Here are 88 books that The Eyes of God fans have personally recommended if you like
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I love to cheer for underdogs, and young women who are in this category have my special devotion. As a child of the 1960s, I remember a time when women didn’t have the same rights and opportunities as men, and we still seem to be fighting it today. Coming from a trauma-based childhood myself, I find myself comparing and contrasting coping mechanisms. Luckily, I haven’t found it necessary to kill anyone with dragon stone or jacked-up hornets so far. It delights me when these girls win, whether they game the system or fight their way with guns and knives.
Game of Thrones, right? This author has created so many characters that fit this category, and they all handle their situations in a different manner. I love the three major ones, Arya Stark, Sansa Stark, and Daenerys Targaryen, who could not be more different from each other. Sansa and Arya have grown up in privilege, but one scheme to be a pampered lady, and the other would be happy sleeping in the kennel with her dire wolf.
Daenerys has been hidden much of her childhood to protect her, and suddenly, she is thrown into the game with her arranged marriage to a wild horse lord, where she grows up very fast in order to survive. Sadly, as women in Westeros, they do not control their own fates, and following how their lives evolve and intertwine is fascinating.
HBO's hit series A GAME OF THRONES is based on George R R Martin's internationally bestselling series A SONG OF ICE AND FIRE, the greatest fantasy epic of the modern age. A GAME OF THRONES is the first volume in the series.
'Completely immersive' Guardian
'When you play the game of thrones, you win or you die. There is no middle ground'
Summers span decades. Winter can last a lifetime. And the struggle for the Iron Throne has begun.
From the fertile south, where heat breeds conspiracy, to the vast and savage eastern lands, all the way to the frozen…
One of the questions that I’m constantly asked by other authors is how do you make characters memorable in a genre that has done it all? My criteria are twofold–the characters need to be flawed and relatable; no one can truly relate to Superman. Secondly, I believe there is strength in a group. When I write with a diverse group of characters with their own personalities, the characters tell the story for me. I find that if I can emphasize and start having fun like I’m part of the group, I become enthralled with the novel. I am passionate about characters and letting them breathe and feel real.
The imagination of a child should be nourished and fed–growing up, this book did just that for me. I could relate to the protagonist in the sense that I loved to learn–and to this day, I am a sponge for knowledge–but I was easily bored with the mundane, often creating worlds that led to my becoming an author.
This was probably one of the earliest works to cultivate that. The characters are rooted in real-life comparisons and still live in the back of my mind. It continues to resonate with me today because despite some tropes being beaten into the ground, this novel took simple concepts, like talking dogs and numbers and letters at war, and made them have a fantasy life of their own.
With almost 5 million copies sold 60 years after its original publication, generations of readers have now journeyed with Milo to the Lands Beyond in this beloved classic. Enriched by Jules Feiffer’s splendid illustrations, the wit, wisdom, and wordplay of Norton Juster’s offbeat fantasy are as beguiling as ever.
“Comes up bright and new every time I read it . . . it will continue to charm and delight for a very long time yet. And teach us some wisdom, too.” --Phillip Pullman
For Milo, everything’s a bore. When a tollbooth mysteriously appears in his room, he drives through only…
One of the questions that I’m constantly asked by other authors is how do you make characters memorable in a genre that has done it all? My criteria are twofold–the characters need to be flawed and relatable; no one can truly relate to Superman. Secondly, I believe there is strength in a group. When I write with a diverse group of characters with their own personalities, the characters tell the story for me. I find that if I can emphasize and start having fun like I’m part of the group, I become enthralled with the novel. I am passionate about characters and letting them breathe and feel real.
I think some of the strongest and most compelling stories can be told in video game RPGs, and I consistently refer to this one as having some of the best characters. I read this novel after playing the game, and I loved being able to learn more about Loghain.
In this book, he is lorded as a powerful figure, and he affects major parts of the story. I loved exploring his backstory and seeing his character evolve and grow into how he is in the game. I also enjoyed connecting the pieces of his personality to the plot of the novel. The author captured the formula of creating “real,” flawed characters from the game and translated it excellently into prose.
This is the thrilling prequel to "Dragon Age: Origins", the hit role-playing video game from award-winning developer BioWare! After his mother, the beloved Rebel Queen, is betrayed and murdered by her own faithless lords, young Maric becomes the leader of a rebel army attempting to free his nation from the control of a foreign tyrant. His countrymen live in fear; his commanders consider him untested; and his only allies are Loghain, a brash young outlaw who saved his life, and Rowan, the beautiful warrior maiden promised to him since birth. Surrounded by spies and traitors, Maric must find a way…
Have you ever felt this deep, internal calling, one you can’t escape from, that even as time goes by, it remains there, whispering in your inner mind, telling you, driving you, to create things that aren’t real? To make them into words that then form adventures? For as long as I can remember I have felt this, and feel it is what I was meant to do. I love, and try to incorporate in my own stories, elements that involve magic, uncommon or new creatures, extensive worlds, flawed characters, a pinch of love, and everything else (including, possibly, a kitchen sink) that can be found in a made-up universe.
