100 books like The Writing Retreat

I was born and raised in Nyack, New York, and all of my degrees are from colleges and universities in New York. I have always been interested in race relations in America and understanding their causes and consequences. Hope and despair are two themes that run through the experiences of people of African ancestry in America. The books I selected include fiction and nonfiction works that highlight promises made and promises unfulfilled.

I've been writing for 20 years, and the more I learn about the craft, the less interested I am in big, bombastic thrillers about the end of the world. Now I'm more impressed by books that do a lot with a little. Some talented writers can spin a gripping story out of nothing more than two people in a room (Stephen King's Misery is one of my all-time faves). The domestic noir genre lends itself to this kind of minimalism. Sure, serial killers are scary, but not as scary as the thought that your spouse might not be who they seem.

My life has been defined by close relationships with other women. My school years were full of sleepovers, group chats, and debrief sessions. In my twenties, my female friends quickly became more important than any romantic relationship as we navigated early adulthood milestones. My friendships with other women have made me who I am. But relationships between women are rarely as simple as the ‘girl power’ or ‘catfight’ labels the media wants to apply. More often than not, they’re a tapestry woven from a thousand different threads, some beautiful and some ugly. I love books, especially thrillers, that aren’t afraid to explore the messiness of these relationships.

My life has been defined by close relationships with other women. My school years were full of sleepovers, group chats, and debrief sessions. In my twenties, my female friends quickly became more important than any romantic relationship as we navigated early adulthood milestones. My friendships with other women have made me who I am. But relationships between women are rarely as simple as the ‘girl power’ or ‘catfight’ labels the media wants to apply. More often than not, they’re a tapestry woven from a thousand different threads, some beautiful and some ugly. I love books, especially thrillers, that aren’t afraid to explore the messiness of these relationships.

I’m fascinated by the intersection of mental health and horror specifically because of how the two seem (to me) to speak to one another. Both mental health and horror are confronted best by shining a light on them, by addressing them fully, personally. Horror makes intangible things tangible, I think, for the average person; and for those of us who struggle or have struggled with our mental health, it gives us the tools to detail the experience for others, to, hopefully, elicit understanding if not empathy.

I’ve always been fascinated by the influence technology and science on culture and our lives, especially women’s lives. The history of women’s rights, in many ways, is a story of science and technology’s influence on women’s evolution towards having more freedom (and now less) to control our bodies. As a science writer, these themes influence many of the stories that I choose to read and tell, including both my books, In Her Own Sweet Time: Unexpected Adventures in Finding Love, Commitment and Motherhood and Reconceptions: Modern Relationships, Reproductive Science and the Unfolding Future of Family. I also love to read both fictional and non-fiction stories about the nuances of personal identity. 

As a teenager, I began to question the myths my parents told about our family, but when saying so caused trouble, I confided my stories to paper instead. That’s how I became a writer. My first love has always been fiction, but I broke into print writing history—about quirky subjects in which I find deep meaning, like the potato’s revolutionary influence on the Western world, or how the invasion and occupation of Belgium in 1914 foretold Nazi Europe. My fascination with subversion shapes my novels too—my quiet, lonely protagonists would never storm the barricades yet appear radical because of how they live, a circumstance I know well.

Becoming a mother rocked my world in countless ways, drawing me to books that explore the raw, unfiltered truth about how challenging motherhood can be. The complexities—the love, guilt, and frustration—resonate deeply with me. Motherhood is also why I started writing; initially, I wanted to process the overwhelming emotions I was feeling. When I began sharing my writing with friends, their “Yeah, me too's” made me realize I wasn’t alone. I have deep respect for authors who can capture the messiness of motherhood so honestly, and I’m inspired by their ability to put into words what so many of us experience.

My graduating class in high school once designated me as “the most likely to start a feminist revolution.” That was a lot to live up to, but I’ve made a very small stab at it by writing about women who have changed our world. I love to bring awareness about the contributions great women have made in history, but I also want modern women to see themselves in these struggles. I always say that Historical Fiction is an exercise of empathy, and I hope my work encourages women today to get involved and make a difference in the world, too.

I am a mother, wife, sister, teacher, artist, officer, and writer. I retired from the USAF after serving active duty and as a reservist as a C-130 navigator, executive officer, and maintenance officer for over 20 years. Currently, I teach physical science in northern California. My main passions have always centered around story-telling, and I have been a lifelong dabbler in writing fiction. With my experiences in male-dominated fields like military aviation and my love of science, I feel particularly drawn to tales involving women striving to overcome obstacles in a male-dominated culture. I enjoy traveling, art, and, most of all, lounging on my sofa and reading.