Here are 100 books that Summer Sisters fans have personally recommended if you like
Summer Sisters.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
As a romance and rom-com writer, summer love stories are my favorite to read. We change during the summer months—our schedules are less rigorous, we get out and see the world, we can be a little reckless with our decisions because everything feels temporary, and we show the world a more relaxed side of ourselves. In cuffing season, we attach ourselves to another person to get through the cold months with a warm body by our side. Meanwhile, in summertime, we don’t feel burdened to get through it with another person. But the night swimming and salt air romance allows surprising love stories to ignite.
I’m a sucker for YA and love triangles, and the love triangle between Belly, Conrad, and Jeremiah is one for the ages!
Watching Belly come alive in Cousins is such a delight, and from the moment both boys see Belly emerge from the car that summer, I couldn’t put the book down. Belly’s crush on Conrad delivers such good teenage pining.
The Summer I Turned Pretty is now a major new TV series on Amazon Prime!
From the author of Netflix's smash-hit movie To All The Boys I've Loved Before, this is the perfect funny summer romance for fans of The Kissing Booth and Holly Bourne.
One girl. Two boys. And the summer that changed everything . . .
Every year Isabel spends a perfect summer at her favourite place in the world - the Fisher family's beach house. It has everything a girl could want: a swimming pool, a private stretch of sandy beach... and two (very cute) boys:
During my MFA, I learned to write family dramas and character-driven fiction, but I wanted more comfort, joy, and… romance! I knew the swoony and funny aspects of rom-coms could lift heavier emotional subjects like grief and loss, allowing readers to explore these resonant aspects of life safely, with a guaranteed Happily Ever After. All the books on this list explore a full emotional range of the human experience through extraordinary, utterly magical love stories about otherwise ordinary, flawed people. I hope they make you laugh, swoon, maybe shed a few cathartic tears, and come out the other side feeling better than when you turned the first page.
This enemies-to-lovers story about a romance writer and a literary fiction writer who strike a bet to write their next book in each other’s genre blew me away with its hilarious dialogue and realistic emotional stakes.
January struggles to write another Happily Ever After upon learning her recently deceased father had a secret life with another woman. She goes to deal with his beach house, only to find that her college writing rival is her neighbor for the summer.
As part of Gus and January’s renewed rivalry, they go on a series of dates to teach each other about their genre, and they develop mutual professional respect that bleeds into attraction.
One highlight is when they write flirty notes and hold them up through their neighboring windows. This is a true rom-com, so hilarious and sexy, but it commits to realism and reaches for heavy, heart-wrenching emotional stakes and the…
FROM THE #1 NEW YORK TIMES BESTSELLING AUTHOR OF PEOPLE WE MEET ON VACATION AND BOOK LOVERS!
A romance writer who no longer believes in love and a literary writer stuck in a rut engage in a summer-long challenge that may just upend everything they believe about happily ever afters.
Augustus Everett is an acclaimed author of literary fiction. January Andrews writes bestselling romance. When she pens a happily ever after, he kills off his entire cast.
They’re polar opposites.
In fact, the only thing they have in common is that for the next three months, they're living in neighboring…
As a romance and rom-com writer, summer love stories are my favorite to read. We change during the summer months—our schedules are less rigorous, we get out and see the world, we can be a little reckless with our decisions because everything feels temporary, and we show the world a more relaxed side of ourselves. In cuffing season, we attach ourselves to another person to get through the cold months with a warm body by our side. Meanwhile, in summertime, we don’t feel burdened to get through it with another person. But the night swimming and salt air romance allows surprising love stories to ignite.
This book drenched me in the romance of a woman escaping her real life, and for most of the book, it made me want to fly to Positano and never return.
I loved how Serle uses magical realism to help Katy grieve the loss of her mother and explore how she feels about her own marriage. I was heartbroken and in awe throughout the book, and I’ve never seen a mother-daughter relationship explored so tenderly as Katy and Carol.
