Here are 100 books that The Dead March fans have personally recommended if you like
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My passion for Mexican and military history came from many sources. Wandering in my 20s in Europe and Asia honed my appreciation for the historical experience. Good friends in the Canadian military made me curious about the odd rituals and strange subcultures they inhabited. As I moved from Calgary to Vancouver to Tucson I devolved from degree to degree, studying deviance, military history, Mexican culture, and finally finishing a dissertation that combined these elements into one work. And now I happily get to inflict all of this history on my students in California.
While maybe a bit conventional, this is one of very few military history books that gets deeply into the army during this incredibly turbulent period. De Palo provides a clear and well-researched study that is sure to appeal to specialists and armchair buffs. It is especially good at describing the strengths and limitations of the armed forces at this time. He offers a reliable reference for an era of revolving door presidencies, coups, and foreign invasions.
The army of thirty-five thousand that engineered Mexico's independence was a melting pot of insurgent and royalist forces held together by the lure of rapid promotions and other military remuneration. Overwhelmed with internal threats such as Indian skirmishes and peasant uprisings, this poorly motivated, ill-trained army seldom enjoyed the respite, resources, or direction necessary to overcome challenges to territorial sovereignty posed by Spain, France, Texas, and the United States during Mexico's first three decades of nationhood. William A. DePalo, Jr., studies the birth and tumultuous adolescence of the Mexican National Army and examines how regional, social, political, and economic factors…
My passion for Mexican and military history came from many sources. Wandering in my 20s in Europe and Asia honed my appreciation for the historical experience. Good friends in the Canadian military made me curious about the odd rituals and strange subcultures they inhabited. As I moved from Calgary to Vancouver to Tucson I devolved from degree to degree, studying deviance, military history, Mexican culture, and finally finishing a dissertation that combined these elements into one work. And now I happily get to inflict all of this history on my students in California.
Reed’s wonderful writing style and great turns of phrase make this an enjoyable read, while his attention to detail and excellent research make it requisite to understanding the long Caste War of the Maya after 1847. It is a critical antidote to works that pay too little attention to indigenous agents, to religious motivations, and to a long-simmering insurrection with vibrant cultural voices. Other works have taken this on since, but it remains a classic.
This is the classic account of one of the most dramatic episodes in Mexican history-the revolt of the Maya Indians of Yucatan against their white and mestizo oppressors that began in 1847. Within a year, the Maya rebels had almost succeeded in driving their oppressors from the peninsula; by 1855, when the major battles ended, the war had killed or put to flight almost half of the population of Yucatan. A new religion built around a Speaking Cross supported their independence for over fifty years, and that religion survived the eventual Maya defeat and continues today.
My passion for Mexican and military history came from many sources. Wandering in my 20s in Europe and Asia honed my appreciation for the historical experience. Good friends in the Canadian military made me curious about the odd rituals and strange subcultures they inhabited. As I moved from Calgary to Vancouver to Tucson I devolved from degree to degree, studying deviance, military history, Mexican culture, and finally finishing a dissertation that combined these elements into one work. And now I happily get to inflict all of this history on my students in California.
McNamara’s wonderful account shows how communities in Oaxaca understood military service as both a duty to their region, to their people, and as a way to connect to the wider national project and specific presidents. Fighting for the National Guard created a different stake in Mexico and in political life, and the ways that Zapotec peasants remembered this gives new insights into participatory political culture.
The period following Mexico's war with the United States in 1847 was characterized by violent conflicts, as liberal and conservative factions battled for control of the national government. In ""Sons of the Sierra"", Patrick McNamara explores events in the Oaxaca district of Ixtlan, where Zapotec Indians supported the liberal cause and sought to exercise influence over statewide and national politics. Two Mexican presidents had direct ties to Ixtlan district: Benito Juarez, who served as Mexico's liberal president from 1858 to 1872, was born in the district, and Porfirio Diaz, president from 1876 to 1911, had led a National Guard battalion…
My passion for Mexican and military history came from many sources. Wandering in my 20s in Europe and Asia honed my appreciation for the historical experience. Good friends in the Canadian military made me curious about the odd rituals and strange subcultures they inhabited. As I moved from Calgary to Vancouver to Tucson I devolved from degree to degree, studying deviance, military history, Mexican culture, and finally finishing a dissertation that combined these elements into one work. And now I happily get to inflict all of this history on my students in California.
