Here are 100 books that Extinction Horizon fans have personally recommended if you like
Extinction Horizon.
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I’m a historian, and while I have a great deal of experience producing straight ‘nonfiction’ work, the idea of reading something ‘non-fictional;’ within a fictional world has always excited me because it allows many opportunities to talk about us while framing it as them. They also play into what I call the ‘Rutger Hauer Effect,’ where his character in Blade Runner mentions the wonderous things he’s seen in passing. I want to see those things too! Fictional nonfiction books provide a fantastic opportunity to tease the readers with things that their author knows and has seen but exist just beyond the reach of our own imaginations.
This is an absolute classic of the genre. Brooks draws in various ‘accounts’ of a recent zombie outbreak and structures them as if the broad details are common knowledge to his in-universe audience.
This approach means the real-world reader is always discovering new details and nuggets of information in a way that really whets the appetite while increasing the sense of horror at the way events unfolded in a world that isn’t quite our own.
It began with rumours from China about another pandemic. Then the cases started to multiply and what had looked like the stirrings of a criminal underclass, even the beginning of a revolution, soon revealed itself to be much, much worse.
Faced with a future of mindless man-eating horror, humanity was forced to accept the logic of world government and face events that tested our sanity and our sense of reality. Based on extensive interviews with survivors and key players in the ten-year fight against the horde, World War Z brings the finest traditions of journalism to bear on what is…
I’m a writer who loves to read and wants to write all the fantasy genres, or at least, wants to try. I’ve always been fascinated by monsters and the question, “What if?” Dystopian, Apocalyptic, Post-Apocalyptic, and Fantasy gives us the freedom to explore both these things. It’s amazing how these genres can bend our world and expectation when we explore these two things. What if the world ended but not in the way we expect? What if monsters were real? What if we are the real monsters? These questions are terrifying but so fascinating to consider and blending fantasy with apocalyptic has been a safe way to explore them.
Insecurity is huge in end-of-the-world stories. As humans, we have always sought shelter and security from the wilds of nature, animals, and the things we cannot see in the dark. We created fire and fences and walls and locked doors—to this day, in our modern era, we still need these things. At the end of the world, security is tantamount, but what if you need to go beyond your secured barriers? What if behind these walls, things aren’t actually as safe as you think they are? Finding out why a character would breach their safety is intriguing. After all, a story would be very different if the characters never ventured out of their homes, but if it’s safer inside, why would they go out?
In Mary's world there are simple truths. The Sisterhood always knows best. The Guardians will protect and serve. The Unconsecrated will never relent. And you must always mind the fence that surrounds the village; the fence that protects the village from the Forest of Hands and Teeth. But, slowly, Mary's truths are failing her. She's learning things she never wanted to know about the Sisterhood and its secrets, and the Guardians and their power, and about the Unconsecrated and their relentlessness. When the fence is breached and her world is thrown into chaos, she must choose between her village and…
I'm a life-long horror lover and author of dark fiction. I've been reviewing films and video games for Ravenous Monster ezine for nearly a decade, and my Wattpad horror novel The Hound is currently being adapted for film. My favorite thing is the intersection of the horrifying and fantastic with the mundane, and that's what appeals to me so much about zombies: in all of their multitudinous representations, they've always held up a mirror to humanity. No monster can so easily reflect the many facets of humanity as a zombie. Because, after all, the dead were once just like us – and if we're not careful, we might end up just like them in the end.
The first of a series, this book introduces Angel Crawford, a high school dropout with an alcoholic dad, a dead-beat boyfriend, and an addiction to prescription drugs. When things in your life are that bad, waking up as a zombie is more of an opportunity than a setback – especially when her newly undead status comes with a fresh job at the morgue and access to all the brains she can eat. But her new job and secret lifestyle come with a big side portion of murder mystery. This whole series is a fun urban fantasy romp that goes down smoother than a feast of brains.
Living with her alcoholic deadbeat dad in the swamps of southern Louisiana, she's a high school dropout with a pill habit and a criminal record who's been fired from more crap jobs than she can count. Now on probation for a felony, it seems that Angel will never pull herself out of the downward spiral her life has taken.
That is, until the day she wakes up in the ER after overdosing on painkillers. Angel remembers being in an horrible car crash, but she doesn't have a mark on her. To add to the weirdness,…
I heart zombies. I have always loved them. Even when I was a baby. Every time I could watch a zombie movie, I did. I even secretly rented zombie films from Blockbuster Video (remember those?) and the library without my parents knowing.
Some people hate the idea of combining bloggers and zombies, but I loved that it was something different and new. But what I loved most about this series is that it offered us a glimpse into a world after the zombie apocalypse.
The first book is the best but the whole series is worth reading.
