Here are 100 books that Mobility fans have personally recommended if you like
Mobility.
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I grew up in Los Angeles in the 80s and 90s. I was a shy teenager, an obsessive reader, and a secret writer. I went to an all-girls high school where we wore uniforms, did a lot of homework, and mostly had no idea how to meet boys. The teen girls I encountered in movies, TV shows, and even literature were sexualized to the point of being unrecognizable to me. Now that I work with teenagers (and am a mom to one), I’m fascinated by the variability of girls this age, their wide-ranging intelligence, passions, and ways of being in the world. I love novels that reflect that complexity.
I loved this book because it tells the story of a young woman in a perilous political situation who doesn’t cave to horrifying violence or conform simply to stay safe. I admire the voice Burns creates for the main character, called “middle sister,” because it’s unlike any narration in any other novel.
For me, the strangeness of middle sister’s narration gets at the disconnect between the way a young woman sees herself and the way the rest of the world sees her—as inconsequential, as a sexual object, as a target. I love the way that she thinks her way out of the traps all around her, using humor and clear-sightedness to survive ‘the troubles’ in Northern Ireland during the 1970s.
Liberty fabric covered editions bring classics from the Faber backlist together with important modern titles, putting them in conversation and celebrating both the history and the future of Faber & Faber.
In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and…
I’ve always been preoccupied with how personal tragedy, loss, and grief can ultimately teach us truths about existence and our own strength that we might never have learned otherwise. As a child, I was confounded by the fact of death and the transience of life, and as an adult, I’ve spent much time contemplating how literature is able to testify to the magnitude of these things in ways that ordinary language cannot. This interest led me to complete a PhD on the topic of elegiac literature and has also influenced the themes of my own fiction. I hope you find connection and inspiration in the books on this list!
The atmosphere and voice created by Robinson in this timeless and widely beloved novel, which is potent in a way that’s difficult to quantify, has endured in my memory since I first read it as a teenager. In prose rich with imagery and allusion, narrator Ruth tells the story of how she and her sister, Lucille—orphaned after their mother’s suicide—came to be cared for by their aunt, Sylvie, an eccentric drifter, who moves into their rural Idaho home and alters the tenor of their lives.
This is written with the precision of poetry, containing such sentences as, “When she had been married a little while, she concluded that love was half a longing of a kind that possession did nothing to mitigate.” A novel to re-read and savor.
A modern classic, Marilynne Robinson's Housekeeping is the story of Ruth and her younger sister, Lucille, who grow up haphazardly, first under the care of their competent grandmother, then of two comically bumbling great-aunts, and finally of Sylvie, the eccentric and remote sister of their dead mother.
The family house is in the small town of Fingerbone on a glacial lake in the Far West, the same lake where their grandfather died in a spectacular train wreck and their mother drove off a cliff to her death. It is a town "chastened by an outsized…
I have always loved reading about individuals and the ways they behave in extraordinary or unusual circumstances. Stories that are about a person growing up and coming to an understanding that the world around them is deeply flawed, and that they themselves are patched-up, imperfect creatures, fascinate me. I find myself observing people and the words they say. Those are the kinds of stories I write, about regular people stumbling along and discovering some truths about themselves.
Franny and Zooey are the two youngest siblings in the Glass family. Originally, “Franny” was published as a short story and “Zooey” as a novella, both of them being published later in one book.
In “Franny”, the protagonist visits her college boyfriend who speaks about his experiences in great detail. But Franny increasingly becomes disenchanted with the ideals of accomplishment he speaks about.
The way “Zooey” opens is memorable: he is reading a letter from his brother Buddy who has written about their eldest brother Seymour’s suicide many years ago. Meanwhile, Franny has entered a state of distress. The book then focuses on Zooey trying to help her.
I love that the story centers around these siblings, living and dead and away, and that despite past tragedies there is hope.
"Perhaps the best book by the foremost stylist of his generation" (New York Times), J. D. Salinger's Franny and Zooey collects two works of fiction about the Glass family originally published in The New Yorker.
"Everything everybody does is so--I don't know--not wrong, or even mean, or even stupid necessarily. But just so tiny and meaningless and--sad-making. And the worst part is, if you go bohemian or something crazy like that, you're conforming just as much only in a different way."