This book brought adventure, magic, and a touch of romance, and I cannot wait for the second book to come out!
When the main character returned home after her first job as a messenger in the land of Ilbeor, she found her whole family had caught a deadly disease with no cure, and all she had left of them was a scarf that doesn’t burn in fire. The story of her adventure to find the truth kept me on my toes until the last page.
I cannot recommend this book enough if you are looking for a female lead that doesn’t back down when the harshest of obstacles have been thrown her way, some even from an evil sorcerer plotting from the shadows.
Messengers connect six races of the verdant and beautiful land of Ilbeor, and newly trained messenger Alanda feels the promise of her adult life as she steps into the world to find her fortune. Faithful dog Alis at her side, Alanda traverses the mountainous wilderness only to be punished by storm and sun before becoming the first elf-friend in generations. When she meets charming messenger Tostig and feels the spark of a connection unlike any she’s ever known, she believes her life has truly begun.
After being greeted by tragedy and a brother changed by primal magics she does not…
Have you ever felt this deep, internal calling, one you can’t escape from, that even as time goes by, it remains there, whispering in your inner mind, telling you, driving you, to create things that aren’t real? To make them into words that then form adventures? For as long as I can remember I have felt this, and feel it is what I was meant to do. I love, and try to incorporate in my own stories, elements that involve magic, uncommon or new creatures, extensive worlds, flawed characters, a pinch of love, and everything else (including, possibly, a kitchen sink) that can be found in a made-up universe.
I read this book when I was younger, as the main character is fourteen, but I have recently reread it with a different view, being older. And it still had me excited to keep reading to the end, not having lost the mystique of magical components and a cute love story that it did all those years ago.
With a conquering empire invading their borders, Princess Thirrin must seek help from those she has only heard terrible tales about and gains an unlikely relationship with a witch’s son in the process. This is one of my favorite books that has me picking it up a couple times to revisit the journey Thirrin must venture, and it never lets me down.
A magnificent tale of adventure, emotion and a girl who defies an empire set in the backdrop of sublime landscape!
'A dazzling, confident debut about power and personal discovery' THE TIMES
'A wonderful, swashbuckling read and an exceptional debut.' BOOKS FOR KEEPS
When her father dies nobly in battle, fourteen-year-old Thirrin becomes Queen of the Icemark, a tiny kingdom forever caught between dangerous neighbours.
Thirrin must raise an army to protect her people from seemingly invincible Imperial invaders. Her search for allies takes her beyond her northern borders, to former enemies in The-Land-of-the-Ghosts and onwards to the frozen Hub-of-the-World.
Have you ever felt this deep, internal calling, one you can’t escape from, that even as time goes by, it remains there, whispering in your inner mind, telling you, driving you, to create things that aren’t real? To make them into words that then form adventures? For as long as I can remember I have felt this, and feel it is what I was meant to do. I love, and try to incorporate in my own stories, elements that involve magic, uncommon or new creatures, extensive worlds, flawed characters, a pinch of love, and everything else (including, possibly, a kitchen sink) that can be found in a made-up universe.
Nothing beats a good ol’ hero saving the princess story at the end of the day. It might be cliche and old, but I still love it when two characters fall in love, destined to be together, and the male character rises to hero status, having to do everything he can to rescue the princess.
That was just one of the things that I really loved about this book, another being the evil and sadistic prince the princess, Haleine, must marry and later try and escape from. There’s always that secret pleasure of the dark, evil antagonist that, when written right, just makes the story perfect. And that’s what I found in Effigy.
The survival of a once-mighty kingdom rests in the hands of its young queen, Haleine Coileáin, as it slowly succumbs to an ancient evil fueled by her husband’s cruelty. A sadistic man with a talent for torture and a taste for murder, he is determined to burn the land and all souls within. Haleine is determined to save her kingdom and, after a chance encounter, joins forces with the leader of the people’s rebellion. She gives him her support, soon followed by her heart. Loving him is inadvertent but becomes as natural and necessary as breathing. She lies and steals…
Have you ever felt this deep, internal calling, one you can’t escape from, that even as time goes by, it remains there, whispering in your inner mind, telling you, driving you, to create things that aren’t real? To make them into words that then form adventures? For as long as I can remember I have felt this, and feel it is what I was meant to do. I love, and try to incorporate in my own stories, elements that involve magic, uncommon or new creatures, extensive worlds, flawed characters, a pinch of love, and everything else (including, possibly, a kitchen sink) that can be found in a made-up universe.
I enjoyed this book so much, I have read it three times. I first came across The Singer’s Crown when I was much younger than I am now, but I have since then read it multiple times because the love of the main character, Prince Kattanan, was so innocent, and I just couldn’t help but fall in love with him as he held secret feelings for Princess Melisande.
The story blends betrayal, a cast-out prince, magic, and secret feelings like a perfect blend of creamy chocolate and magical peanut butter. It is one of my favorites, and it keeps pulling me back to reread the story over and over; I highly recommend it.
