Here are 100 books that Summer Sisters fans have personally recommended if you like
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As a romance and rom-com writer, summer love stories are my favorite to read. We change during the summer months—our schedules are less rigorous, we get out and see the world, we can be a little reckless with our decisions because everything feels temporary, and we show the world a more relaxed side of ourselves. In cuffing season, we attach ourselves to another person to get through the cold months with a warm body by our side. Meanwhile, in summertime, we don’t feel burdened to get through it with another person. But the night swimming and salt air romance allows surprising love stories to ignite.
I’m a sucker for YA and love triangles, and the love triangle between Belly, Conrad, and Jeremiah is one for the ages!
Watching Belly come alive in Cousins is such a delight, and from the moment both boys see Belly emerge from the car that summer, I couldn’t put the book down. Belly’s crush on Conrad delivers such good teenage pining.
The Summer I Turned Pretty is now a major new TV series on Amazon Prime!
From the author of Netflix's smash-hit movie To All The Boys I've Loved Before, this is the perfect funny summer romance for fans of The Kissing Booth and Holly Bourne.
One girl. Two boys. And the summer that changed everything . . .
Every year Isabel spends a perfect summer at her favourite place in the world - the Fisher family's beach house. It has everything a girl could want: a swimming pool, a private stretch of sandy beach... and two (very cute) boys:
During my MFA, I learned to write family dramas and character-driven fiction, but I wanted more comfort, joy, and… romance! I knew the swoony and funny aspects of rom-coms could lift heavier emotional subjects like grief and loss, allowing readers to explore these resonant aspects of life safely, with a guaranteed Happily Ever After. All the books on this list explore a full emotional range of the human experience through extraordinary, utterly magical love stories about otherwise ordinary, flawed people. I hope they make you laugh, swoon, maybe shed a few cathartic tears, and come out the other side feeling better than when you turned the first page.
This enemies-to-lovers story about a romance writer and a literary fiction writer who strike a bet to write their next book in each other’s genre blew me away with its hilarious dialogue and realistic emotional stakes.
January struggles to write another Happily Ever After upon learning her recently deceased father had a secret life with another woman. She goes to deal with his beach house, only to find that her college writing rival is her neighbor for the summer.
As part of Gus and January’s renewed rivalry, they go on a series of dates to teach each other about their genre, and they develop mutual professional respect that bleeds into attraction.
One highlight is when they write flirty notes and hold them up through their neighboring windows. This is a true rom-com, so hilarious and sexy, but it commits to realism and reaches for heavy, heart-wrenching emotional stakes and the…
FROM THE #1 NEW YORK TIMES BESTSELLING AUTHOR OF PEOPLE WE MEET ON VACATION AND BOOK LOVERS!
A romance writer who no longer believes in love and a literary writer stuck in a rut engage in a summer-long challenge that may just upend everything they believe about happily ever afters.
Augustus Everett is an acclaimed author of literary fiction. January Andrews writes bestselling romance. When she pens a happily ever after, he kills off his entire cast.
They’re polar opposites.
In fact, the only thing they have in common is that for the next three months, they're living in neighboring…
As a romance and rom-com writer, summer love stories are my favorite to read. We change during the summer months—our schedules are less rigorous, we get out and see the world, we can be a little reckless with our decisions because everything feels temporary, and we show the world a more relaxed side of ourselves. In cuffing season, we attach ourselves to another person to get through the cold months with a warm body by our side. Meanwhile, in summertime, we don’t feel burdened to get through it with another person. But the night swimming and salt air romance allows surprising love stories to ignite.
This book drenched me in the romance of a woman escaping her real life, and for most of the book, it made me want to fly to Positano and never return.
I loved how Serle uses magical realism to help Katy grieve the loss of her mother and explore how she feels about her own marriage. I was heartbroken and in awe throughout the book, and I’ve never seen a mother-daughter relationship explored so tenderly as Katy and Carol.