A novel in two halves, Franny and Zooey brilliantly captures the emotional strains and traumas of entering adulthood. It…
I’ll tell you a secret. I’m obsessed with money—not fast cars, designer labels, and McMansions, but the accumulation of capital: who has it, how they got it, and what lengths they’re willing to go to to keep it. So I’ve always loved novels about work. They cut right to the heart of a character’s true motivations, revealing what they’ll fight for and who they’ll love. Don’t show me what a person looks like, show me how they earn (or don’t earn) their living, and I’ll remember them forever.
I spent my summers during college doing odd jobs as a temp, but even readers who’ve never known anything but “the steadiness” at work will enjoy this mythical look at the gig economy.
The unnamed narrator, born from a long line of temps, takes pride in her ability to “accurately replace a person,” whether that’s a pirate, an assassin, or even the chairman of the board. This book is for anyone who’s ever wondered what it would take not just to survive their job but to transcend it.
In Temporary, a young woman’s workplace is the size of the world. She fills increasingly bizarre placements in search of steadiness, connection, and something, at last, to call her own. Whether it’s shining an endless closet of shoes, swabbing the deck of a pirate ship, assisting an assassin, or filling in for the Chairman of the Board, for the mythical Temporary, “there is nothing more personal than doing your job.”
This riveting quest, at once hilarious and profound, will resonate with anyone who has ever done their best at work, even when the work is only temporary.
I’ll tell you a secret. I’m obsessed with money—not fast cars, designer labels, and McMansions, but the accumulation of capital: who has it, how they got it, and what lengths they’re willing to go to to keep it. So I’ve always loved novels about work. They cut right to the heart of a character’s true motivations, revealing what they’ll fight for and who they’ll love. Don’t show me what a person looks like, show me how they earn (or don’t earn) their living, and I’ll remember them forever.
When I picked up Tsumura’s first novel to be translated into English, I’d just given notice at my hectic corporate job. So when the burned-out narrator tells her employment agency she’s looking for an easy job that’s “ideally, something along the lines of sitting all day in a chair,” I could relate.
She searches for that elusive work-life balance at a series of strange positions, but when she lands a plum gig working in a small hut in a forest, the story’s disparate strands weave together into an emotionally satisfying whole.
"[A] 21st-century response to Herman Melville's 'Bartleby, the Scrivener.'"―NPR
"A revelation."―Time
A young woman walks into an employment agency and requests a job that has the following traits: it is close to her home, and it requires no reading, no writing, and ideally, very little thinking.
Her first gig--watching the hidden-camera feed of an author suspected of storing contraband goods--turns out to be inconvenient. (When can she go to the bathroom?) Her next gives way to the supernatural: announcing advertisements for shops that mysteriously disappear. As she moves from job to job--writing trivia for rice cracker packages; punching entry tickets…
I’ll tell you a secret. I’m obsessed with money—not fast cars, designer labels, and McMansions, but the accumulation of capital: who has it, how they got it, and what lengths they’re willing to go to to keep it. So I’ve always loved novels about work. They cut right to the heart of a character’s true motivations, revealing what they’ll fight for and who they’ll love. Don’t show me what a person looks like, show me how they earn (or don’t earn) their living, and I’ll remember them forever.
Do you have to be captivated by aquariums and otherworldly travel to enjoy this book? No, but if, like me, you’ve always wondered what it would be like to have an octopus for a work wife or a boyfriend who’s moving to Mars, you’ll love Sea Change.
Come for the reality-bending critique of life on Earth; stay for the achingly true-to-life portrait of a daughter of Korean immigrants who’s just trying to make her way in the world.
A NEW YORK TIMES MOST ANTICIPATED BOOK • An enchanting novel about Ro, a woman tossed overboard by heartbreak and loss, who has to find her way back to stable shores with the help of a giant Pacific octopus at the mall aquarium where she works.
“Immersively beautiful.... A kaleidoscope of originality." —Weike Wang, acclaimed author of Joan is Okay
Ro is stuck. She's just entered her thirties, she's estranged from her mother, and her boyfriend has just left her to join a mission to Mars. Her days are spent dragging herself to her menial job at the aquarium, and…
I’ll tell you a secret. I’m obsessed with money—not fast cars, designer labels, and McMansions, but the accumulation of capital: who has it, how they got it, and what lengths they’re willing to go to to keep it. So I’ve always loved novels about work. They cut right to the heart of a character’s true motivations, revealing what they’ll fight for and who they’ll love. Don’t show me what a person looks like, show me how they earn (or don’t earn) their living, and I’ll remember them forever.
Jess is a Black liberal from Nebraska starting her first post-college job at Goldman Sachs. Josh is her white, conservative coworker from Connecticut and former thorn in her side from undergrad.
