67 books like The Rising

The ‘zombie apocalypse’ scenario has been used for years by risk management professionals to make the examination of possible societal breakdowns more fun and/or interesting.

By focusing on a hazard people know, like hurricanes or wildfires, audiences come to the discussion with pre-existing biases and, in many cases, first-hand experience. This forces the communicator to counter such bias before getting to key messages.

There’s never been an actual zombie apocalypse (nor is there likely to ever be one…), which means the zombie scenario adequately ‘levels the field’. It forces audiences to think beyond their go-to assumptions and introduces levels of uncertainty and unknown that are typical of major disasters.

This book, written without obvious heroes and heroines, in a documentary style, makes a perfect proxy for a disaster exercise scenario. I also believe it does a great job illustrating how different forms of governance result in different response strategies, which… show more.

Insecurity is huge in end-of-the-world stories. As humans, we have always sought shelter and security from the wilds of nature, animals, and the things we cannot see in the dark. We created fire and fences and walls and locked doors—to this day, in our modern era, we still need these things. At the end of the world, security is tantamount, but what if you need to go beyond your secured barriers? What if behind these walls, things aren’t actually as safe as you think they are? Finding out why a character would breach their safety is intriguing. After all, a story would be very different if the characters never ventured out of their homes, but if it’s safer inside, why would they go out?

Call me weird. I’m not a fan of series books. Unless, that is, they’re written by Nicholas Sansbury Smith. The problem with a book series for me is that I get bored of the same idea book after book after…zzzzzz. But when someone writing a book series is constantly bringing new ideas to the table, it keeps me reading. Couple that with characters we care about, and a heavy focus on moving the plot forward, and I’ll finish a book in no time and be eager to read the next one. This, my friends, is the first book in one of those series. 

The first of a series, this book introduces Angel Crawford, a high school dropout with an alcoholic dad, a dead-beat boyfriend, and an addiction to prescription drugs. When things in your life are that bad, waking up as a zombie is more of an opportunity than a setback – especially when her newly undead status comes with a fresh job at the morgue and access to all the brains she can eat. But her new job and secret lifestyle come with a big side portion of murder mystery. This whole series is a fun urban fantasy romp that goes down smoother than a feast of brains. 

Pierce writes intelligent military zompoc because he’d been in the thick of things during the Rhodesian war. He knows a thing or two about writing battle scenes because he’s done a thing or two in real life. This story is different because it isn’t about a tiny group of survivors trying to make through the apocalypse. It’s bigger in scope and encompasses one governor and the national guard doing all they can to hold the line against the undead hordes. Intelligent writing and “believable” scenarios set this military thriller apart from many of the rest.

Chris may not be the most notable in this list, but his place is deserving. So often – and I’m guilty of this too – the zombie apocalypse is tackled head-on by a team of superhuman snake eaters. While this makes for great fiction, there’s also a beauty in showing how the average person would fare. Chris’ Zombie Castle series, and also his EMP trilogy UKD, gives the reader that perspective. It’s almost a happy apocalypse, a feel-good end of the world, and shows characters who keep their spirits up no matter what they face.

I love the way that Grant has written this book as part American political conspiracy theory, part zombie apocalypse. It certainly takes the political drama into a whole new place!

I liked the mechanics of how the world came to be infected with zombies and the “living with Zombies” society Grant has constructed, which I found to be well thought-out, researched, and believable. I loved the surprises in this book, the unusual relationships that Georgia Mason has with her brother and with their parents, and the general quirks and habits of her and her brother Shaun.

I enjoyed the criticisms that the book makes, particularly around journalism, religion, social media, and politics, and perhaps on the American psyche of distrust towards authority, while appreciated that it did not descend into full-blown conspiracy theory paranoia.

I listened to this whole series while climbing mind-numbing stacks of backlogged legal work as an Assistant Attorney General. My vision was clogged with the vivid scenes of Bourne's books, legal folders, paper clips, and coffee stains. It actually inspired the fourth book of my zombie series.   

Told in the diary format common to many books of the zombie epic subgenre, this journal depicts one man's struggle for survival. The unnamed narrator is a naval officer who was just returning home to Texas from visiting his parents in Arkansas when the zombie apocalypse hits. John, another survivor, and Annabell, John's miniature greyhound, work together with the narrator to survive, hoping to find some last working vestige of the US government. 

There are some cool elements to this zombie epic that I haven't found anywhere else. They shelter in a functional missile silo at one point. The clunk, clunk… show more.

I love this book because it’s the only one I’ve found where the main character has been alone for years after the apocalypse and has to learn to be around people all over again. Not only that, she isn’t sure if she even wants to be around others anymore. Shaw coaxes her into trying, and he reminds her of what it is to love and want a future, but his secret dark past keeps getting in the way. Both of them struggle with the new world and how to deal with it—whether to go through the effort to be with people and let themselves be vulnerable, or to return to their solitary lives outside the walls where they can’t be hurt by the loss or betrayal of others. 

These are short, but the author crams so much into each book it feels like they’re twice as long. Frankie and Yorke are seriously flawed as characters, but their flaws tend to complement one another’s. It’s those flaws that drive most of their actions in the book, so even when they do something stupid you know exactly why they did them, and it’s not just a random TSTL thing thrown in to move the story along. The chemistry is hot but the romance is a slow burn because they’ve got so many issues to work out. There’s gripping action to keep things moving, plenty of zombie fighting, and psycho survivors trying to ruin the apocalypse for everyone.