Here are 30 books that Worlds Beyond Time fans have personally recommended if you like
Worlds Beyond Time.
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I’ve worked in many places worldwide, including Native (Amerindian) communities, West Africa, and Jamaica. Each of these experiences has enriched my life and exposed me to the fact that our society is only one of many and, similarly, that all do not share our understanding of reality. Whether visiting Adongo, a Ghanaian shaman who lived on the Burkina Faso border, and watching him go into a trance and describe my spirit, or being in the sweltering dark of a sweat lodge transported by the chanting to another place, to merging with an ancient oak tree, I have been touched by magic. It’s out there.
Welcome to a world where the inhabitants are androgynous, able to manifest both male and female genitalia. A world where you can be both a mother and a father of your children, where gender roles and expectations make no sense. I was absolutely astounded by this book when I read it many years ago. In a beautifully told sci-fi tale of political intrigue and adventure, I found myself constantly confronted by my limitations in terms of gender equity.
For what LeGuin called her “social science fiction” and “thought experiments,” LeGuin created worlds—canvases really—where human foibles, conflicts, values, and ideas could be played out to their logical conclusion. This is one of her best.
LeGuin writes, “All science fiction is a metaphor,” and that is certainly the case with her books. Brilliant metaphors that shine light not so much on other worlds but on our own. I taught TLHOD in high…
50TH ANNIVERSARY EDITION-WITH A NEW INTRODUCTION BY DAVID MITCHELL AND A NEW AFTERWORD BY CHARLIE JANE ANDERS
Ursula K. Le Guin's groundbreaking work of science fiction-winner of the Hugo and Nebula Awards.
A lone human ambassador is sent to the icebound planet of Winter, a world without sexual prejudice, where the inhabitants' gender is fluid. His goal is to facilitate Winter's inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the strange, intriguing culture he encounters...
Embracing the aspects of psychology, society, and human emotion on an…
I grew up in Spain, the U.S., and Germany, but no matter where we lived I always felt at home with a book in my hands. From a young age, I was drawn to stories with otherworldly content or told in dazzling ways. My curiosity about the workings of nature led me to a degree in Theoretical Physics, and later, I studied the history of science fiction and the craft of storytelling. Science fiction from the 60s and 70s, setting out to push the boundaries of the possible, hit me at exactly the right time in my development as a reader and changed me forever.
Jo Walton is a wonderfully humanistic storyteller with a deep knowledge of history and art who excels at creating alternate societies, and I was fascinated to see her work on a deliberately smaller, more intimate scale in this novel. The text is made up of the diary entries of Morgana, a precocious teenager who is a voracious science fiction and fantasy reader, as is Jason Velez in my novel. Though published in 2011, the book begins at the end of the 70s and perfectly captures the period.
Among Others excels at character development. It feels like a literary mainstream novel about a young person–imagine, say, the best of Judy Blume–smartly mixed in with glimpses of the fantastic. It wears its love for 70s science fiction on its sleeve and won the Hugo and Nebula awards.
Winner of the 2011 Nebula Award for Best Novel Winner of the 2012 Hugo Award for Best Novel
Startling, unusual, and yet irresistably readable, Jo Walton's Among Others is at once the compelling story of a young woman struggling to escape a troubled childhood, a brilliant diary of first encounters with the great novels of modern fantasy and SF, and a spellbinding tale of escape from ancient enchantment.
Raised by a half-mad mother who dabbled in magic, Morwenna Phelps found refuge in two worlds. As a child growing up in Wales, she played among the spirits who made their homes…
I grew up in Spain, the U.S., and Germany, but no matter where we lived I always felt at home with a book in my hands. From a young age, I was drawn to stories with otherworldly content or told in dazzling ways. My curiosity about the workings of nature led me to a degree in Theoretical Physics, and later, I studied the history of science fiction and the craft of storytelling. Science fiction from the 60s and 70s, setting out to push the boundaries of the possible, hit me at exactly the right time in my development as a reader and changed me forever.
