Here are 100 books that Tiny Beautiful Things fans have personally recommended if you like
Tiny Beautiful Things.
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I am a nonfiction writer who aims to bring heart to my writing. If I can move the reader and enable them to connect to their inner world, then I consider that I have been successful. As I consider my purpose is rehabilitating women whom history has mistreated, my way into these misunderstood women is to examine their inner lives. What moves them and how they manage to survive and surmount their own heartbreak is the question that I am most interested in.
This book became a lifeline for me when I was going through an unhappily difficult and extremely stressful time. I felt as if it was written for me as a form of salve for my lack of trust in myself and my life at this point.
Rilke is wise, knowing, and reassuring about the vicissitudes of our emotional journeys. He encouraged me to hold onto myself in an emotional sense. To seek my own inner counsel and to not panic when my life seemed to unravel. I love his discourse on faith, solitude, trust, and his dissection of what it is to be an artist.
I found this a profoundly important and moving book when I was wavering about the bigger picture of life.
Born in 1875, the great German lyric poet Rainer Maria Rilke published his first collection of poems in 1898 and went on to become renowned for his delicate depiction of the workings of the human heart. Drawn by some sympathetic note in his poems, young people often wrote to Rilke with their problems and hopes. From 1903 to 1908 Rilke wrote a series of remarkable responses to a young, would-be poet on poetry and on surviving as a sensitive observer in a harsh world. Those letters, still a fresh source of inspiration and insight, are accompanied here by a chronicle…
As a 34-year-old memoirist, one of the most frequent questions I get about my genre, delivered with both curiosity and disdain, is: “Why?” After all, why? What could I, the life experience and literary equivalent of a pollywog, have to share about my journey—or, gasp, what I’ve LEARNED? The fun thing is, as someone who once broke my parents’ computer by using dial-up internet to download Napster, I’m used to disappointing people. Even more fun: as a millennial memoirist, I don’t believe in writing books that will tell people what I’ve learned. I hope my writing shows, through both merit and content, that I have indeed learned something.
I’m sorry, but can we finally remove Frankenstein from every undergraduate Literature 101 course and demand instead that our brightest young minds read THIS? My college boyfriend’s mother gifted it (prescient) during my sophomore year, and I read it on repeat during that whole relationship… and through every major challenge that came after.
I have a particular appreciation for Chödrön, and any Tibetan Buddhist nun for that matter, who can, in one breath, extend the most heartfelt, accessible nugget for finding peace AND relay the experience of throwing a flower pot at her ex-husband's head. Namaste.
Pema Choedroen reveals the vast potential for happiness, wisdom and courage even in the most painful circumstances.
Pema Choedroen teaches that there is a fundamental opportunity for happiness right within our reach, yet we usually miss it - ironically, while we are caught up in attempt to escape pain and suffering.
This accessible guide to compassionate living shows us how we can use painful emotions to cultivate wisdom, compassion and courage, ways of communication that lead to openness and true intimacy with others, practices for reversing our negative habitual patterns, methods for working with chaotic situations and ways to cultivate…
As a 34-year-old memoirist, one of the most frequent questions I get about my genre, delivered with both curiosity and disdain, is: “Why?” After all, why? What could I, the life experience and literary equivalent of a pollywog, have to share about my journey—or, gasp, what I’ve LEARNED? The fun thing is, as someone who once broke my parents’ computer by using dial-up internet to download Napster, I’m used to disappointing people. Even more fun: as a millennial memoirist, I don’t believe in writing books that will tell people what I’ve learned. I hope my writing shows, through both merit and content, that I have indeed learned something.
All hail the queen. Sally Rooney makes it look easy, with just the right amount of Irish, nothing-is-easy-you-insufferable-wanker on the side. This book has it all: awkward yet undeniably hot sexual tension! Arguments! Cool names! A house that is bigger than yours!
And within Rooney’s stupidly gorgeous prose, we find ourselves not only yelling “EXACTLY!” out loud, many times, to an empty room but answering the book’s central question: right here. As long as we have a good book, that beautiful world is right here.
