Here are 100 books that The Monster and the Mirror fans have personally recommended if you like
The Monster and the Mirror.
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I’m fascinated by the intersection of mental health and horror specifically because of how the two seem (to me) to speak to one another. Both mental health and horror are confronted best by shining a light on them, by addressing them fully, personally. Horror makes intangible things tangible, I think, for the average person; and for those of us who struggle or have struggled with our mental health, it gives us the tools to detail the experience for others, to, hopefully, elicit understanding if not empathy.
This book, about a young recluse losing grip on reality, unable to discern truth from her own memory, had me hooked. I found the writing vicious and fierce, the imagery haunting, and the overall focus on memory and trauma as horrors that can both shape and betray us distressing in the very best of ways. Memory and one’s sense of self are important to my own work, and as such, this book managed to tap into some personal unease.
That it’s also so sharply written (and wonderfully f*cked-up) is the icing on an already delicious narrative cake. Recommended for those who like their horror to mess with their sense of reality—personal and not. My favorite read of 2023.
WINNER OF THE 2023 KOBO EMERGING WRITER PRIZE FOR LITERARY FICTION
A GLOBE AND MAIL BEST BOOK OF 2022
49TH STREET EDITOR'S PICK FOR SEPTEMBER 2022
A reclamation of
female rage and a horrifyingly deformed Bildungsroman.
Frances is quiet and reclusive,
so much so that her upstairs roommates sometimes forget she exists. Isolated in
the basement, and on the brink of graduating from university, Frances herself
starts to question the realities of her own existence. She can't remember there
being a lock on the door at the top of the basement stairs-and yet, when she
turns the knob, the door…
I studied psychology in college and am fascinated with the human mind. The psyche holds so many joys, wonders, and the deepest horrors imaginable, all compact and functioning within our skulls. My love for psychology grew into the horror realm, where I read and watched anything revolving around the character study of an individual driven to the brink. Now, I write stories about the morality of actions taken by those who have found themselves in a peculiar position. I believe there is more to the clean-cut view of right versus wrong regarding the decision-making of one’s self-preservation.
This book stressed me out. What starts as the tale of a married couple dealing with a death in the family devolves into something chaotic. I couldn’t stop reading because I was desperate to see where this downward spiral would take me next.
I resonated deeply with the main character and her quest to be so perfect that it drove her to the brink. I, too, sometimes focus on perfectionism so hard that I feel the subtle whisper of insanity. I love it when stories relate to the darker thoughts we keep hidden inside.
'A gruesome, blackly funny, utterly original feminist horror story' New York Times, Notable Book of the Year
'A buzz-worthy and ferocious horror comedy from one of the genre's most promising voices' Buzzfeed
Abby Lamb has done it. She's found the Great Good in her husband, Ralph, and together they will start a family and put all the darkness in her childhood to rest. But then the Lambs move in with Ralph's mother, Laura, whose depression has made it impossible for her to live on her own. She's venomous and cruel, especially to Abby, who has a complicated understanding of motherhood…
I’m fascinated by the intersection of mental health and horror specifically because of how the two seem (to me) to speak to one another. Both mental health and horror are confronted best by shining a light on them, by addressing them fully, personally. Horror makes intangible things tangible, I think, for the average person; and for those of us who struggle or have struggled with our mental health, it gives us the tools to detail the experience for others, to, hopefully, elicit understanding if not empathy.
In my own work, as is likely obvious, mental health is a huge focus. I’m someone with a history of depression, anxiety, and anorexia. That middle element here, anxiety, is something I’ve seen written about a great deal, but rarely have I experienced it as profoundly as I did in this book.
When Alice starts losing control of her reality when her spiral begins in earnest… It was like reading what a panic attack feels like. And I mean that as the highest of compliments. I think this might make this read a difficult pill for some to swallow, but I was left in awe of Elliott’s skill.
The book is captivating in its own right, the story (and story within the story) entertaining and engaging, but this personal connection to the feel of it all has cemented it in my brain.
'Mesmeric, intoxicatingly original' Hannah Kent, bestselling author of Burial Rites
'Haunting and surreal... With its sharp wit and beautiful writing, this book had me flying through the pages.' Ana Reyes, New York Times bestselling author of The House in the Pines
'A towering achievement, stunningly good storytelling.' Melissa Lucashenko, Miles Franklin Award winning author of Too Much Lip
On the surface, Alice is exactly where she should be in life: she's just given birth to a beautiful baby girl; her ever-charming husband - an academic whose area of study is conveniently her own Mohawk…
I’m fascinated by the intersection of mental health and horror specifically because of how the two seem (to me) to speak to one another. Both mental health and horror are confronted best by shining a light on them, by addressing them fully, personally. Horror makes intangible things tangible, I think, for the average person; and for those of us who struggle or have struggled with our mental health, it gives us the tools to detail the experience for others, to, hopefully, elicit understanding if not empathy.
