Here are 100 books that Witch Miss Seeton fans have personally recommended if you like
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During a time of turmoil in my life, I discovered the soul-calming world of the cozy when I happened upon the Thrush Green series by Miss Read (Doris Saint). A former fan of thrillers, my time spent in these rural British villages was a revelation. Who knew how peaceful the mundane could be when seasoned with a pinch of humor and common sense? I expanded my reading to include cozy mysteries like the ones I’ve recommended. Having reached the age of many of the ladies in these books, I appreciate even more their determination to continue to make a difference by using their unique experiences and skills.
What could be more unexpected than for a New Jersey widow in her sixties to become a CIA agent? Especially during the Cold War era?
Perhaps it is this unexpected nature of the circumstances that helps this incurable optimist to turn every near disaster into a triumph of good over evil. I love Mrs. P.’s indomitable spirit and seeing all the far-flung places her adventures take her through her eyes. Having lived through the 1960’s, I can relate to the authentic attitudes of the time.
Mrs Emily Pollifax is a 60-ish widow wanting more from life than teas and garden club meetings. In search of adventure, she decides to offer her services to the CIA - who, after all, would spot a suburban grandmother as a cold war secret agent? - and adventure she finds. Her first assignment, in Mexico City, doesn't sound dangerous until something goes wrong. She suddenly finds herself abducted across the world, embroiled in quite a hot Cold War... and her abductors find themselves entangled with one unbelievably feisty lady. Armed with only an open mind and a little karate, Mrs…
I started reading mysteries as a way to avoid studying for final exams as an undergrad. Nemesis by Agatha Christie was my gateway mystery. That was fifty-plus years and many, many mysteries read ago. I managed an independent bookstore for several years and then worked in a public library for twenty more. I especially liked introducing readers to my favorite mysteries in the store and the library. Why mysteries in particular? Because they do something that doesn’t often happen in real life—they restore order. But the best mysteries, to my mind, are the ones that include humor. We need humor in our lives because it restores hope.
Now I’m torn. Agnes Sharp and her housemates are delightful, but a friend of mine tells me that I am Joyce in this book. This series is one of the best I’ve read in the past few years, and this book is one of the best ones in the series.
I’ll gladly join septuagenarians Elizabeth (could she have worked for Scotland Yard?), Ibrahim (a psychologist), Ron (a brawling socialist organizer), and Joyce (gentle and perhaps not as naïve as she seems) at their posh retirement village as they discuss unsolved crimes each Thursday. And I’m definitely there to solve the murder of that local developer. No way the villain will get away from this brilliant gang of sleuths.
A New York Times bestseller | Soon to be a major motion picture from Steven Spielberg at Amblin Entertainment
"Witty, endearing and greatly entertaining." -Wall Street Journal
"Don't trust anyone, including the four septuagenarian sleuths in Osman's own laugh-out-loud whodunit." -Parade
Four septuagenarians with a few tricks up their sleeves A female cop with her first big case A brutal murder Welcome to... THE THURSDAY MURDER CLUB
In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club.
During a time of turmoil in my life, I discovered the soul-calming world of the cozy when I happened upon the Thrush Green series by Miss Read (Doris Saint). A former fan of thrillers, my time spent in these rural British villages was a revelation. Who knew how peaceful the mundane could be when seasoned with a pinch of humor and common sense? I expanded my reading to include cozy mysteries like the ones I’ve recommended. Having reached the age of many of the ladies in these books, I appreciate even more their determination to continue to make a difference by using their unique experiences and skills.
I hadn’t read any of Thorogood’s books before this one, but from its description, I thought it might just be my cup of tea. As soon as Judith, the elderly, cryptic-crossword-compiling sleuth, plunged starkers into the river for her daily swim, I knew I was onto a winner.
I love the way the mystery plays out with some totally unexpected twists and turns. Judith’s quirky companions in detective work are not the stereotypical sidekicks found in many novels of this genre but are fleshed out with their own distinct characters and motivations. I got the impression that they had lives of their own, not simply existing as plot devices or comic relief.
This is the second book of a series, so now I need to go back and read the first book before plunging into the rest. I can see many hours of happy reading in my future.
Judith, Suzie and Becks return in the brilliant second crime novel in the Marlow Murder Club series, from the creator of the hit TV series, Death in Paradise.
'I love Robert Thorogood's writing' Peter James 'Lots of laughs, a quick pace and an easy read to escape into' Glamour
'Cosy crime at its best' Crime Monthly 'Satisfying locked-room mystery' Saga 'Cleverly plotted and laugh-out-loud funny' Yours magazine 'The perfect cosy crime to curl up with' Heat
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It's been an enjoyable and murder-free time for Judith, Suzie and Becks - AKA the Marlow Murder Club - since the…
During a time of turmoil in my life, I discovered the soul-calming world of the cozy when I happened upon the Thrush Green series by Miss Read (Doris Saint). A former fan of thrillers, my time spent in these rural British villages was a revelation. Who knew how peaceful the mundane could be when seasoned with a pinch of humor and common sense? I expanded my reading to include cozy mysteries like the ones I’ve recommended. Having reached the age of many of the ladies in these books, I appreciate even more their determination to continue to make a difference by using their unique experiences and skills.
