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Rats, Lice and History.
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Nearly forty years ago, as a young poet, I started going to a storytelling circle in Toronto, thinking it would be a good venue to recite my poems. What I heard there awakened something in me. When I was a child, my parents read me wonder tales, and I soon began to read them on my own. Now I was hearing these stories, the way they were heard for millennia before anyone wrote them down. Today, I am a storyteller, I am married, and I am a professor who teaches a course on storytelling and writes about stories – all because of those weekly gatherings years ago and the storytellers there.
I’m including one book from long ago and far away – fourteenth-century Italy – because it leaped out at me from the bookshelf.
The Decameron is the most artistically complete written story about face-to-face storytelling – though I also love its rivals, One Thousand and One Nights and The Canterbury Tales!
The book opens with the bubonic plague that devastated Florence in 1348. Ten wealthy young friends, women and men, leave the stricken city to vacation in the countryside. While servants prepare lavish meals, the friends spend their days relaxing, dancing – and telling naughty stories. The narrator delights in describing their reactions to each other’s storytelling.
Yes, stories can be holy and powerful, but sometimes we just need them to clown around for us! Many translations are available – read one that feels playful.
In the summer of 1348, as the Black Death ravages their city, ten young Florentines take refuge in the countryside...
Taken from the Greek, meaning 'ten-day event', Boccaccio's Decameron sees his characters amuse themselves by each telling a story a day, for the ten days of their confinement - a hundred stories of love and adventure, life and death, and surprising twists of fate. Less preoccupied with abstract concepts of morality or religion than earthly values, the tales range from the bawdy Peronella, hiding her lover in a tub, to Ser Cepperallo, who, despite his unholy effrontery, becomes a Saint.…
I’ve always been fascinated by the strangeness of human character when tested to the limit by overwhelming catastrophe. I’ve always wanted to write a story that brings into stark relief the courage, fear, ambition, tragedy, absurdity, and the ecstatic. In other words, a disaster. And if character is destiny, then an apocalypse maybe the best way to show us who we really are and where we’re going. My debut novel, Delirium focuses on these extremes of character. And after writing it I reached one indelible conclusion: that the human being is the most disturbed creature, but also the most hopeful.
I enjoyed reading this book both as a historical artefact of the 17th century but also because Defoe’s plain, matter-of-fact style makes all the chaos, the shrieking, the death carts, families locked in their houses, health certificates, the delirium, the fear of coming too close, the paranoia, the panic and the madness that surrounds the narrator all the more disturbing.
He is a witness whose curiosity far outweighs his fear. But there’s also the Defoe-like sense of adventure when for instance a group of three escape London and shift for themselves in a countryside whose towns and villages are hostile to strangers. Instructive, disquieting, gripping, indelible.
This retained its curiosity value even on a second reading. A great little book.
The haunting cry of "Bring out your dead!" by a bell-ringing collector of 17th-century plague victims has filled readers across the centuries with cold terror. The chilling cry survives in historical consciousness largely as a result of this classic 1722 account of the epidemic of bubonic plague — known as the Black Death — that ravaged England in 1664–1665. Actually written nearly 60 years later by Daniel Defoe, the Journal is narrated by a Londoner named "H. F.," who allegedly lived through the devastating effects of the pestilence and produced this eye witness account. Drawing on his considerable talents as…
I grew up reading Stephen King and Michael Crichton. That combination of horror and techno-thriller greatly impacted my writing style and genre. I love a page-turner and chapters that end with a cliffhanger. I love that creepy feeling of dread that washes over you when engrossed in a scary scene. I love when you put a book down for the night, turn off the light, and then wince when you hear a strange noise in the other room. I love a story that's so believable that you can't help but wonder, "Could this happen...maybe even to me?" If you do, too, you may enjoy my books.
A friend insisted I borrow The Hot Zone from him. I explained I wasn't fond of nonfiction books, but he told me to trust him and that the book read like a real-life thriller. I gave it a try and couldn't put the story down.
I read this 25 years before Covid. When the pandemic hit in 2020, I remember thinking, "Oh my God, the Hot Zone has gone global." With every turn of the page, I kept telling myself, "This can't be real." Not only was it all true, but it was exciting. And terrifying. That icky feeling stuck with me.
When I write, I do my best to use the five senses to create the perfect atmosphere.
The bestselling landmark account of the first emergence of the Ebola virus.
Now a mini-series drama starring Julianna Margulies, Topher Grace, Liam Cunningham, James D'Arcy, and Noah Emmerich on National Geographic.