This is a great book written by an accomplished scholar later in his career and confident in his research and writing. Telling the tale of the uprising, and crushing, of Tomochic village, Vanderwood zooms into the smaller details of village life and pans out to nation-level decisions with remarkable panache. In a highly enjoyable way, he brings the reader into the action without omitting the broader historical relevance. The reader may enter this for the critique of the dictator’s late nineteenth-century armies, but they will keep reading to find the fate of the unfortunate “town son of a bitch.”
In the early 1890's, an armed rebellion fueled by religious fervor erupted over a wide area of northwestern Mexico. At the center of the outburst were a few hundred farmers from the village of Tomochic and a teenage folk saint named Teresa, who was ministering to thousands of people throughout the area. When the villagers proclaimed, "We will obey no one but God!," the Mexican government exiled "Santa Teresa" to the United States and trained its guns and bayonets on the farmers. A bloody confrontation ensued-God against government-that is still remembered in song, literature, films, and civic celebrations.
Historian Doug Hocking grew up on the Jicarilla Apache Reservation of New Mexico. He knows her peoples, towns, and trails. He has completed advanced studies in history, his first love, anthropology, and historical archaeology. Since retiring as an armored cavalry officer, Doug has owned his own business. With this background he has insight into America’s great commercial road, the Santa Fe Trail, and into battles and soldiering. He understands Apache lives as few others do.
Teenaged and highly observant Susan spent her honeymoon on the Santa Fe Trail with her husband a Santa Fe trader as they accompanied the Army of the West on its invasion of Mexico. She provides a woman’s perspective and much more. At a time when very few women have trailed to New Mexico, Susan wrote of the amazing things she encountered giving us a woman’s perspective.
In June 1846 Susan Shelby Magoffin, eighteen years old and a bride of less than eight months, set out with her husband, a veteran Santa Fe trader, on a trek from Independence, Missouri, through New Mexico and south to Chihuahua. Her travel journal was written at a crucial time, when the Mexican War was beginning and New Mexico was occupied by Stephen Watts Kearny and the Army of the West.
Her journal describes the excitement, routine, and dangers of a successful merchant's wife. On the trail for fifteen months, moving from house to house and town to town, she became…
I’m a born-and-bred New Englander and I teach history at Barnard College, Columbia University. I have always loved sailing and the ocean, so I’m fascinated with the early modern Age of Sail. My focus is the seventeenth- and eighteenth-century Atlantic World, when the histories of the Americas, Europe, and Africa became permanently entangled. My first book, The Saltwater Frontier, won the Bancroft Prize in American History in 2016. My second book, The Life and Times of Squanto, is hitting bookshelves in Fall 2024.
This is a delightful, novelistic read on the U.S.-Mexico War.
When the United States invaded Mexico on thin pretenses in 1846, it resulted in a massive annexation of territory while, at the same, sparking a genuine anti-war protest movement. Amy Greenberg puts Henry Clay, James K. Polk, and Abraham Lincoln at the center of the story. Her book sheds new light on the origins of the Civil War and the evolution of American empire.
Our 1846 war with Mexico was a blatant land grab provoked by President James Polk. And while it secured the entire Southwest and California for America, it also exacerbated regional tensions over slavery, created the first significant antiwar movement in America, and helped lead the nation into civil war. A Wicked War is the definitive history of this conflict that turned America into a continental power. Amy Greenberg describes the battles between American and Mexican armies, but also delineates the political battles between Democrats and Whigs—the former led by the ruthless Polk, the latter by the charismatic Henry Clay, and…
As a writer, I’ve been deeply influenced by Southern literature—especially the work of William Faulkner and Flannery O’Connor. Even though I’m not from the South myself, I am drawn to Southern writers’ immodesty. I believe much of contemporary literature is too timid. It is about the mundane, the everyday. It does not elevate; instead, it diminishes. Much of the literature of the South is biblical in its sensibilities. It is unafraid to deal with the big universal issues with language that is equally big and universal. It does not pander to modesty or postmodern selfconsciousness. It is audacious. It’s the kind of writing that made me want to write.
Mixing Faulkner’s gothic language with McCarthy’s sense of history, Blake writes a story of two brothers torn apart by circumstance and their experiences in the Mexican-American War. Blake captures that sense of aimless wandering that echoes Faulkner’s stories—the rootless characters meandering across the country, not only unsure of their destinations but maybe even indifferent to them. To me, one of the most profound twists in the book is that the brothers don’t seem to care which side of the war they participate in. They are itinerants whose purpose in the world is simply circumstantial; they are instruments of universal forces that they neither question nor understand.
