Here are 100 books that Robinson fans have personally recommended if you like
Robinson.
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I am the author of five books, including the New Angles Prize shortlisted, Low Country, London’s Lost Rivers and Camden Town: Dreams of Another London. I write about forgotten history, lost places, and strange landscapes in London and on the coast. I have appeared on television (including PBS) and radio and have written for The Guardian and The Daily Telegraph, among others. I also write about music and theatre.
Iris Murdoch’s first novel makes the pubs of 1950s London key characters as a down-at-heel writer roams the city from a shabby Earl’s Court base, trying to square philosophy, political ideas, and reality.
It brings to life a London where people without money could live in the center, and social life was all about who you ran into. This was a place that was still as much a village as a global city.
Iris Murdoch's debut-a comic novel about work and love, wealth and fame
Jake Donaghue, garrulous artist, meets Hugo Bellfounder, silent philosopher.
Jake, hack writer and sponger, now penniless flat-hunter, seeks out an old girlfriend, Anna Quentin, and her glamorous actress sister, Sadie. He resumes acquaintance with the formidable Hugo, whose 'philosophy' he once presumptuously dared to interpret. These meetings involve Jake and his eccentric servant-companion, Finn, in a series of adventures that include the kidnapping of a film-star dog and a political riot on a film set of ancient Rome. Jake, fascinated, longs to learn Hugo's secret. Perhaps Hugo's secret…
I am the author of five books, including the New Angles Prize shortlisted, Low Country, London’s Lost Rivers and Camden Town: Dreams of Another London. I write about forgotten history, lost places, and strange landscapes in London and on the coast. I have appeared on television (including PBS) and radio and have written for The Guardian and The Daily Telegraph, among others. I also write about music and theatre.
BS Johnson was a brilliant London writer who broke conventional writing apart. Albert Angelo is a powerful account of teaching in a hard Islington school in the mid-1960s.
It is also an audacious experiment in form, as narrative voices break apart and unravel, but always anchored in a London that feels both very close and very different.
Why don't you take a permanent job, Albert? You're twenty-eight now, you know," his mother remarks when he goes on his weekend duty visit home. Albert Angelo is by vocation an architect and only by economic necessity working as a substitute teacher. He had thought he was, if not dedicated, at least competent. But now, on temporary assignments in schools located in the tough neighborhoods of London, Albert feels ineffectual. He is failing as a teacher and failing to fulfill himself as an architect. And then, too, he is pained by the memory of a failed love affair. "I'm trying…
I am the author of five books, including the New Angles Prize shortlisted, Low Country, London’s Lost Rivers and Camden Town: Dreams of Another London. I write about forgotten history, lost places, and strange landscapes in London and on the coast. I have appeared on television (including PBS) and radio and have written for The Guardian and The Daily Telegraph, among others. I also write about music and theatre.
Published in 1957, this book is one of the few comic novels about London, and it is genuinely funny.
In a dead-end suburb, variety entertainment is dying a painful death in a flea-pit cinema that attracts a parade of fantastical characters, from the Falstaffian impresario Sam Yudenow to a pair of Greek caterers and bomb makers.
It makes a lost world seem both alluring and deeply unsavoury.
"One of the great comic novels of the century." - Anthony Burgess
"[A]n exuberant romp with a parcel of grotesques in a truly horrible nor'-nor'-easterly suburb of London . . . great fun." - Manchester Guardian
"Rabelaisian, vigorous, readable, inventive and bizarre." - Simon Raven
"The very best of his works." - Harlan Ellison
In the worst, poorest, most benighted corner of London is Fowlers End, one of the most godforsaken spots on the face of the earth. It is here that young Daniel Laverock, starving and nearly penniless at the height of the Great Depression, takes the only job…
I am the author of five books, including the New Angles Prize shortlisted, Low Country, London’s Lost Rivers and Camden Town: Dreams of Another London. I write about forgotten history, lost places, and strange landscapes in London and on the coast. I have appeared on television (including PBS) and radio and have written for The Guardian and The Daily Telegraph, among others. I also write about music and theatre.
A tale of West London in the 1930s, Westerby brings to life a lost world of gamblers looking for mugs at the long-gone White City dog track.
Local teenager Jim teeters on the edge of the criminal underworld in a thriller woven into a London you can almost taste—teeming with life and the inevitability of death in the shadow of the coming war.
First published in 1937, Wide Boys Never Work brings the streets of pre-war London alive in the tradition of other great low-life novelists such as Gerald Kersh and James Curtis, and is a forgotten gem rich in both its snappy dialogue and vibrant prose style. This new edition from London Books comes with an introduction by the respected chronicler of the capital, Iain Sinclair, who cites Wide Boys Never Work as one of his favourite London novels.
