Here are 100 books that Dragon Age fans have personally recommended if you like
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One of the questions that I’m constantly asked by other authors is how do you make characters memorable in a genre that has done it all? My criteria are twofold–the characters need to be flawed and relatable; no one can truly relate to Superman. Secondly, I believe there is strength in a group. When I write with a diverse group of characters with their own personalities, the characters tell the story for me. I find that if I can emphasize and start having fun like I’m part of the group, I become enthralled with the novel. I am passionate about characters and letting them breathe and feel real.
As an editor, I don’t really get much time to read for fun. The ASoIF series had come highly recommended to me, and I was captivated. The cast is large, but I found it easy to keep track of who was who and part of what house. It also helped that there is a “dramatis personae” in the back of the book, which I referred to a few times.
I loved the idea of Ned Stark as a protagonist - not your young adventurer, but a father who gets wrapped up in a mystery. Being presented with different points of view and then figuring out how they all would come together was very engaging. As an author who likes to utilize big casts, this was a great help in influencing how I structure my own writing.
HBO's hit series A GAME OF THRONES is based on George R R Martin's internationally bestselling series A SONG OF ICE AND FIRE, the greatest fantasy epic of the modern age. A GAME OF THRONES is the first volume in the series.
'Completely immersive' Guardian
'When you play the game of thrones, you win or you die. There is no middle ground'
Summers span decades. Winter can last a lifetime. And the struggle for the Iron Throne has begun.
From the fertile south, where heat breeds conspiracy, to the vast and savage eastern lands, all the way to the frozen…
One of the questions that I’m constantly asked by other authors is how do you make characters memorable in a genre that has done it all? My criteria are twofold–the characters need to be flawed and relatable; no one can truly relate to Superman. Secondly, I believe there is strength in a group. When I write with a diverse group of characters with their own personalities, the characters tell the story for me. I find that if I can emphasize and start having fun like I’m part of the group, I become enthralled with the novel. I am passionate about characters and letting them breathe and feel real.
The imagination of a child should be nourished and fed–growing up, this book did just that for me. I could relate to the protagonist in the sense that I loved to learn–and to this day, I am a sponge for knowledge–but I was easily bored with the mundane, often creating worlds that led to my becoming an author.
This was probably one of the earliest works to cultivate that. The characters are rooted in real-life comparisons and still live in the back of my mind. It continues to resonate with me today because despite some tropes being beaten into the ground, this novel took simple concepts, like talking dogs and numbers and letters at war, and made them have a fantasy life of their own.
With almost 5 million copies sold 60 years after its original publication, generations of readers have now journeyed with Milo to the Lands Beyond in this beloved classic. Enriched by Jules Feiffer’s splendid illustrations, the wit, wisdom, and wordplay of Norton Juster’s offbeat fantasy are as beguiling as ever.
“Comes up bright and new every time I read it . . . it will continue to charm and delight for a very long time yet. And teach us some wisdom, too.” --Phillip Pullman
For Milo, everything’s a bore. When a tollbooth mysteriously appears in his room, he drives through only…
One of the questions that I’m constantly asked by other authors is how do you make characters memorable in a genre that has done it all? My criteria are twofold–the characters need to be flawed and relatable; no one can truly relate to Superman. Secondly, I believe there is strength in a group. When I write with a diverse group of characters with their own personalities, the characters tell the story for me. I find that if I can emphasize and start having fun like I’m part of the group, I become enthralled with the novel. I am passionate about characters and letting them breathe and feel real.
This is the first book in a series that I don’t think is talked about enough. There are several characters from different points of view, but the ones that stand out most are Lukien and Baron Glass. I love a redeemed villain in any media, and Baron Glass fits that mold.
Originally depicted as the villain in a warring kingdoms opening story, I loved the way that the “villain” becomes portrayed as a kindly mentor that despite age and injury can still fight. Lukien and Glass serve as perfect foils for each other, and the author uses plenty of symbolism to support that. Put together with the whole cast; you have a perfect rag-tag cast of main and supporting characters that breathe on their own with flaws and relatable goals.
A young king breaks with the past and makes peace with the kingdom his father has fought for years. To seal the bargain he is offered the hand of the kingdom's princess. And so begins a fast moving epic of madness, obsession, prejudice and sheer magic. John Marco has woven an intricate tale of personalities driven by love, hatred and ambition. Each character must, in the end, pay the price for their actions and THE EYES OF GOD is, at its core, an almost classical tragedy. Rich in its evocation of magical lands, detailed in its dissection of motive, compelling…
One of the questions that I’m constantly asked by other authors is how do you make characters memorable in a genre that has done it all? My criteria are twofold–the characters need to be flawed and relatable; no one can truly relate to Superman. Secondly, I believe there is strength in a group. When I write with a diverse group of characters with their own personalities, the characters tell the story for me. I find that if I can emphasize and start having fun like I’m part of the group, I become enthralled with the novel. I am passionate about characters and letting them breathe and feel real.
The cast of this book are all vastly different. I enjoyed going from a human, relatively normal perspective between Jaymes and Caithlin to the antagonistic orc Ghurak. Jaymes is not a superhero but a regular human on a warship, and with that comes relatability in his character.
