100 books like Inkheart

This is a retelling of the classic fairy tale, and it’s a world that I love to disappear into year after year. East challenged me to see beyond the surface of my circumstances and gave a glimpse of the treasure that was only waiting for me to have the eyes to see it. It’s the book that convinced me that the reality of grief wasn’t the end of my family’s story.

I love books about books, so I was thrilled when Oxford's Bodleian Library and a bewitched alchemical manuscript turned up as the linchpin of this enchanting love story between a vampire and a reluctant witch.

While this story was made into a television series, do yourself a favor and read the entire trilogy. Harkness creates a compelling framework of history and heroics, love and loss, and friendship and betrayal for her underworld creatures to inhabit. And these are not your typical creatures of the night, but accomplished scholars, physicians, and scientists.

This book is one of those rare novels I wish I could read again for the first time and fall under its magical and mesmerizing spell anew.

“Did they all live happily ever after? They did not. No one ever does, in spite of what the stories may say.” This is a book I have read over and over again, and I never tire of it. Unlike the horror books he is well known for, this one was written by Stephen King for his daughter, and it is rooted firmly in a fairy-tale world, featuring a brave prince, his not-so-brave brother, a hunted dragon, and a truly nasty magician. However, King has injected this tale with his own, unique flair for interesting characters and truly gut-churning scenarios, and the story is all the better for it. 

It’s not just an awesome movie, it’s a book, and it’s got everything I want in a fantasy epic: Pirates, princesses, sword fights, and giants. It’s old-school fantasy at its best.

If you’ve seen the movie, be prepared for some stark differences, but do not lose heart. It’s still a fantastic read where good overcomes evil and true love wins. 

 On the spectrum that ranges from narrative fragmentation to narrative linearity, this verse novel triumphs in its capacity to compel the reader both to turn the page and linger over every fine phrase.

A remarkably contemporary retelling of ancient myth, Autobiography of Red reminds us that the ancient stories are the new ones. As the poet Linda Gregg once wrote, “The singers change, the music goes on.” This is a must-read for all students of poetry and lovers of literary experimentation.

I wrote my undergrad thesis on the migration of visual tropes from traditional Japanese theatre (Noh, Bunraku, and Kabuki) into modern art forms (Manga, Anime, Supakabuki/Anime Musicals), which was a rigorous exercise because I couldn’t just compare the tropes—I had to spend hours explaining them to my advisor. It was a fascinating (sometimes exasperating) lesson in learning to read one visual vocabulary, only to have to explain it to someone else in terms that they understood using another.

This blurred-xerox-translation-of-a-translation exercise is the central theme of Mangaman, where a Shojou-esque protagonist falls from a fantastical manga world into a comic. Visual conventions clash, where he walks the wrong way across panels, and where his speed lines accidentally stab people in the school hallway.

A gentler, kinder version of Inkheart and The Untold Tale, this novel is still thrilling. I love the idea of consuming a book as literally as we do figuratively. In this one, our protagonist absentmindedly eats a page out of his favourite bedtime story and wakes up inside it. He has to hop from story to story to get home, crossing through his sister’s horse books and many an adventure before making it safe to his own bed. I think it’s totally charming.

Though not a book, the film starring Will Ferrell and Emma Thompson borrowed heavily from "Niebla" by Miguel de Unamuno, a Spanish novel about a character who becomes aware he is being narrated by a writer and goes to visit the writer. This film lives rent-free in my heart because the style of self-awareness that Ferrell’s character experiences in this film is close to the way I conceived of the meta-awareness of the characters Forsyth and Kintyre in The Untold Tale. I love the idea of someone learning they are being puppeteered and breaking free of the expected, the prescribed, and the narrative laid out for them. Maybe that’s why I like the film The Truman Show so much, too.

Sometimes you read a book that lingers with you for years—this is that book.

The Goose Girl is an enchanting, beautifully poetic read that captures the essence of everything that makes fairy tales magical. It’s a bit longer than most fairy tale retellings, but it makes the pages count, and it develops sweet relationships between the characters.

This is also the start of a series, with later books covering the side characters and giving them their own chances to shine. 10/10.

I fell in love with the characters. Even the ones I didn’t necessarily like, I wanted to read more about.

More importantly, for me, this book came out at a time when I was having difficulties in my own relationship. The idea of being apart from the one person I thought would be forever shattered me. Reading Bella’s emotions for Edward and the crushing heartbreak she felt, was like reading about my feelings on the pages of the book.

Of course there’s vampires and I love all things vampire.