Here are 51 books that Effigy fans have personally recommended if you like
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Have you ever felt this deep, internal calling, one you can’t escape from, that even as time goes by, it remains there, whispering in your inner mind, telling you, driving you, to create things that aren’t real? To make them into words that then form adventures? For as long as I can remember I have felt this, and feel it is what I was meant to do. I love, and try to incorporate in my own stories, elements that involve magic, uncommon or new creatures, extensive worlds, flawed characters, a pinch of love, and everything else (including, possibly, a kitchen sink) that can be found in a made-up universe.
This book brought adventure, magic, and a touch of romance, and I cannot wait for the second book to come out!
When the main character returned home after her first job as a messenger in the land of Ilbeor, she found her whole family had caught a deadly disease with no cure, and all she had left of them was a scarf that doesn’t burn in fire. The story of her adventure to find the truth kept me on my toes until the last page.
I cannot recommend this book enough if you are looking for a female lead that doesn’t back down when the harshest of obstacles have been thrown her way, some even from an evil sorcerer plotting from the shadows.
Messengers connect six races of the verdant and beautiful land of Ilbeor, and newly trained messenger Alanda feels the promise of her adult life as she steps into the world to find her fortune. Faithful dog Alis at her side, Alanda traverses the mountainous wilderness only to be punished by storm and sun before becoming the first elf-friend in generations. When she meets charming messenger Tostig and feels the spark of a connection unlike any she’s ever known, she believes her life has truly begun.
After being greeted by tragedy and a brother changed by primal magics she does not…
One of the questions that I’m constantly asked by other authors is how do you make characters memorable in a genre that has done it all? My criteria are twofold–the characters need to be flawed and relatable; no one can truly relate to Superman. Secondly, I believe there is strength in a group. When I write with a diverse group of characters with their own personalities, the characters tell the story for me. I find that if I can emphasize and start having fun like I’m part of the group, I become enthralled with the novel. I am passionate about characters and letting them breathe and feel real.
This is the first book in a series that I don’t think is talked about enough. There are several characters from different points of view, but the ones that stand out most are Lukien and Baron Glass. I love a redeemed villain in any media, and Baron Glass fits that mold.
Originally depicted as the villain in a warring kingdoms opening story, I loved the way that the “villain” becomes portrayed as a kindly mentor that despite age and injury can still fight. Lukien and Glass serve as perfect foils for each other, and the author uses plenty of symbolism to support that. Put together with the whole cast; you have a perfect rag-tag cast of main and supporting characters that breathe on their own with flaws and relatable goals.
A young king breaks with the past and makes peace with the kingdom his father has fought for years. To seal the bargain he is offered the hand of the kingdom's princess. And so begins a fast moving epic of madness, obsession, prejudice and sheer magic. John Marco has woven an intricate tale of personalities driven by love, hatred and ambition. Each character must, in the end, pay the price for their actions and THE EYES OF GOD is, at its core, an almost classical tragedy. Rich in its evocation of magical lands, detailed in its dissection of motive, compelling…
Have you ever felt this deep, internal calling, one you can’t escape from, that even as time goes by, it remains there, whispering in your inner mind, telling you, driving you, to create things that aren’t real? To make them into words that then form adventures? For as long as I can remember I have felt this, and feel it is what I was meant to do. I love, and try to incorporate in my own stories, elements that involve magic, uncommon or new creatures, extensive worlds, flawed characters, a pinch of love, and everything else (including, possibly, a kitchen sink) that can be found in a made-up universe.
I read this book when I was younger, as the main character is fourteen, but I have recently reread it with a different view, being older. And it still had me excited to keep reading to the end, not having lost the mystique of magical components and a cute love story that it did all those years ago.
With a conquering empire invading their borders, Princess Thirrin must seek help from those she has only heard terrible tales about and gains an unlikely relationship with a witch’s son in the process. This is one of my favorite books that has me picking it up a couple times to revisit the journey Thirrin must venture, and it never lets me down.
A magnificent tale of adventure, emotion and a girl who defies an empire set in the backdrop of sublime landscape!
'A dazzling, confident debut about power and personal discovery' THE TIMES
'A wonderful, swashbuckling read and an exceptional debut.' BOOKS FOR KEEPS
When her father dies nobly in battle, fourteen-year-old Thirrin becomes Queen of the Icemark, a tiny kingdom forever caught between dangerous neighbours.
Thirrin must raise an army to protect her people from seemingly invincible Imperial invaders. Her search for allies takes her beyond her northern borders, to former enemies in The-Land-of-the-Ghosts and onwards to the frozen Hub-of-the-World.
