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Discovering the Gardens of Pompeii.
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I first visited Pompeii on a school trip when I was 17. I have a clear memory of standing in the Forum and thinking it was the most amazing place I had ever been. Decades later, that feeling remains, and the sites destroyed by Vesuvius have become the focus of my research on ancient Rome. I have excavated in Pompeii, conducted epigraphic fieldwork in Herculaneum, and taught students at multiple universities around the UK about the cities, the people who lived there, and their destruction.I am fundamentally interested in the people, how they lived their lives, and have published widely on tombs, epigraphy, and politics in Pompeii.
Probably the best and most approachable overview of the history and archaeology of Pompeii, good for the armchair enthusiast and student alike. It is clear, concise, and well-illustrated, and unlike many such books that appeal to a more general audience, it is authored by an expert who has been working on site and teaching about Pompeii for most of her career.
This profusely illustrated volume, the latest instalment in Thames & Hudson's bestselling Complete series, is the most up-to-date, comprehensive and authoritative account of the most important archaeological site in the world. Nine chapters cover the rise and fall of Pompeii and all aspects of its life, including reconstructions of the daily lives of the town's inhabitants, the dramatic story of Pompeii's destruction through the words of Roman writers and the spectacular remains of volcanic debris and damage. It is sure to become the standard account for tourist, traveller, student and scholar alike.
I first visited Pompeii on a school trip when I was 17. I have a clear memory of standing in the Forum and thinking it was the most amazing place I had ever been. Decades later, that feeling remains, and the sites destroyed by Vesuvius have become the focus of my research on ancient Rome. I have excavated in Pompeii, conducted epigraphic fieldwork in Herculaneum, and taught students at multiple universities around the UK about the cities, the people who lived there, and their destruction.I am fundamentally interested in the people, how they lived their lives, and have published widely on tombs, epigraphy, and politics in Pompeii.
Imagine re-creating the works of Shakespeare or Milton from the graffiti on the walls of Victorian England – impossible you’d say. But it is possible to find lines of the most famous poets of the Roman world scratched into the walls of Pompeii, and Milnor provides a systematic overview of how and why this literary re-production occurred, what it indicates about literacy and learning, and how differently the ancients viewed writing in public spaces.
In this volume, Milnor considers how the fragments of textual graffiti which survive on the walls of the Roman city of Pompeii reflect and refract the literary world from which they emerged. Focusing in particular on the writings which either refer to or quote canonical authors directly, Milnor uncovers the influence- in diction, style, or structure-of elite Latin literature as the Pompeian graffiti show significant connections with familiar authors such as Ovid, Propertius, and Virgil.
While previous scholarship has described these fragments as popular distortions of well-known texts, Milnor argues that they are important cultural products in their own right,…
I am a professor of ancient art at Vassar College where I teach Roman art and archaeology. I have published widely in the field and traveled extensively in the Mediterranean. My first encounters with Roman art occurred as a child in the Metropolitan Museum of Art in NYC where I would stand before Roman portrait heads because their faces seemed stern and grim, yet ordinary and matter-of-fact. I have continued to observe Roman portraits over the years, but admit that I still sometimes find them daunting.
Tourists, who are marched through the only designated, purposely-built brothel in Pompeii, stare at the cubicles with built-in masonry beds and wall paintings depicting sexual acts. Richardson pieces together an array of evidence, from various finds and graffiti to the early excavation reports, to assess the experiences of both the male clients and the female prostitutes. According to Richardson, more than sex was provided by the women of the brothel. This book imaginatively reconstructs the activities of the brothel in an intriguing way.
In this book, Sarah Levin-Richardson offers the first authoritative examination of Pompeii's purpose-built brothel, the only verifiable brothel from Greco-Roman antiquity. Taking readers on a tour of all of the structure's evidence, including the rarely seen upper floor, she illuminates the subculture housed within its walls. Here, prostitutes could flout the norms of society and proclaim themselves sexual subjects and agents, while servile clients were allowed to act as 'real men'. Prostitutes and clients also exchanged gifts, greetings, jokes, taunts, and praise. Written in a clear, engaging style, and accompanied by an ample illustration program and translations of humorous and…
I first visited Pompeii on a school trip when I was 17. I have a clear memory of standing in the Forum and thinking it was the most amazing place I had ever been. Decades later, that feeling remains, and the sites destroyed by Vesuvius have become the focus of my research on ancient Rome. I have excavated in Pompeii, conducted epigraphic fieldwork in Herculaneum, and taught students at multiple universities around the UK about the cities, the people who lived there, and their destruction.I am fundamentally interested in the people, how they lived their lives, and have published widely on tombs, epigraphy, and politics in Pompeii.