I’m a woman. Laughing, crying, and swooning are all things I know intimately—sometimes heart-achingly. I’m living my life with my heart open, learning to be unashamedly me. That means I love, sometimes recklessly. That meant I hurt, sometimes more than anyone could know. And that means I swoon, not only for romance but also for the beauty of this “wild and precious life.” My recommended novels take you through all the feels. My own novels use my roots in Nashville, TN. Family and music are key. But more than that, my books are about learning to love yourself. I’ve learned personally that that’s the true happily ever after.
Beautiful Player is my go-to steamy, fun reread. I love Will and Hanna’s quick-witted love story. I
love that Hanna is a brilliant chemistry grad student. I love that part of the narrative is her opening
up to her sensuality, not being afraid of it. And I love sexy Will and how hard he falls for his
protégé!
Christina Lauren was my gateway into romance. While I have read all of their Beautiful Series,
this one stands out as my favorite. Intelligent, driven main characters who go running together?
Plenty of steam? A woman owning her value as a scientist and lover? Yes, yes, yes please!
When Hanna "Ziggy" Bergstrom moves to New York City for graduate school, Will Sumner thinks his responsibilities to his best friend's nerdy little sister will be limited to the occasional dinner and check-in. Little does he know that Ziggy is ready to break out of her bookworm academic shell and move more into bombshell territory. Of course she figures the gorgeous womanizing venture capitalist Will is the best person to help mentor her in this new field of study: dating.
Will takes on the challenge with more than a healthy dose of scepticism and humour, but soon finds that Ziggy…
I can't be the only one to see men with power manipulate their status to hold back others. This isn’t just a Hollywood thing. A Sunday supplement piece by a young gay actor about his troubled life with a leading director struck a chord. Fate led me to him, and he connected me with others who shared off-the-record stories of exploitation and ambition. I wanted to tell these tales but not launch yet another bad news book into an already battered world. I aimed to create something accessible and engaging, darkly funny while shining a light on Hollywood's underbelly.
I’ve spoken to people who really couldn’t get into this book, and I consider them somewhat deranged. It’s a rollicking good read, and maybe it helped that I enjoyed the author reading the story, which added to my enjoyment. I’ll go out on a limb and suggest very few authors make great audiobook performers. Mortimer absolutely does, getting the voice of the squirrel spot on.
There’s a strange and convoluted plot set in the not-terribly-underworld of London. A brilliant neighbor part for Kathy Burke should Mortimer ever be fielding Netflix offers. It’s a book you’ll read in days, not weeks. Fast-paced and has me on edge for part two–out in August.
*WINNER OF THE BOLLINGER EVERYMAN WODEHOUSE PRIZE FOR COMIC FICTION 2023*
THE SUNDAY TIMES BESTSELLER
'Funny, clever and sweet'- Sunday Times
'The much loved comic proves adept at noirish fiction in a debut whose surrealist humour sets it apart' - Observer
My name is Gary. I'm a thirty-year-old legal assistant with a firm of solicitors in London. To describe me as anonymous would be unfair but to notice me other than in passing would be a rarity. I did make a good connection with a girl, but that blew up in my face and smacked my arse with a fish…
I am a voracious reader of romantic fiction, and I’m always drawn in by books where time plays an important role. I love it when the characters have limited time and are on a countdown, or time is stretched out between their interactions, or when one single moment changes the course of their lives so completely. It always adds so much conflict and drama to a plot, as if time is a character in itself: it’s such a big thing in all our lives, but it’s also, in some respects, completely arbitrary. I love all these books because time and timing have such a big impact on the characters.
I felt every single emotion reading this book and felt as if I’d lived all the decades with Jen and Nick, who met as teenagers and soon became friends.
I love Sarra’s writing style, and I was fully invested in Jen and Nick from the very beginning, and found their complicated, messy relationship, which follows the most winding path, completely believable.
There was so much in this book that was unexpected, and by the end, I was a sobbing puddle of feelings. I know Jen and Nick will always stay with me, and I’m already looking forward to reading it again.
'A VERY special book. GORGEOUS, real believable and BEAUTIFUL' - Marian Keyes
London. Nine million people. Two hundred and seventy tube stations. Every day, thousands of chance encounters, first dates, goodbyes and happy ever afters.
And for twenty years it's been where one man and one woman can never get their timing right.