Have you ever felt this deep, internal calling, one you can’t escape from, that even as time goes by, it remains there, whispering in your inner mind, telling you, driving you, to create things that aren’t real? To make them into words that then form adventures? For as long as I can remember I have felt this, and feel it is what I was meant to do. I love, and try to incorporate in my own stories, elements that involve magic, uncommon or new creatures, extensive worlds, flawed characters, a pinch of love, and everything else (including, possibly, a kitchen sink) that can be found in a made-up universe.
I enjoyed this book so much, I have read it three times. I first came across The Singer’s Crown when I was much younger than I am now, but I have since then read it multiple times because the love of the main character, Prince Kattanan, was so innocent, and I just couldn’t help but fall in love with him as he held secret feelings for Princess Melisande.
The story blends betrayal, a cast-out prince, magic, and secret feelings like a perfect blend of creamy chocolate and magical peanut butter. It is one of my favorites, and it keeps pulling me back to reread the story over and over; I highly recommend it.
Prince Kattanan duRhys was in direct line to the throne—until his royal family was cruelly slaughtered by a usurping uncle who spared the life of his "favorite nephew" but left the boy mutilated and incapable of claiming his birthright.Nearly a decade on, Kattanan is a harmless wanderer—a coveted prize—serving many different masters. But now the singer's simple life is threatened by chaos and dark wizardry, by his impossible secret love for the betrothed Princess Melisande . . . and by an obligation of the blood that forces Kattanan to pursue vengeance and a crown he's not certain he wants.
I have been fascinated by this topic ever since the first newspaper stories exposing American involvement in torture began to appear in the early years of the so-called War on Terror. This fascination has persisted up to the present, as it remains clear – given recent accounts of Ron DeSantis’ time at Guantanamo – that this story refuses to die. Equally fascinating to me have been accounts revealing the extent to which this story can be traced back to the origins of the Cold War, to the birth of the National Security State, and to the alliance between that state and the professions (psychology and behavioral science) that spawned “enhanced interrogation.”
Harvard historian of science professor Lemov’s account of the history of behavioral science includes a chapter analyzing the work of three of the central figures in MKUltra, the CIA’s decade-long program of classified research into “mind control.”
Excellent on the scientific context out of which that research arose.
Deeply researched, World as Laboratory tells a secret history that’s not really a secret. The fruits of human engineering are all around us: advertising, polls, focus groups, the ubiquitous habit of “spin” practiced by marketers and politicians. What Rebecca Lemov cleverly traces for the first time is how the absurd, the practical, and the dangerous experiments of the human engineers of the first half of the twentieth century left their laboratories to become our day-to-day reality.
I have been an activist working on issues relating to human rights and youth protection for over fifteen years and during that time I worked as a lawyer and was lucky enough to make films and write two novels. Eventually, I would concentrate solely on activism and my reading would become very specific and as the focus of my activism changed and I directed my energies to corporate accountability my reading changed course again. The list I offer is from talented writers on important subjects, all write extremely well about things that matter to a human rights activist.
Many human rights activists have to be focused intensely on the events of today and the consequences for tomorrow, this often allows little time for broader reading. Lynn Hunt offers a detailed and very readable analysis and argument of the history and development of contemporary human rights. I found all of her book illuminating and the connections she described eye-opening.
How were human rights invented, and how does their tumultuous history influence their perception and our ability to protect them today? From Professor Lynn Hunt comes this extraordinary cultural and intellectual history, which traces the roots of human rights to the rejection of torture as a means for finding the truth. She demonstrates how ideas of human relationships portrayed in novels and art helped spread these new ideals and how human rights continue to be contested today.
Science fiction is rightly famous for experimenting with new and strange social worlds, but fantasy tends to fall back on the usual feudal tropes: the whims of kings, the valor of knights, the always-temporary powerlessness of farm boys, the technicalities of succession. Which is a shame, because fantasy provides just as much opportunity to reimagine what society could look like. That’s what I try to do in my books, and at my job, where I’m working to bring 21st-century data literacy and quantitative reasoning to a state government stuck resolutely in the ’90s. When I think of books that have done what I’m trying to do, these five are at the front of my mind.
The action in this book begins when Severian, an apprentice in the Torturers’ Guild, gives a convict a weapon to kill herself rather than be tortured.
The reason there’s a Torturers’ Guild is, allegedly, that it beats prison: Better to deliver a punishment and then let the punished person return to their life, the thinking goes, than confine them to a useless existence as a ward of the state. Severian is expelled from the Guild, but not from the profession, and wanders the world plying his trade, at least until the plot can’t spare him.