Now, for the first time, Mira Grant's complete New York Times bestselling NEWSFLESH trilogy is available in a single volume.
"Alive or dead, the truth won't rest. My name is Georgia Mason, and I am begging you. Rise up while you can."
The year was 2014. We had cured cancer. We had beat the common cold. But in doing so we created something new, something terrible that no one could stop. The infection spread, virus blocks taking over bodies and minds with one, unstoppable command: FEED.
Now, twenty years after the Rising, Georgia and Shaun Mason are on the trail…
I’m a Canadian author who thought too much about death as a child. But I was also a happy little goblin who grew up watching Disney fairytales and Transformers cartoons—all of which shine in my blend of twisting horror meeting tales of love and friendship. My degree in History helps me add depth and a political thriller edge. Bands of brothers, found family, and loyal hounds round out my books. I adore being scared, but I also want my characters to find happiness. So I’ll put you on the edge of your seat and have you jumping at the next twist—but don’t worry, the dog always lives.
This book rose out of the grave and grabbed me by the ankles. I’ve always loved (and been completely terrified of) zombies. After 28 Days Later scarred me for life (that one scene with the crow and the blood ACK), zombies became somewhat of an obsession. But I always found myself wanting…more. Then this book shambled in my door, and suddenly, I had the twisted, funny, heartwarming zombie fairytale I never knew I needed in my life. It upended the undead genre, and I will love it forever for giving the mix of zombies and romance a big ole bear hug.
Now a major motion picture starring Nicholas Hoult, Teresa Palmer and John Malkovich, Warm Bodies is the ultimate zombie read this Halloween.
'R' is a zombie. He has no name, no memories, and no pulse, but he has dreams. He is a little different from his fellow Dead.
Amongst the ruins of an abandoned city, R meets a girl. Her name is Julie and she is the opposite of everything he knows - warm and bright and very much alive, she is a blast of colour in a dreary grey landscape. For reasons…
I’m a Canadian author who thought too much about death as a child. But I was also a happy little goblin who grew up watching Disney fairytales and Transformers cartoons—all of which shine in my blend of twisting horror meeting tales of love and friendship. My degree in History helps me add depth and a political thriller edge. Bands of brothers, found family, and loyal hounds round out my books. I adore being scared, but I also want my characters to find happiness. So I’ll put you on the edge of your seat and have you jumping at the next twist—but don’t worry, the dog always lives.
I love this book’s original take on the “spore” or “fungal” zombie outbreak. It feels like the author took The Last Of Us (which I also adore) and flipped the story on its head. Melanie is this unique character, at once the snarky, hilarious child of the piece and its terrifying monster.
She’s the threat, battlefield, and hope—and I find that combination so compelling. While it’s a grim, often bleak tale set in a decimated UK, this thread of unexpected hope and unusual connections kept me hooked. This story might not give me the future I wanted at the start of the story, but it offers a different vision with its own version of hope for humanity, and because of that, it has a special place on my shelf.
'ORIGINAL, THRILLING AND POWERFUL' - Guardian 'HAUNTING, HEARTHBREAKING' - Vogue The phenomenal million-copy bestseller that is also a BAFTA Award-nominated movie
NOT EVERY GIFT IS A BLESSING
Every morning, Melanie waits in her cell to be collected for class. When they come for her, Sergeant Parks keeps his gun pointing at her while two of his people strap her into the wheelchair. She thinks they don't like her. She jokes that she won't bite. But they don't laugh.
Melanie is a very special girl.
Emotionally charged and gripping from beginning to end, THE GIRL WITH ALL THE GIFTS is the…
I hated reading as a kid. It wasn’t until I was in college I picked up Chuck Pahalniuk’s Survivorand fell in love with books and writing. Since then, I’ve been a non-stop reader and writer. I’d consume on average a book a week (sometime’s more) and write fiction every day. My first novelContainment Zone, combined my love of horror and zombies with themes of coming to terms with the end of one’s life and how we treat the elderly and infirm. For me, writing horror stories is a way of exploring deeper aspects of what it means to be human, all while having some thrills and chills along the way.
Call me a sucker for some Stephen King and you’d be right! While I could go on and on all day about different Stephen King novels, Cell in particular was one of my favorites. This novel jumps right into the action, bombarding the reader with the chaos of what is essentially a zombie outbreak caused by a mysterious cell phone pulse. I always love King’s attention to character in his novels and his ability to weave that characterization in with the story while not bringing the plot to a total standstill. Throw in some mystery when the zombies start operating as though they’re part of a hive-mind and this novel kept me turning the pages.
'Civilization slipped into its second dark age on an unsurprising track of blood but with a speed that could not have been foreseen by even the most pessimistic futurist. By Halloween, every major city from New York to Moscow stank to the empty heavens and the world as it had been was a memory.'
