Here are 100 books that Resurrecting Pompeii fans have personally recommended if you like
Resurrecting Pompeii.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I first visited Pompeii on a school trip when I was 17. I have a clear memory of standing in the Forum and thinking it was the most amazing place I had ever been. Decades later, that feeling remains, and the sites destroyed by Vesuvius have become the focus of my research on ancient Rome. I have excavated in Pompeii, conducted epigraphic fieldwork in Herculaneum, and taught students at multiple universities around the UK about the cities, the people who lived there, and their destruction.I am fundamentally interested in the people, how they lived their lives, and have published widely on tombs, epigraphy, and politics in Pompeii.
Probably the best and most approachable overview of the history and archaeology of Pompeii, good for the armchair enthusiast and student alike. It is clear, concise, and well-illustrated, and unlike many such books that appeal to a more general audience, it is authored by an expert who has been working on site and teaching about Pompeii for most of her career.
This profusely illustrated volume, the latest instalment in Thames & Hudson's bestselling Complete series, is the most up-to-date, comprehensive and authoritative account of the most important archaeological site in the world. Nine chapters cover the rise and fall of Pompeii and all aspects of its life, including reconstructions of the daily lives of the town's inhabitants, the dramatic story of Pompeii's destruction through the words of Roman writers and the spectacular remains of volcanic debris and damage. It is sure to become the standard account for tourist, traveller, student and scholar alike.
I first visited Pompeii on a school trip when I was 17. I have a clear memory of standing in the Forum and thinking it was the most amazing place I had ever been. Decades later, that feeling remains, and the sites destroyed by Vesuvius have become the focus of my research on ancient Rome. I have excavated in Pompeii, conducted epigraphic fieldwork in Herculaneum, and taught students at multiple universities around the UK about the cities, the people who lived there, and their destruction.I am fundamentally interested in the people, how they lived their lives, and have published widely on tombs, epigraphy, and politics in Pompeii.
Imagine re-creating the works of Shakespeare or Milton from the graffiti on the walls of Victorian England – impossible you’d say. But it is possible to find lines of the most famous poets of the Roman world scratched into the walls of Pompeii, and Milnor provides a systematic overview of how and why this literary re-production occurred, what it indicates about literacy and learning, and how differently the ancients viewed writing in public spaces.
In this volume, Milnor considers how the fragments of textual graffiti which survive on the walls of the Roman city of Pompeii reflect and refract the literary world from which they emerged. Focusing in particular on the writings which either refer to or quote canonical authors directly, Milnor uncovers the influence- in diction, style, or structure-of elite Latin literature as the Pompeian graffiti show significant connections with familiar authors such as Ovid, Propertius, and Virgil.
While previous scholarship has described these fragments as popular distortions of well-known texts, Milnor argues that they are important cultural products in their own right,…
I am a professor of ancient art at Vassar College where I teach Roman art and archaeology. I have published widely in the field and traveled extensively in the Mediterranean. My first encounters with Roman art occurred as a child in the Metropolitan Museum of Art in NYC where I would stand before Roman portrait heads because their faces seemed stern and grim, yet ordinary and matter-of-fact. I have continued to observe Roman portraits over the years, but admit that I still sometimes find them daunting.
Tourists, who are marched through the only designated, purposely-built brothel in Pompeii, stare at the cubicles with built-in masonry beds and wall paintings depicting sexual acts. Richardson pieces together an array of evidence, from various finds and graffiti to the early excavation reports, to assess the experiences of both the male clients and the female prostitutes. According to Richardson, more than sex was provided by the women of the brothel. This book imaginatively reconstructs the activities of the brothel in an intriguing way.
In this book, Sarah Levin-Richardson offers the first authoritative examination of Pompeii's purpose-built brothel, the only verifiable brothel from Greco-Roman antiquity. Taking readers on a tour of all of the structure's evidence, including the rarely seen upper floor, she illuminates the subculture housed within its walls. Here, prostitutes could flout the norms of society and proclaim themselves sexual subjects and agents, while servile clients were allowed to act as 'real men'. Prostitutes and clients also exchanged gifts, greetings, jokes, taunts, and praise. Written in a clear, engaging style, and accompanied by an ample illustration program and translations of humorous and…
I first visited Pompeii on a school trip when I was 17. I have a clear memory of standing in the Forum and thinking it was the most amazing place I had ever been. Decades later, that feeling remains, and the sites destroyed by Vesuvius have become the focus of my research on ancient Rome. I have excavated in Pompeii, conducted epigraphic fieldwork in Herculaneum, and taught students at multiple universities around the UK about the cities, the people who lived there, and their destruction.I am fundamentally interested in the people, how they lived their lives, and have published widely on tombs, epigraphy, and politics in Pompeii.
