Here are 100 books that And Then She Fell fans have personally recommended if you like
And Then She Fell.
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I’m fascinated by the intersection of mental health and horror specifically because of how the two seem (to me) to speak to one another. Both mental health and horror are confronted best by shining a light on them, by addressing them fully, personally. Horror makes intangible things tangible, I think, for the average person; and for those of us who struggle or have struggled with our mental health, it gives us the tools to detail the experience for others, to, hopefully, elicit understanding if not empathy.
This book, about a young recluse losing grip on reality, unable to discern truth from her own memory, had me hooked. I found the writing vicious and fierce, the imagery haunting, and the overall focus on memory and trauma as horrors that can both shape and betray us distressing in the very best of ways. Memory and one’s sense of self are important to my own work, and as such, this book managed to tap into some personal unease.
That it’s also so sharply written (and wonderfully f*cked-up) is the icing on an already delicious narrative cake. Recommended for those who like their horror to mess with their sense of reality—personal and not. My favorite read of 2023.
WINNER OF THE 2023 KOBO EMERGING WRITER PRIZE FOR LITERARY FICTION
A GLOBE AND MAIL BEST BOOK OF 2022
49TH STREET EDITOR'S PICK FOR SEPTEMBER 2022
A reclamation of
female rage and a horrifyingly deformed Bildungsroman.
Frances is quiet and reclusive,
so much so that her upstairs roommates sometimes forget she exists. Isolated in
the basement, and on the brink of graduating from university, Frances herself
starts to question the realities of her own existence. She can't remember there
being a lock on the door at the top of the basement stairs-and yet, when she
turns the knob, the door…
I studied psychology in college and am fascinated with the human mind. The psyche holds so many joys, wonders, and the deepest horrors imaginable, all compact and functioning within our skulls. My love for psychology grew into the horror realm, where I read and watched anything revolving around the character study of an individual driven to the brink. Now, I write stories about the morality of actions taken by those who have found themselves in a peculiar position. I believe there is more to the clean-cut view of right versus wrong regarding the decision-making of one’s self-preservation.
This book stressed me out. What starts as the tale of a married couple dealing with a death in the family devolves into something chaotic. I couldn’t stop reading because I was desperate to see where this downward spiral would take me next.
I resonated deeply with the main character and her quest to be so perfect that it drove her to the brink. I, too, sometimes focus on perfectionism so hard that I feel the subtle whisper of insanity. I love it when stories relate to the darker thoughts we keep hidden inside.
'A gruesome, blackly funny, utterly original feminist horror story' New York Times, Notable Book of the Year
'A buzz-worthy and ferocious horror comedy from one of the genre's most promising voices' Buzzfeed
Abby Lamb has done it. She's found the Great Good in her husband, Ralph, and together they will start a family and put all the darkness in her childhood to rest. But then the Lambs move in with Ralph's mother, Laura, whose depression has made it impossible for her to live on her own. She's venomous and cruel, especially to Abby, who has a complicated understanding of motherhood…
I’m fascinated by the intersection of mental health and horror specifically because of how the two seem (to me) to speak to one another. Both mental health and horror are confronted best by shining a light on them, by addressing them fully, personally. Horror makes intangible things tangible, I think, for the average person; and for those of us who struggle or have struggled with our mental health, it gives us the tools to detail the experience for others, to, hopefully, elicit understanding if not empathy.
Allyson’s book is a collection of essays on the intersection of queerness, identity, and pop culture—horror primarily. Which means, yeah, it was practically engineered for me.
I found much to love and much to relate to within these pages. The way she weaves together personal experience, horror tropes, and urban legends is masterful, and I found the descriptions of gatekeeping and how it results in questioning one’s identity/place in things to hit rather personally.
From Allyson McOuat, author of the popular 2020 New York Times Modern Love essay “The Ghost Was the Least of Our Problems,” comes her debut essay collection
In a series of intimate and humorous dispatches, McOuat examines her identity as a queer woman, and as a mother, through the lens of the pop culture moments in the ’80s and ’90s that molded her identity. McOuat stirs the ingredients required to conjure an unsettled spirit: the horrors of pregnancy and motherhood, love and loss, the supernatural, kaleidoscopic sexuality, near-miss experiences, and the unexplained moments in life that leave you haunted.
Who was the man who would become Caesar's lieutenant, Brutus' rival, Cleopatra's lover, and Octavian's enemy?
When his stepfather is executed for his involvement in the Catilinarian conspiracy, Mark Antony and his family are disgraced. His adolescence is marked by scandal and mischief, his love affairs are fleeting, and yet,…
I’m fascinated by the intersection of mental health and horror specifically because of how the two seem (to me) to speak to one another. Both mental health and horror are confronted best by shining a light on them, by addressing them fully, personally. Horror makes intangible things tangible, I think, for the average person; and for those of us who struggle or have struggled with our mental health, it gives us the tools to detail the experience for others, to, hopefully, elicit understanding if not empathy.
Full disclosure: I was an early reader of this book and have offered it a blurb. But I wouldn’t have done so had it not significantly impacted me.
