Here are 100 books that Contagious fans have personally recommended if you like
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I’ve been interested in medicine and how stories influence the decisions that people make for as long as I can remember. Watching family and friends make choices about their own healthcare was always fascinated to me and I was always curious as to why some narratives had more staying power than others. After getting my BA in history, I was lucky enough to talk to someone who suggested that I study folklore. I ended up with both a MA and PhD in folklore and became a professor who studies the intersection of folklore and how it affects the medical decisions we all make in our own lives and the lives of others.
I may be a bit biased on this one since Dr. Goldstein is one of my mentors, but this book really shows the power that narrative has when it comes to understanding illness and assessing risk.
Once Upon a Virus very clearly helps us understand why looking at disease and illness from the standpoint of the community is so important. If we want to promote any type of health behavior or change, we must adapt to the specific community instead of expecting the community to change.
Listening to these stories is crucial for public health and I really wish more people would read this book and understand that!
Once Upon a Virus explores how contemporary, or "urban," legends are indicators of culturally complex attitudes toward health and illness. Tracing the rich tradition of AIDS legends in relation to current scholarship on belief, Diane Goldstein shows how such stories not only articulate widespread perceptions of risk, health care, and health policy, they also influence official and scientific approaches to the disease and its management. Notions that appear in narratives of who gets AIDS, how and why, are indicators of broad issues involving health beliefs, concerns, and needs.
I’ve been interested in medicine and how stories influence the decisions that people make for as long as I can remember. Watching family and friends make choices about their own healthcare was always fascinated to me and I was always curious as to why some narratives had more staying power than others. After getting my BA in history, I was lucky enough to talk to someone who suggested that I study folklore. I ended up with both a MA and PhD in folklore and became a professor who studies the intersection of folklore and how it affects the medical decisions we all make in our own lives and the lives of others.
Emily Martin’s work was some of the first things I read when I wanted to understand how we understand medicine.
There’s such a gap between the health information we’re given and what we actually believe and Martin really covers how Americans have understood the concept of immunity and how we’re influenced by popular culture and the media.
This book is absolutely crucial for understanding both how we look at immunity and understanding how doctors are not free of bias.
Argues that changing attitudes towards sickness and immunity are reflected in other views, such as the trend towards temporary employees who can be let go when no longer needed
I’ve been interested in medicine and how stories influence the decisions that people make for as long as I can remember. Watching family and friends make choices about their own healthcare was always fascinated to me and I was always curious as to why some narratives had more staying power than others. After getting my BA in history, I was lucky enough to talk to someone who suggested that I study folklore. I ended up with both a MA and PhD in folklore and became a professor who studies the intersection of folklore and how it affects the medical decisions we all make in our own lives and the lives of others.
When the pandemic first started and we learned that we would be teaching fully online, I snuck back into my office on campus to grab the books I knew that I would need during the pandemic. This was one of the first books I grabbed because I knew that I needed to reread it before I answered any questions about COVID.
Paula Treichler does an amazing job discussing how disease has an “epidemic of meanings” and how those meaning influence the decisions we make and how we treat others. This book clearly shows how some narratives take hold while others are obscured.
Paula A. Treichler has become a singularly important voice among the significant theorists on the AIDS crisis. Dissecting the cultural politics surrounding representations of HIV and AIDS, her work has altered the field of cultural studies by establishing medicine as a legitimate focus for cultural analysis. How to Have Theory in an Epidemic is a comprehensive collection of Treichler's related writings, including revised and updated essays from the 1980s and 1990s that present a sustained argument about the AIDS epidemic from a uniquely knowledgeable and interdisciplinary standpoint. "AIDS is more than an epidemic disease," Treichler writes, "it is an epidemic…
I’ve been interested in medicine and how stories influence the decisions that people make for as long as I can remember. Watching family and friends make choices about their own healthcare was always fascinated to me and I was always curious as to why some narratives had more staying power than others. After getting my BA in history, I was lucky enough to talk to someone who suggested that I study folklore. I ended up with both a MA and PhD in folklore and became a professor who studies the intersection of folklore and how it affects the medical decisions we all make in our own lives and the lives of others.
Women’s voices are often trivialized in healthcare and I’m willing to bet that most women have experienced some form of medicalized sexism while receiving healthcare (I know I have).
Anika Wilson does an amazing job of listening to women’s voices and their experiences in this book, highlighting how important rumors, legend, and gossip are to healthcare.