It’s difficult to imagine any discussion of Pompeii (or Roman gardens) without mentioning Jashemski. She quite literally wrote the book(s) on gardens, and her archaeological approach to plant remains revolutionised how botanical evidence is collected. This book, published after her death, is a memoir more than anything, detailing her work, her travels, and her vast experience of working in Pompeii. It is, in many ways, a love letter to the place that somewhat unexpectedly became the focus her life.
These memoirs, illustrated with over 400 photographs, will delight anyone interested in gardens or in the Roman world. They tell the human and the scientific story of how a woman from a small town in Nebraska learned more about the gardens of Pompeii than anyone thought possible. A master raconteur, professor of ancient history and teacher of a popular general humanities class at the University of Maryland, Wilhelmina Jashemski will fascinate both the Pompeian expert and the newcomer to the subject.
She set out in 1955 with her husband, Stanley Jashemski, to explore the gardens of the Roman empire with…
I am a professor of ancient art at Vassar College where I teach Roman art and archaeology. I have published widely in the field and traveled extensively in the Mediterranean. My first encounters with Roman art occurred as a child in the Metropolitan Museum of Art in NYC where I would stand before Roman portrait heads because their faces seemed stern and grim, yet ordinary and matter-of-fact. I have continued to observe Roman portraits over the years, but admit that I still sometimes find them daunting.
It is an anthology of essays that provide a range of topics and approaches to women who lived and worked in these small towns, now spectacularly preserved despite their sudden destruction by the eruption of Mt. Vesuvius in 79 CE. The lives lived here tend towards the gritty, workaday world with studies of women in business and trade, although elite women, public priestesses, also make an appearance. Two that feature women's names scratched on walls (graffiti) and drawings of women etched in or painted on Pompeian walls (by Erika Zimmermann Damer and Margaret L. Laird) argue for women's (partial) literacy and their greater visibility. These essays do much to make the fascinating archaeological material accessible.
Literary evidence is often silent about the lives of women in antiquity, particularly those from the buried cities of Pompeii and Herculaneum. Even when women are considered, they are often seen through the lens of their male counterparts. In this collection, Brenda Longfellow and Molly Swetnam-Burland have gathered an outstanding group of scholars to give voice to both the elite and ordinary women living on the Bay of Naples before the eruption of Vesuvius.
Using visual, architectural, archaeological, and epigraphic evidence, the authors consider how women in the region interacted with their communities through family relationships, businesses, and religious practices,…
I grew up in London and became interested in history from multiple visits to the British Museum and the Museum of London, but it was on an undergraduate trip to Pompeii that I realized that I was capable of explaining archaeological remains. That realization led me back to Pompeii and then Rome, but also to tracking down the archaeology of Roman roads. Writing has become important to me, perhaps, because I’m dyslexic and I’ve had some struggles to write in the past. Yet, as a dyslexic professor, working at Macquarie University (Sydney), I think I can offer students and readers explanations of history that reflect my ongoing passion for studying the past.
Pompeii is such a wonderful archaeological site and one that allows archaeologists to develop new ways to investigate how that ancient city functioned. This book, through meticulous study of paving, carts, and curbstones even, prods the surviving pieces from antiquity to create a full understanding of how traffic was enabled and hindered by the inhabitants of Pompeii. Plenty of streets blocked to traffic here and lots of detailed archaeological evidence to get to grips with, but coming through the book to the reader is the passion of the author and his need to discover and reveal new facts about Pompeii to his readers.
The Traffic Systems of Pompeii is the first sustained examination of the development of road infrastructure in Pompeii-from the archaic age to the eruption of Mt. Vesuvius in 79 CE-and its implications for urbanism in the Roman empire. Eric E. Poehler, an authority on Pompeii's uniquely preserved urban structure, distills over five hundred instances of street-level "wear and tear" to reveal for the first time the rules of the ancient road. Through a thorough, yet lively, investigation of every facet of the infrastructure, from the city's urban grid and the shape of the streets to the treatment of their surfaces…
For more than thirty years I have been discussing, formulating ideas, and writing about Architecture, Building Reuse, and Interiors. I lead the MA Architecture and Adaptive Reuse programme and direct graduate atelier Continuity in Architecture at the Manchester School of Architecture. I am currently the Visiting Professor at the University IUAV of Venice where I am conducting research on the sustainable adaptation of existing buildings with particular emphasis on the environmental concerns within the inherently fragile city of Venice.
Mario Praz’s Illustrated History of Interior Decoration is a wonderful chatty collection of case studies that explores the history of the subject in a well-informed and erudite manner. Interiors are generally lost to the mists of time, remembered only as the backdrop to other activities in paintings and prints, Praz has searched out the best of these to generously illustrate the book.
