100 books like Mobility

I loved this book because it tells the story of a young woman in a perilous political situation who doesn’t cave to horrifying violence or conform simply to stay safe. I admire the voice Burns creates for the main character, called “middle sister,” because it’s unlike any narration in any other novel. 

For me, the strangeness of middle sister’s narration gets at the disconnect between the way a young woman sees herself and the way the rest of the world sees her—as inconsequential, as a sexual object, as a target. I love the way that she thinks her way out of the traps all around her, using humor and clear-sightedness to survive ‘the troubles’ in Northern Ireland during the 1970s.  

I read this book in graduate school at the University of Washington, where Robinson had also been a graduate student. What struck me so forcefully was how the father is killed off in a train wreck at the beginning of the novel to usher in the exploration of the female life of generations of women.

No work before made me see how a male character and tradition can marginalize female life. This novel encouraged me to focus on my mother and sisters in my own writing.

Franny and Zooey are the two youngest siblings in the Glass family. Originally, “Franny” was published as a short story and “Zooey” as a novella, both of them being published later in one book.

In “Franny”, the protagonist visits her college boyfriend who speaks about his experiences in great detail. But Franny increasingly becomes disenchanted with the ideals of accomplishment he speaks about.

The way “Zooey” opens is memorable: he is reading a letter from his brother Buddy who has written about their eldest brother Seymour’s suicide many years ago. Meanwhile, Franny has entered a state of distress. The book then focuses on Zooey trying to help her.

I love that the story centers around these siblings, living and dead and away, and that despite past tragedies there is hope. 

I spent my summers during college doing odd jobs as a temp, but even readers who’ve never known anything but “the steadiness” at work will enjoy this mythical look at the gig economy.

The unnamed narrator, born from a long line of temps, takes pride in her ability to “accurately replace a person,” whether that’s a pirate, an assassin, or even the chairman of the board. This book is for anyone who’s ever wondered what it would take not just to survive their job but to transcend it.

When I picked up Tsumura’s first novel to be translated into English, I’d just given notice at my hectic corporate job. So when the burned-out narrator tells her employment agency she’s looking for an easy job that’s “ideally, something along the lines of sitting all day in a chair,” I could relate.

She searches for that elusive work-life balance at a series of strange positions, but when she lands a plum gig working in a small hut in a forest, the story’s disparate strands weave together into an emotionally satisfying whole.

Do you have to be captivated by aquariums and otherworldly travel to enjoy this book? No, but if, like me, you’ve always wondered what it would be like to have an octopus for a work wife or a boyfriend who’s moving to Mars, you’ll love Sea Change.

Come for the reality-bending critique of life on Earth; stay for the achingly true-to-life portrait of a daughter of Korean immigrants who’s just trying to make her way in the world.

Jess is a Black liberal from Nebraska starting her first post-college job at Goldman Sachs. Josh is her white, conservative coworker from Connecticut and former thorn in her side from undergrad.

Watching these two opposites attract during the Obama-Trump transition was the most fun I ever had (the banter is top-notch) and had me squirming with its hyper-realistic portrayal of America’s political polarization. Will Jess and Josh’s love survive, or will it suffer death by a thousand microaggressions? Everything’s Fine is a romance wrapped in an enigma.

The protagonist is a Pakistani girl moving from the urban city of Rawalpindi to a rural city in the US, as part of a program that places students abroad for a year in high school.

There were so many instances when I completely understood Hira, the way she talked about the US, about growing up in Pakistan, about language. Her adjusting to life far from home is complicated by her illness, a disease the perception of which further makes us question our prejudices about a place and its people.

I love how this book is the perfect example of how the setting makes a story: the flooded coastal Louisiana town of Boutin, Jillian, and all its residents are the story.

If a place disappears, will its stories also disappear? Jillian doesn’t only see the seemingly inevitable problems; rather, she becomes part of the solution by taking part in ecology projects and collecting the oral histories of the town’s residents. As Jillian says, if she can’t save the land, she can save the stories.

I also love the centered and matter-of-fact way this book handles family problems. Bonus points for all the cooking and great food.

Very probably the world’s foremost organizer against global warming, Bill McKibben played a leading role in founding 350.org, a worldwide citizen-based, grass-roots solution for climate changes that already are well underway.

An eloquent writer and author of several other books that focus on humankind’s debt to nature, his role as an author on natural issues began in 1989 with The End of Nature. In October, 2009, McKibben took a leading role in organizing what CNN called “The most widespread day of political action in the planet’s history.”