I became interested in the art and written language of ancient Egypt due to its beauty and antiquity. Writing is art and art often contains text in this oldest written African language. I am fascinated with the process of religious change, intercultural interaction, and resistance to colonization. All of these themes are present in the study of the last functioning Egyptian temple, Philae, which is dedicated to the worship of Isis. What is often omitted from the history of this exceptional Egyptian temple is the fact that it was Nubians who defended and sustained the traditional religious practices long after most Egyptians had converted to Christianity. I wrote my book to research and share this neglected history.
I wrote...
Calling Out to Isis: The Enduring Nubian Presence at Philae
While many books have explored the expansion of the worship of the goddess Isis outside of Egypt throughout the Mediterranean and in Greece and Rome, the worship of Isis by Nubians has largely been ignored.
This book argues that the enduring religious presence of Nubian worshippers, over a period of one thousand years, profoundly influenced the unique rites performed at the temples of Philae and Dakka, in addition to introducing the worship of Nubian gods into the temple cult. For the first time, this book considers all Nubian prayer inscriptions – written in Egyptian Demotic, Meroitic, and Greek – to reveal that Nubian piety at Philae occurred in three discrete phases in which very different groups of Nubians arrived at Philae to perform rites.
A beautiful coffee table book, complete with stunning photographs by Chester Higgins, this publication includes maps, general articles about Nubia, and a gazetteer of stunning sites from Gebel Qeili and Naqa in the south to Philae, Elephantine, and Aswan in the North. The general articles range from art and architecture, kings and kingship, religion, texts, and women in ancient Nubia. This book is a beautiful and welcoming introduction to the vibrant land of ancient Nubia.
2012 American Publishers (PROSE) Awards winner for Best Archaeology & Anthropology Book For most of the modern world, ancient Nubia seems an unknown and enigmatic land. Only a handful of archaeologists have studied its history or unearthed the Nubian cities, temples, and cemeteries that once dotted the landscape of southern Egypt and northern Sudan. Nubia’s remote setting in the midst of an inhospitable desert, with access by river blocked by impassable rapids, has lent it not only an air of mystery, but also isolated it from exploration. Over the past century, particularly during this last generation, scholars have begun to…
Can you tell I am a fan of Chester Higgins? This book traces the flow of the Sacred Nile from south to north, connecting the highlands of Ethiopia, the heartland of the kingdoms of Kush (Kerma, Napata, Meroe), and the better-known treasures of ancient Egypt. All of this is depicted in stunning photographs, while the cultural and historical connections between these lands that border the Nile are lovingly described as a spiritual connection to the waters of the sacred Nile.
Sacred Nile is the story of our collective spiritual imagination and practice. Chester Higgins celebrates the agency of people of African descent and their influence on the foundation of Western religion. His images illustrate how faith migrated up and down the River Nile from Ethiopia to Egypt leaving vestiges of ancient practice in today’s worship. This visual portrayal of faith reexamines our spiritual beginnings.
“Long after ancient Egypt had been subdued by the Ptolemies and Rome, ancient Nubian civilization continued to thrive in late antiquity as an independent kingdom, first as a classical pharaonic culture and then as a Christian polity until the 15th century...like other forms of African Christianity that have been shaped by African traditional religions and culture. Nubian Christianity was fundamentally African.” Dr. Faraji’s book is a perfect complement to my own. As I trace the very late survivals of traditional pharaonic religion among the Nubians, Dr. Faraji teases out the earliest appearance of Christianity and traces its connections to the religions that preceded it.
The history of Late Antique Africa and the origins of Nubian Christianity have received little attention by Africanists and have been virtually ignored by Africana historians. For Nubiologists, church historians and scholars of late antiquity the story of this ancient African civilization and its conversion to Christianity has been primarily understood as an addendum to Greco-Roman classical antiquity thereby positioning ancient Nubia during late antiquity as a passive receptacle of culture as opposed to a historical actor emerging through the cultural anteriority of its own religious traditions. Ancient Nubia was at once a Nile Valley and Sudanic civilization. Its history…
While this book is problematic in that it tries to posit ancient Egyptian art as “Western art”, it includes excellent articles by esteemed scholars of Egypt and Nubia as well as copious images of ancient art from the Nile Valley (Egypt and Nubia) and Greek and Roman art depicting Black people. Despite the incorrigible racism expressed in the Introduction, the scholarly articles included in the book are replete with detailed information about the Africans who lived along the Nile River.
In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector's items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.
The new edition of From the Pharaohs to the Fall of the Roman Empire offers a comprehensive look at the fascinating and controversial subject of the representation…
Boston’s Museum of Fine Arts has the best Nubian collection in the United States and one of the very best in the world. This publication of Nubian jewelry held by the MFA is exceptional in its breadth: ceramics, stelae, figurines, faience and ivory inlays, and jewels of gold, silver, precious stones, and beadwork. The artifacts span 3000 years of Nubian history produced during the three Kushite kingdoms: Kerma (2650-1550 BCE), Napata (750-332 BCE), and Meroe (332 BCE - 300 CE).
Ancient Nubia was home to a series of civilizations between the sixth millennium BCE and 350 CE that produced towering monuments, including more pyramids than in neighboring Egypt, and artifacts of enduring beauty and significance. Nubia's trade network reached across the Mediterranean and far into Africa. At the time that Nubian kings conquered Egypt, in the middle of the eighth century BCE, they controlled one of the largest empires of the ancient world.
The Museum of Fine Arts, Boston, has the most extensive and important collection of ancient Nubian art outside of Khartoum, mostly gathered during the pioneering Harvard University–Boston…
I’m a professional historian and life-long lover of early American history. My fascination with the American Revolution began during the bicentennial in 1976, when my family traveled across the country for celebrations in Williamsburg and Philadelphia. That history, though, seemed disconnected to the place I grew up—Arkansas—so when I went to graduate school in history, I researched in French and Spanish archives to learn about their eighteenth-century interactions with Arkansas’s Native nations, the Osages and Quapaws. Now I teach early American history and Native American history at UNC-Chapel Hill and have written several books on how Native American, European, and African people interacted across North America.
A magisterial history of Indigenous North America that places the power of Native nations at its center, telling their story from the rise of ancient cities more than a thousand years ago to fights for sovereignty that continue today
Long before the colonization of North America, Indigenous Americans built diverse civilizations and adapted to a changing world in ways that reverberated globally. And, as award-winning historian Kathleen DuVal vividly recounts, when Europeans did arrive, no civilization came to a halt because of a few wandering explorers, even when the strangers came well armed.
A millennium ago, North American cities rivaled urban centers around the world in size. Then, following a period of climate change and instability, numerous smaller nations emerged, moving away from rather than toward urbanization. From this urban past, egalitarian government structures, diplomacy, and complex economies spread…
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