Here are 100 books that The Midwich Cuckoos fans have personally recommended if you like
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For twenty years, I have worked with the data dungeons of large corporations. A synergy of people, systems, and IT. An organism that no one designed but grew haphazardly over the years. A cybernetic system. I have been a database admin, analyst, and data visualizer, and most recently, I was employed as a data scientist for a large Fortune 500 corporation. There, I am currently researching how to use large language models and which business questions can tolerate the fuzzy answers and hallucinations they bring. Despite loving these mindbenders, most of my writing features strong themes of Exploration, Technology, and Optimism (ETO).
For a novel on the list, I have only read once, and a long time ago, I still keep thinking about this. It asks: Can we learn about the universe without first learning about ourselves?
It also goes into the limits of science. There are simply things science cannot tell us. The planet’s colloid sea is nonlinear, the math unsolvable, and the alien is potentially hostile. I choose to believe the planet is attempting to heal some deep-forgotten hurt of the narrator. What is the purpose of bringing up a disastrous relationship? To heal or learn? Or perhaps the alien is simply toying with them?
I read it soon after changing my life's trajectory and attempting to be more peaceful, creative, contemplative, and less frantic or consumptive. I need to read this again.
When Kris Kelvin arrives at the planet Solaris to study the ocean that covers its surface he is forced to confront a painful, hitherto unconscious memory embodied in the physical likeness of a long-dead lover. Others suffer from the same affliction and speculation rises among scientists that the Solaris ocean may be a massive brain that creates incarnate memories, but its purpose in doing so remains a mystery . . .
Solaris raises a question that has been at the heart of human experience and literature for centuries: can we truly understand the universe around us without first understanding what…
I’ve always had a longstanding interest in space, and particularly in aliens. In researching my breakthrough novel Not Alone, I extensively read as much nonfiction content on the topic as I could find, including governmental-backed scenario analyses of how things might actually play out in a contact or invasion scenario. Naturally, I have also read widely in the sci-fi genre for my own pleasure, with most of my interest in this specific topic.
The immersive nature of this book's narrative gripped me from the very start. This is a truly foundational text in the genre, but it nevertheless holds up to this day.
I particularly enjoyed the two-part story’s focus on humanity’s initial resistance to the invading force as well as an exploration of life under Martian control.
It goes without saying that the book is considerably older than the others I read while becoming interested in this topic. I enjoyed reflecting on the similarities and differences in Wells’ contemporary ideas about aliens, which naturally reflect some key Earth-based societal concerns of the time.
But planet Earth was not only being watched - soon it would be invaded by monstrous creatures from Mars who strode about the land in great mechanical tripods, bringing death and destruction with them. What can possibly stop an invading army equipped with heat-rays and poisonous black gas, intent on wiping out the human race? This is one man's story of that incredible invasion, from the time the first Martians land near his home town, to the destruction of London. Is this the end of human life on Earth?
As a lover of both fiction and nonfiction, I find that the ultimate pleasure in reading is when the author combines the two without short-changing either. These are books that provide accurate and deep historical background, but also tell stories shaped by that context. These are also books that have intricate, unusual, and effective narrative structures.
This book is set in motion in the cultural revolution in China—a background that profoundly shapes the main characters’ choices and destinies.
A young scientist who has witnessed her father’s persecution ends up at a science center looking for radio-wave evidence of extra-terrestrial life. Not only does she find it, but she figures out how to communicate with it.
Couple the scientist’s views of humanity with those of a disillusioned heir to an oil fortune, and the stage is set for an epic novel with a unique take on first contact. This book—the first of a trilogy—provides frightening insights into how history can shape humanity’s future.
Read the award-winning, critically acclaimed, multi-million-copy-selling science-fiction phenomenon - soon to be a Netflix Original Series from the creators of Game of Thrones.
1967: Ye Wenjie witnesses Red Guards beat her father to death during China's Cultural Revolution. This singular event will shape not only the rest of her life but also the future of mankind.
Four decades later, Beijing police ask nanotech engineer Wang Miao to infiltrate a secretive cabal of scientists after a spate of inexplicable suicides. Wang's investigation will lead him to a mysterious online game and immerse him in a virtual world ruled by the intractable…
I grew up on a diet of dystopian fiction, and when I first began taking craft more seriously and diving into short stories, that was the genre I found myself writing most. I suppose what draws me to the genre is how dystopian fiction has the ability to illuminate society’s faults and injustices and humanity as a whole, the bleak futures that it could create if certain ideologies were allowed to persist, the way individual behaviours and actions can well shape the future and dictate whether it becomes one filled with hope or one that falls into disaster.
