Here are 100 books that Under the Net fans have personally recommended if you like
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As a travel writer, author, broadcaster, speaker, and producer, I’ve reported from over 100 countries on 7 continents for major print and digital publications worldwide and networks like National Geographic and Travel Channel. I kicked off my career with a solo, 12-month round-the-world backpacking adventure, largely inspired by the formative books I read below. Embracing the world with insatiable curiosity, an open heart, an open mind, a sense of humour, and enthusiasm to share my stories clearly resonated. Here I am, two decades later, author of a half-dozen bestselling books that focus on my own eclectic travels, which will hopefully inspire others as these books inspired me.
A deserved, all-time classic, this book seems to transcend time to capture the spirit of wanderlust. I was young and impressionable when I read it for the first time, and it inspired a sense of profound restlessness to explore, grow, and hit the road to see for myself.
Neal Cassidy and Jack Kerouac are wild, occasionally unhinged protagonists, and their journey consists of hustling, romance, and drinking their way to a good time. Kerouac’s writing made me long for similar misadventures, where life is simple and finding the road is all that matters. Subversively, the novel promotes a full life and whole human experience, which makes working 9 to 5 that much more difficult.
The legendary novel of freedom and the search for authenticity that defined a generation, now in a striking new Pengiun Classics Deluxe Edition
Inspired by Jack Kerouac's adventures with Neal Cassady, On the Road tells the story of two friends whose cross-country road trips are a quest for meaning and true experience. Written with a mixture of sad-eyed naivete and wild ambition and imbued with Kerouac's love of America, his compassion for humanity, and his sense of language as jazz, On the Road is the quintessential American vision of freedom and hope, a book that changed American literature and changed…
I fell in love with Italy the first time I visited as a graduate student. Later, as a professor spending extended periods there with my family, I began investigating Italy’s experience of World War II. I was inspired by the diary of Iris Origo, an Anglo-American who lived in rural Tuscany. She reported of civilians bombed by Allied aircraft and strafed by machine guns from the air—even after Italy had surrendered. In my quest to understand the relations between the Allies and Italian civilians, I came upon a trove of great wartime novels, many recently back in print, and I am eager to share my enthusiasm for them.
I encountered this book backward. As a teenager growing up at the end of the US war in Vietnam, I read the Mad magazine spoof of the movie version long before I saw the movie itself, and then I read the novel. I focused on the antiwar theme and the concern of the bomber crew to get home without getting shot down.
The novel was based on Heller’s wartime experience, but I hardly realized it was about bombing Italy until I discovered the papers one of his crewmates had donated to Cornell University. I learned how many of the episodes were based on real incidents, including the only time the novel focuses on Italian civilians—when the crew objects to destroying an Italian Alpine village of no military significance.
Explosive, subversive, wild and funny, 50 years on the novel's strength is undiminished. Reading Joseph Heller's classic satire is nothing less than a rite of passage.
Set in the closing months of World War II, this is the story of a bombardier named Yossarian who is frantic and furious because thousands of people he has never met are trying to kill him. His real problem is not the enemy - it is his own army which keeps increasing the number of missions the men must fly to complete their service. If Yossarian makes any attempts to excuse himself from the…
As a troubled teen who wasn’t raised in a traditional family environment, I had always gravitated toward books with transformative characters—underdogs who were lost or lost their way by accident and on purpose.
The genre never mattered to me as much as my ability to relate to struggling protagonists who needed to escape their situation or environment, regardless of what they had to do, right or wrong. Love them or loathe them, I learned something from each of them. I hope you enjoy their journeys as much as I have.
So what if his worldview never makes sense to anyone but himself? I see Holden Caulfield as the quintessential benchmark for a bad boy, shucking off the last few days at the boarding school that expelled him to wander around Manhattan in a daze. Some readers don’t like him so much that they are personally invested in attacking him and what he represents.
But what is it that he represents, exactly? When I look beyond the surface of his false bravado, he’s a character deeply affected by the death of his brother and is setting out on a quest to understand how to be a real person in a world of phonies. Many of us, as teenagers, also have moments of feeling misunderstood and alone. I know I did, and so did Holden.