More often than not, people forget that the Vesuvian sites are, as gruesome as it sounds, large mass burials – not just of the cities themselves, but of people. The human remains of Pompeii (and by extension, Herculaneum) have been ignored or treated like some kind of circus attraction for centuries. What Lazar does is open your eyes to just how much information there is to be found from the casts and skeletons, and the potential to learn so much more about people and life in the first century. Her work is groundbreaking.
Resurrecting Pompeii provides an in-depth study of a unique site from antiquity with information about a population who all died from the same known cause within a short period of time.
Pompeii has been continuously excavated and studied since 1748. Early scholars working in Pompeii and other sites associated with the AD 79 eruption of Mount Vesuvius were seduced by the wealth of artefacts and wall paintings yielded by the site. This meant that the less visually attractive evidence, such as human skeletal remains, were largely ignored.
Recognizing the important contribution of the human skeletal evidence to the archaeology of…
I have had a lifelong love of history, especially ancient history, and have spent years studying it for both interest and pleasure. I also love stories, so I decided to put my knowledge of Roman history to good use, providing what I hope is an authentic backdrop to my novels.
We all love Mary Beard, and this superb book looks into the daily life of the people who lived in Pompeii before its destruction, revealing plenty of fascinating detail, and excellent explanation and commentary. Definitely one of the best books about daily life in an ordinary Roman town.
The ruins of Pompeii, buried by an explosion of Vesuvius in 79 CE, offer the best evidence we have of everyday life in the Roman empire. This remarkable book rises to the challenge of making sense of those remains, as well as exploding many myths: the very date of the eruption, probably a few months later than usually thought; or the hygiene of the baths which must have been hotbeds of germs; or the legendary number of brothels, most likely only one; or the massive death count, maybe less than ten per cent of the population.
I was born in Scotland in 1977 and always enjoyed studying history – well, the interesting bits, not so much what they taught us in school. My first book in the Forest Lord series, Wolf’s Head, was set in medieval England and it’s a fast-paced, violent retelling of the Robin Hood legends.I’ve since sold over 130,000 books in the past few years. As a working class man from a little village in Scotland, I’m honestly amazed at how many people enjoy my writing.
A collection of interlinked short stories about the volcanic destruction of Pompeii which works better than I thought it would. A lot better, as this is one of the most moving books I’ve ever read, bringing me to tears in places. Six authors, all looking at the doom of quite different characters, from gladiators to senators to a pregnant woman and more, you expect the whole thing to be utterly depressing but, somehow, it isn’t. I must admit I read this when I was in a very fragile state of mind having just suffered a terrible tragedy of my own, so it’s possible that affected my reading of A Day of Fire and how I responded to it, but I know it was extremely well written and I was so glad to have read it. I think you should too.
Pompeii was a lively resort flourishing in the shadow of Mount Vesuvius at the height of the Roman Empire. When Vesuvius erupted in an explosion of flame and ash, the entire town would be destroyed. Some of its citizens died in the chaos, some escaped the mountain's wrath . . . and these are their stories: A boy loses his innocence in Pompeii's flourishing streets. An heiress dreads her wedding day, not knowing it will be swallowed by fire. An ex-legionary stakes his entire future on a gladiator bout destined never to be finished. A crippled senator welcomes death, until…
I’m fascinated by stories from the past. I worked for many years in museums and heritage, telling Scotland’s stories through exhibitions and nonfiction publications, but I was always drawn to the question best answered through historical fiction – what did that feel like? Well-researched historical fiction can take us right into the lives of people who lived through the dramatic events we read about in academic books. I found that each of the novels on my list transported me to a different time and place, and I hope you enjoy them, too.
I picked up this book from the shelf of a holiday cottage and was hooked immediately. I love books which interweave personal human stories with big events.
The ordinary loves and lives of the people of Pompeii are unfolding as the mountain above them begins to behave strangely. Of course, we, the readers, know the disaster that is about to occur, which only adds to the suspense. Unputdownable.
'A stunning novel . . . the subtlety and power of its construction holds our attention to the end' The Times
During a sweltering week in late August, as Rome's richest citizens relax in their villas around Pompeii and Herculaneum, there are ominous warnings that something is going wrong. Wells and springs are failing, a man has disappeared, and now the greatest aqueduct in the world - the mighty Aqua Augusta - has suddenly ceased to flow . . .
Through the eyes of four characters - a young engineer, an adolescent girl, a corrupt…
I am a historian of ancient Rome. My interest was sparked in my high school Latin classes. On my first trip to Rome, several years later, I truly fell in love. I could see the famed orator delivering his fierce attacks against Catiline amid the grand temples of the Forum and its surrounding hills. I could imagine myself standing in a crowd, listening. In Washington DC, where I now live and teach at Georgetown University, there are classical buildings all around to keep me inspired. I have written a number of books about Roman political history and have also translated the biographer Suetonius and the historian Sallust.
