is imprisoned for life. Astrid's fierce determination to survive and be loved makes her an unforgettable figure. 'Liquid poetry' - Oprah Winfrey 'Tangled, complex and extraordinarily moving' - Observer