The offspring of a whore mother and a homicidal father, Edward and John Little are driven from their home in the Florida swamplands by a sching parent's treacheries, and by a shameful, horrific act that will haunt their dreams for the rest of their days. Joining the swelling ranks of the rootless--wandering across an almost surreal bloodland populated by the sorrowfully lost and defiantly damned--two brothers are separated by death and circumstance in the lawless "Dixie City" of New Orelans, and dispatched by destiny to opposing sides in a fierce and desperate territorial struggled between Mexico and the United States.…
Two books that I read as a young child were very important to me. The 500 Hats of Bartholomew Cubbins by Dr. Seuss made me think about riches, poverty, and the power that rich people have to make stupid rules; and poor people have no choice but to obey them. The Japanese Twins from Lucy Fitch Perkins' series on twins from different cultures gave me a life-long interest in cultural differences. Not only did they think differently, depending on their culture, they also had different skin colours. Later I learned about racism when I worked with unhappy displaced children and interpreted for asylum-seekers. I write from a child's perspective, making books accessible to all ages.
I learned from this story why families make the difficult decision to split up and send a father and a child on a dangerous journey for a better life. This family lives in Mexico, facing hunger and destitution. The father and his son became migrants. They walked to America, knowing that they could be split up or one of them die.
In this book, I learned about the Mexican-American War, and the atrocious US policy of splitting migrant children from their parents.
Join a young boy and his father on a daring journey from Mexico to Texas to find a new life. They'll need all the resilience and courage they can muster to safely cross the border - la frontera - and to make a home for themselves in a new land. AGES: 8 to 10 AUTHORS: Alfredo Alva is a stonemason from La Ceja, Mexico. He and his family live in Texas, where he designs architectural details from stone for local architects. He met Deborah Mills while working on a local architecture project, and they worked together to write his story…
Jim Rasenberger is a writer and author of four books - Revolver, The Brilliant Disaster; America, 1908, and High Steel. He has contributed to the New York Times, Vanity Fair, Smithsonian, and other publications. A native of Washington, DC, he lives in New York City.
A thrilling if bumpy ride through 1846, as DeVoto tracks multiple stories of Americans who headed west at the start of the great migration. Like Webb’s Great Plains, this book — published in 1942 — is a little dated in places, but DeVoto’s vivid descriptions and strong opinions make it highly enjoyable. The general subject is the “period when the manifold possibilities of chance were shaped to converge into the inevitable,” writes DeVoto. More plainly, the book is about "some people who went west in 1846." Many of them died on the way. Some found fortune. Altogether, they left behind extraordinary history.
Year of Decision 1846 tells many fascinating stories of the U.S. explorers who began the western march from the Mississippi to the Pacific, from Canada to the annexation of Texas, California, and the southwest lands from Mexico. It is the penultimate book of a trilogy which includes Across the Wide Missouri (for which DeVoto won both the Pulitzer and Bancroft prizes) and The Course of Empire. DeVoto's narrative covers the expanding Western frontier, the Mormons, the Donner party, Fremont's exploration, the Army of the West, and takes readers into Native American tribal life.
Carrie Gibson is a London-based writer who grew up in the US and spends as much time as she can in Latin America and the Caribbean. She started out as a journalist, working at UK newspapers, including the Guardian and the Observer, before diving into a PhD and historical research on European colonialism and its legacy in the Americas. She is the author of two books and continues to contribute to media outlets in the UK and US.
María Amparo Ruiz de Burton lived through one of the most tumultuous periods of history in California. She was born in Baja California to an elite family but moved to Mexican Alta California, as it was then known, during the Mexican-American War, marrying US army captain Henry Burton and becoming a US citizen. Ruiz de Burton watched California’s transformation under US rule, and this 1885 novel uses fiction to lay bare the very real problem of land dispossession of the Mexican Californians (known as Californios) and the arrival of ‘squatters’ from the eastern US who were claiming contested property. Ruiz de Burton is considered to be one of the earliest Mexican-American female authors to write in English, and this work illustrates how Alta California’s transition to statehood upended the lives of many people who had lived there under Spanish and Mexican rule.
The Squatter and the Don, originally published in San Francisco in 1885, is the first fictional narrative written and published in English from the perspective of the conquered Mexican population that, despite being granted the full rights of citizenship under the Treaty of Guadalupe-Hidalgo in 1848, was, by 1860, a subordinated and marginalized national minority.