The event became known as The Pulse. The virus was carried by every cell phone operating within the entire world. Within hours, those receiving calls would be infected.
A young artist Clayton Riddell realises what is happening. He flees the devastation…
I hated reading as a kid. It wasn’t until I was in college I picked up Chuck Pahalniuk’s Survivorand fell in love with books and writing. Since then, I’ve been a non-stop reader and writer. I’d consume on average a book a week (sometime’s more) and write fiction every day. My first novelContainment Zone, combined my love of horror and zombies with themes of coming to terms with the end of one’s life and how we treat the elderly and infirm. For me, writing horror stories is a way of exploring deeper aspects of what it means to be human, all while having some thrills and chills along the way.
Hands down. Burgess is my favorite writer. And if you read anything from this list, read this one. It is almost impossible to describe this book and give it the justice it deserves. Like the rest of Burgess’ novels, Pontypool Changes Everything is full of beautiful, morbid, and just overall insane ideas. A zombie virus that travels through spoken language is fascinating enough. But what really sets this novel apart is Burgess’ lyrical prose, which can leave you both uplifted and down in the dumps at the same time. I found myself rereading passages of this novel simply because of the beautiful prose. (Also: Be sure to check out his other zombie novel The N-Body Problem. Can’t go wrong shooting zombies out into orbit!)
The dark side of humanity is explored in this electrifying science fiction thriller in which an epidemic virus terrorizes the earth. Causing its inhabitants to strike out on murderous rampages, the virus is caught through conversation and, once contracted, leads its host on a strange journey—into another world where the undead roam the streets of the smallest towns and largest cities, hungry for human flesh. Describing in chilling detail what it would be like if thousands suddenly caught such a virus and struck out on a mass, never-ending, cannibalistic spree, this terrifying narrative is perfect for those who are ready…
I am an Associate Lecturer and Adjunct in the Faculty of Arts at the University of Alberta. After being a piano teacher, working in communications for an NGO, and heading up the children’s department at a public library, I returned to university. While in graduate school, I underwent treatments for breast cancer, leading me into researching and teaching medical narratives, while focusing on works by breast cancer survivors. Introduced to graphic literature by a colleague, I began exploring a whole new world of literature. I now teach courses on graphic literature: memoirs, histories, speculative fiction, and the occasional comic.
This compelling graphic novel adaptation captures Butler’s Afrofuturist science fiction in its dark-toned palette and relentless movements in and across panels, with pages crammed with characters traveling within and outside of an urban enclave surrounded by gangs and criminals. The red of apocalypse and the California desert saturate pages, signaling current and immanent violence and danger and a landscape in environmental crisis. Through it all, Lauren reflects on how a new vision is required to liberate the oppressed without reproducing the conditions that brought it about. Amidst the bleak and violent scenes, we read excerpts from her Earthseed journaling of an unfolding religion where God is Change.
A futuristic world portrays the ongoing struggles of Black Americans for equity, racial justice, and economic and cultural futures. Its spirituals and Black culture form a new platform for Lauren’s exodus to a new land, a journey fraught with danger and difficult decisions,…
The graphic-novel adaptation of Octavia E. Butler's groundbreaking dystopian novel, Parable of the Sower, the follow-up to Kindred, a #1 New York Times bestseller
In this graphic-novel adaptation of Octavia E. Butler's Parable of the Sower by Damian Duffy and John Jennings, the award-winning team behind Kindred: A Graphic Novel Adaptation,
the author portrays a searing vision of America's future. In the year
2024, the country is marred by unattended environmental and economic
crises that lead to social chaos. Lauren Olamina, a preacher's daughter
living in Los Angeles, is protected from danger by the walls of her
gated community. However,…
I’m drawn to stories of women whose journeys shed light on human nature. These women are often found in cautionary tales within dystopian and historical fiction. Their stories not only remind us of the past but also hint at possibilities—different versions of the future. To capture this truth, I wrote a novel that delicately blends the past with the near future.
I read this novel when I was hungry for books with strong female characters.
The main character, the unnamed midwife, didn’t disappoint. Her journey emphasizes the importance of choice and agency when it comes to reproductive decisions. She works to empower women to make choices about their own bodies and reproductive futures, even in a world where such choices are limited.
A Publishers Weekly Best Book of 2016 and Philip K. Dick Award Winner
When she fell asleep, the world was doomed. When she awoke, it was dead.
In the wake of a fever that decimated the earth's population-killing women and children and making childbirth deadly for the mother and infant-the midwife must pick her way through the bones of the world she once knew to find her place in this dangerous new one. Gone are the pillars of civilization. All that remains is power-and the strong who possess it.
A few women like her survived, though they are scarce. Even…
