Here are 100 books that The Liars' Gospel fans have personally recommended if you like
The Liars' Gospel.
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I’m the author of five extremely different novels: Boy A(which was made into an award-winning film),Cham, Genus, The Tongues of Men or Angels, and Under Country. They share almost nothing in subject or setting. Ranging from first-century Judaea to a future London. From ski resort workers in France to young offender prisons in Britain. My latest work - Under Country - is about the 1984 Miners’ Strike and its still lingering scars in the North East pit villages. Yet, I suppose, if there were a unifying theme between them, it would be that each, in its own way, is influenced by and fascinated with Christianity.
Written long before quarantines became so fashionable, Jesus in Jim Crace’s novel is an almost peripheral player, because– set during Christ’s forty days in the wilderness – six other people share in the inhospitable desert caves, miracles, and hallucinations. Each character has their own troubles and trials; their own battles with demons to resolve; which they hope isolation and fasting will accomplish. And for each, in ingenious ways, it does… I am a big fan of Crace’s style, rhythm, and invention, and this is one of his finest works.
So this is happiness, she thought. Or this, at least, is what adds up to happiness. The prospect of never running after men and camels any more, of being Miri without shame or hesitation, of letting drop her headscarf for a change so that nothing intervened between her and the sky.
Five travellers venture into the Judean wilderness in search of redemption. Instead, amidst the barren rocks, they are met by a dangerous man, Musa, and fall under his dark influence. As the unforgiving days and bitter nights erode their resolve, it becomes clear…
I was born a polymath in Cheam, Surrey, England. Even as a child I had a passionate interest in music, architecture, film, poetry, drama, and storytelling. I lived very much in the world of my imagination and was able to apply it to a wide variety of projects. I have worked in Film, TV, Theatre, and have written scripts, plays, novels, songs, a musical, and an opera, all different in feeling. I have therefore had a special interest in innovative artistic work, and story-telling which pushes the boundaries of the imagination.
People who read The Master and Margarita will tell you that it is one of the greatest books they have ever read, but few can tell you why. It defies description. It is truly unique.
It opens on a blistering hot day in Moscow, a paradox in itself. The devil, seemingly out of Goethe’s Faust, is on a visit to the town. He and his strange entourage would be laughable, if they were not so lethal. Only the madness of Stalin’s paranoid Communism could have created such a story.
Bulgakov has an uncanny way of investing even the most unlikely scenes with intense realism. You never doubt him. At times hilarious, at times terrifying, the book shows us what a fragile hold we have on reality.
'Bulgakov is one of the greatest Russian writers, perhaps the greatest' Independent
Written in secret during the darkest days of Stalin's reign, The Master and Margarita became an overnight literary phenomenon when it was finally published it, signalling artistic freedom for Russians everywhere. Bulgakov's carnivalesque satire of Soviet life describes how the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow one Spring afternoon. Brimming with magic and incident, it is full of imaginary, historical, terrifying and wonderful characters, from witches, poets and Biblical tyrants to the beautiful, courageous Margarita, who will…
I’m the author of five extremely different novels: Boy A(which was made into an award-winning film),Cham, Genus, The Tongues of Men or Angels, and Under Country. They share almost nothing in subject or setting. Ranging from first-century Judaea to a future London. From ski resort workers in France to young offender prisons in Britain. My latest work - Under Country - is about the 1984 Miners’ Strike and its still lingering scars in the North East pit villages. Yet, I suppose, if there were a unifying theme between them, it would be that each, in its own way, is influenced by and fascinated with Christianity.
Pullman sets out – and achieves, with his usual aplomb – to subvert the stories of Jesus, indeed to divide them: his Jesus and his Christ are two entirely separate figures. Pullman uses a deliberate echo of Biblical style, to show how the Bible stories are first and foremost just that: stories. To show how history became myth and then myth became faith. How the very hypocrisies that Jesus himself pointed out – people mouthing religious observances, without the accompanying good deeds – became an almost fundamental structure of the established church.
'If I vanished he wouldn't notice, if I died he wouldn't care. I think of him all the time, and he thinks of me not at all. I love him, and my love torments me. There are times when I feel like a ghost beside him; as if he alone is real, and I'm just a daydream.'
This is the story of two brothers. One is impassioned and one reserved. One is destined to go down in history and the other to be forgotten.
In Pullman's hands, this sacred tale is reborn as one of the most enchanting, thrilling and…
I’m the author of five extremely different novels: Boy A(which was made into an award-winning film),Cham, Genus, The Tongues of Men or Angels, and Under Country. They share almost nothing in subject or setting. Ranging from first-century Judaea to a future London. From ski resort workers in France to young offender prisons in Britain. My latest work - Under Country - is about the 1984 Miners’ Strike and its still lingering scars in the North East pit villages. Yet, I suppose, if there were a unifying theme between them, it would be that each, in its own way, is influenced by and fascinated with Christianity.