What fascinates me most about this novella is its ability to capture such depth and fullness in such a short length.
This book explores the concept of time and language, and how the way humans perceive time vastly differs from the alien species, and the way language ultimately affects time perception and decision-making as well.
'A science fiction genius . . . Ted Chiang is a superstar.' - Guardian
With Stories of Your Life and Others, his masterful first collection, multiple-award-winning author Ted Chiang deftly blends human emotion and scientific rationalism in eight remarkably diverse stories, all told in his trademark precise and evocative prose.
From a soaring Babylonian tower that connects a flat Earth with the firmament above, to a world where angelic visitations are a wondrous and terrifying part of everyday life; from a neural modification that eliminates the appeal of physical beauty, to an alien language that challenges our very perception of…
As an uncanny child myself, I always gravitated toward reading about the strange—whether in historical accounts or fiction—and as a passably normal adult, I often write from the perspective of “the other.” I never intentionally mix science fiction and paranormal elements into my work…they just happen to be my characters’ truths! So much of what we humans know about our world is filtered through our collective reality, and I love following the connecting threads and plucking at the flaws.
Shirley Jackson’s short story “The Lottery” absolutely belongs on this list—not because the children appear to be strange or unsettling, but because they are hauntingly, terrifyingly normal.
With cheerily objective prose, Jackson captures a gathering of friends and families on a single morning where the children play and laugh until it’s time to participate in the community’s horrifying annual tradition. I don’t want to spoil the story by saying more, but I promise, this is a must-read for more than shock value. Nature versus nurture, indeed.
'Shirley Jackson's stories are among the most terrifying ever written' Donna Tartt
This is the definitive collection of Shirley Jackson's short stories, including 'The Lottery' - one of the most terrifying and iconic stories of the twentieth century, and an influence on writers such as Neil Gaiman and Stephen King.
In these stories an excellent host finds himself turned out of home by his own guests; a woman spends her wedding day frantically searching for her husband-to-be; and in Shirley Jackson's best-known story, a small farming village comes together for a terrible annual ritual. The creeping unease of lives squandered…
As the mother of four children, I have observed over the last twenty years how women are viewed and often judged under a stifling patriarchal lens. Writing about motherhood in all its glorious colours has been one way for me to channel my frustrations. Stories that reach out to women and give them a voice when they feel unheard are vital. In a world where appearances and facades are taking over our social media feeds, where filters blur out the rough edges of our lives, I’m more determined than ever to write female characters who are raw and flawed but also valued as an integral part of an evolving society.
From the very first page, I was intrigued by Shriver's exploration of maternal complexities. It shone a light on motherhood that I’d never seen before. I found the raw emotion and psychological depth unparalleled and loved how the narrative really delved into nature versus nurture and went so far as to question: are people born evil?
Being a mother myself, I couldn’t imagine living through the horror of my child becoming withdrawn and that disengagement resulting in such devastation in a community. The dismissal of the mother’s concerns by the father was also an interesting social commentary.
Finally, Shriver’s writing is beyond beautiful yet so accessible for the readers.
Eva never really wanted to be a mother; certainly not the mother of a boy named Kevin who murdered seven of his fellow high school students, a cafeteria worker and a teacher who had tried to befriend him. Now, two years after her son's horrific rampage, Eva comes to terms with her role as Kevin's mother in a series of startlingly direct correspondences with her absent husband Franklyn about their son's upbringing. Fearing that her own shortcomings may have shaped what her son has become, she confesses to…
As a horror writer, the evil kid subgenre holds great appeal to me. I’ve written about them a few times, most notably in my novella Sour Candy, which remains the most popular thing I’ve written, perhaps because, like in the books mentioned above, we don’t expect our children to be evil monsters, and when they are, we’re ill-prepared to deal with the threat. They’re still children, after all, and we’re supposed to love and protect them. The emotional quandaries this situation presents are fascinating to write about.
Stage’s wonderfully sinister novel documents the early years of a child who seems to have been born bad. The thrill in this one is the ever-escalating war between a precocious and seemingly sweet child and her anguished mother, who knows she’s being manipulated by her daughter, while the father remains oblivious to the horror. It’s unusual, and fun, to read a book in which we get to see things from the child’s perspective as she tries to drive her mother insane.
