Here are 100 books that The Testament of Mary fans have personally recommended if you like
The Testament of Mary.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’m the author of five extremely different novels: Boy A(which was made into an award-winning film),Cham, Genus, The Tongues of Men or Angels, and Under Country. They share almost nothing in subject or setting. Ranging from first-century Judaea to a future London. From ski resort workers in France to young offender prisons in Britain. My latest work - Under Country - is about the 1984 Miners’ Strike and its still lingering scars in the North East pit villages. Yet, I suppose, if there were a unifying theme between them, it would be that each, in its own way, is influenced by and fascinated with Christianity.
Written long before quarantines became so fashionable, Jesus in Jim Crace’s novel is an almost peripheral player, because– set during Christ’s forty days in the wilderness – six other people share in the inhospitable desert caves, miracles, and hallucinations. Each character has their own troubles and trials; their own battles with demons to resolve; which they hope isolation and fasting will accomplish. And for each, in ingenious ways, it does… I am a big fan of Crace’s style, rhythm, and invention, and this is one of his finest works.
So this is happiness, she thought. Or this, at least, is what adds up to happiness. The prospect of never running after men and camels any more, of being Miri without shame or hesitation, of letting drop her headscarf for a change so that nothing intervened between her and the sky.
Five travellers venture into the Judean wilderness in search of redemption. Instead, amidst the barren rocks, they are met by a dangerous man, Musa, and fall under his dark influence. As the unforgiving days and bitter nights erode their resolve, it becomes clear…
Understanding history is essential for understanding ourselves as human beings – for recognising where we’ve come from and why we live as we do. What I love about historical fiction is that it can take tumultuous times and show their effects on the individuals who lived through them. As a historical novelist, I try to bring history back to a tangible, human level. These short novels show that if a writer’s prose is fresh, witty, and moving, then historical novels don’t need to be enormous tomes to give us a new slant on the past and allow us to inhabit lives utterly different from our own.
I have never read a book of historical fiction quite like this one!
In a distinctive and compelling narrative voice, the book explores the real-life figure of Margaret Cavendish, a seventeenth-century woman who exploded the rulebook when it came to women’s lives. Although shy, she was profoundly ambitious and a true polymath, conducting her own scientific experiments as well as writing poems, philosophy, plays, and even sci-fi. Known in the newspapers as “Mad Madge,” she was the first woman to be invited to the Royal Society of London.
I love how Dutton conveys the effervescence and wit of this brilliant woman as Margaret battles against an intellectual world determined to keep her out.
An inventive, spirited novel about a pioneering woman who was shamed for daring to challenge male dominance in the arts and sciences four centuries ago.
Margaret Cavendish was the first woman to address the Royal Society and the first Englishwoman to write explicitly for publication. Wildly unconventional, she was championed by her forward-thinking husband and nicknamed 'Mad Madge' by her many detractors. Later, Virginia Woolf would write, 'What a vision of loneliness and riot the thought of Margaret Cavendish brings to mind!'
Unjustly neglected by history, here Margaret is brought intimately and memorably to life, tumbling pell-mell across the pages…
Like a caricature, satire lets you see reality better by exaggerating it. When satire is done right, every element, from the overall plot to the characters to paragraph-level details, is there to cast an exposing light on some part of our real world. They are books that exist on many levels, expose hubris and essential misunderstandings, and generally speak truth to power. They should leave the reader reassessing core assumptions about how the world works. I’ve written a best-selling nonfiction book about machine learning in the past, and I probably could have taken that approach again, but AI and American politics are both ripe for satire.
If I ever have to write a book to get past the censors, this book will be my model. Who knew that a mordant critique of a corrupt state could be so elegant, even whimsical?
The barbs are so oblique that the censor has a hard time finding something to pick on or even noticing it, and yet they’re unmistakable to anyone living in a society with even a passing resemblance to Stalin’s Russia—and after reading The Master and Margarita, I see those resemblances in every organization and every regime.
'Bulgakov is one of the greatest Russian writers, perhaps the greatest' Independent
Written in secret during the darkest days of Stalin's reign, The Master and Margarita became an overnight literary phenomenon when it was finally published it, signalling artistic freedom for Russians everywhere. Bulgakov's carnivalesque satire of Soviet life describes how the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow one Spring afternoon. Brimming with magic and incident, it is full of imaginary, historical, terrifying and wonderful characters, from witches, poets and Biblical tyrants to the beautiful, courageous Margarita, who will…
Understanding history is essential for understanding ourselves as human beings – for recognising where we’ve come from and why we live as we do. What I love about historical fiction is that it can take tumultuous times and show their effects on the individuals who lived through them. As a historical novelist, I try to bring history back to a tangible, human level. These short novels show that if a writer’s prose is fresh, witty, and moving, then historical novels don’t need to be enormous tomes to give us a new slant on the past and allow us to inhabit lives utterly different from our own.