“Rebecca Serle is a maestro of love in all its forms.” —Gabrielle Zevin, New York Times bestselling author
The New York Times bestselling author of In Five Years returns with a powerful novel about the transformational love between mothers and daughters set on the breathtaking Amalfi Coast.
When Katy’s mother dies, she is left reeling. Carol wasn’t just Katy’s mom, but her best friend and first phone call. She had all the answers and now, when Katy needs her the most, she is gone. To make matters worse,…
Anyone with siblings knows the deal. Your sibling becomes your first best friend and closest confidant but also your first competitor and fiercest critic. Navigating that relationship as a teen is fraught with peril. If done poorly, it can leave deep scars. If successful, it can teach you the foundations of how to build healthy relationships for the rest of your life. This theme has everything a writer needs to craft an emotional narrative, and these books do it best.
A mysterious stranger traps teen siblings in a precarious game where each must overcome their embittered past for the other to survive.
This suspenseful, yet winsome novel explores the power of family and forgiveness. But take heed. The truth can cut like shards of glass, especially for those who’d rather avoid it. Sometimes, only the finest lies will do.
High schooler Nicole Hallett has just about had it with her brother Jay, so when a mysterious man appears with an offer to replace him with a better one, she doesn’t hesitate. Nicole has always been impulsive, but this time, she finds herself in predicament far worse than anything she’s experienced. Just like that, an average snow day—usually filled with hot cocoa and snowball fights—is commandeered by the stranger, who forces the siblings into a dangerous game.
Confronted by past reflections, tested by present complications, and threatened by future possibilities, Nicole has until the end of the day to disentangle…
I have always been a romantic at heart, although it took time for me to realize and act on this as I was conditioned from an early age to be scholarly and rational (life-allowing). One of my favorite silent films as a teenager was a love story that focuses on a forbidden relationship between a British girl and a Chinese man at the turn of the twentieth century, called Broken Blossoms; it left an indelible impression. Eventually, I myself became involved in a life-changing romantic relationship with a Chinese man. I now love exploring the vicissitudes of the human heart at the crossroads of cultural differences in my writing.
This book is about a young man and woman who had a chance encounter as university students and became close friends. This book follows a will-they-won’t-they trajectory and struck a deep chord with me because it shows how one serendipitous encounter can change your life forever and how relationships of all nature are dynamic, subject to ebb and flow. The differences in character between the protagonists—bookish, no-nonsense Emma and the laissez-faire playboy Dexter—also added to the dramatic and romantic tension.
This novel has a strange mix of lightness and depth that I found very satisfying. I also enjoyed the 2011 movie based on the book starring Anne Hathaway; it’s what drew my attention to the book in the first place.
'ONE DAY is destined to be a modern classic' - Daily Mirror Twenty years, two people, ONE DAY. The multi-million copy bestseller that captures the experiences of a generation. 'I can imagine you at forty,' she said, a hint of malice in her voice. 'I can picture it right now.' He smiled without opening his eyes. 'Go on then.' 15th July 1988. Emma and Dexter meet for the first time on the night of their graduation. Tomorrow they must go their separate ways. So where will they be on this one day next year? And the year after that? And…
A writer friend asked me, "If you could write about anything you wanted, what would that be?" I thought immediately of Sicily and then of women (and men) trying to break free from cultural definitions that have historically kept us in traditional roles of housewife, cook, and mother, or breadwinner and protector. Having choice and being able to carve one's path is paramount, a deeply held value for me, both as an individual woman and as a psychotherapist. The courage of some of my clients who have dared to follow their own paths, along with my challenge to steer my own path, were also inspirations for the books I chose.
To my mind, Dorothea is the original and quintessential embodiment of a smart, insightful woman struggling to belong to herself, which, for me, is a strong value.