“Rebecca Serle is a maestro of love in all its forms.” —Gabrielle Zevin, New York Times bestselling author
The New York Times bestselling author of In Five Years returns with a powerful novel about the transformational love between mothers and daughters set on the breathtaking Amalfi Coast.
When Katy’s mother dies, she is left reeling. Carol wasn’t just Katy’s mom, but her best friend and first phone call. She had all the answers and now, when Katy needs her the most, she is gone. To make matters worse,…
I grew up reading Stephen King and Michael Crichton. That combination of horror and techno-thriller greatly impacted my writing style and genre. I love a page-turner and chapters that end with a cliffhanger. I love that creepy feeling of dread that washes over you when engrossed in a scary scene. I love when you put a book down for the night, turn off the light, and then wince when you hear a strange noise in the other room. I love a story that's so believable that you can't help but wonder, "Could this happen...maybe even to me?" If you do, too, you may enjoy my books.
The Stormy Night is the first in a series of nine children's books for ages 8-12. The stories follow two dogs–a senior, disabled dog and a newly adopted puppy–as they learn to become friends and family.
The Adventures of Lucky and Mr. Pickle series are chapter books, not picture books. Parents can read to younger children until they can read for themselves. Each book tackles subjects that may ring true for blended and or adopted families. Also, kids who love dogs will love these stories as they are filled with hope, adventure, and excitement. Most importantly, each book has a…
The Adventures of Lucky and Mr. Pickle: The Stormy Night
Adoptions can be scary and confusing. For everyone.
Lucky, a senior dog with a disability, has his world turned upside down when a newly adopted puppy named Mr. Pickle is brought home. The highly energetic pup is scared and confused by his new surroundings and desperately wants to return to his original family. Things only get worse when Papa leaves them home alone, and a big storm shakes the house, sending both dogs searching for safety.
Fun and frenzy await them as they learn to work together. They are different in breed, age, size, shape, and color, but will that…
As a romance and rom-com writer, summer love stories are my favorite to read. We change during the summer months—our schedules are less rigorous, we get out and see the world, we can be a little reckless with our decisions because everything feels temporary, and we show the world a more relaxed side of ourselves. In cuffing season, we attach ourselves to another person to get through the cold months with a warm body by our side. Meanwhile, in summertime, we don’t feel burdened to get through it with another person. But the night swimming and salt air romance allows surprising love stories to ignite.
I open this book whenever I need a good cry. I covet books that surprise me, and not many romances are true heartbreakers. This one is just that, and it took my breath away.
There are different ways to tell love stories; this isn’t a typical summertime romance. It’s deep, beautiful, and devastating. As a writer, I was inspired by the structure, which shows Emma and Dexter’s characters turning into fully wonderful adults as we visit them every July 15th, year after year.
'ONE DAY is destined to be a modern classic' - Daily Mirror Twenty years, two people, ONE DAY. The multi-million copy bestseller that captures the experiences of a generation. 'I can imagine you at forty,' she said, a hint of malice in her voice. 'I can picture it right now.' He smiled without opening his eyes. 'Go on then.' 15th July 1988. Emma and Dexter meet for the first time on the night of their graduation. Tomorrow they must go their separate ways. So where will they be on this one day next year? And the year after that? And…
I was the ten-year-old child who devoured David Copperfield (and then every other Dickens book), the teenager who began a lifelong love of Russian literature after discovering Dostoevsky’s Crime and Punishment. To this day, my greatest reading pleasure is to lose (and find) myself in the rich, expansive world of a nineteenth-century novel. In my contemporary rom-com, Blame It on the Brontës, my heroine is torn between her literary ideal of love and the reality of losing the love of her life. To paraphrase Keats, she tries to reconcile “the truth of imagination” with “the holiness of the heart’s affections.” As a romance writer, it is my quest, too.
In this book, George Eliot’s novel of provincial life in 1830s England, nearly everyone marries the wrong person. Even the future happiness of its heroine, Dorothea, when she finally unites with her true love, Will, is questionable. And yet it stands for me, not only as one of the finest novels ever written but one of literature’s greatest romances.
