Fans pick 100 books like You and Me on Vacation

I could not stop reading this book—and when the TV series came out, I fell in love all over again. A trapped, imprisoned aristocrat who is elegant and only slightly snotty and who has a bedrock of humanity underneath any stiffness and propriety—that’s the protagonist, Rostov.

This novel features not one but two abandoned children, and, in both cases, their plights bring out the best in Count Rostov. He is naturally kind, but he also finds resources and courage he never knew he had. I’ve experienced the book three times—reading, listening to an audiobook, and watching the TV series and I was in love every time.

While not exactly a light read – it contains adult explorations of trauma and violence – Purcell’s writing is drum-tight and entirely absorbing.

This book broke my months-long reading slump and writer's block, reminding me that all it takes to fall in love with stories again is one really, really good one. I’m not much of an annotator, but the pages of my copy are splattered with pen, most often exclamation marks and underlines and obscene exclamations of enthusiasm and grief.

Split between multiple perspectives, locations, and decades, The Lessons is a heart-wrenching romance without fluff, tropes, and suspended disbeliefs. A story of expectations and disappointments, promises and betrayals, it’s full of sharp observations about writing and writers, social constructs, and human behaviour.

I devoured it in days, and can’t wait to forget all the details so I can come back to it and fall in love all over… show more.

After 608 days, Maggie is single again and almost 30–two things that give cause for concern and reflection. Thankfully, Maggie takes no blame for either thing happening and plows on, determined to find the pearl in the gritty oyster her life has become.

I laughed, but I also found myself filled with sad recognition of how we all too often set goals we’ll never score, only to find that halfway home is where the heart is.

A master of the flawed and loveable heroine, O’Donoghue’s writing is both deeply comforting and immensely frustrating – because every wry observation is so relatable I can’t believe I didn’t think of it first.

Exploring life in GFC-era Ireland through the wide eyes of a broke, experience-hungry university student and floundering graduate, this story is a tribute to friendship, self discovery, and all the missteps of newfound freedom.

The deeper into the story I went, the closer I felt to my eighteen-year-old self: naive and desperate not to be, nervous about the power in the currency of youth and eager to spend it, full of love and pride and optimism.

I can’t wait to get my hands on a physical copy so I can slap sticky tabs on every page and recall every sparkling insight, quippy conversation, and touching moment.

This is a short read, one you'll devour in just a few sessions, as it will hold your attention from start to finish. This is real-life horror, not make-believe. Yes, there are some graphic descriptions, but this tale does not set out to shock. There is no gore for the sake of it.

As horrific as Denny's (M.C.) situation is, there are beautiful, tender moments that will tug at your heart.

I don't know if it was because the whole of my career was spent teaching kids of Denny's age, but I found myself fully engaged in his story. Denny's situation resonated deeply, and I wanted to take him home.

The characters were so well drawn and the neighborhood vibe was spot on, too. Highly recommended.  

An immersive, impressionistic snapshot of Williamsburg, Brooklyn, as it was in the 1920s and early 1930s, when it was known not for hipsters, craft beer, and creative facial hair but as a Jewish slum rife with yentas and gangsters. Fuchs published this book in 1934 and swiftly followed it up with two more novels, Homage to Blenholt and Low Company. The books didn’t sell, but Fuchs catapulted himself out of the ghetto and into a respectable West Coast life as a Hollywood screenwriter. Only after Fuchs had all but stopped writing fiction did these early books receive a warm reassessment from the likes of John Updike and Jonathan Lethem. Full disclosure: Fuchs was my great uncle! He was the older brother of my maternal grandfather.

One of my favorite novels is Herman Wouk’s Marjorie Morningstar, a coming of age story of Marjorie and Mrs Morgenster, a/k/a the original helicopter mom.

This Pulitzer Prize-winning author was male but managed to get into the head of both teenage girl and indomitable mother–and the results are funny and poignant. There’s all kinds of bonus detail about 1930s-1940s NYC: college, dating, and theater scenes.

As someone who is fascinated by mom culture, I like to recommend mother-daughter stories that illustrate how parenting styles and family relationships have changed over time. While it all started with Marmee, Louisa May Alcott (Jo’s) idealized supermom, I have a fondness for the ambivalently modern struggles between Mrs. Morgenstern and Marjorie, the female leads in Herman Wouk’s classic novel, Marjorie Morningstar. 

This is a coming of age story that has it all: beautiful and ambitious heroine, handsome love interest, colorful best friend, and the… show more.

Nothing Special follows Mae, a teenager in 1967, who drops out of school and becomes a typist in Andy Warhol’s Factory studio.

Transcribing taped conversations of Warhol and his contemporaries, Mae feels like she’s entered a new world – along with Shelley, a fellow typist who soon becomes a close friend. But is Shelley all she seems? This is a closely observed psychological novel exploring what it means to truly know another person, and how much we have the right to expect from our friends.

The writing zips along effortlessly, driven by Mae’s poised, ironic voice, which expertly captures the ersatz confidence of being young.  

I loved this book because it slams you in the gut, and I spent the entire time raging, crying, laughing, and loving Peter as he negotiates his first love. I loved the stellar writing, the character growth, the evocative music, and how it made me lunge for the next in the series.

When I really started writing, I sought out books with punchy prose that connected to some of my experiences.

Don Lee’s Yellow was one of the few books of short stories I found that did that. What’s cool about the title story “Yellow” is that it talks about an Asian guy who learns to box who is known to be sexy, and grapples with issues of courage.

Growing up as a young Asian guy, I was never handed a story about an Asian guy struggling to be a man like all other guys growing up in America. Reading this collection changed that and changed my own perceptions of what stories are possible when you’re coming to age as an Asian in America.