Allyson’s book is a collection of essays on the intersection of queerness, identity, and pop culture—horror primarily. Which means, yeah, it was practically engineered for me.
I found much to love and much to relate to within these pages. The way she weaves together personal experience, horror tropes, and urban legends is masterful, and I found the descriptions of gatekeeping and how it results in questioning one’s identity/place in things to hit rather personally.
From Allyson McOuat, author of the popular 2020 New York Times Modern Love essay “The Ghost Was the Least of Our Problems,” comes her debut essay collection
In a series of intimate and humorous dispatches, McOuat examines her identity as a queer woman, and as a mother, through the lens of the pop culture moments in the ’80s and ’90s that molded her identity. McOuat stirs the ingredients required to conjure an unsettled spirit: the horrors of pregnancy and motherhood, love and loss, the supernatural, kaleidoscopic sexuality, near-miss experiences, and the unexplained moments in life that leave you haunted.
Growing up in Philadelphia, with school and family visits to landmarks like Independence Hall and Betsy Ross’s house, I’ve long been interested in American history. That led me, eventually, to graduate school and my profession as a historian. At the same time, I have greatly enjoyed reading American novelists, such as Nathaniel Hawthorne, Willa Cather, and James Baldwin, as well as the works of thinkers like Ralph Waldo Emerson and W.E.B. DuBois. The sweet spot combining those two interests has been American intellectual history.
This is my candidate for the Great American Novel. Read it for its storyline and its fascinating chapters on whales. Along the way, you’ll encounter discussions about race, religion, friendship, and the virtuous life.
Some of my students ask, “Why does Melville digress so much?” My response: persist in reading this work. What at first seems extraneous becomes vital. You’ll discover a masterpiece.
Melville's tale of the whaling industry, and one captain's obsession with revenge against the Great White Whale that took his leg. Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes a biography of Herman Melville and study questions, which can be used both in the classroom or at home to further engage the reader in the work at hand.
Mike Thorn is the author ofShelter for the Damned,Darkest Hours, andPeel Back and See. His fiction has appeared in numerous magazines, anthologies, and podcasts, includingVastarien,Dark Moon Digest, andThe NoSleep Podcast. His books have earned praise from Jamie Blanks (director ofUrban LegendandValentine), Jeffrey Reddick (creator ofFinal Destination), and Daniel Goldhaber (director ofCam). His essays and articles have been published inAmerican Twilight: The Cinema of Tobe Hooper(University of Texas Press),Beyond Empowertainment: Exploring Feminist Horror(Seventh Row),The Film Stage, and elsewhere. He is currently pursuing his PhD in Creative Writing at the University of New Brunswick.
Anna Kavan’s Asylum Piecepresents exciting stylistic possibilities for the world of “personal fiction.”The book defies easy genre categorization, but one might describe it as an experimental, thematically connected collection of autofiction. Drawing on her own experiences in a Swiss sanitarium (from which she was dispatched in 1938), Kavan excavates her psychological traumas and filters them through sequences of vignettes and short stories, conveying states of extreme emotional distress through a restrained, intensely lucid form. An unblinking study of alienation, mental disarray, and feelings of helplessness under bureaucratic control, Asylum Piecetakes up a lot of space in my mind.
This collection of stories, mostly interlinked and largely autobiographical, chart the descent of the narrator from the onset of neurosis to final incarceration in a Swiss clinic. The sense of paranoia, of persecution by a foe or force that is never given a name, evokes The Trial by Kafka, a writer with whom Kavan is often compared, although her deeply personal, restrained, and almost foreign —accented style has no true model. The same characters who recur throughout—the protagonist's unhelpful "adviser," the friend and lover who abandons her at the clinic, and an assortment of deluded companions—are sketched without a trace…
I love a good, clean mystery/suspense story that's light enough to be escape fiction but has enough heart that I engage with the characters. Let me root for them and watch them grow. Give me hope and a happy ending. Bonus if there are some quirky ones who make me smile or some snappy dialogue. Double bonus if it's Christian fiction with an organic, non-preachy faith element and characters who grow spiritually. Why leave faith out of our fiction if it's part of our lives? I hope you'll make some new imaginary friends in the books I've listed!
I really bonded with Tess. She's loyal and brave and won't back down when a friend's in need. I like the puzzle of the mystery and trying to figure out if there's a supernatural element or not.
Tess's vulnerability catches my heart, though: her troubled childhood leads her to see herself as less than her true worth compared to the healthy, faith-filled family she's married into. I'm passionate about recognizing our true, God-given worth and breaking free from the lies that hold us back.
Child of the Appalachian mountains, Tess Spencer has experienced more than her share of heartache. The Glock-wielding, knife-carrying housewife knows how to survive whatever life throws at her.