Virginia Woolf famously wrote that it is a novel “for grown-up people.” I believe it is essential reading because it reflects real life where couples are mismatched, love goes unrequited, and ambitions are thwarted. It illuminates the small ways our better selves become compromised—and the larger gestures by which we are redeemed. As Eliot’s characters zigzag their way to each other, it is love that brings this redemption. How very romantic!
One of the BBC's '100 Novels That Shaped Our World'
'One of the few English novels written for grown-up people' Virginia Woolf
George Eliot's nuanced and moving novel is a masterly evocation of connected lives, changing fortunes and human frailties in a provincial community. Peopling its landscape are Dorothea Brooke, a young idealist whose search for intellectual fulfilment leads her into a disastrous marriage to the pedantic scholar Casaubon; Dr Lydgate, whose pioneering medical methods, combined with an imprudent marriage to the spendthrift beauty Rosamond, threaten to undermine his career; and the religious hypocrite Bulstrode, hiding scandalous crimes from his…
Hi! We are writers currently living in Los Angeles after 18 years in New York. We wrote Margot Mertzafter reading American Girls: Social Media and the Secret Online Lives of Teenagersby Nancy Jo Sales. It was the first time we heard of boys cultivating and curating non-consensual nude pics, effectively treating them like Pokemon cards. It was infuriating, especially when we realized there are no federal laws to protect victims of revenge porn at the time. So it became a focus of our work. We love a main character who’s angry but also funny, and desperately seeking change.
The logline sounds like the most depressing character study you’ll ever read. A story of a pregnant teenager, Jane, who lives with her mom after the death of her father. Jane spends her days delivering pizzas and her nights drinking beers alone in a shed behind their house. But thanks to the prose, and the pacing of the plotting, this book is both funny, engaging, and something of a psychological thriller. Especially when Jane becomes obsessed with one of her regulars, a stay-at-home mom. We marveled at Kyoung Frazier’s ability to put us in the head of Jane, in a way that we actually wanted to stay there.
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
Some first person voices are just so naturally nostalgic, like you’re sitting around a campfire listening to someone telling you a story.
“The year my mother started hearing voices from her dead brother Clyde,” or “But Gigi was the first to fly.” So many moments to hold onto in this novel, each an introduction to another tale, or a memory you can’t wait to listen to and run off down the street to share it for yourself.
The voice of August is so real and clear and poetic that one forgets there’s even a writer behind it. This close first-person voice lets us in, welcomes us into the secrets of the street. “Everywhere we looked we saw the people trying to dream themselves out.” And dream I did, along every glorious page, only I never wanted out.
THE NEW YORK TIMES BESTSELLER FROM A NATIONAL BOOK AWARD WINNING AUTHOR
A TIME MAGAZINE TOP 10 NOVEL OF 2016 | SHORTLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2016
FROM THE WINNER OF THE ASTRID LINDGREN MEMORIAL AWARD 2018
They used to be inseparable. They used to be young, brave and brilliant - amazingly beautiful and terrifyingly alone. August, Sylvia, Angela and Gigi shared everything: songs, secrets, fears and dreams. But 1970s Brooklyn was also a dangerous place, where grown men reached for innocent girls, where mothers disappeared and futures vanished at the turn of a street corner.
I grew up in Spain, the U.S., and Germany, but no matter where we lived I always felt at home with a book in my hands. From a young age, I was drawn to stories with otherworldly content or told in dazzling ways. My curiosity about the workings of nature led me to a degree in Theoretical Physics, and later, I studied the history of science fiction and the craft of storytelling. Science fiction from the 60s and 70s, setting out to push the boundaries of the possible, hit me at exactly the right time in my development as a reader and changed me forever.
Jo Walton is a wonderfully humanistic storyteller with a deep knowledge of history and art who excels at creating alternate societies, and I was fascinated to see her work on a deliberately smaller, more intimate scale in this novel. The text is made up of the diary entries of Morgana, a precocious teenager who is a voracious science fiction and fantasy reader, as is Jason Velez in my novel. Though published in 2011, the book begins at the end of the 70s and perfectly captures the period.
