Fans pick 100 books like Inkheart

This is a retelling of the classic fairy tale, and it’s a world that I love to disappear into year after year. East challenged me to see beyond the surface of my circumstances and gave a glimpse of the treasure that was only waiting for me to have the eyes to see it. It’s the book that convinced me that the reality of grief wasn’t the end of my family’s story.

Discovering Diana, the reluctant witch who must rediscover herself and her supernatural talents, makes this novel a page-turner of magick and mystery. And I loved how the weave of those two powers pulled in the romance between Diana and Matthew. An added spicy balance that mixes like a brew into the witch and vampire families that are here and from the Otherworld.

I am not a vampire fan, but the magick here is irresistible. It became rather addictive because the witchcraft spells were so illusory that I felt “invited in.” The vampire scenes were a bit nerve-wracking, creating real tension for me. Diana’s journey was perfect, as it kept growing with obsessive and fantastical suspense. I was in their witch-vampire world, which was as frightening as it was compelling. 

This was the first fantasy recommendation I ever got from my dad. He saw me taking an interest in stories with castles, knights, wizards, and kings and knew just the book from his favorite author to put in my hands.

I hadn’t had any experience with Stephen King before this, and I found that his prose was friendly and familiar to me; the story itself is good, a solid entry into the genre, and I found the intrigues of the villain to be the most interesting part of the story. It turns out that the King (ha) of horror can write a fine fantasy story, too.

What? You didn’t know there was a book? There is! Now, the movie is, in my humble opinion, the most perfect movie ever made, but the book came first.

I read the book ages ago and fell in love with it. More in-depth than the movie and a little different in places, it is worth the read, and if you want to follow up with a small, equally as fun read, try The Silent Gondoliers, also by Goldman.

 On the spectrum that ranges from narrative fragmentation to narrative linearity, this verse novel triumphs in its capacity to compel the reader both to turn the page and linger over every fine phrase.

A remarkably contemporary retelling of ancient myth, Autobiography of Red reminds us that the ancient stories are the new ones. As the poet Linda Gregg once wrote, “The singers change, the music goes on.” This is a must-read for all students of poetry and lovers of literary experimentation.

I wrote my undergrad thesis on the migration of visual tropes from traditional Japanese theatre (Noh, Bunraku, and Kabuki) into modern art forms (Manga, Anime, Supakabuki/Anime Musicals), which was a rigorous exercise because I couldn’t just compare the tropes—I had to spend hours explaining them to my advisor. It was a fascinating (sometimes exasperating) lesson in learning to read one visual vocabulary, only to have to explain it to someone else in terms that they understood using another.

This blurred-xerox-translation-of-a-translation exercise is the central theme of Mangaman, where a Shojou-esque protagonist falls from a fantastical manga world into a comic. Visual conventions clash, where he walks the wrong way across panels, and where his speed lines accidentally stab people in the school hallway.

A gentler, kinder version of Inkheart and The Untold Tale, this novel is still thrilling. I love the idea of consuming a book as literally as we do figuratively. In this one, our protagonist absentmindedly eats a page out of his favourite bedtime story and wakes up inside it. He has to hop from story to story to get home, crossing through his sister’s horse books and many an adventure before making it safe to his own bed. I think it’s totally charming.

Though not a book, the film starring Will Ferrell and Emma Thompson borrowed heavily from "Niebla" by Miguel de Unamuno, a Spanish novel about a character who becomes aware he is being narrated by a writer and goes to visit the writer. This film lives rent-free in my heart because the style of self-awareness that Ferrell’s character experiences in this film is close to the way I conceived of the meta-awareness of the characters Forsyth and Kintyre in The Untold Tale. I love the idea of someone learning they are being puppeteered and breaking free of the expected, the prescribed, and the narrative laid out for them. Maybe that’s why I like the film The Truman Show so much, too.

I was quickly captivated by the story of Princess Ani and her magical gift of animal speak. I related to her insecurity of being an outcast, feeling different, and finding refuge within the natural world. Her fast-paced story engages with both colorful and menacing characters as she confronts parental conflict, loss, betrayal, and true love.

Inspirational to read as she faced these challenging obstacles and evolved into self-acceptance, realizing that her differences and gifts were actually her greatest allies. This story explores bonds to animals and nature, parental conflict, betrayal, determination, insecurities around being different, acceptance, and listening to one’s inner voice.

I fell in love with the characters. Even the ones I didn’t necessarily like, I wanted to read more about.

More importantly, for me, this book came out at a time when I was having difficulties in my own relationship. The idea of being apart from the one person I thought would be forever shattered me. Reading Bella’s emotions for Edward and the crushing heartbreak she felt, was like reading about my feelings on the pages of the book.

Of course there’s vampires and I love all things vampire.