Prince Kattanan duRhys was in direct line to the throne—until his royal family was cruelly slaughtered by a usurping uncle who spared the life of his "favorite nephew" but left the boy mutilated and incapable of claiming his birthright.Nearly a decade on, Kattanan is a harmless wanderer—a coveted prize—serving many different masters. But now the singer's simple life is threatened by chaos and dark wizardry, by his impossible secret love for the betrothed Princess Melisande . . . and by an obligation of the blood that forces Kattanan to pursue vengeance and a crown he's not certain he wants.
One of the questions that I’m constantly asked by other authors is how do you make characters memorable in a genre that has done it all? My criteria are twofold–the characters need to be flawed and relatable; no one can truly relate to Superman. Secondly, I believe there is strength in a group. When I write with a diverse group of characters with their own personalities, the characters tell the story for me. I find that if I can emphasize and start having fun like I’m part of the group, I become enthralled with the novel. I am passionate about characters and letting them breathe and feel real.
The cast of this book are all vastly different. I enjoyed going from a human, relatively normal perspective between Jaymes and Caithlin to the antagonistic orc Ghurak. Jaymes is not a superhero but a regular human on a warship, and with that comes relatability in his character.
The humor sown throughout this book between Jaymes and Karnon about understanding nautical terms also helped me to properly understand some of the words I had never heard of before while not beating me over the head with dry prose. I enjoyed Pirates of the Caribbean, but taking that general concept and adding salamanders, orcs (not to mention a sober protagonist), and more into the mix made it that much more fun!
A story based on the new game from Mantic featuring sea battles in a fantasy setting
“Lieutenant Jaymes Ellias is ready to leave the Basilean Navy. A career spent in coastal defence and administrative positions has left him dejected and resentful, and he has a plan for life outside the military. But when he is suddenly sent to the ship’s company of the HW Pious, an elohi-class frigate, he is propelled into action under the command of the harsh, sardonic Captain Charn Ferrus. Ferrus and his squadron are employed in pirate hunting duties in the sun-drenched Infant Sea, combating the…
I’d like to say I have no expertise in this topic. And yet…don’t we all? We’ve all lived through it. I was born in 1937—in Honolulu, the daughter of a US Army officer. WW II was a pervasive part of my childhood, as my father spent time in the Pacific and then after the war ended, we lived in Occupied Japan for some years. But war had always been a part of my family’s history, as is true for so many people. My great grandfather left a written account of his capture and imprisonment during the Civil War. And much more recently, my own son, an Air Force pilot, died in the cockpit of a F-15. Ironically, he had married a German wife, and he is buried in her village cemetery near her grandfather, who served on the Russian front years earlier. His child, my granddaughter, puts flowers on both of those graves. All of these pieces of my own history combine, I think, to create this passion I have for the telling and retelling of stories that can make us more aware of the futility of war.
Sadako Sasaki was a real child, one who survived the bombing of Hiroshima but who died from its aftereffects a number of years later. Hospitalized and terminally ill, she folded origami cranes, hoping magically, and fruitlessly, that they would bring her luck and save her life. A statue of Sadako stands outside of the Peace Museum in Hiroshima; I visited there a few years ago and was reminded again of the tragedy of war.
“An extraordinary book, one no reader will fail to find compelling and unforgettable.” —Booklist, starred review
The star of her school’s running team, Sadako is lively and athletic…until the dizzy spells start. Then she must face the hardest race of her life—the race against time. Based on a true story, Sadako and the Thousand Paper Cranes celebrates the courage that makes one young woman a heroine in Japan.
"[The] story speaks directly to young readers of the tragedy of Sadako's death and, in its simplicity, makes a universal statement for 'peace in the world.” —The Horn Book "The story is…
Misery loves company, right? While I never wish ill on someone, I find comfort in knowing I’m not the only one going through a loss, slight, or rejection. Family dysfunction novels remind me that the petty problems I get caught up in are nothing compared to what they could be. Sure, fiction frequently elevates these troubles from drama to melodrama, but I still experience relief—even though it may only be in the smallest way—focusing on someone else’s struggles. Sometimes I even find a solution to my own paltry issues. Who wouldn’t want that? And what writer wouldn’t want to help readers in that way?
The sickness or death of a child is a particularly sharp arrow to the average person’s heart.
But I think anyone who’s suffered the loss of a child, seen their child’s life in jeopardy, or is close to someone who’s been through one of those situations is even more sensitive to the topic. My heart and soul were battered from word one, but I had to read this book.
How far would a parent go to save her child? This story explored the question from many angles in a poignant way and left me in tears. I dare people to read it and not ask themselves the same questions.
Sara and Brian Fitzgerald's life with their young son and their two-year-old daughter, Kate, is forever altered when they learn that Kate has leukemia. The parents' only hope is to conceive another child, specifically intended to save Kate's life. For some, such genetic engineering would raise both moral and ethical questions; for the Fitzgeralds, Sara in particular, there is no choice but to do whatever it takes to keep Kate alive. And what it takes is Anna. Kate (Sofia Vassilieva) and Anna (Abigail Breslin) share a bond closer than most sisters: though Kate is older, she relies on her little…