Informal folk narrative genres such as gossip, advice, rumor, and urban legends provide a unique lens through which to discern popular formations of gender conflict and AIDS beliefs. This is the first book on AIDS and gender in Africa to draw primarily on such narratives. By exploring tales of love medicine, gossip about romantic rivalries, rumors of mysterious new diseases, marital advice, and stories of rape, among others, it provides rich, personally grounded insights into the everyday struggles of people living in an era marked by social upheaval.
Amidst COVID-19, HIV/AIDS is a touchpoint for journalists, scholars, writers, and a public who seek a usable past in understanding the present and making an uncertain future less so. The challenge of how to love, live, and survive amidst pandemics isn't new, I play here on the title of one of the first safer sex books,How to Have Sex in an Epidemic. As someone who studies how activists document their work and how they bring those materials to life today, I'm both fascinated and troubled by pandemic comparisons. These books offer crucial stories and productive tools to think with as we navigate questions of how to survive, and maybe even thrive amidst intersecting pandemics.
One of the best academic books written at convergence of the HIV/AIDS and COVID-19 pandemics isThe Virus Touch.
Here, Bishnupriya Ghosh showcases how “epidemic media” inform how epidemics are understood and experienced—making this text so relevant right now. She looks at how media—images, numbers, and digital models—whether generated by scientists, artists, or activists enable us to see and understand viruses and bear witness to their effects in new ways.
What is unique about Ghosh’s scholarship is how looks to the environment to study health which illustrates the complex and tangled relationships between epidemics, humans, animals, and media. Ghosh’s rich examples, ranging from modelling viruses to reading test results to tracking infection rates and mortality numbers, ensure that Virus Touch speaks to diverse readers.
In The Virus Touch Bishnupriya Ghosh argues that media are central to understanding emergent relations between viruses, humans, and nonhuman life. Writing in the shadow of the HIV/AIDS and COVID-19 global pandemics, Ghosh theorizes "epidemic media" to show how epidemics are mediated in images, numbers, and movements through the processes of reading test results and tracking infection and mortality rates. Scientific, artistic, and activist epidemic media that make multispecies relations sensible and manageable eschew anthropocentric survival strategies and instead recast global public health crises as biological, social, and ecological catastrophes, pushing us toward a multispecies politics of health. Ghosh trains…
I began college as a science major, but then switched to literature from a minor to my major. In graduate school, as I worked on my dissertation (which became my first book), I found that metaphors of the body and health were everywhere in the literary field in the mid-nineteenth century. Suffice it to say that the sciences, including the rapid development of modern medicine, are both fundamental to this period and deeply shape its literary culture. In Mapping the Victorian Social Body, I became fascinated with the history of data visualization. Disease mapping completely transformed the ways we understand space and how our bodies exist within it.
This collection of previously published essays by Charles Rosenberg elaborates many of his ideas about how people make meaning out of epidemics, including his famous theory that epidemics are understood in a dramatic tripartite structure (see “What Is an Epidemic? AIDS in Historical Perspective”). Rosenberg shows not only how the history of medicine illuminates larger themes, but why it matters, both to those of us interested in history and those interested in medical science itself.
Medicine has always had its historians; but until recently it was a history written by and for practitioners. Charles Rosenberg has been one of the key figures in recent decades in opening up the history of medicine beyond parochial concerns and instead viewing medicine in the rich currents of intellectual and social change of the past two centuries. This book brings together for the first time in one place many of Professor Rosenberg's most important essays. The first two sections of essays, focusing on ideas and institutions, are meant at the same time to underline interactions between these realms. The…
Amidst COVID-19, HIV/AIDS is a touchpoint for journalists, scholars, writers, and a public who seek a usable past in understanding the present and making an uncertain future less so. The challenge of how to love, live, and survive amidst pandemics isn't new, I play here on the title of one of the first safer sex books,How to Have Sex in an Epidemic. As someone who studies how activists document their work and how they bring those materials to life today, I'm both fascinated and troubled by pandemic comparisons. These books offer crucial stories and productive tools to think with as we navigate questions of how to survive, and maybe even thrive amidst intersecting pandemics.
In We Are Having This Conversation Now, Alexandra Juhasz and Theodore Kerr blow up the conventions of academic work on epidemics.
In a series of thirteen short dialogues they reflect as activists, media-makers, and scholars on the history, present, and future of AIDS. The reflections on AIDS-related culture and conversation they share, will spark for readers critical questions about how personal experiences, community, cultural production, and interpersonal relations come together.
Doing this kind of reflective work is particularly important now, as we need to begin to understand not only HIV/AIDS, but how it impacts the experience of living amidst other viral pandemics including COVID-19.