A highly infectious, deadly virus from the central African rain forest suddenly appears in the suburbs of Washington, D.C. There is no cure. In a few days 90 percent of its victims are dead. A secret military SWAT team of soldiers and scientists is mobilized to stop the outbreak of this exotic "hot" virus. The Hot Zone tells this dramatic story, giving a hair-raising account of the appearance of…
I’ve been fascinated by war since I was literally a toddler. True story, I was the only two-and-a-half-year-old in South Boston, Massachusetts with an adult library card. I had to get one, and to get it to prove to the librarian that I could read, in order to check out certain books that I wanted. I only recall one title, The Battle of Midway. Since then, though I’ve done other things like practice law and become a novelist, most of my adult life was still spent as an enlisted man, non-commissioned officer, and company grade and field grade infantry officer in the Army.
Written around twenty-five centuries ago, this remains the seminal work of history, political science, man as he is, war, and diplomacy. The author expressly intended that it be “a work for all time,” and so it remains. Moreover, it serves still as an example of a civilization ruining itself, as Europe did in the Great War. Thus, it continues to warn.
Such was Macaulay's verdict on Thucydides (c. 460-400 BC) and his history of the Peloponnesian War, the momentous struggle between Athens and Sparta as rival powers and political systems that lasted for twenty-seven years from 431 to 404 BC, involved virtually the whole of the Greek world, and ended in the fall of Athens. Thucydides himself was a participant in the war; to his history he brings an awesome intellect, brilliant narrative, and penetrating analysis of the nature of power, as it affects both states and individuals.
Carol R. Byerly is a historian specializing in the history of military medicine. She has taught American history and the history of medicine history at the University of Colorado, Boulder, was a contract historian for the U.S. Army Office of the Surgeon General, Office of History, and has also worked for the U.S. Congress and the American Red Cross. Byerly’s publications include Fever of War: The Influenza Epidemic in the U.S. Army during World War I and Good Tuberculosis Men: The Army Medical Department’s Struggle with Tuberculosis. She is currently working on a biography of Army medical officer William C. Gorgas, (1854-1920), whose public health measures, including clearing yellow fever from Panama, enabled the United States to construct the canal across the Isthmus.
This is a sweeping study of disease in human history written by a scientist who describes both the biological and historical trajectory of ten infectious diseases that have afflicted human society, from bubonic plague to HIV/Aids. While science and medicine continue to find ways to control individual diseases, new infections and parasites continue to emerge to sicken, disable and kill. Loomis concludes with a thoughtful discussion about the future of epidemic disease as we continue to alter our global environment.
This book comprehensively reviews the 10 most influential epidemics in history, going beyond morbid accounts of symptoms and statistics to tell the often forgotten stories of what made these epidemics so calamitous.
Unlike other books on epidemics, which either focus on the science behind how microbes cause disease or tell first-person accounts of one particular disease, Epidemics: The Impact of Germs and Their Power over Humanity takes a holistic approach to explaining how these diseases have shaped who we are as a society. Each of the worst epidemic diseases is discussed from the perspective of how it has been a…
I began college as a science major, but then switched to literature from a minor to my major. In graduate school, as I worked on my dissertation (which became my first book), I found that metaphors of the body and health were everywhere in the literary field in the mid-nineteenth century. Suffice it to say that the sciences, including the rapid development of modern medicine, are both fundamental to this period and deeply shape its literary culture. In Mapping the Victorian Social Body, I became fascinated with the history of data visualization. Disease mapping completely transformed the ways we understand space and how our bodies exist within it.
This collection of previously published essays by Charles Rosenberg elaborates many of his ideas about how people make meaning out of epidemics, including his famous theory that epidemics are understood in a dramatic tripartite structure (see “What Is an Epidemic? AIDS in Historical Perspective”). Rosenberg shows not only how the history of medicine illuminates larger themes, but why it matters, both to those of us interested in history and those interested in medical science itself.
Medicine has always had its historians; but until recently it was a history written by and for practitioners. Charles Rosenberg has been one of the key figures in recent decades in opening up the history of medicine beyond parochial concerns and instead viewing medicine in the rich currents of intellectual and social change of the past two centuries. This book brings together for the first time in one place many of Professor Rosenberg's most important essays. The first two sections of essays, focusing on ideas and institutions, are meant at the same time to underline interactions between these realms. The…
I grew up on the Northern Plains, visiting Indian Reservations where my mother was a social worker. The poverty, hopelessness, and general lack of medical care and schooling made a profound impact on me. It led me to Graduate School and the study of American Indians. Of my twelve books, two have been finalists for the Pulitzer Prize, and several others have won minor prizes. As a historian, I realize that we can turn things around. We can strive to better understand the past, and prepare our children and grandchildren for the future. But this will never happen by banning books. We must face the brave, new world that is upon us.
As a historian, some books just keep coming back to you. McNeill’s Plagues and Peoples is just such a book.
