100 books like American Fever

I loved this book because it tells the story of a young woman in a perilous political situation who doesn’t cave to horrifying violence or conform simply to stay safe. I admire the voice Burns creates for the main character, called “middle sister,” because it’s unlike any narration in any other novel. 

For me, the strangeness of middle sister’s narration gets at the disconnect between the way a young woman sees herself and the way the rest of the world sees her—as inconsequential, as a sexual object, as a target. I love the way that she thinks her way out of the traps all around her, using humor and clear-sightedness to survive ‘the troubles’ in Northern Ireland during the 1970s.  

The atmosphere and voice created by Robinson in this timeless and widely beloved novel, which is potent in a way that’s difficult to quantify, has endured in my memory since I first read it as a teenager. In prose rich with imagery and allusion, narrator Ruth tells the story of how she and her sister, Lucille—orphaned after their mother’s suicide—came to be cared for by their aunt, Sylvie, an eccentric drifter, who moves into their rural Idaho home and alters the tenor of their lives.

This is written with the precision of poetry, containing such sentences as, “When she had been married a little while, she concluded that love was half a longing of a kind that possession did nothing to mitigate.” A novel to re-read and savor.

Franny and Zooey are the two youngest siblings in the Glass family. Originally, “Franny” was published as a short story and “Zooey” as a novella, both of them being published later in one book.

In “Franny”, the protagonist visits her college boyfriend who speaks about his experiences in great detail. But Franny increasingly becomes disenchanted with the ideals of accomplishment he speaks about.

The way “Zooey” opens is memorable: he is reading a letter from his brother Buddy who has written about their eldest brother Seymour’s suicide many years ago. Meanwhile, Franny has entered a state of distress. The book then focuses on Zooey trying to help her.

I love that the story centers around these siblings, living and dead and away, and that despite past tragedies there is hope. 

Bunny is an American teenager in Azerbaijan. Her father is a diplomat. She grows up in a world where oil is everything, listening to the language of the adults around her as some want their share of the profits reaped by this energy source while (a few) others point out the inequities in this industry and its potential long-term effects on the world.

What is fascinating as well is how she herself becomes part of this same world when she is an adult, almost as if she cannot help but be subsumed by the vast structure of the oil industry.

I devoured this modern classic comedy of manners like a good period drama. 

The novel follows the adolescent years of Sebastian, duke and heir of the country house Chevron, where his mother Lucy plots luncheons and indulges parties where alcohol, games, and affairs are the prime guests. The tone is witty and the food, from the ingredients on display to the behaviours of those who eat, is used as a powerful show of appearances.

Love gone wrong. I grew to really care about Lars (Conner... somewhat), and I turned the pages because why the love had gone wrong was a mystery until late in the novel. I thought Lars’ pining away over a boy he cared about but hadn’t talked to in three years was compelling, especially in an age where we are encouraged to "move on" or "get over it."

I loved this story and plan to read it again soon!

Bruiser is only nine years old, younger than most “coming of age” protagonists, but his anxiety-ridden family life in a Manhattan apartment has aged him. His father is a philanderer who rarely is home and often physically abusive when he is; his mother is a deeply depressed poet. Bruiser spends most of his time running around his Upper West Side neighborhood with a make-shift gang of older boys—and has the bruises to show for it, hence his nickname—or hiding at the bottom of the clothes hamper when his parents are going at it. He befriends a 10-year-old girl, Darla, who lives across the courtyard with her drug-addled mother and who convinces him to run away with her. Their journey, which takes them first to West Virginia in search of Darla’s father and eventually to North Carolina, is the book’s magic. Both kids are pre-puberty, so it’s… show more.

What comfort library would be complete without Emily Henry?

I’ll read anything she writes, but Poppy and Alex’s love story is the stuff of my dreams. Friends to lovers, split timelines, and more yearning than I know what to do with Seamlessly blending humour and heart and set between Palm Springs, New York, Italy, and somewhere in the sedate American midwest, You and Me on Vacation was the antidote to my mid-lockdown claustrophobia.

I like to read my fluff on the treadmill – it keeps my brain more occupied than music or podcasts, so I’m less likely to remember how much I hate working out – and it was so delicious I found myself looking forward to time at the gym. A true feat.

This beautifully written novel showed me what life must have been like on the island of Orkney in the Dark Ages and trapped me in a gripping, almost ‘other-world’ coming-of-age tale.

Full of fascinating descriptive details and wise human insight, the story tells of the developing, sometimes tender, sometimes aggressive, relationship between two homeless adolescents in a very dangerous adult environment.

It doesn’t happen often, but it does happen sometimes: you start a book only to find you simply can’t put it down. This was the case for me with Lonely Castle in the Mirror, a coming-of-age story.

At first glance the book seems like an entertainment novel with a fantasy element. Six teenagers slip through their respective bedroom mirrors and find themselves in a surreal castle with a mission to complete. Only at second glance does it become clear what this book is really about.

It is about loneliness and friendship, and about the painful process of growing up. None of the teenagers are really any good at forming relationships. And yet: by taking the risk and accepting commitments, the sense of responsibility within them grows, and they surpass themselves.

A magical parable. And who actually says that good literature can’t also be entertaining? It’s ideal when both happen at… show more.