Beautiful World, Where Are You is a new novel by Sally Rooney, the bestselling author of Normal People and Conversations with Friends.
Alice, a novelist, meets Felix, who works in a warehouse, and asks him if he’d like to travel to Rome with her. In Dublin, her best friend, Eileen, is getting over a break-up, and slips back into flirting with Simon, a man she has known since childhood.
Alice, Felix, Eileen, and Simon are still young—but life is catching up with them. They desire each other, they delude each other, they get…
I’m an OB/GYN, passionate about adventuring beyond what’s expected. This has led me to pivot multiple times in my career, now focusing on writing. I’ve written a play, The Post-Roe Monologues, to elevate women’s stories. I cherish the curiosity that drives outer and inner exploration, and I love memoirs that skillfully weave the two. The books on this list feature extraordinary women who took risks, left comfort and safety, and battled vulnerability to step into the unknown. These authors moved beyond the stories they’d believed about themselves–or that others told about them. They invite you to think about living fuller and bigger lives.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
The team attempts a new route up the East Face without the use of supplemental oxygen, Sherpa support, or chance for rescue. When three climbers disappear during their summit attempt, Zieman reaches the knife edge of her limits and digs deeply to fight for the climbers’ lives and to find her voice.
The plan was outrageous: A small team of four climbers would attempt a new route on the East Face of Mt. Everest, considered the most remote and dangerous side of the mountain, which had only been successfully climbed once before. Unlike the first large team, Mimi Zieman and her team would climb without using supplemental oxygen or porter support. While the unpredictable weather and high altitude of 29,035 feet make climbing Everest perilous in any condition, attempting a new route, with no idea of what obstacles lay ahead, was especially audacious. Team members were expected to push themselves to their…
As a 34-year-old memoirist, one of the most frequent questions I get about my genre, delivered with both curiosity and disdain, is: “Why?” After all, why? What could I, the life experience and literary equivalent of a pollywog, have to share about my journey—or, gasp, what I’ve LEARNED? The fun thing is, as someone who once broke my parents’ computer by using dial-up internet to download Napster, I’m used to disappointing people. Even more fun: as a millennial memoirist, I don’t believe in writing books that will tell people what I’ve learned. I hope my writing shows, through both merit and content, that I have indeed learned something.
If I could take one book to a desert island, it might well be this one. I’m hesitant to even describe it, in the same way, I’d hesitate to dole out unsolicited advice to any millennial—or human being, for that matter—who is staring down the kaleidoscope of their identity, asking, “Which one? Which one do I choose?”
Heti’s answer to that question—and to anyone asking her to pigeonhole her writing into one genre—is the same experience I’ve had in the many, many times I’ve read this glimmering text. Whatever you want, darling. Whatever you need.
Chosen as one of fifteen remarkable books by women that are shaping the way we read and write in the 21st century by the book critics of The New York Times
"Funny...odd, original, and nearly unclassifiable...unlike any novel I can think of."—David Haglund, The New York Times Book Review
"Brutally honest and stylistically inventive, cerebral, and sexy."—San Francisco Chronicle
Named a Book of the Year by The New York Times Book Review, The New Yorker, San Francisco Chronicle, Salon, Flavorpill, The New Republic, The New York Observer, The Huffington Post
A raw, startling, genre-defying novel of friendship, sex, and love…
I am the creator of an online magazine that features conversations between my gullible self and my moody, hissy, know-it-all cat, Marcy. Marcy the Cat even has her own snarky but popular advice column on the site. Obviously, I have a penchant for the absurd. I love the humor that skewers our utter ridiculousness as humans and even calls us out. Tough love, audacious advice, and brutal hilarity are my forte. With just a bit of inappropriateness. Basically, advice and stories that encourage us to shape up or ship out. But with giggles.
I love bad-ass women who take the world by storm. I love it when they’re funny. I love it when they share their journey. Amy Poehler, badass writer/comedian, wrote her memoir in the form of a self-help book. The self-help aspect is in disguise, though. You’re supposed to think it’s a memoir/fun celebrity tell-all, but it’s way more than that. It’s a bossy bitchy blueprint on how to get through life with humor and honesty and loads of funny stories.