What I love about this book, and the entire Mrs. Pargeter series, is the delicious way Mrs. Pargeter tiptoes around “strictly legal” in the pursuit of what is right and good. Thanks to the faithful friends and loyal former associates of her late husband (whose own career doesn’t bear scrutiny), she is free to exercise her insatiable curiosity about whatever is going on around her.
In this book, it is a feeling that something is a bit off in her new neighborhood that leads to another fun story. I feel a kinship with her refusal to fit herself into the approved “little old lady” mold and continue to seek out new experiences. Because of her late husband’s love and admiration for her, Mrs. Pargeter feels secure and comfortable in her own skin. I appreciate the touch of naughtiness in her make-up, which can lead to unexpected and entertaining adventures.
The second crime novel featuring Mrs Melita Pargeter in which she investigates the bizarre disappearance of the former occupants of her home. It seems they may have vanished permanently. Simon Brett is former Producer of Light Entertainment for BBC Radio and for LWT. He is also author of "A Nice Class of Corpse" which also features Mrs Melita Pargeter.
I’m passionate about this because I write romantasy too, and so do many other wonderful authors. Sarah J. Maas is a legend in the Romantasy genre, and she’s prolific, so there’s a lot to read with her various series. But, if you’ve finished with her books and are looking for more, there are plenty of authors out there doing amazing, spine-tingling, dare I say loin-tingling work, and we should celebrate them. Besides, no matter how prolific Ms. Maas is, readers will always finish books faster than even she can write them.
I loved the main character, the beautifully named Saffron Everleigh. She’s a woman in 1923 London, trying to make her way in academia at a time when women weren’t usually allowed in the doors.
Her scientific interests and studies in botany come in handy when she attends a dinner party for the school, and a professor’s wife drops to the floor, poisoned by an unknown substance. Working with the equally passionate, ahem, Alexander Ashton, a fellow researcher, Saffron must investigate the murder or wind up next on the murderer's list. There are two more books in this series, so we are lucky to spend more time with our plucky heroine.
The Lost Apothecary meets Dead Dead Girls in this fast-paced, STEMinist adventure.
Debut author Kate Khavari deftly entwines a pulse-pounding mystery with the struggles of a woman in a male-dominated field in 1923 London.
Newly minted research assistant Saffron Everleigh is determined to blaze a new trail at the University College London, but with her colleagues’ beliefs about women’s academic inabilities and not so subtle hints that her deceased father’s reputation paved her way into the botany department, she feels stymied at every turn.
When she attends a dinner party for the school, she expects to engage in conversations about…
I am a voracious reader of romantic fiction, and I’m always drawn in by books where time plays an important role. I love it when the characters have limited time and are on a countdown, or time is stretched out between their interactions, or when one single moment changes the course of their lives so completely. It always adds so much conflict and drama to a plot, as if time is a character in itself: it’s such a big thing in all our lives, but it’s also, in some respects, completely arbitrary. I love all these books because time and timing have such a big impact on the characters.
I felt every single emotion reading this book and felt as if I’d lived all the decades with Jen and Nick, who met as teenagers and soon became friends.
I love Sarra’s writing style, and I was fully invested in Jen and Nick from the very beginning, and found their complicated, messy relationship, which follows the most winding path, completely believable.
There was so much in this book that was unexpected, and by the end, I was a sobbing puddle of feelings. I know Jen and Nick will always stay with me, and I’m already looking forward to reading it again.
'A VERY special book. GORGEOUS, real believable and BEAUTIFUL' - Marian Keyes
London. Nine million people. Two hundred and seventy tube stations. Every day, thousands of chance encounters, first dates, goodbyes and happy ever afters.
And for twenty years it's been where one man and one woman can never get their timing right.
Jennifer and Nick meet as teenagers and over the next two decades, they fall in and out of love with each other. Sometimes they start kissing. Sometimes they're just friends. Sometimes they stop speaking, but they always find their way back to each other.
I can't be the only one to see men with power manipulate their status to hold back others. This isn’t just a Hollywood thing. A Sunday supplement piece by a young gay actor about his troubled life with a leading director struck a chord. Fate led me to him, and he connected me with others who shared off-the-record stories of exploitation and ambition. I wanted to tell these tales but not launch yet another bad news book into an already battered world. I aimed to create something accessible and engaging, darkly funny while shining a light on Hollywood's underbelly.
I’ve spoken to people who really couldn’t get into this book, and I consider them somewhat deranged. It’s a rollicking good read, and maybe it helped that I enjoyed the author reading the story, which added to my enjoyment. I’ll go out on a limb and suggest very few authors make great audiobook performers. Mortimer absolutely does, getting the voice of the squirrel spot on.
