Fans pick 99 books like Slow Dance

A quintessential text of death and dying research, this incredibly insightful and compassionate exploration shines a blaring light on all of the hidden contours of a topic we often shy away from.

You’ll almost certainly come away from these pages with a new understanding of the stages of grief (they probably don’t refer to what you were taught they refer) and the importance of honesty and connection when facing mortality. It's an invaluable resource for anyone seeking to better comprehend the human experience.

This fascinating and charming book was written by a French magazine editor after he suffered a massive stroke and was locked inside his own body, unable to speak or move. Incredibly, he wrote this book in his mind throughout the day and then each letter was slowly transcribed by blinking his eyes. I kept thinking about this book long after I read it. It’s a nightmare scenario, but he leads us all the way through it. We’re with him as he survives and even finds meaning when almost everything else is lost.

Spong is an Episcopalian bishop who has no qualms questioning the fundamental aspects of religion. He uses familiar, non-scholarly language anyone can understand. I had spiritual experiences in my journey from being a healthy 45-year-old to a locked-in to a finally quadriplegic person. I couldn’t embrace all the tenets of religion, yet how could I explain what I experienced? Spong helped me be comfortable with my spirituality.

Borg is another theologian who is liberal and questions all aspects of religion in a respectful way. Borg usually writes in a more classic theological style, but this book was personal and hence, more relatable for the average reader. This book helped me feel comfortable with my own spirituality, even if I couldn’t conform to any conventional religion. 

I cannot reasonably recommend Part Two without Part One. If we look at all the ghastly sins with which the eponymous hero has been involved by the end of that first drama, it seems inconceivable that he can possibly be redeemed.

Nevertheless, we have Goethe’s Part Two, completed twenty-four years after the earlier play, and by its conclusion, Faust has (somehow) been saved.

In fact, I sense some echo of Part One when Angelica’s unborn baby strangles on its cord: a far milder outcome for Paganini (who sired the child) than for Faust (whose Gretchen drowns their infant and is condemned to death). However, as the readers will see, Paganini truly loves the son he begets some years later.

Wole Soyinka, the Nobel Prize laureate from Nigeria, was steeped in both Yoruba traditions and Greek tragedy as well as Shakespeare.

This combination of influences shaped his adaptation of The Bacchae, by the ancient Greek playwright Euripides.

He brings this play into the modern world of slavery, using White and Black actors. At the same time, he captures the original’s blend of ritual and performance.

This explosive mixture is the most compelling study I know in what theater can do: mobilize bodies in front of an audience. It also shows how theater can bridge vast historical and cultural differences.

In another story that combined the two elements of memoir/non-fiction, Berg’s turmoil began because of the adventure. The sole survivor of a family tragedy, in which she performed heroically trying to seek help, she was stricken with survivor’s guilt as well as enormous personal loss. The first part of her story conveys the physical adventure of saving her own life. The second part conveys with devastating honesty the mental adventure of surviving all the self-torture and heart-rending loss that entailed. This book also manages to negotiate the line between fiction and non-fiction with delicacy and strength.

This book is a luminously honest, unflinching, and brave memoir by the marvelous Dani Shapiro, whose most recent memoir, Inheritance: A Memoir of Genealogy, Paternity, and Love, caused a sensation when it was published in 2019. 

When Slow Motion begins, Dani is in her early 20s, adrift, rebelling against her Jewish heritage, dabbling in acting and modeling, involved in a dead-end affair with a married man. 

Then one night, a phone call changes everything- her parents have been in a dreadful car accident. Her father dies a few weeks later, and her mother requires months of intensive rehab.

Dani's tragic loss of the father she idolized and adored prompts a reckoning with her choices and a reevaluation of her life. Slow Motion is beautifully written, wrenching, and unwaveringly candid.

No look at F. Scott Fitzgerald would be complete without a good biography of his life.

This book does the job, capturing with copious quotes from Fitzgerald and those who knew him the tortured creative life of this golden boy of 1920s literature. What struck me most was how insecure Fitzgerald was about his class status all through his life, how he always felt like the outsider among the rich and famous he came to hobnob with.

It explains a lot about how his most famous protagonist, Jay Gatsby, came to be—in many ways, he’s a stand-in for Fitzgerald himself, a man in search of acceptance who never gives up on the one great love of his life—Daisy in Gatsby’s story, Zelda in Fitzgerald’s.

The Titanic novel my mum bought me for my eighth birthday, it was this one, which is why it can’t not be included (though mine is tattered and the back cover long lost. I can’t yet bring myself to buy a new one). Titanic: The Long Night is like a hot cup of chocolate on a cold winter’s night. It’s sinking into a bath and thinking, This is exactly what I need. It tells two stories: That of first-class passenger, Elizabeth Farr, who falls in love with handsome first-class passenger and artist, Max Whittaker, and third-class passenger Kathleen Hanrahan, who is travelling from Ireland to America to pursue her dreams. Kathleen falls for the youngest Keller brother, “Paddy” (I cannot tell you how many years I yearned for my very own “Paddy”, that was how much I loved his character). 

There’s something so joyful about this novel. It’s full of… show more.