The beauty of this novel is that it takes sweeping historical change – the Highland Clearances of Scotland – and manages to make history intimate, showing the impact of events on one vulnerable old woman. In the nineteenth century, much of rural Scotland was forcibly "cleared" of people to make room for sheep grazing. Outside of Scotland, this great tragedy of Scottish history is not as well known as it should be, and neither is Smith’s book.
I love its deliberately naïve style, as we see the world through the old woman’s eyes and feel her pain as history crashes down on her. It’s full of the beauty of the natural world, but it’s also chilling, as it demonstrates the indifference of outsiders to a long-established way of life.
50th anniversary edition of a true modern classic.
'Vividly depicted ... sheer beauty' OBSERVER
'A masterpiece of simplicity' FINANCIAL TIMES
'A simple but noble book ... this deserves to be read' SCOTSMAN
'When she rose in the morning the house at first seemed to be the same. The sun shone through the curtains of her window. On the floor it turned to minute particles like water dancing. Nevertheless, she felt uneasy ...
What had the girl said? Something about the 'burning of houses'. They just couldn't put people out of their houses, and then burn the houses down. No one…
I’m the author of five extremely different novels: Boy A(which was made into an award-winning film),Cham, Genus, The Tongues of Men or Angels, and Under Country. They share almost nothing in subject or setting. Ranging from first-century Judaea to a future London. From ski resort workers in France to young offender prisons in Britain. My latest work - Under Country - is about the 1984 Miners’ Strike and its still lingering scars in the North East pit villages. Yet, I suppose, if there were a unifying theme between them, it would be that each, in its own way, is influenced by and fascinated with Christianity.
Pullman sets out – and achieves, with his usual aplomb – to subvert the stories of Jesus, indeed to divide them: his Jesus and his Christ are two entirely separate figures. Pullman uses a deliberate echo of Biblical style, to show how the Bible stories are first and foremost just that: stories. To show how history became myth and then myth became faith. How the very hypocrisies that Jesus himself pointed out – people mouthing religious observances, without the accompanying good deeds – became an almost fundamental structure of the established church.
'If I vanished he wouldn't notice, if I died he wouldn't care. I think of him all the time, and he thinks of me not at all. I love him, and my love torments me. There are times when I feel like a ghost beside him; as if he alone is real, and I'm just a daydream.'
This is the story of two brothers. One is impassioned and one reserved. One is destined to go down in history and the other to be forgotten.
In Pullman's hands, this sacred tale is reborn as one of the most enchanting, thrilling and…
I’m the author of five extremely different novels: Boy A(which was made into an award-winning film),Cham, Genus, The Tongues of Men or Angels, and Under Country. They share almost nothing in subject or setting. Ranging from first-century Judaea to a future London. From ski resort workers in France to young offender prisons in Britain. My latest work - Under Country - is about the 1984 Miners’ Strike and its still lingering scars in the North East pit villages. Yet, I suppose, if there were a unifying theme between them, it would be that each, in its own way, is influenced by and fascinated with Christianity.
Naomi was raised as an Orthodox Jew. I can’t remember whether she told me herself, or I read it somewhere, but she once said that she struggled to see how people who weren’t steeped in the Judaic tradition could even understand the Christian Bible. There is something in this: The ‘New Testament’ rests upon and relies upon Judaism for all of its authority. And yet it is simultaneously incredibly antisemitic. It’s a paradox that Christian scholars and theologians have struggled with for millennia, frequently with devastating and bloody consequences. I read The Liars’ Gospel as Naomi’s quite beautiful attempt to examine and unravel this paradox.
An award-winning writer reimagines the life of Jesus, from the points of view of four people closest to him before his death.
This is the story of Yehoshuah, who wandered Roman-occupied Judea giving sermons and healing the sick. Now, a year after his death, four people tell their stories. His mother grieves, his friend Iehuda loses his faith, the High Priest of the Temple tries to keep the peace, and a rebel named Bar-Avo strives to bring that peace tumbling down.
It was a time of political power plays and brutal tyranny. Men and women took to the streets to…
Understanding history is essential for understanding ourselves as human beings – for recognising where we’ve come from and why we live as we do. What I love about historical fiction is that it can take tumultuous times and show their effects on the individuals who lived through them. As a historical novelist, I try to bring history back to a tangible, human level. These short novels show that if a writer’s prose is fresh, witty, and moving, then historical novels don’t need to be enormous tomes to give us a new slant on the past and allow us to inhabit lives utterly different from our own.
This exquisite book tells the story of the one family in the remote Maesglasau valley in Wales, and the ferocious changes that the twentieth century brings to their traditional rural way of life.
Originally written in the Welsh language and beautifully translated into lyrical English, this is a poignant and unforgettable story. I love how the language is simple, but it delicately renders the lives of the family members, giving them dignity and beauty despite sorrow and hardships. It feels old-fashioned yet also timeless.
"The most fascinating and wonderful book" JAN MORRIS
"A restrained, lyrical tour de force" OWEN SHEERS
In the early years of the last century, Rebecca is born into a rural community in the Maesglasau valley in Wales; her family have been working the land for a thousand years, but the changes brought about by modernity threaten the survival of her language, and her family's way of life.
