I’m drawn to stories of women whose journeys shed light on human nature. These women are often found in cautionary tales within dystopian and historical fiction. Their stories not only remind us of the past but also hint at possibilities—different versions of the future. To capture this truth, I wrote a novel that delicately blends the past with the near future.
Solenne Bonet lives in Texas where choice no longer exists. An algorithm determines a Black woman’s occupation, spouse, and residence. Solenne finds solace in penning the biography of Henriette, an ancestor who’d been an enslaved concubine to a wealthy planter in 1800s Louisiana. But history repeats itself when Solenne, lonely and naïve, finds herself entangled with Bastien Martin, a high-ranking government official. Solenne finds the psychological bond unbearable, so she considers alternatives. With Henriette as her guide, she must decide whether and how to leave behind all she knows.
Inspired by the lives of enslaved concubines to U.S. politicians and planters, The Blueprint unfolds over dual timelines to explore bodily autonomy, hypocrisy, and power imbalances through the lens of the nation’s most unprotected: a Black girl.
I read this novel when I was hungry for books with strong female characters.
The main character, the unnamed midwife, didn’t disappoint. Her journey emphasizes the importance of choice and agency when it comes to reproductive decisions. She works to empower women to make choices about their own bodies and reproductive futures, even in a world where such choices are limited.
A Publishers Weekly Best Book of 2016 and Philip K. Dick Award Winner
When she fell asleep, the world was doomed. When she awoke, it was dead.
In the wake of a fever that decimated the earth's population-killing women and children and making childbirth deadly for the mother and infant-the midwife must pick her way through the bones of the world she once knew to find her place in this dangerous new one. Gone are the pillars of civilization. All that remains is power-and the strong who possess it.
A few women like her survived, though they are scarce. Even…
Night Wherever We Go is the visceral story of six enslaved women defying their oppressors on a Texas plantation, determined to protect themselves from forced pregnancies. These women are cunning and resourceful!
Told in a first-person-plural voice, Tracey Rose Peyton's narrative is a powerful portrayal of collective resistance. It sheds light on a dark chapter of American history with unflinching honesty.
'A powerful and inspired achievement. This one is not to be missed' NATHAN HARRIS
'Extraordinary... I'm not sure I've recovered from the experience of reading it, or ever will, or ever should' ELIZABETH MCCRAKEN
'A haunting, powerful and utterly unforgettable read' RACHEL HENG
An intimate look at the domestic lives of enslaved women, NIGHT WHEREVER WE GO is an evocative meditation on resistance and autonomy, on love and transcendence and the bonds of female friendship in the darkest of circumstances.
On a struggling Texas plantation, six enslaved women slip from their sleeping quarters and…
Because of its timelessness, The Scarlet Letter will remain one of my favorite novels. When She Woke is a modern retelling, set in a future where criminals have their skin genetically altered to reflect the nature of their crimes.
The story focuses on the journey of a woman who is "chromed" red for having an abortion and the lessons on love and autonomy that follow.
When she woke, she was red. Not flushed, not sunburned, but the solid, declarative red of a stop sign. An enthralling and chilling novel from the author of MUDBOUND, for fans of THE HANDMAID'S TALE and THE SCARLET LETTER. Hannah Payne's life has been devoted to church and family, but after her arrest, she awakens to a nightmare: she is lying on a table in a bare room, covered only by a paper gown, with cameras broadcasting her every move to millions at home, for whom observing new Chromes - criminals whose skin colour has been genetically altered to match…
Since reading this story in high school, I’ve revisited it dozens of times. It never loses its impact.
This classic dystopian novel envisions a society where women are subjugated and treated as property, primarily for reproduction. It's a powerful exploration of women's loss of agency in a patriarchal regime.
** THE SUNDAY TIMES NO. 1 BESTSELLER ** **A BBC BETWEEN COVERS BIG JUBILEE READ**
Go back to where it all began with the dystopian novel behind the award-winning TV series.
'As relevant today as it was when Atwood wrote it' Guardian
I believe in the resistance as I believe there can be no light without shadow; or rather, no shadow unless there is also light.
Offred is a Handmaid in The Republic of Gilead, a religious totalitarian state in what was formerly known as the United States. She is placed in the household of The Commander, Fred Waterford -…
I’ll read anything with motherhood as an overarching theme.
Set in a near-future America, this novel explores the lives of women dealing with the consequences of legislation restricting reproductive rights. Multiple narrative threads and alternating perspectives offer a complex and interconnected look at the lives of its characters.
SHORTLISTED FOR THE INAUGURAL ORWELL PRIZE FOR POLITICAL FICTION
'Intense, beautifully crafted . . . Her talent is electric. Get ready for a shock' Guardian
FIVE WOMEN. ONE QUESTION: What is a woman for?
In this ferociously imaginative novel, abortion is once again illegal in America, in-vitro fertilization is banned, and the Personhood Amendment grants rights of life, liberty, and property to every embryo. In a small Oregon fishing town, five very different women navigate these new barriers.
Ro, a single high-school teacher, is trying to have a baby on her own, while also writing a biography of Eivor, a…
Me and The Times offers a fresh perspective on those pre-internet days when the Sunday sections of The New York Times shaped the country’s political and cultural conversation. Starting in 1967, Robert Stock edited seven of those sections over 30 years, innovating and troublemaking all the way.
His memoir is rich in anecdotes and admissions. At The Times, Jan Morris threw a manuscript at him, he shared an embarrassing moment with Jacqueline Kennedy, and he got the paper sued for $1 million. Along the way, Rod Laver challenged Stock to a tennis match, he played a clarinet duet with superstar Richard Stoltzman, and he shared a Mafia-spiced brunch with Jerry Orbach.
Me and The Times: My wild ride from elevator operator to New York Times editor, columnist, and change agent (1967-97)
An intimate, unvarnished look at the making of the Sunday sections of The New York Times in their pre-internet heyday, back when they shaped the country’s political and cultural conversation.
Over 30 years, Robert Stock edited seven of those sections, innovating, and troublemaking all the way – getting the paper sued for $1 million, locking horns with legendary editors Abe Rosenthal and Max Frankel, and publishing articles that sent the publisher Punch Sulzberger up the wall.
On one level, his memoir tracks Stock’s amazing career from his elevator job at Bonwit Teller to his accidental entry into journalism to his…
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