Jennifer and Nick meet as teenagers and over the next two decades, they fall in and out of love with each other. Sometimes they start kissing. Sometimes they're just friends. Sometimes they stop speaking, but they always find their way back to each other.
I’m passionate about this because I write romantasy too, and so do many other wonderful authors. Sarah J. Maas is a legend in the Romantasy genre, and she’s prolific, so there’s a lot to read with her various series. But, if you’ve finished with her books and are looking for more, there are plenty of authors out there doing amazing, spine-tingling, dare I say loin-tingling work, and we should celebrate them. Besides, no matter how prolific Ms. Maas is, readers will always finish books faster than even she can write them.
I loved the main character, the beautifully named Saffron Everleigh. She’s a woman in 1923 London, trying to make her way in academia at a time when women weren’t usually allowed in the doors.
Her scientific interests and studies in botany come in handy when she attends a dinner party for the school, and a professor’s wife drops to the floor, poisoned by an unknown substance. Working with the equally passionate, ahem, Alexander Ashton, a fellow researcher, Saffron must investigate the murder or wind up next on the murderer's list. There are two more books in this series, so we are lucky to spend more time with our plucky heroine.
The Lost Apothecary meets Dead Dead Girls in this fast-paced, STEMinist adventure.
Debut author Kate Khavari deftly entwines a pulse-pounding mystery with the struggles of a woman in a male-dominated field in 1923 London.
Newly minted research assistant Saffron Everleigh is determined to blaze a new trail at the University College London, but with her colleagues’ beliefs about women’s academic inabilities and not so subtle hints that her deceased father’s reputation paved her way into the botany department, she feels stymied at every turn.
When she attends a dinner party for the school, she expects to engage in conversations about…
Throughout my teenage and early adult years, I experienced episodes of mental illness. Thankfully, it seems to be behind me, but it's not something I’ll ever forget, and I find myself deeply intrigued by the manifestations of those darker aspects in others. Some people hurt themselves and some hurt others, the common thread is the presence of pain and suffering. As heartrending as this reality is, it holds a certain fascination for me, both in real life and in literature. That’s why I write about it; that’s why I read about it.
I recommend this book because, to me, it is unique–I’ve never read a book like it. It’s an interesting plot, end-of-the-world stuff, with some very unlikeable, low-life characters. It’s set in a very dark version of London that I know and love, in a pub environment similar to the one that I grew up in.
There is murder on the cards throughout the story, but the author still manages to squeeze in some humor. It’s just a different style of writing that I think people should give a try.
London Fields is Amis's murder story for the end of the millennium—"a comic murder mystery, an apocalyptic satire, a scatological meditation on love and death" (The New York Times).
The murderee is Nicola Six, a "black hole" of sex and self-loathing intent on orchestrating her own extinction. The murderer may be Keith Talent, a violent lowlife whose only passions are pornography and darts. Or is the killer the rich, honorable, and dimly romantic Guy Clinch?
Here, Amis is "by turns lyrical and obscene, colloquial and rhapsodic." —Michiko Kakutani
I’ve been a journalist for years, and to write my first book, I ended up doing a ton of original research and reporting about photography, fashion, the art world, and the magazine industry in midcentury New York. But certain passages in the twins’ interviews reminded me strongly of many books I’d read growing up, that address the challenges young women face as they confront choices in life. And their story, with its wild and colorful characters, begged to be structured like a novel. It also took place when American society was changing dramatically for women, as it is today. So, I kept books like these in mind while writing.
To me, this slim novel is perfect, and perfectly constructed.
The narrator spends it obsessing over a single question–why did my sister marry an older, wealthy, boring man?–and doesn’t figure out the answer till the end. And in retrospect, it’s obvious. Meanwhile she also mulls over the options for young women circa the early 1960s in an England that’s transforming dramatically: Do I marry? Stay single? Let my life drift?
My parents bought the Penguin paperback when we lived in London in the late 1960s for a year, when the city was really swinging. I began reading it at 10 and was transfixed by the glimpse it offered into adulthood, and I have re-read the same paperback many times since.
Two sisters: beautiful, sophisticated Louise and attractive, witty and intelligent Sarah who has always felt left behind. Then Louise marries the wealthy but unappealing novelist Stephen Halifax, and Sarah, recently graduated from Oxford, is thrown back into family affairs. As Louise enters a high-profile world of glamour, parties and gossip columns, Sarah, drifting in London with her degree and new-found freedom, is only allowed glimpses into this new alien life. However, as the cracks begin to show in Louise's marriage and rumours of infidelity spread, Sarah discovers that, beneath her cool exterior, her sister is not quite the person she…
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