This is a reference source for anyone with an interest in period styles of furniture and decoration, this book comprises a complete survey of domestic interiors portrayed in art from the ancient world to the late 19th century. A collection of pictures and watercolours from all over Europe, Russia and America record rooms of all periods and their contents; the furniture, fabrics, carpets, pictures and wall-coverings. This text presents a cultural history of man in relation to his domestic surroundings.
I love the novels of Charles Dickens and when I found out that he did go out with the London Police to research the criminal underworld for his magazine, I thought what a good detective he would make. He has all the talents a detective needs: remarkable powers of observation, a shrewd understanding of human nature and of motive, and the ability to mix with all ranks of Victorian society from the street urchin to the lord and lady. I love Victorian London, too, and creating the foggy, gas-lit alleys we all know from Dickens the novelist.
Another woman steps out of the shadows of history in this novel about seventeenth-century Italy. Gulia Tofana was a notorious poisoner of terrible men and Deborah Swift explores in a tale full of excitement and drama the imagined early career of Gulia whose mother was executed for murder. Gulia just wants to be an apothecary, but her friendship with the abused wife of an aristocratic, power greedy husband draws her into murder. It is full of rich detail – you can feel the heat, smell the perfume, hear the rustle of silk and taffeta, and you can’t help being on the side of the women trapped in a corrupt and violent world.
Aqua Tofana – One drop to heal. Three drops to kill.
Giulia Tofana longs for more responsibility in her mother’s apothecary business, but Mamma has always been secretive and refuses to tell her the hidden keys to her success. But the day Mamma is arrested for the poisoning of the powerful Duke de Verdi, Giulia is shocked to uncover the darker side of her trade.
Giulia must run for her life, and escapes to Naples, under the shadow of Mount Vesuvius, to the home of her Aunt Isabetta, a famous courtesan. But when Giulia hears that her mother…
I am an adventurous exploring soul who loves nature. Whether it’s simple short drives discovering little country towns in my region or travelling further afield, I am in my happy place. As a mother of three grown sons, two of which were reluctant readers, and as a former primary school teacher with a passion for literacy, I know the struggle parents face with teaching a love of reading to their children. Writing adventure stories in unique settings around the world combines my love for travel and early literacy. My adventures help to intrigue children and hook them into reading while fulfilling a fascination with unfamiliar places and developing their imagination with mystery and intrigue.
I have always found ancient history fascinating. I couldn’t learn enough about ancient Rome and Greece during my teenage years. As an adult, one of my bucket list holidays is to visit the amazing ruins throughout Italy, including Mt Vesuvius. Through Harriet’s adventure, we experience ancient Rome in its glory days as if we were there. I found it fascinating to read and learn about the everyday life of an ancient Roman family with twists and turns of a thrilling adventure as Harriet is chased through ancient streets by Roman soldiers. It is great escapism into a place in the past where I wish I could travel to and immerse myself in an ancient society and civilization.
I’m a professor of Classics at Rutgers University, where I’ve taught since 2000; before that, I spent a decade on the faculty of Bryn Mawr College. For three years I served on the staff of the American Academy in Rome, a somewhat frenetic experience that prompted me to shift my focus from ancient Roman history to the history of the city of Rome. Since 2010 I’ve been managing a private family archive in Rome, that of the papal Boncompagni Ludovisi, which covers the period from the early 1400s to the 1940s. Now completely digitized, the archive has much new material to offer, not least on the era of Mussolini, including resistance to his regime.
In her decades of work on Italy’s Fascist era, Marla Stone has shown an especially keen eye for the development of the regime’s policies and ideologies, whether in the sphere of art and culture, or that of political violence and imperialist aggression. Here Stone offers a succinct and penetrating overview of the origins, rise, consolidation, and eventual crash of Fascism in Italy, followed by a translation of some three dozen primary documents—about a third of which were otherwise unavailable in English—to illustrate her narrative. Particularly chilling are the propaganda texts from 1938 on, when Mussolini’s grandiose claims to the legacy of ancient Rome took a back seat to full-blown racial politics, “as Italians were declared ‘Aryans’ and biological anti-Semitism became part of official ideology.”
As the first mass movement of the radical right to assume power in the wake of World War I, Italian Fascism became the model and inspiration for violent anti-democratic and anti-socialist forces that swept Europe between 1919 and 1945. In this volume Marla S. Stone provides an essential introduction to the rise and fall of Benito Mussolini's Fascist dictatorship. Drawing on the most recent historical scholarship, Stone explores the multifaceted nature of Fascist rule, which drew strength not only from its terror apparatus but also from popular support for its social programs. More than 35 primary sources, including speeches, decrees,…