It’s a constant dissonance, looking through the eyes of a character whose training and purpose is the infliction of pain, who seems so decent and forthright in the story he narrates. (But don’t be fooled.)
In a thoroughly decadent world of the future, Severian the torturer is cast out from the torturer's guild when he falls in love with one of his victims and allows her to die
I have been fascinated by this topic ever since the first newspaper stories exposing American involvement in torture began to appear in the early years of the so-called War on Terror. This fascination has persisted up to the present, as it remains clear – given recent accounts of Ron DeSantis’ time at Guantanamo – that this story refuses to die. Equally fascinating to me have been accounts revealing the extent to which this story can be traced back to the origins of the Cold War, to the birth of the National Security State, and to the alliance between that state and the professions (psychology and behavioral science) that spawned “enhanced interrogation.”
One of the first accounts to connect the dots between the torture scandal that arose out the war on terror and the beginnings of the Cold War, when the United States first devised the interrogation techniques that became codified in the CIA’s interrogation manual KUBARK (1963), which provided the playbook for the “enhanced interrogation” of detainees in Guantanamo and elsewhere.
"An indispensable and riveting account" of the CIA's development and use of torture, from the cold war to Abu Ghraib and beyond (Naomi Klein, The Nation)
In this revelatory account of the CIA's fifty-year effort to develop new forms of torture, historian Alfred W. McCoy locates the deep roots of recent scandals at Abu Ghraib and Guantánamo in a long-standing, covert program of interrogation. A Question of Torture investigates the CIA's practice of "sensory deprivation" and "self-inflicted pain," in which techniques including isolation, hooding, hours of standing, and manipulation of time assault the victim's senses and destroy the basis of…
I have been fascinated by this topic ever since the first newspaper stories exposing American involvement in torture began to appear in the early years of the so-called War on Terror. This fascination has persisted up to the present, as it remains clear – given recent accounts of Ron DeSantis’ time at Guantanamo – that this story refuses to die. Equally fascinating to me have been accounts revealing the extent to which this story can be traced back to the origins of the Cold War, to the birth of the National Security State, and to the alliance between that state and the professions (psychology and behavioral science) that spawned “enhanced interrogation.”
In many ways the best account of the history of modern torture.
As Rejali shows, this has all too often been mis-remembered as the history of Soviet and Nazi torture. Torture, in his account, has been widely practiced by modern democracies.
He identifies the French (in the context of the Algerian War of Independence) as the real innovators in the field of modern “stealth” or invisible torture, ie. torture designed not to leave marks: waterboarding and electro-torture.
I particularly like this for the way it explodes many of the myths surrounding the history of modern torture.
This is the most comprehensive, and most comprehensively chilling, study of modern torture yet written. Darius Rejali, one of the world's leading experts on torture, takes the reader from the late nineteenth century to the aftermath of Abu Ghraib, from slavery and the electric chair to electrotorture in American inner cities, and from French and British colonial prison cells and the Spanish-American War to the fields of Vietnam, the wars of the Middle East, and the new democracies of Latin America and Europe. As Rejali traces the development and application of one torture technique after another in these settings, he…
I studied psychology in college and am fascinated with the human mind. The psyche holds so many joys, wonders, and the deepest horrors imaginable, all compact and functioning within our skulls. My love for psychology grew into the horror realm, where I read and watched anything revolving around the character study of an individual driven to the brink. Now, I write stories about the morality of actions taken by those who have found themselves in a peculiar position. I believe there is more to the clean-cut view of right versus wrong regarding the decision-making of one’s self-preservation.
I could not predict this book. I love how dark and disturbing it was. It led me down a path of psychological vertigo. By the end, I had exhausted all possible predictions and guessed wrong.
The shock of the twist wrung me out dry. I’m a big fan of books that can take you on a turbulent journey and then deposit you onto uneven ground, leaving you to question your own reality. Was it all real, or was it a part of some awful, waking dream?
NOW A NETFLIX ORIGINAL FILM DIRECTED BY CHARLIE KAUFMAN AN NPR BEST BOOK OF THE YEAR 2016
“I’m Thinking of Ending Things is one of the best debut novels I’ve ever read. Iain Reid has crafted a tight, ferocious little book, with a persistent tenor of suspense that tightens and mounts toward its visionary, harrowing final pages” (Scott Heim, award-winning author of Mysterious Skin and We Disappear).
I’m thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It’s always there. Always.
Jake once said, “Sometimes a thought is closer to truth, to reality, than an…
