Autobiography of Red

 On the spectrum that ranges from narrative fragmentation to narrative linearity, this verse novel triumphs in its capacity to compel the reader both to turn the page and linger over every fine phrase.

A remarkably contemporary retelling of ancient myth, Autobiography of Red reminds us that the ancient stories are the new ones. As the poet Linda Gregg once wrote, “The singers change, the music goes on.” This is a must-read for all students of poetry and lovers of literary experimentation.

This narrative-in-verse is based loosely on the story of the Greek monster Geryon, taken from a poem by Stesichorus. Geryon was sexually abused by his older brother. His mother was too weak to protect him. The boy finds comfort in photography and falls into a complicated romance with Herakles. The writing is poetic, experimental, searing, and heartbreaking.

Based on the tale of the Tenth Labour of Herakles, this queer, lush, and cheeky novel grabbed my heart from the moment I was assigned to teach it. I did an undeclared minor in Classics during my undergrad, and aside from being extremely clever with the wordplay, I was delighted by how Carson absolutely takes the mickey out of academic writing around mythology, classical archeology, and translation. Told as a form of free-verse poetry, this novel is comprised of some of the most incredible word-crafting I've ever experienced.

By changing the word “arrows” in the original tale to “eros”, Carson… show more.