Among Others excels at character development. It feels like a literary mainstream novel about a young person–imagine, say, the best of Judy Blume–smartly mixed in with glimpses of the fantastic. It wears its love for 70s science fiction on its sleeve and won the Hugo and Nebula awards.
Winner of the 2011 Nebula Award for Best Novel Winner of the 2012 Hugo Award for Best Novel
Startling, unusual, and yet irresistably readable, Jo Walton's Among Others is at once the compelling story of a young woman struggling to escape a troubled childhood, a brilliant diary of first encounters with the great novels of modern fantasy and SF, and a spellbinding tale of escape from ancient enchantment.
Raised by a half-mad mother who dabbled in magic, Morwenna Phelps found refuge in two worlds. As a child growing up in Wales, she played among the spirits who made their homes…
I grew up in Brooklyn, NY, and am the middle daughter of three. My sisters and I were close in age, and, of course, our home was girl-centered. The three of us attended the same all-girls Catholic high school, though we each had our own friends. Because of my childhood, I love books that explore how women make friends and keep them, how we let them go, and why. The genesis of friendships interests me, whether childhood, high school, college or motherhood. I love to read books by women where girlfriendships are not an afterthought or window dressing but central to the characters’ inner lives and the story being told.
I recommend The Last of Her Kind by Sigrid Nunez because I found it an absorbing portrait of a friendship in which I wasn’t sure if the two people in it even liked each other. Georgette, called George, is from a working-class family, and Ann is her wealthy college roommate. It is the late 1960s. For me, the book had a fresh angle on the protest movements. George’s focus in college is trying to pull herself up.
To me, George and Ann’s friendship is like a house on a cliff–dangerous, depending on what door you open. This book has stayed with me because it explores why people remain friends, even if the relationship is difficult to the point of pain.
It is Columbia University, 1968. Ann Drayton and Georgette George meet as roommates on the first night. Ann is rich and radical; Georgette, the narrator of "The Last Of Her Kind", is leery and introverted, a child of the very poverty and strife her new friend finds so noble. The two are drawn together intensely by their differences; two years later, after a violent fight, they part ways. When, in 1976, Ann is convicted of killing a New York cop, Georgette comes back to their shared history in search of an explanation. She finds a riddle of a life, shaped…
I'm passionate about stories that portray women as full human beings managing their passions, challenges, and obligations with grit because I grew up surrounded by a phalanx of them. Those who add “wife” and “mother” to their plate fascinate me all the more, especially as I grow older and better understand the pressures heaped on women. I saw my mother, sister, grandmothers, and aunties in all their complexities, building themselves up as they built families and businesses, starting over when they had to, overcoming the seemingly insurmountable, challenging the status quo, and never giving up. I gravitate toward female characters who share that spirit or grapple with how to get it.
White Oleander, the 2002 film, was one of the most shocking and nuanced depictions of motherhood I had ever seen onscreen—I had to read the book. What most transfixed me about the story is, on the surface, Astrid’s mother and foster mothers had everything society tells you should make life a cakewalk: beauty, ingenuity, and, in one case, wealth.
But the truth is, they are all battling a host of demons, ultimately blessing and cursing Astrid with their flawed, life-worn wisdom. Even still, I love that author Janet Fitch never sacrifices the women to easy “bad mother” stereotypes. It’s clear each mother is mostly doing the best she knows how to outsmart a world riddled with traps.
White Oleander is a painfully beautiful first novel about a young girl growing up the hard way. It is a powerful story of mothers and daughters, their ambiguous alliances, their selfish love and cruel behaviour, and the search for love and identity.Astrid has been raised by her mother, a beautiful, headstrong poet. Astrid forgives her everything as her world revolves around this beautiful creature until Ingrid murders a former lover and is imprisoned for life. Astrid's fierce determination to survive and be loved makes her an unforgettable figure. 'Liquid poetry' - Oprah Winfrey 'Tangled, complex and extraordinarily moving' - Observer