Some of her advice: Talk To Yourself Like You’re Ninety and Treat Your Career Like A Bad Boyfriend. Amy’s snarky, smart, and silly stories about her successes and failures inspire me to be a badass, too. Humor and snark and advice. Yes, please!
In Amy Poehler's highly anticipated first book, Yes Please, she offers up a big juicy stew of personal stories, funny bits on sex and love and friendship and parenthood and real life advice (some useful, some not so much). Powered by Amy's charming and hilarious, biting yet wise voice, Yes Please is a book full of words to live by.
I am the creator of an online magazine that features conversations between my gullible self and my moody, hissy, know-it-all cat, Marcy. Marcy the Cat even has her own snarky but popular advice column on the site. Obviously, I have a penchant for the absurd. I love the humor that skewers our utter ridiculousness as humans and even calls us out. Tough love, audacious advice, and brutal hilarity are my forte. With just a bit of inappropriateness. Basically, advice and stories that encourage us to shape up or ship out. But with giggles.
I felt like I was on a roller coaster ride that never stopped while reading this book. It was thrilling and scary and fun. I also couldn’t stop bursting into laughter that ranged from high-pitched shrieking to low-key chuckling, all while nervously looking around to see if anyone in my proximity would ask what was so funny. Because … I don’t know what was so funny.
Everything I was laughing at was inappropriate. Concerning. Completely not funny if I thought about it. But that is the genius of Jenny Lawson’s memoir. Her wild and disturbing journey through life and her ability to handle the insanity with absurd humor and sweetness makes devouring her book the most fun roller coaster in the world.
Even when I was funny, I wasn't this funny' Augusten Burroughs, author of Running With Scissors
Have you ever embarrassed yourself so badly you thought you'd never get over it?
Have you ever wished your family could be just like everyone else's?
Have you ever been followed to school by your father's herd of turkeys, mistaken a marriage proposal for an attempted murder or got your arm stuck inside a cow? OK, maybe that's just Jenny Lawson . . .
The bestselling memoir from one of America's most outlandishly hilarious writers.
I am a nonfiction writer who aims to bring heart to my writing. If I can move the reader and enable them to connect to their inner world, then I consider that I have been successful. As I consider my purpose is rehabilitating women whom history has mistreated, my way into these misunderstood women is to examine their inner lives. What moves them and how they manage to survive and surmount their own heartbreak is the question that I am most interested in.
This book is a fearsomely clever collection of essays on love, marriage, and adultery, all written through the lens of trying to better understand the complexity of the human heart. Touching and tender, these explorations of relationships are wincingly honest and clearly written straight from the writer’s heartfelt experience
There is a purity of emotional intelligence to the book, which I find reassuring. Reading about the writers' relationship f*ck-ups, which they stumble into as if falling into potholes, made me feel okay about my own stumbling efforts to navigate my emotional life.
This book is for the once, never, and much married. For believers and skeptics, love's fools and love's thieves. It is for people with long memories and long histories and for people who reinvent themselves in every new town, new decade, new relationship. This book is for everyone whose heart lies where it should, where it shouldn't, and, in the end, where it must. -Amy Bloom, from the Foreword In these intensely personal essays, contemporary writers probe their experiences in and thoughts about one of our most enduring social and cultural institutions. Husbands and wives celebrate marriages that work, mourn…
I am a nonfiction writer who aims to bring heart to my writing. If I can move the reader and enable them to connect to their inner world, then I consider that I have been successful. As I consider my purpose is rehabilitating women whom history has mistreated, my way into these misunderstood women is to examine their inner lives. What moves them and how they manage to survive and surmount their own heartbreak is the question that I am most interested in.
I can not praise Edward St Aubyn highly enough. He is one of my favourite authors; I love his writing because it is heart-stoppingly true and affecting.
