Here are 96 books that The Plague of Athens fans have personally recommended if you like
The Plague of Athens.
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Decades ago, I fell madly, gladly, and giddily in love with Italian. This passion inspired La Bella Lingua: My Love Affair with the World’s Most Enchanting Language, which became a New York Times best-seller and won an Italian knighthood for my contributions to promoting Italy’s language. Intrigued by the world’s most famous portrait, I wrote Mona Lisa: A Life Discovered, an Amazon Best Book of the Year, translated into seven languages. My most recent journeys through Italian culture are La Passione: How Italy Seduced the World and ‘A’ Is for Amore, an e-book written during the pandemic and available free on my website.
During a plague that killed a quarter of Florence’s citizens, Boccaccio crafted an exuberant, entertaining, death-defying work of literature. In this book, seven young women and three young men taking refuge in a country villa swap 100 tales of love, lust, mischief, and treachery.
I read a translation of The Decameron during a sabbatical in Italy and was swept back in time. In every village, I’d look around a piazza and see characters straight from its pages: wily merchants, corrupt politicians, clever wives, henpecked husbands, bumbling fools. This book still resonates in the 21st century—a tribute to Boccaccio’s skill as a spell-weaver. Some of his stories are shamelessly, laughably bawdy. But all remind us that, even as everything changes, our shared humanity remains the same.
In the summer of 1348, as the Black Death ravages their city, ten young Florentines take refuge in the countryside...
Taken from the Greek, meaning 'ten-day event', Boccaccio's Decameron sees his characters amuse themselves by each telling a story a day, for the ten days of their confinement - a hundred stories of love and adventure, life and death, and surprising twists of fate. Less preoccupied with abstract concepts of morality or religion than earthly values, the tales range from the bawdy Peronella, hiding her lover in a tub, to Ser Cepperallo, who, despite his unholy effrontery, becomes a Saint.…
I have an annoying habit of figuring out why someone says or believes what they do—and think that is more interesting than their actual ‘truth’. I try to keep this in check during social events (it can make for painful dinner table conversations if I go too far). Still, it means the general take on the medical humanities (and I’d put all the books below in that wide category) is something I’m passionate about. Why do we believe what we do about health? About disease? About the body? And why do we think medical doctors have the truth for us?
I read this book 3 months into the COVID-19 pandemic and LOVED it—it totally made me realize that: 1. we’ve been here before; 2. our reactions and responses are all tried and true (and probably not that useful); and 3. we would survive this time, too—at least most of us.
This is Daniel Defoe (yes, you know him from Robinson Crusoe) explaining what it was like to live in London when the plague came. It wasn’t pretty. The most chilling moment in the book came at the end, when I googled facts about the plague, realized it went away, and then came back repeatedly for decades.
The haunting cry of "Bring out your dead!" by a bell-ringing collector of 17th-century plague victims has filled readers across the centuries with cold terror. The chilling cry survives in historical consciousness largely as a result of this classic 1722 account of the epidemic of bubonic plague — known as the Black Death — that ravaged England in 1664–1665. Actually written nearly 60 years later by Daniel Defoe, the Journal is narrated by a Londoner named "H. F.," who allegedly lived through the devastating effects of the pestilence and produced this eye witness account. Drawing on his considerable talents as…
Although I come from a family with a number of medical professionals, I am not one myself. My interest in medical thrillers is a three-strand braid that combines my learning and experiences in the fields of sociology, literature, and storytelling. Horrific as the stories on this list are, they share both a hopefulness that mankind is capable of overcoming whatever challenge nature presents, or they themselves conjure and a warning to get ourselves right before the next one comes along. At a time when it is tempting to despair over the human condition, I hope these books inspire your faith in mankind’s resourcefulness and ability to endure.
I especially love this novel as Camus applies his background in existential philosophy to elevate the medical thriller genre into the realm of the metaphysical.
I love how the novel uses the plot device of an outbreak of the plague to force me as a reader to move beyond the surface questions of “What?” “When?” and “Where?” to ask the deeper question of “Why?” and “What now?”
“Its relevance lashes you across the face.” —Stephen Metcalf, The Los Angeles Times • “A redemptive book, one that wills the reader to believe, even in a time of despair.” —Roger Lowenstein, The Washington Post
A haunting tale of human resilience and hope in the face of unrelieved horror, Albert Camus' iconic novel about an epidemic ravaging the people of a North African coastal town is a classic of twentieth-century literature.
The townspeople of Oran are in the grip of a deadly plague, which condemns its victims to a swift and horrifying death. Fear, isolation and claustrophobia follow as they…
We have always been fascinated by literary masterworks that stage the plague as a pivotal factor in the plot. We added the next ingredients: a whodunnit with a claustrophobic setting, the Baroque Age, a (real) financial thriller between Rome and London, and an unusual protagonist. Rita is a historian of religions, Francesco is a musicologist. After working as journalists, meeting in a newspaper bureau, and getting happily married, we started a writing career publishing 11 novels translated into 26 languages and 60 countries with more than 2 million copies sold. Our novels are a mix of literary creativity and meticulous research, characters and settings are strictly based on original documents and eyewitness accounts.