The humor sown throughout this book between Jaymes and Karnon about understanding nautical terms also helped me to properly understand some of the words I had never heard of before while not beating me over the head with dry prose. I enjoyed Pirates of the Caribbean, but taking that general concept and adding salamanders, orcs (not to mention a sober protagonist), and more into the mix made it that much more fun!
A story based on the new game from Mantic featuring sea battles in a fantasy setting
“Lieutenant Jaymes Ellias is ready to leave the Basilean Navy. A career spent in coastal defence and administrative positions has left him dejected and resentful, and he has a plan for life outside the military. But when he is suddenly sent to the ship’s company of the HW Pious, an elohi-class frigate, he is propelled into action under the command of the harsh, sardonic Captain Charn Ferrus. Ferrus and his squadron are employed in pirate hunting duties in the sun-drenched Infant Sea, combating the…
I am fascinated by the relationship between people’s religious and political identities. As a kindergartner, I heard about the hunger strikers at our local Irish Center, I was taught anti-communist songs at my Catholic Ukrainian school, and I listened as my dad explained Cesar Chavez and the United Farm Workers as we passed by the grapes while grocery shopping. Catholicism was not something I saw as just happening inside the walls of a church. It was about how one related to the world and was part of a global community. Those early experiences inspired me to become a human rights lawyer and activist, and later, a U.S. foreign relations historian.
What persuaded a priest to join El Salvador’s largest guerilla organization, the FPL (Popular Liberation Forces)?
This biography explains the metamorphosis of “Padre David,” as he was known. The book also places his experience within the larger context of the role progressive priests and nuns played in helping the poor to realize their worth, which inspired many to then demand change in society. Because the state crushed all peaceful opposition, especially through violence, many Salvadorans concluded that the only way to work for change – and to simultaneously protect themselves – was to join an armed movement. Padre David was no different. He felt an added sense of responsibility because he trained catechists to work for change who were later killed because the state saw them as threats to the status quo.
David Rodriguez, or Padre David as he is known throughout El Salvador, is a diocesan priest who followed the Second Vatican Council's doctrinal mandate to advocate for the poor and oppressed. Along with other progressive clergy committed to liberation theology,Padre David helped drive forward the country's popular movement.
In the 1970s, Padre David joined the largest guerilla organization in El Salvador, the FPL (Popular Liberation Forces). At first, he supported the FPL clandestinely, helping to organize Christian Base Communities, autonomous religious groups dedicated to spreading liberationist ideas and to giving the Salvadoran poor a clear understanding of why their lives…
My passion for Mexican and military history came from many sources. Wandering in my 20s in Europe and Asia honed my appreciation for the historical experience. Good friends in the Canadian military made me curious about the odd rituals and strange subcultures they inhabited. As I moved from Calgary to Vancouver to Tucson I devolved from degree to degree, studying deviance, military history, Mexican culture, and finally finishing a dissertation that combined these elements into one work. And now I happily get to inflict all of this history on my students in California.
This is a great book written by an accomplished scholar later in his career and confident in his research and writing. Telling the tale of the uprising, and crushing, of Tomochic village, Vanderwood zooms into the smaller details of village life and pans out to nation-level decisions with remarkable panache. In a highly enjoyable way, he brings the reader into the action without omitting the broader historical relevance. The reader may enter this for the critique of the dictator’s late nineteenth-century armies, but they will keep reading to find the fate of the unfortunate “town son of a bitch.”
In the early 1890's, an armed rebellion fueled by religious fervor erupted over a wide area of northwestern Mexico. At the center of the outburst were a few hundred farmers from the village of Tomochic and a teenage folk saint named Teresa, who was ministering to thousands of people throughout the area. When the villagers proclaimed, "We will obey no one but God!," the Mexican government exiled "Santa Teresa" to the United States and trained its guns and bayonets on the farmers. A bloody confrontation ensued-God against government-that is still remembered in song, literature, films, and civic celebrations.
I'm a writer and filmmaker based in Cairo for over a decade. I was inspired to move to Egypt when I visited during the 2011 Revolution and fell in love with the vibrance of the city. Since then Cairo has changed and I have lived through an extraordinary history with some difficult times but always with a sense of curiosity for stories. My book, Cairo’s Ultras, began as a documentary film project in 2012 and I have found many other interesting topics during my time in this enigmatic and fascinating place. I will publish a second book next year, called Decolonising Images, that looks at the photographic heritage and visual culture of Egypt.
Marwan Kraidy’s book is a deep dive into the cultural politics of the Arab Uprisings during 2011. Wonderfully written and cleverly organized this academic book looks at the ‘digital’ nature of these resistance movements and the use of art and media tools in the protests. The focus is on young Arabs who used the street to challenge authority and cutting-edge social media platforms to argue for social change. In the book political activism and a period of digital euphoria meet when places like Tahrir Square became the centre of the world. This is one of the most essential accounts of 2011 that offers a refreshing take on Facebook and Twitter as revolutionary agents that helped to bring down the military regime.