Aiello’s memoir, though not strictly horror, uses aspects of genre and pop culture—including aspects of horror—to detail their own history with mental illness and the surrounding difficulties and stigmas attached to it. They go to great and much-needed lengths to dissect how mental illness has been made out to be one of the great boogeymen of our lives via its myriad portrayals in culture (as a villain, a threat, a diabolical force, etc.) and detail the damage that’s been done as a result.
This is a powerful book in which I saw myself reflected all too often.
Revelatory memoir and cultural criticism that connects popular fantasy and our perceptions of mental illness to offer an empathetic path to compassionate care
Growing up, K.J. Aiello was fascinated by magical stories of dragons, wizards, and fantasy, where monsters were not what they seemed and anything was possible. These books and films were both a balm and an escape, a safe space where Aiello’s struggle with mental illness transformed from a burden into a strength that could win battles and vanquish villains.
A unique blend of memoir, research, and cultural criticism, The Monster and the Mirror charts Aiello’s life as…
My life has been defined by close relationships with other women. My school years were full of sleepovers, group chats, and debrief sessions. In my twenties, my female friends quickly became more important than any romantic relationship as we navigated early adulthood milestones. My friendships with other women have made me who I am. But relationships between women are rarely as simple as the ‘girl power’ or ‘catfight’ labels the media wants to apply. More often than not, they’re a tapestry woven from a thousand different threads, some beautiful and some ugly. I love books, especially thrillers, that aren’t afraid to explore the messiness of these relationships.
As a writer, I’m no stranger to complex friendships that can emerge between creatives, which is just one of the reasons I love this delightfully dark gothic thriller about estranged best friends trapped at a writing retreat run by an enigmatic bestselling author.
With publication (and maybe their lives) on the line, the stakes couldn’t be higher, but Bartz still tells a compelling story about professional jealousy and two women who have hurt and been hurt by the other.
“Sex, suspense, and the supernatural fuel this propulsive debut.” —People
A young author is invited to an exclusive writer’s retreat that soon descends into a pulse-pounding nightmare—in the vein of The Plot and Please Join Us.
Alex has all but given up on her dreams of becoming a published author when she receives a once-in-a-lifetime opportunity: attend an exclusive, month-long writing retreat at the estate of feminist horror writer Roza Vallo. Even the knowledge that Wren, her former best friend and current rival, is attending doesn’t dampen her excitement.
I’ve always been fascinated by the influence technology and science on culture and our lives, especially women’s lives. The history of women’s rights, in many ways, is a story of science and technology’s influence on women’s evolution towards having more freedom (and now less) to control our bodies. As a science writer, these themes influence many of the stories that I choose to read and tell, including both my books, In Her Own Sweet Time: Unexpected Adventures in Finding Love, Commitment and Motherhood and Reconceptions: Modern Relationships, Reproductive Science and the Unfolding Future of Family. I also love to read both fictional and non-fiction stories about the nuances of personal identity.
This novel tells the story of Maise, a devoted wife and mother of four children.
It takes place over the course of a single day in October that begins with Maise nursing her infant and leads to a family outing to an orchard the following afternoon. It beautifully captures the daily emotions that a mother feels, ranging from anxiety to grief to deep love, and explores the feelings around the unpaid labor of motherhood and the financial anxiety that being a parent brings to us all.
A novel about womanhood, modern family, and the interior landscape of maternal life, as seen through the life of a young wife and mother on a single day.
At night, Maisie Moore dreams that her life is perfect: the looming mortgages and credit card debt have magically vanished, and she can raise her four children, including newborn Esme, on an undulating current of maternal bliss, by turns oceanic and overwhelming, but awash in awe and wonder. Then she jolts awake and, after checking that her husband and baby are asleep beside her, remembers the real-world money problems to be resolved…
In Svetlana's country, it’s a felony to break a mirror. Mirrors are conduits of the Voice, the deity worshiped by all who follow Light. The Voice protects humans of MotherLand from the dangers that beset them on all sides: an invading…
I used to get in trouble (nightly) for eating with my book propped against my plate. Yet with all the books I devoured, there was never one about a kid that looked like me with a family like mine. The single anomaly was Blubber, which absolutely thrilled me to see a supporting character named Tracy Wu. And while the YA world has thankfully become more diverse, BIPOC authors and protagonists are still the exception in adult literature. I’m excited to share this list of badass female AAPI authors who write equally strong protagonists because, though we’ve come a long way since Tracy Wu, we still have further to go.
I started this book on a plane, continued to read in my seat after the plane landed, and was seriously annoyed at the flight attendant when forced to deplane. This is one of those books with a simple twist on the fantasy genre I wish I’d thought of—a race of beings who subsist on eating books.
Dean’s world building is superb, the protagonist is a badass, and the portrayal of the fractured relationships among characters—especially with her son—complicated and relatable. I finished it (in a chair at the airport) in one sitting, and it was worth it.
THE NO. 2 SUNDAY TIMES BESTSELLER
'I devoured this' V.E. Schwab
'A vampire-themed Handmaid's Tale, with effective thrills that are intensified by social commentary' Guardian
A gorgeous new fantasy horror - a book about stories and fairy tales with family and love at its dark heart...
