I’m an archaeologist by training and a journalist by profession. During my long career as a staff writer at National Geographic magazine, and now as a freelance Nat Geo book editor and author, I have often written about the ancient world and cultural heritage preservation. I was very lucky to be sent to Egypt on a number of occasions to write stories about sites and discoveries, and I have now come to specialize in Egyptology. I recently took an online course that taught me how to read ancient Egyptian hieroglyphs. I’m still in glyph kindergarten, but every new sign I learn is allowing me to better understand—and interpret—the culture of the pharaohs.
Want to know about magic bricks? You can look them up in this book, along with a lot of other intriguing things.
Sure, you can find descriptions online. But there’s a lot of misinformation out there in the e-sphere. It’s much better to rely on something published by the august British Museum, which has been showcasing artifacts from the ancient world since 1753. I always do.
This successful and highly-esteemed British Museum reference work is now republished in a new pocket-sized edition. This authoritative illustrated dictionary provides clear explanations and descriptions of the important ideas, events and personalities throughout four thousand years of Egyptian civilization. More than 600 extensively cross-referenced and comprehensively-indexed A-Z entries provide detailed information on all aspects of ancient Egypt and Nubia during the pharaonic and Graeco-Roman periods. Each entry is followed by a bibliography. The dictionary is lavishly illustrated throughout with photographs, line drawings, site plans and maps.
I’ve been a comic book nerd forever and a comic book historian for the past fifteen years, specializing in the history of female superheroes and writing books about Wonder Woman, Lois Lane, Catwoman, and more. A lot of amazing heroines have been featured in adaptations that have introduced them to a larger audience, but there are so many other great characters still waiting to get their chance to shine. I’m excited to share a few of them that I really love with you here, as well as spotlight a diverse collection of creators and characters that deserve a closer look.
In recent years, DC has branched out into standalone YA graphic novels that reimagine their characters, and Nubia: Real One is my favorite one yet. In the mainline comics, Nubia was Wonder Woman’s long-lost twin sister, but here McKinney and Smith reimagine her as a teenager in the southern United States, dealing with her Amazon powers as she reckons with injustice and police brutality. The book was inspired by the Black Lives Matter movement and McKinney and Smith’s desire to create a heroine that resonates with the issues faced by young, Black readers, and they deliver a fantastic story.
Nubia has always been a little bit different. As a baby she showcased Amazonian-like strength by pushing over a tree to rescue her neighbour s cat. But despite her having similar abilities, the world has no problem telling her that she s no Wonder Woman. And even if she were, they wouldn t want her. Every time she comes to the rescue, she s reminded of how people see her: as a threat. Her moms do their best to keep her safe, but Nubia can t deny the fire within her, even if she s a little awkward about it…
I became interested in the art and written language of ancient Egypt due to its beauty and antiquity. Writing is art and art often contains text in this oldest written African language. I am fascinated with the process of religious change, intercultural interaction, and resistance to colonization. All of these themes are present in the study of the last functioning Egyptian temple, Philae, which is dedicated to the worship of Isis. What is often omitted from the history of this exceptional Egyptian temple is the fact that it was Nubians who defended and sustained the traditional religious practices long after most Egyptians had converted to Christianity. I wrote my book to research and share this neglected history.
While this book is problematic in that it tries to posit ancient Egyptian art as “Western art”, it includes excellent articles by esteemed scholars of Egypt and Nubia as well as copious images of ancient art from the Nile Valley (Egypt and Nubia) and Greek and Roman art depicting Black people. Despite the incorrigible racism expressed in the Introduction, the scholarly articles included in the book are replete with detailed information about the Africans who lived along the Nile River.
In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector's items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.
The new edition of From the Pharaohs to the Fall of the Roman Empire offers a comprehensive look at the fascinating and controversial subject of the representation…
I became interested in the art and written language of ancient Egypt due to its beauty and antiquity. Writing is art and art often contains text in this oldest written African language. I am fascinated with the process of religious change, intercultural interaction, and resistance to colonization. All of these themes are present in the study of the last functioning Egyptian temple, Philae, which is dedicated to the worship of Isis. What is often omitted from the history of this exceptional Egyptian temple is the fact that it was Nubians who defended and sustained the traditional religious practices long after most Egyptians had converted to Christianity. I wrote my book to research and share this neglected history.
A beautiful coffee table book, complete with stunning photographs by Chester Higgins, this publication includes maps, general articles about Nubia, and a gazetteer of stunning sites from Gebel Qeili and Naqa in the south to Philae, Elephantine, and Aswan in the North. The general articles range from art and architecture, kings and kingship, religion, texts, and women in ancient Nubia. This book is a beautiful and welcoming introduction to the vibrant land of ancient Nubia.
2012 American Publishers (PROSE) Awards winner for Best Archaeology & Anthropology Book For most of the modern world, ancient Nubia seems an unknown and enigmatic land. Only a handful of archaeologists have studied its history or unearthed the Nubian cities, temples, and cemeteries that once dotted the landscape of southern Egypt and northern Sudan. Nubia’s remote setting in the midst of an inhospitable desert, with access by river blocked by impassable rapids, has lent it not only an air of mystery, but also isolated it from exploration. Over the past century, particularly during this last generation, scholars have begun to…
I became interested in the art and written language of ancient Egypt due to its beauty and antiquity. Writing is art and art often contains text in this oldest written African language. I am fascinated with the process of religious change, intercultural interaction, and resistance to colonization. All of these themes are present in the study of the last functioning Egyptian temple, Philae, which is dedicated to the worship of Isis. What is often omitted from the history of this exceptional Egyptian temple is the fact that it was Nubians who defended and sustained the traditional religious practices long after most Egyptians had converted to Christianity. I wrote my book to research and share this neglected history.