Watching these two opposites attract during the Obama-Trump transition was the most fun I ever had (the banter is top-notch) and had me squirming with its hyper-realistic portrayal of America’s political polarization. Will Jess and Josh’s love survive, or will it suffer death by a thousand microaggressions? Everything’s Fine is a romance wrapped in an enigma.
I have always loved reading about individuals and the ways they behave in extraordinary or unusual circumstances. Stories that are about a person growing up and coming to an understanding that the world around them is deeply flawed, and that they themselves are patched-up, imperfect creatures, fascinate me. I find myself observing people and the words they say. Those are the kinds of stories I write, about regular people stumbling along and discovering some truths about themselves.
The protagonist is a Pakistani girl moving from the urban city of Rawalpindi to a rural city in the US, as part of a program that places students abroad for a year in high school.
There were so many instances when I completely understood Hira, the way she talked about the US, about growing up in Pakistan, about language. Her adjusting to life far from home is complicated by her illness, a disease the perception of which further makes us question our prejudices about a place and its people.
'Prose that dances with charge and potency' LOS ANGELES REVIEW OF BOOKS
WINNER OF A 2023 ASIAN/PACIFIC AMERICAN AWARD FOR LITERATURE
On a year-long exchange programme, sixteen-year-old Hira must swap the bustle of urban Pakistan for church and volleyball practice in rural Oregon.
Stuck between two worlds, her experience of America is sometimes freeing, sometimes painful, often quite painful. And while she faces racism and Islamophobia, she also makes new friends and has her first kiss.
But when her new life is blown apart by a shocking health crisis, Hira's sense of belonging is overturned once…
I love books where the setting is just as big and alive as the characters. It doesn’t matter to me if it’s a familiar place or someplace new: if a vivid setting is a key element of the story, I’m in. I think it’s because I grew up in one of those small towns in the beautiful middle of nowhere where if someone asks where you’re from, it’s just easier to say someplace else. I wanted to see the world, and books let me do that. I also wanted validation in reading—and writing—about the small places I knew, and books let me do that, too.
I love how this book is the perfect example of how the setting makes a story: the flooded coastal Louisiana town of Boutin, Jillian, and all its residents are the story.
If a place disappears, will its stories also disappear? Jillian doesn’t only see the seemingly inevitable problems; rather, she becomes part of the solution by taking part in ecology projects and collecting the oral histories of the town’s residents. As Jillian says, if she can’t save the land, she can save the stories.
I also love the centered and matter-of-fact way this book handles family problems. Bonus points for all the cooking and great food.
For thirteen-year-old Jillian Robichaux, three things are sacred: bayou sunsets, her grandmother Nonnie's stories, and the coastal Louisiana town of Boutin that she calls home.
When the worst flood in a century hits, Jillian and the rest of her community band together as they always do - but this time the damage may simply be too great. After the local school is padlocked and the bridges into town condemned, Jillian has no choice but to face the reality that she may be losing the only home she's ever had.
But even when all hope seems lost, Jillian is determined to…
I’m an environmental journalist (BBC, The Guardian, The Sunday Times) and book author, based in the UK. My interest lies in the intersection between human health, the environment, and climate crisis: the actions we can take that not only reduce climate change for future generations but also improve biodiversity, health, and wellbeing right now. That led to me write my first book, Clearing The Air, about air pollution. And I’m now writing my second book, The Last Drop, looking at how climate change is affecting the world’s water cycle and our access to freshwater. My best books list below maybe misses out on some obvious choices (Naomi Klein, Rachel Carson, etc) in favour of more recent books and authors deserving of a wider audience.
Alice Bell offers a full history of climate science, from Eunice Newton Foote’s early CO2 experiments in the 1850s, to Thomas Edison, Big Oil, the formation of the IPCC, and beyond. Given such a pressing crisis, we can often get caught up with the here and now – Bell’s book allows us to take a step back and remind ourselves how we got here, and learn the lessons from history.
Did you know the link between carbon dioxide and global warming was first suggested in the 1850s? Climate change books are usually about the future, but Our Biggest Experiment turns instead asks how did we get into this mess, and how and when did we work out it was happening? Join Alice Bell on a rip-roaring ride through the characters, ideas, technologies and experiments that shaped the climate crisis we now find ourselves in.
From an emerging idea of 'greenhouse gases' in the 19th century and, via scientific expeditions across oceans and ice caps and into space, the coining of…