There’s a strange and convoluted plot set in the not-terribly-underworld of London. A brilliant neighbor part for Kathy Burke should Mortimer ever be fielding Netflix offers. It’s a book you’ll read in days, not weeks. Fast-paced and has me on edge for part two–out in August.
*WINNER OF THE BOLLINGER EVERYMAN WODEHOUSE PRIZE FOR COMIC FICTION 2023*
THE SUNDAY TIMES BESTSELLER
'Funny, clever and sweet'- Sunday Times
'The much loved comic proves adept at noirish fiction in a debut whose surrealist humour sets it apart' - Observer
My name is Gary. I'm a thirty-year-old legal assistant with a firm of solicitors in London. To describe me as anonymous would be unfair but to notice me other than in passing would be a rarity. I did make a good connection with a girl, but that blew up in my face and smacked my arse with a fish…
As a reader, I’ve always been attracted to novels that are character-driven, filling my shelves with books about people who seize the day and fight for what they want, who are interesting, relatable, and flawed but who don’t let those flaws define them. As a writer, I like to put my own flawed characters in situations that force them to face who they are and either come to terms with it or overturn themselves and their lives entirely, and all the novels I’ve listed have a hint of this, too. I hope you enjoy them!
I love books that tackle less common characters and taboo subjects. In this case, it’s the usually overlooked ‘woman of a certain age’ and menopause. In this case, Eliza has ‘had enough’ and wants to rediscover what life has to offer—something a lot of us can relate to! It’s laugh-out-loud funny, full of drama and wisdom, and people of every age and gender should read it.
'Made me laugh and flinch in equal measure' Sophie Kinsella
Eliza is angry. Very angry, and very, very hot.
Late for work and dodging traffic, she's still reeling from the latest row with husband Paddy. Twenty-something years ago, their eyes met over the class divide in oh-so-cool Britpop London, but while Paddy now seems content filling his downtime with canal boats and cricket, Eliza craves the freedom and excitement of her youth. Fifty sounds dangerously close to pensionable: her woke children want to cancel her, a male motorist has just called her a 'mad old bat' and to cap it…
Throughout my teenage and early adult years, I experienced episodes of mental illness. Thankfully, it seems to be behind me, but it's not something I’ll ever forget, and I find myself deeply intrigued by the manifestations of those darker aspects in others. Some people hurt themselves and some hurt others, the common thread is the presence of pain and suffering. As heartrending as this reality is, it holds a certain fascination for me, both in real life and in literature. That’s why I write about it; that’s why I read about it.
I recommend this book because, to me, it is unique–I’ve never read a book like it. It’s an interesting plot, end-of-the-world stuff, with some very unlikeable, low-life characters. It’s set in a very dark version of London that I know and love, in a pub environment similar to the one that I grew up in.
There is murder on the cards throughout the story, but the author still manages to squeeze in some humor. It’s just a different style of writing that I think people should give a try.
London Fields is Amis's murder story for the end of the millennium—"a comic murder mystery, an apocalyptic satire, a scatological meditation on love and death" (The New York Times).
The murderee is Nicola Six, a "black hole" of sex and self-loathing intent on orchestrating her own extinction. The murderer may be Keith Talent, a violent lowlife whose only passions are pornography and darts. Or is the killer the rich, honorable, and dimly romantic Guy Clinch?
Here, Amis is "by turns lyrical and obscene, colloquial and rhapsodic." —Michiko Kakutani
I’ve been a journalist for years, and to write my first book, I ended up doing a ton of original research and reporting about photography, fashion, the art world, and the magazine industry in midcentury New York. But certain passages in the twins’ interviews reminded me strongly of many books I’d read growing up, that address the challenges young women face as they confront choices in life. And their story, with its wild and colorful characters, begged to be structured like a novel. It also took place when American society was changing dramatically for women, as it is today. So, I kept books like these in mind while writing.
To me, this slim novel is perfect, and perfectly constructed.
The narrator spends it obsessing over a single question–why did my sister marry an older, wealthy, boring man?–and doesn’t figure out the answer till the end. And in retrospect, it’s obvious. Meanwhile she also mulls over the options for young women circa the early 1960s in an England that’s transforming dramatically: Do I marry? Stay single? Let my life drift?
My parents bought the Penguin paperback when we lived in London in the late 1960s for a year, when the city was really swinging. I began reading it at 10 and was transfixed by the glimpse it offered into adulthood, and I have re-read the same paperback many times since.
Two sisters: beautiful, sophisticated Louise and attractive, witty and intelligent Sarah who has always felt left behind. Then Louise marries the wealthy but unappealing novelist Stephen Halifax, and Sarah, recently graduated from Oxford, is thrown back into family affairs. As Louise enters a high-profile world of glamour, parties and gossip columns, Sarah, drifting in London with her degree and new-found freedom, is only allowed glimpses into this new alien life. However, as the cracks begin to show in Louise's marriage and rumours of infidelity spread, Sarah discovers that, beneath her cool exterior, her sister is not quite the person she…