Can you tell I am a fan of Chester Higgins? This book traces the flow of the Sacred Nile from south to north, connecting the highlands of Ethiopia, the heartland of the kingdoms of Kush (Kerma, Napata, Meroe), and the better-known treasures of ancient Egypt. All of this is depicted in stunning photographs, while the cultural and historical connections between these lands that border the Nile are lovingly described as a spiritual connection to the waters of the sacred Nile.
Sacred Nile is the story of our collective spiritual imagination and practice. Chester Higgins celebrates the agency of people of African descent and their influence on the foundation of Western religion. His images illustrate how faith migrated up and down the River Nile from Ethiopia to Egypt leaving vestiges of ancient practice in today’s worship. This visual portrayal of faith reexamines our spiritual beginnings.
I have had a love for the early Church in Africa since I took a trip to Egypt when I was in seminary. Since then, I’ve had a chance to visit all of the countries on the continent with ancient churches. It is my greatest joy to share what I learn with my students and any anyone else who will listen. I research and teach in the area of early African Christianity at Fuller Theological Seminary and the Meachum School of Haymanot. I have published two monographs on this topic and hold a doctoral degree in languages and literatures of Northeastern Africa during Late Antiquity and the Middle Ages.
Finding accessible books on ancient Nubian Christianity is very difficult. There are very few books that are entirely dedicated to the ancient Nubian Church, and the few that exist are usually very specific in terms of subject matter.
Welsby’s book is one of the few that does a great job of giving a comprehensive history of Christianity in the various kingdoms of the Nubian region. I especially love the images in this book which are numerous and very engaging.
As well as discussing the turbulent political and religious history, Derek Welsby devotes much of his study to an examination of Nubian culture and society, and the impact of Christianity on every aspect of Nubian life. He examines in detail Nubian architecture, one of the most enduring legacies of the mediaeval kingdoms; Nubian art, literature and language; and finally, the economy and the importance of agriculture and trade. Broad-ranging and meticulously researched, "The Mediaeval Kingdoms of Nubia" is a fully comprehensive study of this intriguing subject.
I graduated – too long ago now to recall the date comfortably – from Edinburgh University with an MA in Classics (Latin and Greek); add to this the facts that I’m a compulsive daily solver of the London ‘Times’ cryptic crossword, an unabashed conspiracy-theorist, and a huge fan of Niccolo Machiavelli and Mickey Spillane, and you more or less know all that you need to about the genesis of my Marcus Corvinus series. With these picks I am taking you down some lesser-known but, I hope, interesting side streets in Rome. Here we go...
Not a single book, but a series of (I think) eighteen. If you have a kid (or grandkid) who just might be showing an interest in all things Roman (or one you’d like to tweak in that direction), then you can’t do better than this. Set (initially, at least) in late-first-century Ostia, the books follow the adventures of sea-captain's daughter Flavia Gemina and her friends who battle nasties such as serial dog-killers and slave-traffickers – plus, eventually, running foul of Emperor Titus himself. Gripping stuff, an excellent read whether you’re child or adult, and Lawrence’s attention to historical detail is impeccable. With cameo appearances by, among others, Pliny the Elder (spoiler: he dies in the end).
The first in Caroline Lawrence's internationally bestselling Roman Mysteries series, re-issued with a fantastic new cover look.
Flavia Gemina is a natural at solving mysteries. The daughter of a ship's captain living in Ostia, the port of Rome, in AD79, she and her three friends, Jonathan, a Jewish boy (and secretly a Christian); Nubia, an African slave girl; and Lupus, a mute beggar boy, must work together to discover who is beheading the watchdogs that guard people's homes, and why. A talented storyteller, Caroline Lawrence has created a delightfully readable and accessible series that children will want to read time…
I became interested in the art and written language of ancient Egypt due to its beauty and antiquity. Writing is art and art often contains text in this oldest written African language. I am fascinated with the process of religious change, intercultural interaction, and resistance to colonization. All of these themes are present in the study of the last functioning Egyptian temple, Philae, which is dedicated to the worship of Isis. What is often omitted from the history of this exceptional Egyptian temple is the fact that it was Nubians who defended and sustained the traditional religious practices long after most Egyptians had converted to Christianity. I wrote my book to research and share this neglected history.
“Long after ancient Egypt had been subdued by the Ptolemies and Rome, ancient Nubian civilization continued to thrive in late antiquity as an independent kingdom, first as a classical pharaonic culture and then as a Christian polity until the 15th century...like other forms of African Christianity that have been shaped by African traditional religions and culture. Nubian Christianity was fundamentally African.” Dr. Faraji’s book is a perfect complement to my own. As I trace the very late survivals of traditional pharaonic religion among the Nubians, Dr. Faraji teases out the earliest appearance of Christianity and traces its connections to the religions that preceded it.
The history of Late Antique Africa and the origins of Nubian Christianity have received little attention by Africanists and have been virtually ignored by Africana historians. For Nubiologists, church historians and scholars of late antiquity the story of this ancient African civilization and its conversion to Christianity has been primarily understood as an addendum to Greco-Roman classical antiquity thereby positioning ancient Nubia during late antiquity as a passive receptacle of culture as opposed to a historical actor emerging through the cultural anteriority of its own religious traditions. Ancient Nubia was at once a Nile Valley and Sudanic civilization. Its history…