A gorgeous new fantasy horror - a book about stories and fairy tales with family and love at its dark heart...
Hidden across England and Scotland live six old Book Eater families.
The last of their lines, they exist on the fringes of society and subsist on a diet of stories and legends.
Ever since I read The Chronicles of Narnia as a child, the concept of magical, sentient animals and their relationship with humans fascinated me, so it was no surprise that when I started to write the Blood of the Fae series, a massive, mysterious feline sauntered onto the pages and carved out a significant role in the story. Over the years, I’ve found many new favorite animal companions in the pages of books, and I’m working on building up a real-life collection of animal companions including ducks, chickens, a sweet kitty, and many more lovable critters to come (alas, none of them show signs of developing magical abilities)!
I found so much to love in this story of found family and hidden magic—an enchanted isle, a guardian wizard and his rabbit familiar, and a young woman with a concealed past, all devoted to one another.
The bonds between the wizard, his adopted daughter, and their rabbit familiar were simply lovely, and the sacrifices they made in their quest to save what magic remains in their world were compelling. Despite trials the characters endure, the story still captured a cozy feel which would make it a fantastic winter read.
Though The Magician’s Daughter stands alone, I’d love a sequel—I didn’t want to leave these enchanting characters behind!
"That most rare and precious thing: a brand-new classic, both wholly original and wonderfully nostalgic." —Alix E. Harrow, New York Times bestselling author
In the early 1900s, a young woman is caught between two worlds in H. G. Parry’s cozy tale of magic, miracles, and an adventure of a lifetime.
Off the coast of Ireland sits a legendary island hidden by magic. A place of ruins and ancient trees, sea salt air, and fairy lore, Hy-Brasil is the only home Biddy has ever known. Washed up on its shore as a baby, Biddy lives a quiet life with her guardian,…
I have long been fascinated by how personal and singular the experience of grief is. There is something soothing and relatable about reading others’ experiences—the more strange, nonsensical, or even supernatural the better. My own novel, The Secret Garden of Yanagi Inn, is a retelling of The Secret Garden, but with an adult protagonist moving through grief over the death of her complicated mother, striving to see a bright ray of hope on the other side. Each of the books on my list about unusual manifestations of grief tackles this same concept in new and surprising ways, and I hope they touch you as they have touched me.
Rouge is at its heart an exploration of a daughter’s grief for her troubled mother and the bizarre turns that grief can take.
Rouge tells the story of a young woman obsessed with cult-like beauty culture. When her mother mysteriously dies, she is forced to return home and confront the complicated relationship she had with her also beauty-obsessed mother. Fairy tale surreal and viscerally disturbing, Rouge delves into obsession, grief, and the dangers of beauty culture taken to the extreme.
Like all of Awad’s books, this is a story that will stick with me a very long time.
From the critically acclaimed author of Bunny comes a horror-tinted, gothic fairy tale about a lonely dress shop clerk whose mother's unexpected death sends her down a treacherous path in pursuit of youth and beauty.
Can she escape her mother's fate and find a connection that is more than skin deep?
A Most Anticipated Book of 2023 in The Guardian, i newspaper, The New York Times, Time, Globe and Mail, Bustle, The Millions, LitHub, TOR, Good Housekeeping, Our Culture Mag, and more!
'You think, "She's not going to go there...yes, she is.' Margaret Atwood
'The trancelike, rhapsodic language and deepening…
In 1662, a man is wrongly executed for signing the death warrant of Charles I. Awaiting execution, he asks to speak with a priest, to whom he declares a curse on the village that betrayed him. The priest responds with a counter-curse, leaving just one option to nullify it.
A decade ago, we could not have imagined a world where democracy would be in existential crisis. Perhaps it’s overly dramatic to think that way – I hope so – but it does seem realistic at this moment. That is why I am so passionate about wanting to defend democracy and the kind of society it makes possible and why I am so drawn to works that express that passion through artful writing and story-telling. With authoritarian and totalitarian regimes dangerously on the rise, books that demonstrate the profound inhumanity and injustice of such regimes and how they extinguish democracy and human rights are needed now more than ever.
I found this book compelling because of its chilling reminder of a lesson we apparently learned, but seem to have forgotten, from the 1930s rise of European fascism – that a robust democracy can quickly and easily, and through its own democratic processes, become a viciously fascist order.
Set in modern-day Ireland, the book beautifully weaves its political criticism through the moving story of one ordinary family caught up in the horrible transformation.
WINNER OF THE BOOKER PRIZE 2023 • NATIONAL BESTSELLER
"A prophetic masterpiece." — Ron Charles, Washington Post
On a dark, wet evening in Dublin, scientist and mother-of-four Eilish Stack answers her front door to find two officers from Ireland’s newly formed secret police on her step. They have arrived to interrogate her husband, a trade unionist.
Ireland is falling apart, caught in the grip of a government turning towards tyranny. As the life she knows and the ones she loves disappear before her eyes, Eilish must contend with the dystopian logic of her new, unraveling country. How far will she…