The two main reasons I’m including 334 on this list are its structure and themes. This is an intricate mosaic novel built around a series of interconnected tales set in an apartment building, following characters through a four-year period.
It explores ideas like people inhabiting such subjectively different worlds that they can’t truly communicate with each other, the visibility or lack thereof of class lines, and the ultimate futility of crime, virtual reality, and cryonics to provide any true solution to life’s woes. Irony, art, and death are always a stone’s throw away.
Disch’s mastery of style and the rhythm of his prose are also on display in this book. Besides his brilliant fiction and poetry, he wrote several volumes with strong opinions about science fiction, reflecting his deep, if critical, engagement with the genre. My novel includes more than one reference to this complex and visionary artist.
Number 334, the city street address of a place in which time pivots forward and backward, becomes the setting for a unique odyssey through human history. Reprint. 12,500 first printing.
I grew up in Spain, the U.S., and Germany, but no matter where we lived I always felt at home with a book in my hands. From a young age, I was drawn to stories with otherworldly content or told in dazzling ways. My curiosity about the workings of nature led me to a degree in Theoretical Physics, and later, I studied the history of science fiction and the craft of storytelling. Science fiction from the 60s and 70s, setting out to push the boundaries of the possible, hit me at exactly the right time in my development as a reader and changed me forever.
When I discovered this book as a teenager, it exploded my understanding of what science fiction could do. After revisiting it recently, I found its absurdism, dark humor, and satire to be as fresh, funny, biting, and original as ever.
Voice is probably the most distinctive literary characteristic of Malzberg’s vast short fiction output, of which this collection contains a number of 70s gems. This work showcases some of Malzberg’s obsessive interests, like alienated astronauts, hallucinating patients, assassinations, and the deconstruction of genre tropes. Malzberg’s commentary on science fiction and fandom–the recursive strand in his work–links it directly to my novel, which mentions his work explicitly.
The stories in this collection are short but savage, genius, offensive, and maniacal. You’ve been warned!
Introduction (Out from Ganymede) (1974) essay Out from Ganymede (1972) short story November 22, 1963 (1974) short story Still-Life (1972) short story by K.M. O'Donnell The Conquest of Mars (1972) short story Some Notes Toward a Useable Past (1972) short story Linkage (1973) short story The Union Forever (1973) short story The Yearbook (aka Yearbook) (1971) short story Inter Alia (1972) short story Allowances (1972) short story The Helmet (1973) short story Breaking In (1972) short story Pater Familias (1972) short story with Kris Neville Causation (1971) short story A Short Religious Novel (1972) short story Report of the Defense…
I first read Swann’s Way when I was seventeen. Throughout the following five decades, In Search of Lost Time has always remained within reach, a parallel universe more enriching than words can express. As a painter, I’m drawn to Proust’s subtle use of paintings to reveal and mystify the relationship between what we see and what we know. I’ve spoken on Proust at Berkeley, the Museum of Fine Arts in Boston and Houston, and was invited to give the annual Proust lecture at the Center for Fiction in New York as well as the Amon Carter Lecture on the Arts at the Harry Ransom Center in Austin.
Proust’s passion for the English writers George Eliot and John Ruskin is well known, as is his scrutiny of the Anglophilia of Parisians at the turn of the twentieth century, but his connection with American thinkers and painters has been less carefully scrutinized. ”It is strange," Proust wrote in 1909, "that, in the most widely different departments . . . there should be no other literature which exercises over me so powerful an influence as the English and American.” Ralph Waldo Emerson, Edgar Allen Poe, and James McNeill Whistler are examined as Proust's key American influences. Critic Michael Murphy also investigates the previously overlooked influence of the American neurologist George Beard, whose writings on neurasthenia and "American nervousness” helped contribute to the essential modernity of In Search of Lost Time.
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library.
