Here are 100 books that The Betrothed fans have personally recommended if you like
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Decades ago, I fell madly, gladly, and giddily in love with Italian. This passion inspired La Bella Lingua: My Love Affair with the World’s Most Enchanting Language, which became a New York Times best-seller and won an Italian knighthood for my contributions to promoting Italy’s language. Intrigued by the world’s most famous portrait, I wrote Mona Lisa: A Life Discovered, an Amazon Best Book of the Year, translated into seven languages. My most recent journeys through Italian culture are La Passione: How Italy Seduced the World and ‘A’ Is for Amore, an e-book written during the pandemic and available free on my website.
During a plague that killed a quarter of Florence’s citizens, Boccaccio crafted an exuberant, entertaining, death-defying work of literature. In this book, seven young women and three young men taking refuge in a country villa swap 100 tales of love, lust, mischief, and treachery.
I read a translation of The Decameron during a sabbatical in Italy and was swept back in time. In every village, I’d look around a piazza and see characters straight from its pages: wily merchants, corrupt politicians, clever wives, henpecked husbands, bumbling fools. This book still resonates in the 21st century—a tribute to Boccaccio’s skill as a spell-weaver. Some of his stories are shamelessly, laughably bawdy. But all remind us that, even as everything changes, our shared humanity remains the same.
In the summer of 1348, as the Black Death ravages their city, ten young Florentines take refuge in the countryside...
Taken from the Greek, meaning 'ten-day event', Boccaccio's Decameron sees his characters amuse themselves by each telling a story a day, for the ten days of their confinement - a hundred stories of love and adventure, life and death, and surprising twists of fate. Less preoccupied with abstract concepts of morality or religion than earthly values, the tales range from the bawdy Peronella, hiding her lover in a tub, to Ser Cepperallo, who, despite his unholy effrontery, becomes a Saint.…
I’ve always been fascinated by the strangeness of human character when tested to the limit by overwhelming catastrophe. I’ve always wanted to write a story that brings into stark relief the courage, fear, ambition, tragedy, absurdity, and the ecstatic. In other words, a disaster. And if character is destiny, then an apocalypse maybe the best way to show us who we really are and where we’re going. My debut novel, Delirium focuses on these extremes of character. And after writing it I reached one indelible conclusion: that the human being is the most disturbed creature, but also the most hopeful.
I enjoyed reading this book both as a historical artefact of the 17th century but also because Defoe’s plain, matter-of-fact style makes all the chaos, the shrieking, the death carts, families locked in their houses, health certificates, the delirium, the fear of coming too close, the paranoia, the panic and the madness that surrounds the narrator all the more disturbing.
He is a witness whose curiosity far outweighs his fear. But there’s also the Defoe-like sense of adventure when for instance a group of three escape London and shift for themselves in a countryside whose towns and villages are hostile to strangers. Instructive, disquieting, gripping, indelible.
This retained its curiosity value even on a second reading. A great little book.
The haunting cry of "Bring out your dead!" by a bell-ringing collector of 17th-century plague victims has filled readers across the centuries with cold terror. The chilling cry survives in historical consciousness largely as a result of this classic 1722 account of the epidemic of bubonic plague — known as the Black Death — that ravaged England in 1664–1665. Actually written nearly 60 years later by Daniel Defoe, the Journal is narrated by a Londoner named "H. F.," who allegedly lived through the devastating effects of the pestilence and produced this eye witness account. Drawing on his considerable talents as…
Although I come from a family with a number of medical professionals, I am not one myself. My interest in medical thrillers is a three-strand braid that combines my learning and experiences in the fields of sociology, literature, and storytelling. Horrific as the stories on this list are, they share both a hopefulness that mankind is capable of overcoming whatever challenge nature presents, or they themselves conjure and a warning to get ourselves right before the next one comes along. At a time when it is tempting to despair over the human condition, I hope these books inspire your faith in mankind’s resourcefulness and ability to endure.
I especially love this novel as Camus applies his background in existential philosophy to elevate the medical thriller genre into the realm of the metaphysical.
I love how the novel uses the plot device of an outbreak of the plague to force me as a reader to move beyond the surface questions of “What?” “When?” and “Where?” to ask the deeper question of “Why?” and “What now?”
“Its relevance lashes you across the face.” —Stephen Metcalf, The Los Angeles Times • “A redemptive book, one that wills the reader to believe, even in a time of despair.” —Roger Lowenstein, The Washington Post
A haunting tale of human resilience and hope in the face of unrelieved horror, Albert Camus' iconic novel about an epidemic ravaging the people of a North African coastal town is a classic of twentieth-century literature.
