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My passion for Mexican and military history came from many sources. Wandering in my 20s in Europe and Asia honed my appreciation for the historical experience. Good friends in the Canadian military made me curious about the odd rituals and strange subcultures they inhabited. As I moved from Calgary to Vancouver to Tucson I devolved from degree to degree, studying deviance, military history, Mexican culture, and finally finishing a dissertation that combined these elements into one work. And now I happily get to inflict all of this history on my students in California.
While maybe a bit conventional, this is one of very few military history books that gets deeply into the army during this incredibly turbulent period. De Palo provides a clear and well-researched study that is sure to appeal to specialists and armchair buffs. It is especially good at describing the strengths and limitations of the armed forces at this time. He offers a reliable reference for an era of revolving door presidencies, coups, and foreign invasions.
The army of thirty-five thousand that engineered Mexico's independence was a melting pot of insurgent and royalist forces held together by the lure of rapid promotions and other military remuneration. Overwhelmed with internal threats such as Indian skirmishes and peasant uprisings, this poorly motivated, ill-trained army seldom enjoyed the respite, resources, or direction necessary to overcome challenges to territorial sovereignty posed by Spain, France, Texas, and the United States during Mexico's first three decades of nationhood. William A. DePalo, Jr., studies the birth and tumultuous adolescence of the Mexican National Army and examines how regional, social, political, and economic factors…
My passion for Mexican and military history came from many sources. Wandering in my 20s in Europe and Asia honed my appreciation for the historical experience. Good friends in the Canadian military made me curious about the odd rituals and strange subcultures they inhabited. As I moved from Calgary to Vancouver to Tucson I devolved from degree to degree, studying deviance, military history, Mexican culture, and finally finishing a dissertation that combined these elements into one work. And now I happily get to inflict all of this history on my students in California.
This work combines excellent writing with impeccable research from a scholar I deeply respect. Guardino’s take on this war is persuasive and somewhat controversial, at least in Mexican circles, due to his analysis showing endemic supply issues at the heart of military failures in the face of a US invasion. He shows how the war goes horribly wrong for Mexico in a New Military History style approach that examines society using the army as a lens.
Winner of the Bolton-Johnson Prize Winner of the Utley Prize Winner of the Distinguished Book Award, Society for Military History
"The Dead March incorporates the work of Mexican historians...in a story that involves far more than military strategy, diplomatic maneuvering, and American political intrigue...Studded with arresting insights and convincing observations." -James Oakes, New York Review of Books
"Superb...A remarkable achievement, by far the best general account of the war now available. It is critical, insightful, and rooted in a wealth of archival sources; it brings far more of the Mexican experience than any other work...and it clearly demonstrates the social…
My passion for Mexican and military history came from many sources. Wandering in my 20s in Europe and Asia honed my appreciation for the historical experience. Good friends in the Canadian military made me curious about the odd rituals and strange subcultures they inhabited. As I moved from Calgary to Vancouver to Tucson I devolved from degree to degree, studying deviance, military history, Mexican culture, and finally finishing a dissertation that combined these elements into one work. And now I happily get to inflict all of this history on my students in California.
Reed’s wonderful writing style and great turns of phrase make this an enjoyable read, while his attention to detail and excellent research make it requisite to understanding the long Caste War of the Maya after 1847. It is a critical antidote to works that pay too little attention to indigenous agents, to religious motivations, and to a long-simmering insurrection with vibrant cultural voices. Other works have taken this on since, but it remains a classic.
This is the classic account of one of the most dramatic episodes in Mexican history-the revolt of the Maya Indians of Yucatan against their white and mestizo oppressors that began in 1847. Within a year, the Maya rebels had almost succeeded in driving their oppressors from the peninsula; by 1855, when the major battles ended, the war had killed or put to flight almost half of the population of Yucatan. A new religion built around a Speaking Cross supported their independence for over fifty years, and that religion survived the eventual Maya defeat and continues today.
My passion for Mexican and military history came from many sources. Wandering in my 20s in Europe and Asia honed my appreciation for the historical experience. Good friends in the Canadian military made me curious about the odd rituals and strange subcultures they inhabited. As I moved from Calgary to Vancouver to Tucson I devolved from degree to degree, studying deviance, military history, Mexican culture, and finally finishing a dissertation that combined these elements into one work. And now I happily get to inflict all of this history on my students in California.
McNamara’s wonderful account shows how communities in Oaxaca understood military service as both a duty to their region, to their people, and as a way to connect to the wider national project and specific presidents. Fighting for the National Guard created a different stake in Mexico and in political life, and the ways that Zapotec peasants remembered this gives new insights into participatory political culture.