“Unnerving and unputdownable, Baby Teeth will get under your skin and keep you trapped in its chilling grip until the shocking conclusion.”―New York Times bestselling author Lisa Scottoline
One of Entertainment Weekly’s Must-Read Books for July | People Magazine's Book of the Week | One of Bustle's "Fifteen Books With Chilling Protagonists That Will Keep You Guessing" | One of PopSugar's "25 Must-Read Books That Will Make July Fly By!" | One of the "Biggest Thrillers of the Summer"―SheReads | "New & Noteworthy" ―USA Today | "Summer 2018 Must-Read"―Bookish | "One of 11 Crime Novels You Should Read in July"―Crime…
As a horror writer, the evil kid subgenre holds great appeal to me. I’ve written about them a few times, most notably in my novella Sour Candy, which remains the most popular thing I’ve written, perhaps because, like in the books mentioned above, we don’t expect our children to be evil monsters, and when they are, we’re ill-prepared to deal with the threat. They’re still children, after all, and we’re supposed to love and protect them. The emotional quandaries this situation presents are fascinating to write about.
Hugely influential since its publication in the 1970s, Tryon’s deliciously twisted book about a pair of identical twins who happen to have different birthdays and are left to their own (unusual) devices after their father dies, has often been imitated, but never equaled. Shocking upon its initial release, jaded readers may see the ending coming now, but that doesn’t detract from the sheer ingenuity of the horror leading up to it. A masterpiece of psychological terror.
Holland and Niles Perry are identical thirteen-year-old twins. They are close, close enough, almost, to read each other’s thoughts, but they couldn’t be more different. Holland is bold and mischievous, a bad influence, while Niles is kind and eager to please, the sort of boy who makes parents proud. The Perrys live in the bucolic New England town their family settled centuries ago, and as it happens, the extended clan has gathered at its ancestral farm this summer to mourn the death of the twins’ father in a most unfortunate accident. Mrs. Perry still hasn’t recovered from the shock of…
Maybe because I grew up in San Diego, a city that boasts what ghost hunter Hans Holzer called the most haunted house in America, I’ve always loved ghost stories. I never encountered a ghost when I visited the Whaley House Museum, as Regis Philbin did when he spent the night, but I once took a photograph there that had an unexplained light streak on it. Although I conceived a passion for the printed word with my first Dick and Jane reader and wrote my first story at the age of six, it took me a few decades to fulfill my long-held desire to write a ghost story of my own.
I’m fond of the subtle, psychologically complex writing of Henry James, and this is his best ghost story.
I like the 19th-century convention of a framing story to add verisimilitude instead of the modern presumption of willing suspension of disbelief. The consequent delay in getting into the story and the old-fashioned literary style and pacing might be challenging to some modern readers, but for me they enhanced the atmosphere and foreshadowing and gave another “turn of the screw” to the suspense, which continues until the last word.
'A most wonderful, lurid, poisonous little tale' Oscar Wilde
The Turn of the Screw, James's great masterpiece of haunting atmosphere and unbearable tension, tells of a young governess sent to a country house to take charge of two orphans, Miles and Flora. Unsettled by a dark foreboding of menace within the house, she soon comes to believe that something, or someone, malevolent is stalking the children in her care. Is the threat to her young charges really a malign and ghostly presence, or a manifestation of something else entirely?
Edited and with an Introduction and Notes by David Bromwich Series…
As an uncanny child myself, I always gravitated toward reading about the strange—whether in historical accounts or fiction—and as a passably normal adult, I often write from the perspective of “the other.” I never intentionally mix science fiction and paranormal elements into my work…they just happen to be my characters’ truths! So much of what we humans know about our world is filtered through our collective reality, and I love following the connecting threads and plucking at the flaws.
A dystopian zombie-type tale, this novel focuses on a hyper-intelligent child who is starved for affection—and non-vegetarian protein.
Melanie struggles to control her biological impulses, to be more than what the adults fear and to be seen as human instead of an abomination, because she’s capable of love. Yet, it’s her immense capacity for clear, rational thought that makes her oh-so uncanny.
I’ve read the book—and watched the film—multiple times. If you don’t mind some gore, this story is much more than just a zombie sci-fi.
'ORIGINAL, THRILLING AND POWERFUL' - Guardian 'HAUNTING, HEARTHBREAKING' - Vogue The phenomenal million-copy bestseller that is also a BAFTA Award-nominated movie
NOT EVERY GIFT IS A BLESSING
Every morning, Melanie waits in her cell to be collected for class. When they come for her, Sergeant Parks keeps his gun pointing at her while two of his people strap her into the wheelchair. She thinks they don't like her. She jokes that she won't bite. But they don't laugh.
Melanie is a very special girl.
Emotionally charged and gripping from beginning to end, THE GIRL WITH ALL THE GIFTS is the…
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