I grew up in white South Africa, a racist, philistine, authoritarian, and puritanical society. The first four books I have chosen appeared in the 1950s, and I read them in my teens. Catch-22 was published in the ‘60s, but all five heroes–or anti-heroes–of these novels were of the same generation, about ten years my senior, so they were perfectly placed to be role models. They were rebels and mavericks, and except for Yossarian, they were all would-be writers. I recognised a kinship with them and took them as my guides into adulthood. And so I left for Paris and became a writer and an anthropologist. No regrets.
Sebastian Dangerfield, a scruffy Yank studying at Trinity College Dublin under the GI Bill, loses his wife, finds a lover, and talks to himself–“In my heart where no one else can hear me.”
The book was banned for decades after publication in the 1950s, not so much for indecency (though there is that) as for sheer insolence. The Irish writer Sean O’Reilly asks: “Is there, even after all this time, something risky, illicit perhaps, about Sebastian Dangerfield whispering in your ear while your heart is bursting with laughter?"
Another 1950s anti-hero in the same gang as Holden Caulfield and Jake Donaghue. Another bad example for my guidance.
*Accompanied by unseen photographs from the Donleavy archive *Includes a poignant memoir of Gainor Crist, the man who inspired Sebastian Dangerfield, by his daughter, Mariana *The Lilliput Press will publish Donleavy's 27th book, the novel 'A Letter Marked Personal' in the spring of 2019.
Showcasing for the first time 220 of renowned author J.P. Donleavy's most intimate letters, this scrupulously edited collection throws an extraordinary light on the composition, publication and afterlife of The Ginger Man --- the genesis of a masterpiece that went on to sell 60 million copies around the world. Spanning the late 1940s to the early…
I am the author of five books, including the New Angles Prize shortlisted, Low Country, London’s Lost Rivers and Camden Town: Dreams of Another London. I write about forgotten history, lost places, and strange landscapes in London and on the coast. I have appeared on television (including PBS) and radio and have written for The Guardian and The Daily Telegraph, among others. I also write about music and theatre.
BS Johnson was a brilliant London writer who broke conventional writing apart. Albert Angelo is a powerful account of teaching in a hard Islington school in the mid-1960s.
It is also an audacious experiment in form, as narrative voices break apart and unravel, but always anchored in a London that feels both very close and very different.
Why don't you take a permanent job, Albert? You're twenty-eight now, you know," his mother remarks when he goes on his weekend duty visit home. Albert Angelo is by vocation an architect and only by economic necessity working as a substitute teacher. He had thought he was, if not dedicated, at least competent. But now, on temporary assignments in schools located in the tough neighborhoods of London, Albert feels ineffectual. He is failing as a teacher and failing to fulfill himself as an architect. And then, too, he is pained by the memory of a failed love affair. "I'm trying…
I am the author of five books, including the New Angles Prize shortlisted, Low Country, London’s Lost Rivers and Camden Town: Dreams of Another London. I write about forgotten history, lost places, and strange landscapes in London and on the coast. I have appeared on television (including PBS) and radio and have written for The Guardian and The Daily Telegraph, among others. I also write about music and theatre.
Published in 1957, this book is one of the few comic novels about London, and it is genuinely funny.
In a dead-end suburb, variety entertainment is dying a painful death in a flea-pit cinema that attracts a parade of fantastical characters, from the Falstaffian impresario Sam Yudenow to a pair of Greek caterers and bomb makers.
It makes a lost world seem both alluring and deeply unsavoury.
"One of the great comic novels of the century." - Anthony Burgess
"[A]n exuberant romp with a parcel of grotesques in a truly horrible nor'-nor'-easterly suburb of London . . . great fun." - Manchester Guardian
"Rabelaisian, vigorous, readable, inventive and bizarre." - Simon Raven
"The very best of his works." - Harlan Ellison
In the worst, poorest, most benighted corner of London is Fowlers End, one of the most godforsaken spots on the face of the earth. It is here that young Daniel Laverock, starving and nearly penniless at the height of the Great Depression, takes the only job…
I am the author of five books, including the New Angles Prize shortlisted, Low Country, London’s Lost Rivers and Camden Town: Dreams of Another London. I write about forgotten history, lost places, and strange landscapes in London and on the coast. I have appeared on television (including PBS) and radio and have written for The Guardian and The Daily Telegraph, among others. I also write about music and theatre.