We Are Having This Conversation Now offers a history, present, and future of AIDS through thirteen short conversations between Alexandra Juhasz and Theodore Kerr, scholars deeply embedded in HIV responses. They establish multiple timelines of the epidemic, offering six foundational periodizations of AIDS culture, tracing how attention to the crisis has waxed and waned from the 1980s to the present. They begin the book with a 1990 educational video produced by a Black health collective, using it to consider organizing intersectionally, theories of videotape, empowerment movements, and memorialization. This video is one of many powerful yet overlooked objects that the…
Amidst COVID-19, HIV/AIDS is a touchpoint for journalists, scholars, writers, and a public who seek a usable past in understanding the present and making an uncertain future less so. The challenge of how to love, live, and survive amidst pandemics isn't new, I play here on the title of one of the first safer sex books,How to Have Sex in an Epidemic. As someone who studies how activists document their work and how they bring those materials to life today, I'm both fascinated and troubled by pandemic comparisons. These books offer crucial stories and productive tools to think with as we navigate questions of how to survive, and maybe even thrive amidst intersecting pandemics.
It takes a great writer to make the complex structure and mechanics of viruses legible, and moreover, deeply compelling.
Osmundson draws together his personal experiences, expertise in microbiology, and a queer politics and studies in eleven essays that reflect critically on how viruses like HIV and COVID-19 (and their intersections) have redefined each of our daily lives.
The book offers powerful insights into illness politics, sex and pleasure amidst pandemics, and our collective responsibility for one another through a very personal narrative in ways that promise crucial insights. We need such personal and critical work as we continue to figure out new ways to live alongside viruses and viral pandemics.
Invisible in the food we eat, the people we kiss, and inside our own bodies, viruses flourish-with the power to shape not only our health, but our social, political, and economic systems. Drawing on his expertise in microbiology, Joseph Osmundson brings readers under the microscope to understand the structure and mechanics of viruses and to examine how viruses like HIV and COVID-19 have redefined daily life.
Osmundson's buoyant prose builds on the work of the activists and thinkers at the forefront of the HIV/AIDS crisis and critical scholars like Jose Esteban Munoz to navigate the intricacies of risk reduction, draw…
Charles Kenny is a writer-researcher at the Center for Global Development and has worked on policy reforms in global health as well as UN peacekeeping and combating international financial corruption. Previously, he spent fifteen years as an economist at the World Bank, travelling the planet from Baghdad and Kabul to Brasilia and Beijing. He earned a history degree at Cambridge and has graduate degrees from Johns Hopkins, the School of Oriental and African Studies in London, and Cambridge.
Unlike the other four books in this list, Zinsser’s is an overall history of disease (if focused on typhus) not the story of a particular outbreak. But Zinsser was actively involved in the history he retells at the end of his book as a researcher on a typhus vaccine. Published in 1935, it remains a fascinating and hugely enjoyable primer of the role of infection in history.
When Rats, Lice and History appeared in 1935, Hans Zinsser was a highly regarded Harvard biologist who had never written about historical events. Although he had published under a pseudonym, virtually all of his previous writings had dealt with infections and immunity and had appeared either in medical and scientific journals or in book format. Today he is best remembered as the author of Rats, Lice, and History, which gone through multiple editions and remains a masterpiece of science writing for a general readership.
To Zinsser, scientific research was high adventure and the investigation of infectious disease, a field of…
I am a young adult fantasy author and paranoid survivalist. I have spent years curating items for my end-of-days go-bag, and nothing gives me greater pleasure than hanging out in universes that are about to go bang!
Legends are made of powerful stuff, and nothing has greater power than a total flip in perspective. I still recall the gut-punch end to this book, though it’s been decades since I read it.
Robert Neville is a vampire hunter by day and a tormented man by night. As seemingly the only living human in post-apocalyptic Los Angeles, Robert faces depression, isolation, alcoholism, and his undead neighbor, Ben Cortman, who appears outside Robert’s front door each night chanting, "Come out, Neville."
But when Robert is finally captured, and the truth of his situation is revealed, he gets a good look at the world through the eyes of the undead and is forced to ask himself, who am I? What have I become?
An acclaimed SF novel about vampires. The last man on earth is not alone ...Robert Neville is the last living man on Earth ...but he is not alone. Every other man, woman and child on the planet has become a vampire, and they are hungry for Neville's blood. By day he is the hunter, stalking the undead through the ruins of civilisation. By night, he barricades himself in his home and prays for the dawn. How long can one man survive like this?