The townspeople of Oran are in the grip of a deadly plague, which condemns its victims to a swift and horrifying death. Fear, isolation and claustrophobia follow as they…
We have always been fascinated by literary masterworks that stage the plague as a pivotal factor in the plot. We added the next ingredients: a whodunnit with a claustrophobic setting, the Baroque Age, a (real) financial thriller between Rome and London, and an unusual protagonist. Rita is a historian of religions, Francesco is a musicologist. After working as journalists, meeting in a newspaper bureau, and getting happily married, we started a writing career publishing 11 novels translated into 26 languages and 60 countries with more than 2 million copies sold. Our novels are a mix of literary creativity and meticulous research, characters and settings are strictly based on original documents and eyewitness accounts.
Nobody can describe the plague better than... one who’s been infected. 430 BC: coming from Ethiopia through Egypt, a massive plague outbreak hits the overpopulated Athens, right in the middle of a bitter war against Sparta. Thucydides, the first Greek historian with a modern approach, witnesses the tragic days (doctors and authorities were totally unprepared) of the largest metropolis in the Mediterranean. The author himself is contaminated and later recounts his experience in this unforgettable section of his History of the Peloponnesian War.
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding,…
Science fiction for grownups not only means avoiding magic and supernatural elements but grounding the stories’ “what-ifs” in hard science and/or narrative anthropology. When we (readers) are invited to a story, we come with a willing suspension of disbelief, and I have as strong a suspension of disbelief as anyone—what if dinosaurs could be grown from ancient DNA, or what if an asteroid struck the earth? However, the ground rules of what-ifs should be laid out and should not include a sweeping suspension of the laws of physics, nature, and common sense. So, no hundred-and-ten-pound woman, with toothpick arms and dressed in cleavage-revealing spandex, beating up twelve burly guys.
I love anthropology, so what could be better than an alien anthropologist who visits 1350 Earth to study the Black Plague, hoping to find clues to help her civilization respond to a different plague?
Anthropological principles presented through narrative storytelling define science fiction for grownups.
In medieval Italy, Niccolucio, a young Florentine Carthusian monk, leads a devout life until the Black Death kills all of his brothers, leaving him alone and filled with doubt. Habidah, an anthropologist from an alien world racked by plague, is overwhelmed by the suffering. Unable to maintain her neutrality, she saves Niccolucio from the brink of death. Habidah discovers that neither her home's plague nor her assignment on Niccolucio's ravaged planet are as she's been led to believe. Suddenly the pair are drawn into a worlds-spanning conspiracy to topple an empire larger than the human imagination can contain.
As an author of a dual-timeline thriller series set in Venice in the present-day and 16th century, I’ve spent countless hours researching the world’s most mesmerizing city. I’ve been there three times, including on a research trip. I’ve worked with historians and experts on various aspects and have explored the ancient streets and buildings first-hand. I’ve also read dozens of books set in Venice.
While not as famous as Thomas Mann or Anne Rice, Marina Fiorato well deserves her place on this list with The Venetian Bargain. It’s another superbly researched and beautifully written piece of historical fiction set in 1576 during the plague. Grounded in fact, it follows a young Turkish girl, scorned in her homeland, who sneaks aboard a boat bound for Venice. She soon discovers the ship's illicit cargo in the hold—and the sultan’s horrific plan—a man infected with bubonic plague. The man infects the entire city within days. This book is much more than a historical account. It’s a gripping story with compelling characters. What’s more, much of what the world has gone through with Covid-19, from masks to quarantine, was invented by the Venetians and it's covered in The Venetian Bargain through the eyes of wonderful characters.
Venice, 1576. Five years after the defeat of the Ottoman Empire at the Battle of Lepanto, a ship steals unnoticed into Venice bearing a deadly cargo. A man, more dead than alive, disembarks and staggers into Piazza San Marco. He brings a gift to Venice from Constantinople. Within days the city is infected with bubonic plague―and the Turkish Sultan has his revenge.
But the ship also holds a secret stowaway―Feyra, a young and beautiful harem doctor fleeing a future as the Sultan's concubine. Only her wits and medical knowledge keep her alive as the plague ravages Venice.
I’ve just spent the last few years writing Return to Valetto, about a nearly abandoned village in Umbria and the last ten people who live there. In 2018, I received an NEA grant to conduct research in Italy and I visited about a dozen abandoned and nearly abandoned towns all across Italy. While I was traveling, I immersed myself in books about Italy—from history and biography to memoir and fiction. The books on my list were stepping stones in my education about all things Italian and I hope you find them as transporting as I did!
In many ways, this sort of book has gone out of style since it was published in the 1960s.
It’s an opinionated and ambitious portrayal of the Italian psyche and culture. Barzini looks at his fellow Italians with a dispassionate eye and a healthy sense of irreverence, uncovering their foibles, hidden beliefs, superstitions, and great strengths as a culture.
For me, Italy is an eternal paradox. Just when you think you’ve worked it out, something happens that makes you do a double-take. This book helps you understand that paradox has been part of Italy’s identity since the very beginning.