In the early 1990s Soho, Robinson is a charming, possibly Satanic character who leads film editor Christo into a world of sleazy bars, drink, drugs, and general depravity.
It is the last gasp of Soho that died with the old century—the mysterious, legendary neighbourhood that London somehow revolved around. Petit makes it gleam darkly.
I am the author of five books, including the New Angles Prize shortlisted, Low Country, London’s Lost Rivers and Camden Town: Dreams of Another London. I write about forgotten history, lost places, and strange landscapes in London and on the coast. I have appeared on television (including PBS) and radio and have written for The Guardian and The Daily Telegraph, among others. I also write about music and theatre.
A tale of West London in the 1930s, Westerby brings to life a lost world of gamblers looking for mugs at the long-gone White City dog track.
Local teenager Jim teeters on the edge of the criminal underworld in a thriller woven into a London you can almost taste—teeming with life and the inevitability of death in the shadow of the coming war.
First published in 1937, Wide Boys Never Work brings the streets of pre-war London alive in the tradition of other great low-life novelists such as Gerald Kersh and James Curtis, and is a forgotten gem rich in both its snappy dialogue and vibrant prose style. This new edition from London Books comes with an introduction by the respected chronicler of the capital, Iain Sinclair, who cites Wide Boys Never Work as one of his favourite London novels.
I like books driven by characters who ride the same emotional rollercoaster as we all do in real life. Characters who love the wrong people or who lose the people they were right to love or who fail to match the norms expected by society. Characters I can empathise with, root for, and learn from. A fairytale happy ending is not necessary and can detract from the magic of a book. But I do like to be left with a feeling of hope. If a fictional character can learn to approach life more positively, then maybe I can too! This is what I try to achieve in my own books.
I have a very large ‘To Be Read’ pile and occasionally I discover a book has stagnated there for far longer than it deserves. Lost Property is one of those – I wish I’d read it and discovered the language of Helen Paris much sooner.
It’s the story of Dot Watson whose life veered off course when she lost her father and, instead of an exciting career, she makes do with working in the London Transport Lost Property Office. When a lost purse turns up, she finds her purpose and sets off on a mission.
Dot, like most of us, just needs a little help finding out who she really is.
'An enthralling read, full of rich descriptions and characters you can't help but love.' Hazel Prior
'A wonderfully rich, funny and brimming with heart book.' Beth Morrey _________________________
Dot Watson has lost her way.
Twelve years ago her life veered off course, and the guilt over what happened still haunts her. Before then she was living in Paris, forging an exciting career; now her time is spent visiting her mother's care home, fielding interfering calls from her sister and working at the London Transport Lost Property office, diligently cataloguing items as misplaced as herself.
I worked in television as a development producer for twenty years, designing game shows, reality shows, formatted documentaries, all sorts of programming. One of the prerequisites of working in telly is to watch a lot of it, and that has always been a joy for me, as I love the medium. Even after I left the profession to become an author, I’ve retained my passion for the small screen and write a regular blog on what I’m watching. So, for me, a combination of books and television is something to be savored and celebrated.
Lizzy Dent’s books nail that winning combination of funny and heartfelt. I loved Lizzy’s debut, The Summer Job, as it’s such a great mix of witty and audacious, but full of warmth too.
This book, her latest, has the same ingredients: an outrageous opening, a luscious romance, and a thorny workplace situation. Her prose is sharp, the jokes keep coming, and her characters are people you want to hang out with. Plus, the revenge really is sweet…
“I love, love, love Lizzy Dent.”—Emily Henry, author of People We Meet on Vacation and Happy Place
Bridesmaids meets Emily in Paris—in London—in this hilarious and heartfelt story of one handsome neighbor, one no-good ex, and the summer Amy Duffy makes the comeback of her life.
Her past is a mess. But her present is about to get delicious.
Amy is more than one disastrous night of drunken revenge on her boss/ex-boyfriend’s Audi—the night that tanked her rising TV producer career and led to a hasty move to London for a fresh start. She is thirty years of awesomeness. At…