This epic novel in Walter Scott’s good tradition, but with a plus of philosophical depth, taught us (and generations of authors) how to wave together love and hope, freedom and destiny, pride and courage. The plague’s tragic outcome around 1630 in northern Italy offered such a powerful literary palette that Manzoni had to spin off a chapter about the epidemic and publish it separately. Nevertheless, The Betrothed is still marked by death and devastation, the hysterical witch-hunt against the alleged “plague-spreaders” and the impressive scenes in the lazarettos.
Set in Lombardy during the Spanish occupation of the late 1620s, The Betrothed tells the story of two young lovers, Renzo and Lucia, prevented from marrying by the petty tyrant Don Rodrigo, who desires Lucia for himself. Forced to flee, they are then cruelly separated, and must face many dangers including plague, famine and imprisonment, and confront a variety of strange characters - the mysterious Nun of Monza, the fiery Father Cristoforo and the sinister 'Unnamed' - in their struggle to be reunited. A vigorous portrayal of enduring passion,
I have studied Classics and Ancient Greek history since my teens, I read ‘Greats’ (Ancient History and Philosophy) at Oxford, completed an archaeological doctorate on early Sparta also at Oxford (1975), while spending my teaching career (1972-2014) in Northern and Southern Ireland, and in England at Warwick and Cambridge Universities. I retired as the inaugural, endowed A.G. Leventis Professor of Greek Culture before taking up my current position as A.G. Leventis Senior Research Fellow of Clare College, Cambridge. I have been the author, co-author, editor, or co-editor of some 30 books on ancient Greek history, most recently Thebes: the Forgotten City of Ancient Greece.
Thucydides of Athens (c. 455-400 BC) was an Athenian aristocrat of supreme intelligence and a failed politician who turned his 20 years of political exile to excellent account by turning himself into the most acute analyst and historian of the great Atheno-Peloponnesian War of 431 to 404. Thucydides was born within the world’s first democratic political state but was out of sympathy with the rule of the majority, the masses – except when they themselves were kept in check and did what they were advised by a superior statesman of the unique calibre of Pericles (c. 493-429).
Thucydides outlived the end of that War, which was a major defeat ultimately for his own home city by the Spartans aided financially by the old enemy, the Persians. But he did not live long enough to complete his History, which breaks off in mid-sentence in what we call the summer of 411…
Thucydides' classic work is a foundational text in the history of Western political thought. His narrative of the great war between Athens and Sparta in the fifth century BC is now seen as a highly sophisticated study of the nature of political power itself: its exercise and effects, its agents and victims, and the arguments through which it is defended and deployed. It is therefore increasingly read as a text in politics, international relations and political theory, whose students will find in Thucydides many striking contemporary resonances. This edition seeks to present the author and the text in their proper…
I spent my career teaching Classics, mostly at Oxford University, where I was a fellow of Lady Margaret Hall and Professor of the Classical Tradition. I have worked on the influence of the ancient world on British literature and culture, especially in the Victorian age, and when being a conventional classicist have written mostly about Latin literature and Roman culture. I have also written short books on Jane Austen and Westminster Abbey.
Thucydides, along with Herodotus a generation earlier, created history as we know it. Herodotus added to narrative the analysis of cause: ‘why’ as well as ‘what’. Thucydides added different levels of causation: the immediate reasons for the war and the long-term causes. He studied how the dynamics of fear and power drive states into warfare. He took the gods out of history (it is hard to remember how radical that was). He studied the corruption of moral language and behaviour under the pressure of conflict. In Pericles’ Funeral Speech he set out the theory of Athenian democracy (Pericles would have denied that our own society was democratic—a challenging thought). Thucydides’ eye is not exactly cold, but it is unblinking: no historian seems so free of illusion.
Thucydides called his account of two decades of war between Athens and Sparta "a possession for all time," and indeed it is the first and still the most famous work in the Western historical tradition.
Considered essential reading for generals, statesmen, and liberally educated citizens for more than 2,000 years, The Peloponnesian War is a mine of military, moral, political, and philosophical wisdom.
However, this classic book has long presented obstacles to the uninitiated reader. Written centuries before the rise of modern historiography, Thucydides' narrative is not continuous or linear. His authoritative chronicle of what he considered the greatest war…
I’m a historian and classicist, teaching at the University of Exeter. I am equally interested
in classical Greece and Rome, especially their economy and society, and in the ways that classical ideas and examples have been influential in the modern world.
Not a book about Thucydides, but a selection of the speeches – one of the most striking aspects of his approach to history is the way he includes set-piece debates, not so much as accurate transcripts of what was actually said as a means of exploring issues of war, peace, democratic deliberation and so forth. If you already own a copy of Thucydides, this may not be of much interest (unless you’re obsessive enough to compare Hanink’s translations with others), but if you’re new to the topic this may be a good place to start: the speeches are more accessible than the lengthy battle narratives, they’re the main basis for Thucydides’ reputation as a thinker about political issues, as well as the source of some memorable lines, and Hanink’s introduction does a good job of explaining all of this.