And in 19th Century England, when claiming oneself was no small feat. I have held Dorothea in my heart ever since I read the book as a 20-year-old. Along with Isabel Archer in Portrait of a Lady. Both of them were heroines and pioneers.
One of the BBC's '100 Novels That Shaped Our World'
'One of the few English novels written for grown-up people' Virginia Woolf
George Eliot's nuanced and moving novel is a masterly evocation of connected lives, changing fortunes and human frailties in a provincial community. Peopling its landscape are Dorothea Brooke, a young idealist whose search for intellectual fulfilment leads her into a disastrous marriage to the pedantic scholar Casaubon; Dr Lydgate, whose pioneering medical methods, combined with an imprudent marriage to the spendthrift beauty Rosamond, threaten to undermine his career; and the religious hypocrite Bulstrode, hiding scandalous crimes from his…
Hi! We are writers currently living in Los Angeles after 18 years in New York. We wrote Margot Mertzafter reading American Girls: Social Media and the Secret Online Lives of Teenagersby Nancy Jo Sales. It was the first time we heard of boys cultivating and curating non-consensual nude pics, effectively treating them like Pokemon cards. It was infuriating, especially when we realized there are no federal laws to protect victims of revenge porn at the time. So it became a focus of our work. We love a main character who’s angry but also funny, and desperately seeking change.
The logline sounds like the most depressing character study you’ll ever read. A story of a pregnant teenager, Jane, who lives with her mom after the death of her father. Jane spends her days delivering pizzas and her nights drinking beers alone in a shed behind their house. But thanks to the prose, and the pacing of the plotting, this book is both funny, engaging, and something of a psychological thriller. Especially when Jane becomes obsessed with one of her regulars, a stay-at-home mom. We marveled at Kyoung Frazier’s ability to put us in the head of Jane, in a way that we actually wanted to stay there.
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
Some first person voices are just so naturally nostalgic, like you’re sitting around a campfire listening to someone telling you a story.
“The year my mother started hearing voices from her dead brother Clyde,” or “But Gigi was the first to fly.” So many moments to hold onto in this novel, each an introduction to another tale, or a memory you can’t wait to listen to and run off down the street to share it for yourself.
The voice of August is so real and clear and poetic that one forgets there’s even a writer behind it. This close first-person voice lets us in, welcomes us into the secrets of the street. “Everywhere we looked we saw the people trying to dream themselves out.” And dream I did, along every glorious page, only I never wanted out.
THE NEW YORK TIMES BESTSELLER FROM A NATIONAL BOOK AWARD WINNING AUTHOR
A TIME MAGAZINE TOP 10 NOVEL OF 2016 | SHORTLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2016
FROM THE WINNER OF THE ASTRID LINDGREN MEMORIAL AWARD 2018
They used to be inseparable. They used to be young, brave and brilliant - amazingly beautiful and terrifyingly alone. August, Sylvia, Angela and Gigi shared everything: songs, secrets, fears and dreams. But 1970s Brooklyn was also a dangerous place, where grown men reached for innocent girls, where mothers disappeared and futures vanished at the turn of a street corner.
I grew up in Spain, the U.S., and Germany, but no matter where we lived I always felt at home with a book in my hands. From a young age, I was drawn to stories with otherworldly content or told in dazzling ways. My curiosity about the workings of nature led me to a degree in Theoretical Physics, and later, I studied the history of science fiction and the craft of storytelling. Science fiction from the 60s and 70s, setting out to push the boundaries of the possible, hit me at exactly the right time in my development as a reader and changed me forever.
Jo Walton is a wonderfully humanistic storyteller with a deep knowledge of history and art who excels at creating alternate societies, and I was fascinated to see her work on a deliberately smaller, more intimate scale in this novel. The text is made up of the diary entries of Morgana, a precocious teenager who is a voracious science fiction and fantasy reader, as is Jason Velez in my novel. Though published in 2011, the book begins at the end of the 70s and perfectly captures the period.