Rebecca's reflections on the century are delivered with haunting dignity and a simple intimacy, while her evocation of the changing seasons and a life that is so in tune with its surroundings is…
Understanding history is essential for understanding ourselves as human beings – for recognising where we’ve come from and why we live as we do. What I love about historical fiction is that it can take tumultuous times and show their effects on the individuals who lived through them. As a historical novelist, I try to bring history back to a tangible, human level. These short novels show that if a writer’s prose is fresh, witty, and moving, then historical novels don’t need to be enormous tomes to give us a new slant on the past and allow us to inhabit lives utterly different from our own.
This is a strange but deeply moving book, interweaving the life of Victorian poet and priest Gerard Manley Hopkins with the lives of five nuns who were aboard the steamship Deutschland when it ran aground at the mouth of the Thames in 1875. The young nuns all drowned, and their deaths inspired one of Hopkins’ greatest poems, "The Wreck of the Deutschland."
It’s a painful story of faith and hope under enormous pressure, yet there are moments of great tenderness and even humour as the nuns face up to their destiny. There’s nothing fashionable or sexy about this book, but I’ve rarely read a book written with so much compassion and humanity.
In December 1875, the steamship Deutschland left Bremen, bound for England and then America. On board were five young nuns who, exiled by Bismarck's laws against Catholic religious orders, were going to begin their lives anew in Missouri. Early one morning, the ship ran aground in the Thames and more than sixty lives were lost - including those of the five nuns.Hopkins was a Jesuit seminarian in Wales, and he was so moved by the news of the shipwreck that he wrote a grand poem about it, his first serious work since abandoning a literary career at Oxford to become…
I’ve always been a thinker, asking big questions and playing around with crazy ideas. That’s why I’ve been fascinated by the Bible since I was fourteen, reading it cover-to-cover multiple times and studying it academically for—approaching four decades now. It’s a classic for a reason! At first, I read it because I became a Christian, and it’s part of the package, but within a short time, I was hooked. I was especially interested in the tough parts, the bits I didn’t like or couldn’t make sense of. They were invitations to explore, think, and learn. It never ceases to surprise me with new ideas and inspirational insights.
To my mind, this one is a game-changer. It seems a niche subject—the ways that Jesus’ death is interpreted in NT texts as a sacrifice—but, Man Alive, it was one of the most eye-opening and engrossing books I’ve read in years.
Rillera argues that many Christians have significantly misunderstood Jesus’ death. All that stuff about Jesus taking the punishment for our sins and dying so we don’t have to, he says, is not in the Bible! Sounds nuts, right? That’s why I found it such an arresting book.
And the resulting teaching on Jesus’ death makes a heck of a lot more sense to me. I love books that make me rethink stuff I took for granted. This is one. (Warning: a tightly argued book, so demands some concentration.)
Lamb of the Free analyzes the different sacrificial imagery applied to Jesus in the NT in light of the facts that (a) there is no such thing as substitutionary death sacrifice in the Torah—neither death nor suffering nor punishment of the animal has any place in the sacrificial system—and (b) there are both atoning and non-atoning sacrifices. Surprisingly, the earliest and most common sacrifices associated with Jesus’s death are the non-atoning ones. Nevertheless, when considering the whole NT, Jesus is said to accomplish all the benefits of the entire Levitical system, from both atoning and non-atoning sacrifices and purification. Moreover,…
I’ve always had an inquisitive mind and was constantly asking questions as a child. I’ve kept this passion and following a mid-life career change from corporate, became a psychologist, psychotherapist, and eventually past life regression therapist. I founded the international Past Life Regression Academy in 2002 to teach others to heal the soul, and the Academy has trained more than 700 past life regression therapists throughout the world. I’ve written extensively in this area and know most of the pioneers, and I hope you enjoy the books on this list as much as I have!
What I like about this book is that it is one of the few historical past-life books that weaves together the past-life memories of eight people that corroborate each others accounts. In their current life none knew each other, had no previous knowledge of each other’s accounts beforehand and lived in different parts of the world.
What unfolds is a tale of family, friends, empowerment, survival, spirituality, connection, sacrifice, and at the core love. It is about what happened before, during, and after the crucifixion of Jesus Christ. And that past life accounts differs, sometimes drastically from the fundamental beliefs of Christianity as we know it, they are supported by the latest biblical research.
"A fascinating, surreal elaboration of Christian stories and characters" - Kirkus Reviews
Award Winner of the 2018 Soul-Bridge Body, Mind, Spirit, Book Awards in Christian Spirituality
Award Winner Finalist of the 3rd Annual Body, Mind, Spirit, Book Awards in Reincarnation
Two thousand years ago, the Biblical time, was a time of great change. Jesus and those closest to him were inspiring in their ability to tap into their inner radiant light to navigate a challenging period of chaos.
Over time, their heroic and heart warming stories have been cloaked in shadows...