He is really the first historian to outline the dramatic impact that infectious diseases have had on human history. He outlines the spread of smallpox, diphtheria, Yellow Fever, Malaria, the Plague, and many others, as they originate mostly in Africa and come into the Mediterranean Ocean, to produce cycles of death.
But the people who lived on the edge of that ocean soon came to develop antibodies, and ultimately, master the impact of such terrible diseases.
Unfortunately, those diseases were soon transferred to the Americas, where perhaps a hundred million American Indians died from them. They had no immunities!
Had such a calamity not occurred, the two western hemispheric continents might easily be dominated by Natives, who spoke a different language and prayed to a different God.
Upon its original publication, Plagues and Peoples was an immediate critical and popular success, offering a radically new interpretation of world history as seen through the extraordinary impact--political, demographic, ecological, and psychological--of disease on cultures. From the conquest of Mexico by smallpox as much as by the Spanish, to the bubonic plague in China, to the typhoid epidemic in Europe, the history of disease is the history of humankind. With the identification of AIDS in the early 1980s, another chapter has been added to this chronicle of events, which William McNeill explores in his new introduction to this updated editon.…
I’ve been interested in medicine and how stories influence the decisions that people make for as long as I can remember. Watching family and friends make choices about their own healthcare was always fascinated to me and I was always curious as to why some narratives had more staying power than others. After getting my BA in history, I was lucky enough to talk to someone who suggested that I study folklore. I ended up with both a MA and PhD in folklore and became a professor who studies the intersection of folklore and how it affects the medical decisions we all make in our own lives and the lives of others.
This is an amazing book if you want to understand that disease isn’t just medical, it’s also cultural.
Contagiousreally describes how culture influences how we understand illness and how that affects treatment and care of individuals, including who we blame and how we understand risk.
People like to think of medicine and science as being detached and objective, but this book shows that simply isn’t true.
How should we understand the fear and fascination elicited by the accounts of communicable disease outbreaks that proliferated, following the emergence of HIV, in scientific publications and the mainstream media? The repetition of particular characters, images, and story lines-of Patients Zero and superspreaders, hot zones and tenacious microbes-produced a formulaic narrative as they circulated through the media and were amplified in popular fiction and film. The "outbreak narrative" begins with the identification of an emerging infection, follows it through the global networks of contact and contagion, and ends with the epidemiological work that contains it. Priscilla Wald argues that we…
I am a young adult fantasy author and paranoid survivalist. I have spent years curating items for my end-of-days go-bag, and nothing gives me greater pleasure than hanging out in universes that are about to go bang!
Legends are made of powerful stuff, and nothing has greater power than a total flip in perspective. I still recall the gut-punch end to this book, though it’s been decades since I read it.
Robert Neville is a vampire hunter by day and a tormented man by night. As seemingly the only living human in post-apocalyptic Los Angeles, Robert faces depression, isolation, alcoholism, and his undead neighbor, Ben Cortman, who appears outside Robert’s front door each night chanting, "Come out, Neville."
But when Robert is finally captured, and the truth of his situation is revealed, he gets a good look at the world through the eyes of the undead and is forced to ask himself, who am I? What have I become?
An acclaimed SF novel about vampires. The last man on earth is not alone ...Robert Neville is the last living man on Earth ...but he is not alone. Every other man, woman and child on the planet has become a vampire, and they are hungry for Neville's blood. By day he is the hunter, stalking the undead through the ruins of civilisation. By night, he barricades himself in his home and prays for the dawn. How long can one man survive like this?
Growing up in the sub-tropics of Brisbane, there was a magic in the heat. It was one that spoke to me from a really young age, and I’d daydream about finding portals to secret worlds in the stutter of a sprinkler’s spray, or the ooze of a monster in mid-afternoon sweat. There was no way I couldn’t find a story in the oppressive swelter of year-round summers, and in my head, I’d cast roles for my family and my friends. Over the years, that bred into a love of writing and reading stories about strange families finding their own sorts of magic with each other and their environments, and the ways that little taste of the uncanny can reveal and conceal in equal measure.
There’s a lot of pandemic fiction, but rarely are they as creative and thrilling as this. The zooflu that rips through Australia allows people to talk to animals while they’re sick, and when it inches towards the family-run zoo at the heart of this novel, tensions rise and bonds are tested, especially between addict Jean, her granddaughter Kimberley, and prodigal son, Lee.
Hard-drinking, foul-mouthed, and allergic to bullshit, Jean is not your usual grandma. She's never been good at getting on with other humans, apart from her beloved granddaughter, Kimberly. Instead, she surrounds herself with animals, working as a guide in an outback wildlife park. And although Jean talks to all her charges, she has a particular soft spot for a young dingo called Sue.
As disturbing news arrives of a pandemic sweeping the country, Jean realises this is…
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