In this consummate portrait of the Italian people, bestselling author, publisher, journalist, and politician Luigi Barzini delves deeply into the Italian national character, discovering both its great qualities and its imperfections.
Barzini is startlingly frank as he examines “the two Italies”: the one that created and nurtured such luminaries as Dante Alighieri, St. Thomas of Aquino, and Leonardo da Vinci; the other, feeble and prone to catastrophe, backward in political action if not in thought, “invaded, ravaged, sacked, and humiliated in every century.” Deeply ambivalent, Barzini approaches his task with a combination of love, hate, disillusion, and affectionate paternalism, resulting…
As a kid, I was consistently described as one who had her head in the clouds. I was far away imagining all sorts of fantastical things; dragons soaring in the sky, a witch blasting a fireball in the grocery store, a werewolf coming to eat the gym teacher, the coffee barista is actually a vampire, etc. There is something alluring about supernatural beings existing in our often mundane world; whether they are being subjected to the same life we are or are wreaking havoc for any reason.
Who hasn’t imagined the books they read coming to life in their living room or being able to dive into the fictional world? A father and daughter have a magical ability to do just that.
Unfortunately, the villain of one story was released and this sets them off on an adventure typically only available in books.
Meggie and Mo are an endearing father/daughter team while they navigate the consequences and reaches of their magic.
The first book in Cornelia Funke's internationally celebrated trilogy - magical, thrilling and mesmerising.
'I don't think I've ever read anything that conveys so well the joys, terrors and pitfalls of reading' Diana Wynne Jones
Meggie loves books. So does her father, Mo, a bookbinder, although he has never read aloud to her since her mother mysteriously disappeared. They live quietly until the night a stranger knocks at their door. He has come with a warning that forces Mo to reveal an extraordinary secret - a storytelling secret that will change their lives for ever.
I have a passion for the family story, and I have been blessed with a plethora of them. My mother grew up in Appalachia during the Great Depression and faced shame because her mother left the family to commit a felony. Her accounts of a childhood without and sleeping in an abandoned log cabin have been seared into my soul. My father, one of fourteen children during the Great Depression, worked on neighboring farms from the age of seven. History has two parts, the facts and details, but the telling of the story wrangles the purpose and sacrifice of those involved.
After a trip to Florence to see Michelangelo’s earlier works and then David, I struggled to understand the genius, his intense pursuit of excellence, and how his surroundings influenced his art.
The author set me in one of the most fascinating eras of history and made me feel as if I were an apprentice in Michelangelo’s shop. I wept to comprehend the artist and realized that perfection was not a choice for Michelangelo, but a non-negotiable burden.
As I now observe genius in a musician, a scientist, or a mother caring for an autistic child, I give credence to what I learned from Oliver Stone’s portrayal of Michelangelo.
Irving Stone's classic biographical novel of Michelangelo-the #1 New York Times bestseller in which both the artist and the man are brought to vivid, captivating life.
His time-the turbulent Renaissance, the years of poisoning princes, warring Popes, and the all-powerful de'Medici family...
His loves-the frail and lovely daughter of Lorenzo de'Medici, the ardent mistress of Marco Aldovrandi, and his last love, his greatest love-the beautiful, unhappy Vittoria Colonna...
His genius-a God-driven fury from which he wrested brilliant work that made a grasp for heaven unmatched in half a millennium...
His name-Michelangelo Buonarroti. Creator of the David, painter of the ceiling…
I spent a decade researching my own dramatic family story in Southern Italy – a story of murder and passion – so I took a deep dive to learn about a hidden culture my relatives left behind when they came here to America in steerage. As a fellow at the New York Public Library, I literally read hundreds of books, articles, and papers over those ten years to try and educate myself about the world I was entering for my own search. These are the books that touched me the most deeply – and continue to – not just with their own intense research but with their emotion and gorgeous prose.
This was the first book I read about Basilicata, and it is essential for anyone interested in Southern Italian roots. Written in staggeringly poetic language, it offers a sad but beautiful introduction to the culture and history of the region, which is hardly ever written about and barely even visited, even by Italians.
During WWII, Levi was sent as a prisoner to Basilicata as punishment, to work as a doctor among the peasants there. The book taught me about the feudal farm system still in place there well into the 20th century, about its inhospitable landscape, and its isolated, poverty-stricken population – my ancestors.
It set the bar high for me to write my own memoir and continues to inspire me. The title refers to the fact that the train line only went as far as Eboli – that Christianity and civilization stopped short of Basilicata.
'There should be a history of this Italy, a history outside the framework of time, confining itself to that which is changeless and eternal, in other words, a mythology. This Italy has gone its way in darkness and silence, like the earth, in a sequence of recurrent seasons and recurrent misadventures. Every outside influence has broken over it like a wave, without leaving a trace.'
So wrote Carlo Levi - doctor, painter, philosopher, and man of conscience - in describing the land and the people of Lucania, where he was banished in 1935, at the start of the Ethiopian war,…
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