100 books like The Satsuma Complex

Is this a cozy mystery? I’m saying yes, but honestly, it’s so good I’d squeeze it into any genre just so I can talk about it. It has a crime, a small community, a couple of bumbling policemen, a locked room, a bunch of people trying, amateurishly, to solve a crime, and a lot of ‘keep the reader guessing’ elements.

So far, so cozy. It also has a lot of anxious people and explores their unhappy and complicated lives in a hilarious, satirical tone. It is also just a little bit sad, as well as funny and happy, so, all right, it probably isn’t really a cozy mystery, but it’s been one of the best listens on my audiobook library so far this year–I’ve already listened to it twice in 2024, and it’s only July.

After 608 days, Maggie is single again and almost 30–two things that give cause for concern and reflection. Thankfully, Maggie takes no blame for either thing happening and plows on, determined to find the pearl in the gritty oyster her life has become.

I laughed, but I also found myself filled with sad recognition of how we all too often set goals we’ll never score, only to find that halfway home is where the heart is.

The Trope: The Unknown Threat

Lisa Jewell is a master of psychological suspense, and I felt this was one of her best. I love true crime podcasts, so using a podcaster as a protagonist and having clips from her show in the story added a layer of reality to the fiction. 

The main character meets a woman with the same birthday as her while out celebrating. She decides to do a podcast series around the theme of birthday twins—an innocent, even fun beginning to a story that becomes anything but. For much of the book, the main character knew something was very, very wrong but had no idea where the menace was coming from. It made me squirm—in a good way. I couldn’t put it down.

Reading this book is like re-experiencing your worst breakup in the most winning way. Andy is going through it. His girlfriend, Jen, has broken up with him for reasons he STILL can’t understand, and he’s now spending his days drinking at the bar and calling up exes, which… who among us hasn’t?

I absolutely love how romantic this book about getting over a relationship feels. The audiobook is utterly charming and often laugh-out-loud funny as Andy drinks too much, tries on several new lifestyles, and pines over Jen. Eventually, the whole book is flipped on its head when you get the breakup from Jen’s point of view. And yes, Andy can feel like a real jackass, but that adds to the realism without his narration ever feeling grating.

I felt every single emotion reading this book and felt as if I’d lived all the decades with Jen and Nick, who met as teenagers and soon became friends.

I love Sarra’s writing style, and I was fully invested in Jen and Nick from the very beginning, and found their complicated, messy relationship, which follows the most winding path, completely believable.

There was so much in this book that was unexpected, and by the end, I was a sobbing puddle of feelings. I know Jen and Nick will always stay with me, and I’m already looking forward to reading it again. 

I loved the main character, the beautifully named Saffron Everleigh. She’s a woman in 1923 London, trying to make her way in academia at a time when women weren’t usually allowed in the doors.

Her scientific interests and studies in botany come in handy when she attends a dinner party for the school, and a professor’s wife drops to the floor, poisoned by an unknown substance. Working with the equally passionate, ahem, Alexander Ashton, a fellow researcher, Saffron must investigate the murder or wind up next on the murderer's list. There are two more books in this series, so we are lucky to spend more time with our plucky heroine.

Years ago, I discovered Miss Seeton in a well-worn paperback at a used book sale and I absolutely fell in love with this charming retired art teacher with the uncanny knack of drawing the truth from the most devious situations with her charcoal pencils and art pad.

In Witch Miss Seeton, this seemingly naïve little old lady steps into the world of modern witch’s covens to solve a mystery too convoluted for Scotland Yard. I love the humor, the depth of character, and the whimsy that fill the book. Miss Seeton’s regular yoga routine, which keeps her agile in her golden years, inspired my own exercise regimen.

Although out-of-print for many years, the books have been recently released in digital and audio formats, making this thoroughly entertaining series available to a new generation of readers.

I love books that tackle less common characters and taboo subjects. In this case, it’s the usually overlooked ‘woman of a certain age’ and menopause. In this case, Eliza has ‘had enough’ and wants to rediscover what life has to offer—something a lot of us can relate to! It’s laugh-out-loud funny, full of drama and wisdom, and people of every age and gender should read it. 

To me, this slim novel is perfect, and perfectly constructed.

The narrator spends it obsessing over a single question–why did my sister marry an older, wealthy, boring man?–and doesn’t figure out the answer till the end. And in retrospect, it’s obvious. Meanwhile she also mulls over the options for young women circa the early 1960s in an England that’s transforming dramatically: Do I marry? Stay single? Let my life drift?

My parents bought the Penguin paperback when we lived in London in the late 1960s for a year, when the city was really swinging. I began reading it at 10 and was transfixed by the glimpse it offered into adulthood, and I have re-read the same paperback many times since.

This is one of my favorite books of all time! Kadish adeptly intertwines the story of Ester in 1660s London with that of two modern academics, the soon-to-retire Helen and the grad student Aaron. As they research a treasure trove of papers they have received, they slowly learn of Ester’s astonishing story.

Academic success is not all that is at stake in the lives of Helen and Aaron, and we carefully follow their trials, too. Kadish wrote an article for the Paris Review in 2018 called “Writing the Lives of Forgotten Women,” which I often think of when creating my own characters.