Uprisings spread like wildfire across the Arab world from 2010 to 2012, fueled by a desire for popular sovereignty. In Tunisia, Egypt, and Syria, protesters flooded the streets and the media, voicing dissent through slogans, graffiti, puppetry, videos, and satire that called for the overthrow of dictatorial regimes. Investigating what drives people to risk everything to express themselves in rebellious art, The Naked Blogger of Cairo uncovers the creative insurgency at the heart of the Arab uprisings. While commentators have stressed the role of texting and Twitter, Marwan M. Kraidy shows that the essential medium of expression was the human…
I’m Vajra Chandrasekera, from Colombo, Sri Lanka. I’m a writer, and more importantly, a reader. My favourite kind of book is bigger on the inside, the kind that drops you into a world too big and too weird to really get a handle on, a world that’s strange in ways you feel you recognize, like how sometimes you wake up from a dream and think, I’ve dreamed about that place and those people before,but you can’t tell if you have, or whether you dreamed the memory, too. You read the book and look at the world and you ask yourself: Did I dream those people, that place? Or is this the dream?
You know how you go somewhere you’ve never been and you feel hollow in your bones, like you’re more fragile there, you might blow away in a strong wind or just melt down if this place doesn’t learn to recognize you?
Amatkais like that, and it’s about that. We follow someone trying to diligently do a perfectly normal market research gig in place where everyday objects must be clearly labelled and the labels reinforced constantly, otherwise they dissolve into slush.
She has to keep putting things in their place, but she’s not too good at that, because she’s always been out of place herself.
I mean, isn’t that exactly what life is like? And then it all falls apart.
ONE OF THE GUARDIAN’S BEST SCIENCE FICTION AND FANTASY BOOKS OF 2017
A surreal debut novel set in a world shaped by language in the tradition of Margaret Atwood and Ursula K. Le Guin.
Vanja, an information assistant, is sent from her home city of Essre to the austere, wintry colony of Amatka with an assignment to collect intelligence for the government. Immediately she feels that something strange is going on: people act oddly in Amatka, and citizens are monitored for signs of subversion.
Intending to stay just a short while, Vanja falls in love with…
I am a retired Army officer who served in a tank unit in Operation Desert Storm. After that war, I became convinced that the future of warfare looked more like America’s experience in Vietnam than like the war in which I had just fought. I taught at West Point and then served in another tank unit early in the war in Iraq before being sent to the Pentagon where I helped Generals David Petraeus and Jim Mattis write the Army and Marine Corps doctrine for counterinsurgency campaigns. I am now studying and teaching about the wars in Iraq and Afghanistan as a professor at the U.S. Army War College.
Packer examines why the United States invaded Iraq without a just cause and without a plan for what to do once it succeeded in toppling Saddam Hussein. He explains the critical first few months of the war that set the course for everything that followed in a searing examination of America’s extraordinary hubris in the “War on Terror.” What sets Packer’s work apart is his ability to explain events in the White House and Pentagon and tie them to their bitter denouement on the streets of Baghdad. He tells the story of a big war of choice gone badly wrong before the first shots were fired.
Named One of the 10 Best Books of the Year by The New York Times Book Review
Named one of the Best Books of the Year by The Washington Post Book World, The Boston Globe, Chicago Tribune, The San Francisco Chronicle Book Review, Los Angeles Times Book Review, USA Today, Time, and New York magazine.
Winner of the Overseas Press Club’s Cornelius Ryan Award for Best Nonfiction Book on International Affairs
Winner of the New York Public Library Helen Bernstein Book Award for Excellence in Journalism
The Assassins' Gate: America in Iraq recounts how the United States set about changing…
I'm a human rights activist from Burma. When I was 14, I was forced to flee to Thailand because of an attack by the Burmese military and ended up in a refugee camp. As one of Burma's leading democracy activists in Europe, I campaign for the promotion of human rights, democracy, and development back home in Burma. Together with my family, I set up Phan Foundation which aims to preserve Karen culture, promote human rights, fight poverty and provide education for Karen people. This is in memory of my mother Nant Kyin Shwe and my father Padoh Mahn Sha Lah Phan, who was assassinated by agents of the Burmese military.
I knew Saw Ralph and Naw Sheera when we were in Manerplaw, which used to be the headquarters of the Karen resistance, in Burma. As a little girl, I often followed my mother Nant Kyin Shwe to her workplace and remembered seeing Naw Sheera in the office of the Karen Women's Organisation. When I read her book, it reminds me of all the places and the people, and my beautiful childhood in, Kawthoolei, Burma.
Fifty Years in the Karen Revolution in Burma is about commitment to an ideal, individual survival and the universality of the human experience. A memoir of two tenacious souls, it sheds light on why Burma/Myanmar's decades-long pursuit for a peaceful and democratic future has been elusive. Simply put, the aspirations of Burma's ethnic nationalities for self-determination within a genuine federal union runs counter to the idea of a unitary state orchestrated and run by the dominant majority Burmans, or Bamar.
This seemingly intractable dilemma of opposing visions for Burma is personified in the story of Saw Ralph and Naw Sheera,…