The period following Mexico's war with the United States in 1847 was characterized by violent conflicts, as liberal and conservative factions battled for control of the national government. In ""Sons of the Sierra"", Patrick McNamara explores events in the Oaxaca district of Ixtlan, where Zapotec Indians supported the liberal cause and sought to exercise influence over statewide and national politics. Two Mexican presidents had direct ties to Ixtlan district: Benito Juarez, who served as Mexico's liberal president from 1858 to 1872, was born in the district, and Porfirio Diaz, president from 1876 to 1911, had led a National Guard battalion…
I am fascinated by the relationship between people’s religious and political identities. As a kindergartner, I heard about the hunger strikers at our local Irish Center, I was taught anti-communist songs at my Catholic Ukrainian school, and I listened as my dad explained Cesar Chavez and the United Farm Workers as we passed by the grapes while grocery shopping. Catholicism was not something I saw as just happening inside the walls of a church. It was about how one related to the world and was part of a global community. Those early experiences inspired me to become a human rights lawyer and activist, and later, a U.S. foreign relations historian.
What persuaded a priest to join El Salvador’s largest guerilla organization, the FPL (Popular Liberation Forces)?
This biography explains the metamorphosis of “Padre David,” as he was known. The book also places his experience within the larger context of the role progressive priests and nuns played in helping the poor to realize their worth, which inspired many to then demand change in society. Because the state crushed all peaceful opposition, especially through violence, many Salvadorans concluded that the only way to work for change – and to simultaneously protect themselves – was to join an armed movement. Padre David was no different. He felt an added sense of responsibility because he trained catechists to work for change who were later killed because the state saw them as threats to the status quo.
David Rodriguez, or Padre David as he is known throughout El Salvador, is a diocesan priest who followed the Second Vatican Council's doctrinal mandate to advocate for the poor and oppressed. Along with other progressive clergy committed to liberation theology,Padre David helped drive forward the country's popular movement.
In the 1970s, Padre David joined the largest guerilla organization in El Salvador, the FPL (Popular Liberation Forces). At first, he supported the FPL clandestinely, helping to organize Christian Base Communities, autonomous religious groups dedicated to spreading liberationist ideas and to giving the Salvadoran poor a clear understanding of why their lives…
I am a retired Army officer who served in a tank unit in Operation Desert Storm. After that war, I became convinced that the future of warfare looked more like America’s experience in Vietnam than like the war in which I had just fought. I taught at West Point and then served in another tank unit early in the war in Iraq before being sent to the Pentagon where I helped Generals David Petraeus and Jim Mattis write the Army and Marine Corps doctrine for counterinsurgency campaigns. I am now studying and teaching about the wars in Iraq and Afghanistan as a professor at the U.S. Army War College.
Packer examines why the United States invaded Iraq without a just cause and without a plan for what to do once it succeeded in toppling Saddam Hussein. He explains the critical first few months of the war that set the course for everything that followed in a searing examination of America’s extraordinary hubris in the “War on Terror.” What sets Packer’s work apart is his ability to explain events in the White House and Pentagon and tie them to their bitter denouement on the streets of Baghdad. He tells the story of a big war of choice gone badly wrong before the first shots were fired.
Named One of the 10 Best Books of the Year by The New York Times Book Review
Named one of the Best Books of the Year by The Washington Post Book World, The Boston Globe, Chicago Tribune, The San Francisco Chronicle Book Review, Los Angeles Times Book Review, USA Today, Time, and New York magazine.
Winner of the Overseas Press Club’s Cornelius Ryan Award for Best Nonfiction Book on International Affairs
Winner of the New York Public Library Helen Bernstein Book Award for Excellence in Journalism
The Assassins' Gate: America in Iraq recounts how the United States set about changing…
I believe comics are one of the very best storytelling mediums for stories with big imagination. Prose and film are amazing, but comics have artwork for every single moment of the story, artwork not bound by space, time, or budget. I’ve written and drawn 5 graphic novels published in 11 different languages. I’ve dedicated my entire life to the pursuit of imagination. The books I’ve recommended have given me endless enjoyment and inspiration, I hope they can do the same for you too.
In a post-apocalyptic world run by an oppressive American empire, we find Little Bird hiding in a hole. Though her mother was a great leader of the rebellion, Little Bird has found herself very lost, in a very cruel world - and she just might be the last chance that the freethinking people of the Western world have.
I love that this story takes familiar forces and fears of our modern life and cranks them up to eleven. With that in mind, the star of the show must be Ian Bertram’s artwork. All the huge ideas and themes created by Darcy are elevated to a startling degree by the way Ian is able to build this world visually. The iconography, the violence, the characterizations, it slaps you in the face page after page.
With the limitless scope of Star Wars and EAST OF WEST
paired with the sociopolitical explorations of A Handmaid's Tale and MONSTRESS,
LITTLE BIRD tells the story of a young resistance fighter battling against an
oppressive American Empire while searching for her own identity in a world on
fire. A gorgeously illustrated epic from Award-winning filmmaker DARCY VAN
POELGEEST and Angouleme-nominated artist IAN BERTRAM in which one girl
risks everything to save her people, their land, and the freedom they so
desperately deserve.