No city of the Roman world survives more fully than Pompeii in southern Italy. Baths, bars, houses, and temples have been recovered, along with pots and pans, foodstuffs, medical instruments, and skeletons with evidence of an appallingly high rate of disease. For a knowledgeable and witty guide to the city you can’t beat Mary Beard, who helps us see it was not all marble columns and pretty paintings. I especially love her description of the House of the Tragic Poet, in which Edward Bulwer-Lytton set an early scene of his novel The Last Days of Pompeii, a dinner party hosted by the character Glaucus. Beard reveals that just behind this house was a cloth-processing workshop in which the main agent used would have been human urine. “In the background to Glaucus’ elegant dinner party,” writes Beard, “there must have been a distinctly nasty odor.”
Pompeii is the most famous archaeological site in the world, visited by more than two million people each year. Yet it is also one of the most puzzling, with an intriguing and sometimes violent history, from the sixth century BCE to the present day.
Destroyed by Vesuvius in 79 CE, the ruins of Pompeii offer the best evidence we have of life in the Roman Empire. But the eruptions are only part of the story. In The Fires of Vesuvius, acclaimed historian Mary Beard makes sense of the remains. She explores what kind of town it was-more like Calcutta or…
As a freelance journalist in Italy, I covered, for Timemagazine, the Wall Street Journal, and others, tough topics: terrorism, the Mafia, the heroin traffic which passed via Sicilian laboratories to the U.S. At a certain point I found this overly negative. After taking a course in Rome on archaeology, by chance I was asked to direct a BBC half-hour documentary on Pompeii. In so doing, I realized that it was time to focus upon the many positive elements of Italian life and history. From that life-changing documentary came this book on Pompeii, on which I worked for five rewarding years. My next book was on historical Venice.
Edward Bulwer Lytton's influential 19th century novel The Last Days of Pompeii was inspired by a painting he had seen in Milan. He immediately rushed to Pompeii, where his book was published in 1834, by coincidence exactly when Vesuvius erupted. It became an immediate success and is still being published. As Benjamen Disraeli wrote that November, "A trembling spectator, I watched the artists till I was overcome by the phantasma, and was glad to find myself once more in the solitude of my armchair." Available in economic form. The book became an immediate success and is still being adapted to today's media.
Edward Bulwer-Lytton (1803-1873) was a prolific novelist, poet and playwright in his day; in modern times, his work is considered much as Lovecraft described: “large doses of turgid rhetoric and empty romanticism.”
Originally published in 1834, "The Last Days of Pompeii" itself was probably the first novelization of the catastrophic event. The city was rediscovered in the mid-1700s and archaeological excavations followed soon after. Bulwer-Lytton was inspired to write his novel by the painting The Last Day of Pompeii by Karl Briullov, painted in the early 1830s.
"The Last Days of Pompeii" tells the story of the Athenian Glaucus, his…
I am a professor of ancient art at Vassar College where I teach Roman art and archaeology. I have published widely in the field and traveled extensively in the Mediterranean. My first encounters with Roman art occurred as a child in the Metropolitan Museum of Art in NYC where I would stand before Roman portrait heads because their faces seemed stern and grim, yet ordinary and matter-of-fact. I have continued to observe Roman portraits over the years, but admit that I still sometimes find them daunting.
It is an anthology of essays that provide a range of topics and approaches to women who lived and worked in these small towns, now spectacularly preserved despite their sudden destruction by the eruption of Mt. Vesuvius in 79 CE. The lives lived here tend towards the gritty, workaday world with studies of women in business and trade, although elite women, public priestesses, also make an appearance. Two that feature women's names scratched on walls (graffiti) and drawings of women etched in or painted on Pompeian walls (by Erika Zimmermann Damer and Margaret L. Laird) argue for women's (partial) literacy and their greater visibility. These essays do much to make the fascinating archaeological material accessible.
Literary evidence is often silent about the lives of women in antiquity, particularly those from the buried cities of Pompeii and Herculaneum. Even when women are considered, they are often seen through the lens of their male counterparts. In this collection, Brenda Longfellow and Molly Swetnam-Burland have gathered an outstanding group of scholars to give voice to both the elite and ordinary women living on the Bay of Naples before the eruption of Vesuvius.
Using visual, architectural, archaeological, and epigraphic evidence, the authors consider how women in the region interacted with their communities through family relationships, businesses, and religious practices,…