"It is strange," Proust wrote in 1909, "that, in the most widely different departments . . . there should be no other literature which exercises over me so powerful an influence as English and American." In the spirit of Proust's admission, this engaging and critical volume offers the first comparative reading of the French novelist in the context of American art, literature, and culture. In addition to examining Proust's key American influences-Ralph Waldo Emerson, Edgar Allen Poe, and James McNeill Whistler-Proust…
Having written several books on cultural history, I was puzzled in the late 1990s by the insistence of most American curators, art historians, and gallerists that there could not possibly be any spiritual content in modern artbecause the modernproject (beginning, they assert, with the first Impressionist exhibition in 1874) was all about the rejection of tradition, religion, etc. This overarching narrative has dominated the professional art world since World War II. I knew it was false because I was aware that many prominent modern artists had spiritual interests, which were expressed in their art. So began a 17-year-long research quest focused on what the artists themselves had said.
Most of the impressive artists in this exhibition catalogue did not call themselves Surrealists, but they all were engaged in the initial Surrealist project: to go beyond the tight constraints of Western “reason” to explore the subtle dynamics of the larger gestalt. Toward this end, many of them became interested in esoteric spirituality, portraying the female body as a site of creative energy as well as psychic and cosmological power. Some of them depicted shamanic initiation; some painted serenely detached goddess figures manifesting aspects of the physical world. More than 200 works were included in the exhibition. The featured artists include Leonora Carrington, Frida Kahlo, Remedios Varo, Maya Deren, Lee Miller, Yayoi Kusama, and Francesca Woodman. Capsule biographies with striking photographic portraits of these extraordinary women close the book.
The surrealist movement in art is most often identified with male artists, many of whom objectified women in their paintings, casting them as sexual or symbolic ideals. Conversely, the female artists of the movement delved primarily into their own subconscious and dreams. This volume features the work of 48 Mexican and U.S.-based women artists whose contributions to the surrealist movement span more than four decades and whose work was both influential and radical in its own right. Thematically arranged, it includes more than 250 full-colour images along with several essays exploring the effects of geography and gender on the movement.…
I'm fascinated with material culture – studying the things we make and use – and what they tell us about our history. My particular passion is for nineteenth-century Black material culture, often the only tangible history of enslaved and newly-emancipated Black lives. The books on my list educated me of the historical realities for African Americans, from emancipation to Jim Crow – providing critical context for deciphering the stories embedded in historical artifacts. Overall, the gendered (and harrowing) history these books provide on the contributions of African-American women to civil rights and social justice should be required reading for everyone.
In researching Mary Edmonia Lewis, the nineteenth-century African-American sculptor I highlight in my book, I needed to understand Lewis as a person and as an artist.
Buick’s book explores Lewis’s art within the context of her life experiences and her passions, as well as how race and gender influenced her work. Although Lewis was our first African American and Native American sculptor, throughout her life Lewis was dismissed, praised, misunderstood, and eventually forgotten. Child of Fire gives voice to not only Lewis’ accomplishments, but explains the importance of her work to the canon of American art.
Child of the Fire is the first book-length examination of the career of the nineteenth-century artist Mary Edmonia Lewis, best known for her sculptures inspired by historical and biblical themes. Throughout this richly illustrated study, Kirsten Pai Buick investigates how Lewis and her work were perceived, and their meanings manipulated, by others and the sculptor herself. She argues against the racialist art discourse that has long cast Lewis's sculptures as reflections of her identity as an African American and Native American woman who lived most of her life abroad. Instead, by seeking to reveal Lewis's intentions through analyses of her…
I’m going to date myself horribly here, but…I’m an old-school fan of the guy in the grey hat. Think Kerr Avon ofBlake’s 7.The guy you could never quite predict. Or Han Solo until about halfway throughThe Empire Strikes Back. Are they going to do the right thing? Are they going to follow their heart? And it’s so satisfying when they do! Of course, it’s equally satisfying when they go right ahead and sucker punch the bad guy, ‘cuz hey—only the good guys give warnings, right?