With characteristic charm, Toibin’s book is almost perversely historically inaccurate, as if he is enjoying teasing the reader: I seem to remember Jesus being sent to his room at one point, like a teenager in suburbia, when Judaean houses of the period were of a single piece; a burial scene feels very much like a burial in a peat soiled Ireland, no Judaean deserts here. And yet the book achieves its own honesty because, as Keats said: “Beauty is Truth, Truth Beauty.”
“Tóibín is at his lyrical best in this beautiful and daring work” (The New York Times Book Review) that portrays Mary as a solitary older woman still seeking to understand the events that become the narrative of the New Testament and the foundation of Christianity—shortlisted for the 2013 Man Booker Prize.
In the ancient town of Ephesus, Mary lives alone, years after her son’s crucifixion. She has no interest in collaborating with the authors of the Gospel, who are her keepers. She does not agree that her son is the Son of God; nor that his death was “worth it”;…
I’m a philosophy professor who started writing memoir in her mid-thirties. I love the similarities and the differences between memoir and philosophy (to sum it up: both are ways of making sense of your experience, but memoirists are allowed to tell stories, make jokes and break your heart.) On the trail of my obsession with the two, I’ve written a book on the philosophy of memoir and a memoir about philosophy. My sister calls them “your weird book twins.” Whatever! The whole experience has felt like falling in love, and I now want to encourage everyone to give personal writing a shot.
This book is a blast to read and also packed with insight (the Holy Grail, no?) It’s a collection of short chapters on a wide range of questions that either a baby or seasoned memoirist might ask. How do I find my voice? How do I organize my material? Am I betraying my family? (When Karr asked her own mom if she minded being outed as a knife-wielding alcoholic who set her children’s toys on fire, Mrs. Karr apparently replied: “Oh hell, the whole town knew about that.”) Karr draws on her extensive experience as a best-selling memoirist and teacher of memoir, serving up hard-won wisdom and concrete practical advice. ReadingThe Art of Memoiris like trapping a celebrity genius in a hotel bar and getting the unvarnished version. You’ll love it.
Credited with sparking the current memoir explosion, Mary Karr's The Liars' Club spent more than a year at the top of the New York Times list. She followed with two other smash bestsellers: Cherry and Lit, which were critical hits as well. For thirty years Karr has also taught the form, winning teaching prizes at Syracuse. (The writing program there produced such acclaimed authors as Cheryl Strayed, Keith Gessen, and Koren Zailckas.) In The Art of Memoir, she synthesizes her expertise as professor and therapy patient, writer and spiritual seeker, recovered alcoholic and "black belt sinner," providing a unique window…
I am a recovered (not “recovering”) addict and writer. These days I write historical fiction because I enjoy an escape from present-day reality, and research is fun. But I started writing as a way to make sense of my chaotic world and in hopes of healing myself. Something was broken inside me, and I didn’t know how to fix it. So I wrote about the shadowy realms of my life and kept on writing until somehow I was able to let go of the past and create a different life, one which would not land me upside down in a ditch with my neck broken and my tires spinning.
I love this book mainly because of her deeply flawed, hard-drinking dad, who still managed to impart wisdom and love. I couldn’t help wishing I’d had a dad like him.
When Karr grew up, she had her own substance abuse issues that she talked about in another memoir, but this book is my favorite because her family is so screwed up and yet so brave and so tough. To me, they epitomize all that is good and bad about the South.
Personally, I love lyrical, poetic language, and Karr’s writing is transcendent! This is a book that will be with me forever. (I almost got to go to a workshop with Mary Karr, but the pandemic got in the way.)
#4 on The New York Times' list of The 50 Best Memoirs of the Past 50 Years
The New York Times bestselling, hilarious tale of a hardscrabble Texas childhood that Oprah.com calls the best memoir of a generation
"Wickedly funny and always movingly illuminating, thanks to kick-ass storytelling and a poet's ear." -Oprah.com
The Liars' Club took the world by storm and raised the art of the memoir to an entirely new level, bringing about a dramatic revival of the form. Karr's comic childhood in an east Texas oil town brings us characters as darkly hilarious as any of J.…
I have just retired after teaching 35 years in the New Testament department at Denver Seminary. I have authored, co-authored, or co-edited thirty books related to New Testament studies and more than 150 peer-reviewed journal articles or chapters in multi-author books. I have learned that most of the reasons people don’t believe in part or all of the Bible is because they don’t understand it properly, so my passion is to try to rectify that. The New Testament changed my life for the better, as it has hundreds of millions of other people. I just want to help that number continue to grow.