An accessible modern translation of essential speeches from Thucydides's History that takes readers to the heart of his profound insights on diplomacy, foreign policy, and war
Why do nations go to war? What are citizens willing to die for? What justifies foreign invasion? And does might always make right? For nearly 2,500 years, students, politicians, political thinkers, and military leaders have read the eloquent and shrewd speeches in Thucydides's History of the Peloponnesian War for profound insights into military conflict, diplomacy, and the behavior of people and countries in times of crisis. How to Think about War presents the most…
I’ve been fascinated by war since I was literally a toddler. True story, I was the only two-and-a-half-year-old in South Boston, Massachusetts with an adult library card. I had to get one, and to get it to prove to the librarian that I could read, in order to check out certain books that I wanted. I only recall one title, The Battle of Midway. Since then, though I’ve done other things like practice law and become a novelist, most of my adult life was still spent as an enlisted man, non-commissioned officer, and company grade and field grade infantry officer in the Army.
Written around twenty-five centuries ago, this remains the seminal work of history, political science, man as he is, war, and diplomacy. The author expressly intended that it be “a work for all time,” and so it remains. Moreover, it serves still as an example of a civilization ruining itself, as Europe did in the Great War. Thus, it continues to warn.
Such was Macaulay's verdict on Thucydides (c. 460-400 BC) and his history of the Peloponnesian War, the momentous struggle between Athens and Sparta as rival powers and political systems that lasted for twenty-seven years from 431 to 404 BC, involved virtually the whole of the Greek world, and ended in the fall of Athens. Thucydides himself was a participant in the war; to his history he brings an awesome intellect, brilliant narrative, and penetrating analysis of the nature of power, as it affects both states and individuals.
The greatest influence on my interest in the theme of war is, of course, my father. Only later, when I became involved with the FEPOW groups, I heard the real stories of what happened to them as individuals, as well as the poor treatment of families back home in Britain. My book is based on their stories. However, this interest also spread to other areas as I read about the history of war while studying literature and, later, the work of various official War Artists. In all of it, the despair and hopelessness comes through, definitely not any sense of the ‘glory’.
I loved this when I first read it many years ago during my studies of Ancient Greek Art & Literature: all the familiar names and places, such as Helen of Troy. The best element for me was this early translation in 1948, with a fascinating use of the English language by an expert professor from an old Public School.
His language is ironic and amusing in places, but he also despairs at the futility of it all. You will recognize this futility continuing to the present day when he describes how hostilities began and different ‘tribes’ on the same side killing each other in the confusion of battle. Nothing changes then.
'With icy remorselessness, it puts paid to any notion that the horrors of modern history might be an aberration - for it tells of universal war, of terrorism, revolution and genocide' Tom Holland
The long life-and-death struggle between Athens and Sparta plunged the ancient Greek world into decades of war. Thucydides was an Athenian and achieved the rank of general in the earlier stages of the war, and in this detailed, first-hand contemporary account he writes as both a soldier and a historian. He applies a passion for accuracy and a contempt for myth and romance in compiling a factual…
I’m a lifelong warfighter, law enforcement officer, intelligence officer, and emergency services worker, intimately familiar with the crisis response and what makes conflict so fascinating to students of history. I’m also a popular novelist with an in-depth understanding of story arcs and what makes great prose. I’ve previously published narrative military history myself – Legion Versus Phalanx: The Epic Struggle for Infantry Supremacy in the Ancient World. My short nonfiction, much of it based on military history and crisis work, has appeared in The New York Times, The Daily Beast, The New Republic, Foreign Policy, and Ancient Warfare Magazine.
Roberts’ groundbreaking, game-changing story of the Peloponnesian War (really, wars) is richly detailed and comprehensive, a modernizing “leveling up” from Donald Kagan’s 2004 standard text. By centering her narrative in the impact of the war, rather than strategy and politics, Roberts brings home the terrible human cost of the conflict, and the book serves as a critical examination of what wholesale violence means to a society, from the high to the low. Roberts writes with incredible empathy, and her voice makes the book more than enlightening, it’s a deeply moving mediation on the depths of self-inflicted suffering as only human beings can engender.
In 431 BC, the long simmering rivalry between the city-states of Athens and Sparta erupted into open warfare, and for more than a generation the two were locked in a life-and-death struggle. The war embroiled the entire Greek world, provoking years of butchery previously unparalleled in ancient Greece. Whole cities were exterminated, their men killed, their women and children enslaved. While the war is commonly believed to have ended with the capture of the Athenian navy in 405 and the subsequent starvation of Athens, fighting in Greece would continue for several decades. Sparta's authority was challenged in the so-called Corinthian…