He portrays dysfunctional family dynamics with blistering accuracy, and I felt less alone reading this because I have been haunted by my own ancestral patterns repeating themselves through generations. I not only find St Aubyn laugh-out-loud funny, but he is also a brilliant observer of social mores.
Somehow, this book manages to be anti-spiritual while being one of the most spiritually aware books I have read. I love that St Aubyn does not try to make himself likable as a writer. There’s a ruthless fearlessness to his truth that I admire, which adds to his humanity.
Shortlisted for the Man Booker Prize, Mother's Milk is the fourth of Edward St Aubyn's semi-autobiographical Patrick Melrose novels, adapted for TV for Sky Atlantic and starring Benedict Cumberbatch as aristocratic addict, Patrick.
The once illustrious, once wealthy Melroses are in peril. Caught up in the wreckage of broken promises, child-rearing, adultery and assisted suicide, Patrick finds his wife Mary consumed by motherhood, his mother in thrall to a New Age foundation, and his young son Robert understanding far more than he should. But even as the family struggles against the pull of its ever-present past, a new generation brings…
I am a nonfiction writer who aims to bring heart to my writing. If I can move the reader and enable them to connect to their inner world, then I consider that I have been successful. As I consider my purpose is rehabilitating women whom history has mistreated, my way into these misunderstood women is to examine their inner lives. What moves them and how they manage to survive and surmount their own heartbreak is the question that I am most interested in.
I love this book because it made me laugh, it made me cry, and it cracked my heart wide open. Although I am not a drug addict and have not struggled with addiction in the traditional sense, I found this book completely relatable in terms of emotional pain and trying to surmount psychological patterns.
Rowland Hill’s account of his childhood is hilarious and yet it is an affectionate portrayal of his family and their failings. There is the sense of not being understood by his father, which I experience. This is an intelligent, brilliant book about healing, spiritual awakening, truth, and bleak pain. In other words, it is an original book about life.
An extraordinarily brave memoir about faith, family, shame and addiction - an Observer, New Statesman and Sunday Times Book of the Year
'Brilliant... lively, engaging and extremely well written - scrupulously, painfully honest... sharply funny' PANDORA SYKES, SUBSTACK
Matt Rowland Hill grew up the son of a minister in an evangelical Christian church. It was a childhood fraught with bitter family conflict and the fear of damnation. After a devastating loss of faith in his late teens, Matt began his search for salvation elsewhere, eventually becoming addicted to crack and heroin - an ordeal that stretched over a decade and…
As a 34-year-old memoirist, one of the most frequent questions I get about my genre, delivered with both curiosity and disdain, is: “Why?” After all, why? What could I, the life experience and literary equivalent of a pollywog, have to share about my journey—or, gasp, what I’ve LEARNED? The fun thing is, as someone who once broke my parents’ computer by using dial-up internet to download Napster, I’m used to disappointing people. Even more fun: as a millennial memoirist, I don’t believe in writing books that will tell people what I’ve learned. I hope my writing shows, through both merit and content, that I have indeed learned something.
This book oozed into my life, much like the creatures it portrays, at a moment when I desperately needed to read a beautifully written novel about very ugly things. Van Meter holds nothing back and has a spaciousness in writing that gives ample room for one’s own anxieties/fears/weak spots/obsessions to layer over her lush metaphor.
What does the ill-timed, putrid whale carcass offshore represent—our relationship with our mother? Our $60,000 student loan balance? That one cabinet above the sink that we’re too short to reach that hasn’t been cleaned since he moved out? Dealer’s choice.
“[A] kaleidoscopic narrative . . . Tenacious, wildly original, and full of insight.” —San Francisco Chronicle
“An alluring, atmospheric debut.” —People
A Belletrist Book Club Pick
A Most Anticipated Book of the Year: Entertainment Weekly • The Millions • Bustle A Best Book of the Year: NPR's Book Concierge
On the eve of Evangeline’s wedding on Winter Island, the groom may be lost at sea, a dead whale is trapped in the harbor, and Evie’s mostly absent mother has shown up out of the blue. From there, in this mesmerizing, provocative debut, the narrative flows back and forth through time…