Among Others excels at character development. It feels like a literary mainstream novel about a young person–imagine, say, the best of Judy Blume–smartly mixed in with glimpses of the fantastic. It wears its love for 70s science fiction on its sleeve and won the Hugo and Nebula awards.
Winner of the 2011 Nebula Award for Best Novel Winner of the 2012 Hugo Award for Best Novel
Startling, unusual, and yet irresistably readable, Jo Walton's Among Others is at once the compelling story of a young woman struggling to escape a troubled childhood, a brilliant diary of first encounters with the great novels of modern fantasy and SF, and a spellbinding tale of escape from ancient enchantment.
Raised by a half-mad mother who dabbled in magic, Morwenna Phelps found refuge in two worlds. As a child growing up in Wales, she played among the spirits who made their homes…
I grew up in Brooklyn, NY, and am the middle daughter of three. My sisters and I were close in age, and, of course, our home was girl-centered. The three of us attended the same all-girls Catholic high school, though we each had our own friends. Because of my childhood, I love books that explore how women make friends and keep them, how we let them go, and why. The genesis of friendships interests me, whether childhood, high school, college or motherhood. I love to read books by women where girlfriendships are not an afterthought or window dressing but central to the characters’ inner lives and the story being told.
I recommend The Last of Her Kind by Sigrid Nunez because I found it an absorbing portrait of a friendship in which I wasn’t sure if the two people in it even liked each other. Georgette, called George, is from a working-class family, and Ann is her wealthy college roommate. It is the late 1960s. For me, the book had a fresh angle on the protest movements. George’s focus in college is trying to pull herself up.
To me, George and Ann’s friendship is like a house on a cliff–dangerous, depending on what door you open. This book has stayed with me because it explores why people remain friends, even if the relationship is difficult to the point of pain.
It is Columbia University, 1968. Ann Drayton and Georgette George meet as roommates on the first night. Ann is rich and radical; Georgette, the narrator of "The Last Of Her Kind", is leery and introverted, a child of the very poverty and strife her new friend finds so noble. The two are drawn together intensely by their differences; two years later, after a violent fight, they part ways. When, in 1976, Ann is convicted of killing a New York cop, Georgette comes back to their shared history in search of an explanation. She finds a riddle of a life, shaped…
I'm passionate about stories that portray women as full human beings managing their passions, challenges, and obligations with grit because I grew up surrounded by a phalanx of them. Those who add “wife” and “mother” to their plate fascinate me all the more, especially as I grow older and better understand the pressures heaped on women. I saw my mother, sister, grandmothers, and aunties in all their complexities, building themselves up as they built families and businesses, starting over when they had to, overcoming the seemingly insurmountable, challenging the status quo, and never giving up. I gravitate toward female characters who share that spirit or grapple with how to get it.
White Oleander, the 2002 film, was one of the most shocking and nuanced depictions of motherhood I had ever seen onscreen—I had to read the book. What most transfixed me about the story is, on the surface, Astrid’s mother and foster mothers had everything society tells you should make life a cakewalk: beauty, ingenuity, and, in one case, wealth.
But the truth is, they are all battling a host of demons, ultimately blessing and cursing Astrid with their flawed, life-worn wisdom. Even still, I love that author Janet Fitch never sacrifices the women to easy “bad mother” stereotypes. It’s clear each mother is mostly doing the best she knows how to outsmart a world riddled with traps.
White Oleander is a painfully beautiful first novel about a young girl growing up the hard way. It is a powerful story of mothers and daughters, their ambiguous alliances, their selfish love and cruel behaviour, and the search for love and identity.Astrid has been raised by her mother, a beautiful, headstrong poet. Astrid forgives her everything as her world revolves around this beautiful creature until Ingrid murders a former lover and is imprisoned for life. Astrid's fierce determination to survive and be loved makes her an unforgettable figure. 'Liquid poetry' - Oprah Winfrey 'Tangled, complex and extraordinarily moving' - Observer