I'm a human rights activist from Burma. When I was 14, I was forced to flee to Thailand because of an attack by the Burmese military and ended up in a refugee camp. As one of Burma's leading democracy activists in Europe, I campaign for the promotion of human rights, democracy, and development back home in Burma. Together with my family, I set up Phan Foundation which aims to preserve Karen culture, promote human rights, fight poverty and provide education for Karen people. This is in memory of my mother Nant Kyin Shwe and my father Padoh Mahn Sha Lah Phan, who was assassinated by agents of the Burmese military.
I knew Saw Ralph and Naw Sheera when we were in Manerplaw, which used to be the headquarters of the Karen resistance, in Burma. As a little girl, I often followed my mother Nant Kyin Shwe to her workplace and remembered seeing Naw Sheera in the office of the Karen Women's Organisation. When I read her book, it reminds me of all the places and the people, and my beautiful childhood in, Kawthoolei, Burma.
Fifty Years in the Karen Revolution in Burma is about commitment to an ideal, individual survival and the universality of the human experience. A memoir of two tenacious souls, it sheds light on why Burma/Myanmar's decades-long pursuit for a peaceful and democratic future has been elusive. Simply put, the aspirations of Burma's ethnic nationalities for self-determination within a genuine federal union runs counter to the idea of a unitary state orchestrated and run by the dominant majority Burmans, or Bamar.
This seemingly intractable dilemma of opposing visions for Burma is personified in the story of Saw Ralph and Naw Sheera,…
One of the questions that I’m constantly asked by other authors is how do you make characters memorable in a genre that has done it all? My criteria are twofold–the characters need to be flawed and relatable; no one can truly relate to Superman. Secondly, I believe there is strength in a group. When I write with a diverse group of characters with their own personalities, the characters tell the story for me. I find that if I can emphasize and start having fun like I’m part of the group, I become enthralled with the novel. I am passionate about characters and letting them breathe and feel real.
I think some of the strongest and most compelling stories can be told in video game RPGs, and I consistently refer to this one as having some of the best characters. I read this novel after playing the game, and I loved being able to learn more about Loghain.
In this book, he is lorded as a powerful figure, and he affects major parts of the story. I loved exploring his backstory and seeing his character evolve and grow into how he is in the game. I also enjoyed connecting the pieces of his personality to the plot of the novel. The author captured the formula of creating “real,” flawed characters from the game and translated it excellently into prose.
This is the thrilling prequel to "Dragon Age: Origins", the hit role-playing video game from award-winning developer BioWare! After his mother, the beloved Rebel Queen, is betrayed and murdered by her own faithless lords, young Maric becomes the leader of a rebel army attempting to free his nation from the control of a foreign tyrant. His countrymen live in fear; his commanders consider him untested; and his only allies are Loghain, a brash young outlaw who saved his life, and Rowan, the beautiful warrior maiden promised to him since birth. Surrounded by spies and traitors, Maric must find a way…
I'm a writer and filmmaker based in Cairo for over a decade. I was inspired to move to Egypt when I visited during the 2011 Revolution and fell in love with the vibrance of the city. Since then Cairo has changed and I have lived through an extraordinary history with some difficult times but always with a sense of curiosity for stories. My book, Cairo’s Ultras, began as a documentary film project in 2012 and I have found many other interesting topics during my time in this enigmatic and fascinating place. I will publish a second book next year, called Decolonising Images, that looks at the photographic heritage and visual culture of Egypt.
Marwan Kraidy’s book is a deep dive into the cultural politics of the Arab Uprisings during 2011. Wonderfully written and cleverly organized this academic book looks at the ‘digital’ nature of these resistance movements and the use of art and media tools in the protests. The focus is on young Arabs who used the street to challenge authority and cutting-edge social media platforms to argue for social change. In the book political activism and a period of digital euphoria meet when places like Tahrir Square became the centre of the world. This is one of the most essential accounts of 2011 that offers a refreshing take on Facebook and Twitter as revolutionary agents that helped to bring down the military regime.
Uprisings spread like wildfire across the Arab world from 2010 to 2012, fueled by a desire for popular sovereignty. In Tunisia, Egypt, and Syria, protesters flooded the streets and the media, voicing dissent through slogans, graffiti, puppetry, videos, and satire that called for the overthrow of dictatorial regimes. Investigating what drives people to risk everything to express themselves in rebellious art, The Naked Blogger of Cairo uncovers the creative insurgency at the heart of the Arab uprisings. While commentators have stressed the role of texting and Twitter, Marwan M. Kraidy shows that the essential medium of expression was the human…