Nothing has superseded this in the twenty-seven years since it was published. Wenham has spent his entire career returning again and again to the issue of Jesus and Paul, showing that despite many superficial differences, the core messages of these two crucial figures at the beginning of Christianity mesh well with each other. It contains discussions as well of all the places where Paul actually quotes or alludes to Jesus’ teaching, though many scholars have not always recognized these. Despite frequent claims to the contrary, Paul is most decidedly not the true founder of Christianity but a faithful follower of Jesus. Now retired, Wenham has been a great encouragement to me at key stages of my scholarly career.
This book provides a broad, popular look at the relationship between Paul and Jesus. Wenham studies the Gospels and Paul's letters, systematically compares the teachings of Jesus and Paul, and reveals the intriguing connections and differences between the two. His conclusions make this volume a ground-breaking work with exciting implications.
I'm a huge fan of Revelation which tops my list of favorite books of the Bible. I recently retired after 47 years as a pastor in the United Church of Christ. How many times have I read Revelation and preached on this marvelous book? How many times have I read and heard interpretations, and misinterpretations? The answer, a lot! I finally decided I had to write my own book. I study Revelation like digging in a field for buried treasure. The more digging, the more riches I find! I am a graduate of Eastern Mennonite University where I majored in Bible, and a graduate of Union Presbyterian Seminary, Richmond, VA., with a Master of Divinity.
I am a long-time student of N. T. Weight and have read many of his books. I appreciate his scholarship and ability to communicate with “everyone.” I love Wright for his scholarly defense of Jesus' bodily resurrection. He leaves me in awe with his knowledge of Scripture and of the Roman world of the first century. He has influenced my Biblical worldview to the extent I can’t imagine writing a book apart from his influence. I admire his extensive knowledge of the historical context of the cities in which the seven churches are located. I love reading Wright for his contagious joy!
Enlarged print edition now available! In this final installment of the New Testament for Everyone series, Tom Wright explores the book of Revelation. With clear, accesible language, Wright offers us an entrance into the final book of the New Testament. While the book of Revelation has often been written off as a foretelling of doom, it is much more complex than this and has captured the imaginations of both lay and professional readers.
Tom Wright has undertaken a tremendous task: to provide guides to all the books of the New Testament, and to include in them his own translation of…
I am a New Testament scholar, with an expertise in Pauline Theology, who has spent my working life trying to make New Testament scholarship more accessible for non-experts. After studying at Oxford University, I taught in two theological colleges before taking a few years to be a freelance writer lecturer. I am a lay theologian and have worked with most dioceses of the Church of England but now am a Canon of St Paul’s Cathedral where I oversee Theology, Learning, and Art in the life of the Cathedral. I hope you enjoy reading these books that have had such a big impact on me and my thinking.
This is a book that captured my imagination about thirty years ago. It uses New Testament scholarship to reconstruct and imagine what it might have been like to live in Judah and Galilee at the time of Jesus but never to have met him in person—hence the title the Shadow of the Galilean. It was the first book I’d come across that used scholarship to imagine what it was actually like to live then. I’ve been thinking about that book ever since and it was what inspired me to write my book.
First published in 1987 by Fortress Press, this 20th anniversary edition of this classic bestseller includes a new Afterword from the author. Here, in narrative form, is an account of the activity of Jesus of Nazareth, scrupulously constructed so that it does not undercut the insights of New Testament scholarship. What makes it different from other such attempts is that Jesus never actually appears. What we find everywhere is his shadow, his effect.
Such an approach avoids the usual pitfalls of the genre and lends this story attributed to a fictitious narrator an attraction, freshness, and power all its own.…
Given my adolescent preoccupation with fundamentalist Christianity and its fixation upon Jesus as one’s “personal savior,” it was important to me, once I discovered that some doubted the historical accuracy of the gospels, to defend them. But the more I did so, the greater my doubts became. I found my former confidence untenable, and was pretty steamed about it, but I retained my fascination with the question!
This seminal work from the 19th century remains the most eagle-eyed analysis of the four gospels.
It demonstrated the absurdity and futility of all attempts to vindicate the Jesus stories as genuine history by showing their legendary character. I have learned more about historical-critical methodology from this one book than from all others, and I have pretty much read them all.
The German theologian David Friedrich Strauss (1808-1874) published his highly controversial The Life of Jesus in three volumes between 1835 and 1836. This translation, by George Eliot, is based on the fourth German edition (1840). In this work Strauss applied strict historical method to the New Testament gospel narratives and caused scandal across the Protestant world by concluding that all miraculous elements were mythical and ahistorical. Volume 3 applies modern historical criticism to 'de-mythologize' the narratives of the transfiguration, Jesus' final journey into Jerusalem, the passion, the death, and the resurrection; and investigates the historicity of Jesus' enemies. The volume…
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