But when an anonymous warning note shows up in her best friend Miranda’s mailbox—a note written in a dead woman’s handwriting—Tess quickly discovers that ghosts are alive and well in Buckneck, West Virginia. Hot on a cold trail, she must use limited clues and her keen insight into human nature to unmask the killer...or the next victim might be Tess herself.
Tinged with the supernatural and overshadowed by the mountains' lush, protective…
The stories of investigative reporter Jerry Mitchell have helped put four Klansmen and a serial killer behind bars. His stories have also helped get two people off Death Row. The author of Race Against Time, Mitchell is a Pulitzer Prize finalist and a winner of more than 30 other national awards, including a $500,000 MacArthur “genius” grant. After working for three decades for the statewide Clarion-Ledger, Mitchell left in 2019 and founded the Mississippi Center for Investigative Reporting, a nonprofit that exposes corruption and injustices, investigates cold cases, gives voice to the voiceless, and raises up the next generation of investigative reporters.
Nellie Bly was one of the great muckraking reporters in American history. She pretends to be insane and is admitted to the “mad house.” Along the way, she exposes the horrible treatment of those suffering from mental illness, but of her treatment in a boarding home, where spoiled beef was served.
Many at the Women’s Lunatic Asylum on Roosevelt Island suffered no mental illness; they simply didn’t know how to speak English, she wrote. “I left the insane ward with pleasure and regret—pleasure that I was once more able to enjoy the free breath of heaven; regret that I could not have brought with me some of the unfortunate women who lived and suffered with me, and who, I am convinced, are just as sane as I was and am now myself.”
Her reporting led to a grand jury investigation and reforms inside the asylum.
Ten Days in a Mad-House (1887) is a book by American investigative journalist Nellie Bly. For her first assignment for Joseph Pulitzer's famed New York World newspaper, Bly went undercover as a patient at a notorious insane asylum on Blackwell's Island. Spending ten days there, she recorded the abuses and neglect she witnessed, turning her research into a sensational two-part story for the New York World later published as Ten Days in a Mad-House.
Checking into a New York boardinghouse under a false identity, Bly began acting in a disturbed, unsettling manner, prompting the police to be summoned. In a…
I’m Mona Simpson, the author of seven novels. I grew up with a mentally ill parent who struggled to support me, her only child, as a single mother. I saw firsthand the toll living in the world cost her. One of my first experiences of adulthood was a sense of relief in discovering that staying above water was manageable, even easy. Walking home from my first real job, seeing all the other people’s backs and legs hurry ahead of me, I liked being one of the many. I wondered if my mother could have ever felt that ease if there had been an alternative.
This is the Horatio Alger story for talented young women who develop schizophrenia. Elyn Saks, a law professor at USC, tells a story of descent into a kind of madness that has a truly happy ending. Not the kind of happy ending literary novels offer us, in which contentment is laced with sadness. Elyn conquers her demons like a superhero.
Elyn Saks is Professor of Law and Psychiatry at University of Southern California Law School. She's the author of several books. Happily married. And - a schizophrenic. Saks lifts the veil on schizophrenia with her startling and honest account of how she learned to live with this debilitating disease. With a coolly clear, measured tone she talks about her condition, the stigma attached and the deadening effects of medication. Her controlled narrative is disrupted by interjections from the part of her mind she has learned to suppress. Delusions, hallucinations and threatening voices cut into her reality and Saks, in a…
I know from my own experience how much kids need books that deal honestly with hard things and point to hope. When I was in fifth grade, a friend was killed by a car while walking to school. I had moved to town not long before; this boy was the first friend I’d made, and suddenly, he was gone. Soon after, I found a novel called Bridge to Terabithia, the story of a fifth-grader, Jess, who loses a friend in an accident. It made me cry, but it was healing: I felt less alone and found strength in watching Jess find his way forward despite his grief.
This book is about something as disruptive to a child’s world as can be–a parent’s debilitating mental illness–and Baldwin handles it realistically and sensitively.
Twelve-year-old Della is terrified and heartbroken by her mother’s struggles with schizophrenia, and I know as a writer that Baldwin faced a huge challenge in telling this story: finding where the hope lies when, ultimately, there’s no cure for the mom.
The answer lies in acceptance and community, and Baldwin handles this in a way that feels wise, real, and satisfying to me. This book is also close to my heart because it is set in a part of the world I know and love, rural eastern North Carolina, and Baldwin describes it so beautifully.
Fans of The Thing About Jellyfish and A Snicker of Magic will be swept away by Cindy Baldwin's debut middle grade about a girl coming to terms with her mother's mental illness. An Oregon Spirit Award Honor book.
When twelve-year-old Della Kelly finds her mother furiously digging black seeds from a watermelon in the middle of the night and talking to people who aren't there, Della worries that it's happening again-that the sickness that put her mama in the hospital four years ago is back. That her mama is going to be hospitalized for months like she was last time.…