Discount Armageddon is the first of the InCryptid novels.
The Price family comes from a long line of monster hunters, but a few generations back, they decided they didn’t agree with the prevailing definition of “monster.” Now they’re dedicated to protecting the cryptid community—as long as it’s not chowing down on the neighbors.
I love this universe because there’s such a wide variety of characters that are each convinced that their way is the right way. Sometimes you never quite know whose side someone will come down on.
Discount Armageddon introduces us to Verity Price.
Verity is tough, resourceful, and yeah—kinda selfish at times. She’s no goody-two-shoes, but she does a lot of good, just the same.
The Price family has spent generations studying the monsters of the world, working to protect them from humanity - and humanity from them.
Meet Verity Price. Despite being trained from birth as a cryptozoologist, she'd rather dance a tango than tangle with a demon, and is spending a year in Manhattan to pursue her dream career in professional ballroom dance. That is, until talking mice, telepathic mathematicians, and a tangle with the Price family's old enemies, the Covenant of St. George, get in her way...
I’m a lifelong monster fiend. I love horror and sci-fi, and I especially love stories that really dig into characters and how they smash into each other. My favorite scary books (and movies, etc.) are funny, and my favorite funny books are kinda scary. It can be super healing and empowering to read books about terrible things that are handled with a heaping scoop of empathy and humor and absurdity.
The Astronaut Academy series is so silly and exciting.
Re-entry is the second book in the series, and I really love how each chapter focuses on a different character. Each chapter starts with a variation of “My name is ____ and I ____ Astronaut Academy.”
Those tiny bits do a lot of character building, because sometimes it’s “and you bet I go to…” and sometimes it’s “and I’m the richest and most pretty girl in all of…” It’s just an immediate Oh here we go, you know?
This book has it all: space walking, epic sports, cute romance, bazooka-fisted bears, and a mysterious monster. The whole series was recently repubbed in full color (color on this one by Fred C. Stresing), and they’re gorgeous.
It's a new semester at Astronaut Academy and everyone is excited for the Fireball championship-especially Hakata's cranky roommate, Tak Offsky. But lurking in the shadows is a shape-shifting, heart-stealing monster, and it might just knock the Fireball team out of the competition!
Can Hakata and Tak put aside their differences, lead the team to victory, and save the lives of their classmates?
Beautifully updated with fresh color, this new edition of the engaging and delightful Astronaut Academy series will have readers dreaming of space adventures, friendship, and Dinosaur driving lessons.
I have been fascinated by the subject of Bigfoot ever since I was a child when my father drove through West Virginia and told me to search the woods for the elusive creature. From that point forward I wanted to spend as much time in the forest as I could. Over the years I have developed a fondness for the wild, the trees, and nature. For the past ten years, I’ve traveled around the country searching for Bigfoot in Washington, New Mexico, Colorado, Montana, North Carolina, Virginia, Maryland, Pennsylvania, and West Virginia. The searches may have been hit or miss, but more importantly, I was able to experience the wonders and beauty of the wild forest.
Loren Coleman is one of the original researchers from the ’60s & ’70s. His knowledge of the subject is unparalleled, which makes Bigfoot! The True Story of Apes in America, one of the best books written on the subject. With his extensive experience, Coleman takes a historical, scientific, and personal approach in developing a valid argument for the existence of Bigfoot in North America.
Bigfoot - the name used for any large, hairy biped reported in every state of the United States and every Canadian province - has long baffled casual tourists and experienced scientists. Now readers can examine the evidence for this elusive creature and take a journey into the realm of crytozoology, or hidden animals, with the number one author in the field of Bigfoot study, Loren Coleman. Readers will travel with Coleman during his forty-year study as he investigates, interviews and conducts fieldwork on these incredible beasts. From ancient Native traditions to today's Internet databases that record the sightings almost as…