Here are 99 books that After the People Lights Have Gone Off fans have personally recommended if you like
After the People Lights Have Gone Off.
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I grew up reading short stories in the annual Reader’s Digest books my parents collected, so I’ve always liked the short form. Perhaps that is why I pursued it in college, wanting to know what made them work. So I took a lot of classes in college to do just that, to dissect stories to see what made them resonate with readers. And although I’ve been trying to push myself to write longer fiction, I’ll never be able to fully abandon the short fiction. I love a story you can read in a day and think about all night.
Besides the fact that Joe Hill is one of my favorite writers at the moment, this collection is 100% solid writing. Also, one of my favorite stories, “Pop Art,” is included in the book. To me, the sense of ambiguity, of using one otherworldly concept to stand for something so plain and simple, addressing current issues through your fiction are all present in that story.
Imogene is young, beautiful, kisses like a movie star, and knows everything about every film ever made. She's also dead, the legendary ghost of the Rosebud Theater. Arthur Roth is a lonely kid with a head full of big ideas and a gift for getting his ass kicked. It's hard to make friends when you're the only inflatable boy in town. Francis is unhappy, picked on; he doesn't have a life, a hope, a chance. Francis was human once, but that's behind him now. John Finney is in trouble. The kidnapper locked him in a basement, a place stained with…
I’ve always enjoyed books that make me think and question. I love that they lead me to further brilliant works that do the same. I love a book that challenges the rules of writing and takes you into another world. As a full-time thriller writer, it’s always good to read a genre different from your own. To enter a realm of magical realism is fantastic.
I loved this book because, again, it was thought-provoking. It was unimaginable to think humans could behave in this way and then it made me realise that we do behave in an unimaginable fashion in real life. This book shows the mob mentality and how ‘tradition’ keeps going despite not knowing where it started and why it continues.
I found the concept of the lottery both disturbing and thought provoking. How far will people go in the name of superstition and fear. I loved that Shirley Jackson with a short story should produce such darkness and depth in humanity and it had me thinking for quite a while.
'Shirley Jackson's stories are among the most terrifying ever written' Donna Tartt
This is the definitive collection of Shirley Jackson's short stories, including 'The Lottery' - one of the most terrifying and iconic stories of the twentieth century, and an influence on writers such as Neil Gaiman and Stephen King.
In these stories an excellent host finds himself turned out of home by his own guests; a woman spends her wedding day frantically searching for her husband-to-be; and in Shirley Jackson's best-known story, a small farming village comes together for a terrible annual ritual. The creeping unease of lives squandered…
One of the gifts of the horror genre is that the stories use metaphor to examine human behaviors that defy understanding. My favorite horror novels, novellas, and short stories can be read again and again. While my Feral graphic novel series is for middle school readers, I wanted to provide grey areas, perhaps more than the editor always liked! I wanted the adventure, the scares, the questions, the uncertainty that would let the small town of Feral take on a larger-than-life presence for a reader and encourage revisiting it whenever the mood strikes. It's almost pleasant, the rhythm, the anticipation. A little unnerving too.
This is a short story collection I return to every few years. There are four novellas in this collection, but each of them was delivered directly to my cerebral cortex. I can recall passages from each story. And I can see the locations.
I feel King is at his best when he's twisting his way through novellas and short stories. After reading "1922", it was weeks before I stopped seeing the well. And weeks before, I stopped shaking my head at what Wilfred James did or the grit of Tess in "Big Driver" or the pettiness of Dave Streeter. This is worth reading every year.
From the master of the long story form, the Sunday Times No. 1 besteller, Full Dark, No Stars - described by the Sunday Telegraph as 'an extraordinary collection, thrillingly merciless, and a career high point' - now with a stunning new cover look.
Is it possible to fully know anyone? Even those we love the most? What tips someone over the edge to commit a crime?
In '1922', a story which was adapted into a Netflix original film, a Nebraska farmer, the turning point comes when his wife threatens to sell off the family homestead.
It’s Seb’s last day working in Turkey, but his friend Oz has been cursed. Superstition turns to terror as the effects of the ancient malediction spill over, and the lives of Oz and his family hang in the balance. Can Seb find the answers to remove the hex before it’s…
At age thirteen, sprawled on our shag-carpeted living room floor, I watched Poltergeist’s scariest scenes reflected in the glass doors of an old-school encyclopedia case. The blur made the film less scary—and aftewards, I noticed two smaller books leaned against Volumes 15-16: Italy to Lord. Reading Bach’s Jonathan Livingston Seagull and Baldwin’s The Fire Next Time back-to-back that night rattled me harder than seeing Carol Anne sucked into the netherworld. I woke up with my worldview rearranged, and I hope you’ll find these books every bit as pleasantly unsettling.
I’ll confess something to you, here and now, that I might not admit to a book club: I haven’t read this whole collection yet. Yeah, that’s right, I said it. I took this book on an airplane with me, read all the stories but one, and accidentally left it behind in my airline seat compartment for some lucky stranger to find behind the inflight magazine.
But the titular story alone had me bawling in economy class, suddenly realizing I’m an awful, awful daughter, and unless you’ve got no soul, you’ll tear up too.
Featured in the Netflix series Love, Death & Robots
Bestselling author Ken Liu selects his multiple award-winning stories for a groundbreaking collection—including a brand-new piece exclusive to this volume.
With his debut novel, The Grace of Kings, taking the literary world by storm, Ken Liu now shares his finest short fiction in The Paper Menagerie and Other Stories. This mesmerizing collection features many of Ken’s award-winning and award-finalist stories, including: “The Man Who Ended History: A Documentary” (Finalist for the Hugo, Nebula, and Theodore Sturgeon Awards), “Mono No Aware” (Hugo Award winner), “The Waves” (Nebula Award finalist), “The Bookmaking Habits…
I write horror and crime thrillers grounded in my unusual lived experience as an author and attorney who has also overcome poverty, incarceration, and violent crime. I feel most fulfilled when I read a book that both entertains and expands me in meaningful ways, immersing me in lives, cultures, and history I might not otherwise know. So I love Social Horror novels, which feature characters who face significant human adversity beyond my own experience and leave me questioning what was worse, the human or the supernatural.
After a “massacre” of a herd of elk on a protected reservation forest—a scene which spoke more of frenzied bloodlust than hunting for sustenance—four Blackfoot men become the prey of a creature bent on revenge.
Jones’s narrative satisfied my thirst for wholly original horror while exploring the clash of Native American traditional and contemporary culture. The story touches on the characters’ drive to assimilate, guilt and sense of identity, and the need to move beyond resentments to create a life worth living.
I loved the originality of the beast, the slice of reservation life, and the endearing, flawed characters, all rendered with gorgeous precision.
"Thrilling, literate, scary, immersive." -Stephen King
The Stoker, Mark Twain American Voice in Literature, Bradbury, Locus and Alex Award-winning, NYT-bestselling gothic horror about cultural identity, the price of tradition and revenge for fans of Adam Nevill's The Ritual.
Ricky, Gabe, Lewis and Cassidy are men bound to their heritage, bound by society, and trapped in the endless expanses of the landscape. Now, ten years after a fateful elk hunt, which remains a closely guarded secret between them, these men - and their children - must face a ferocious spirit that is coming for them, one at a time. A spirit…
I am an award-winning writer based in Southern California who creates internationally published horror, fantasy, science fiction, and weird West stories. Dozens of my short stories have appeared in podcasts, magazines, games, and Stoker-nominated anthologies, and I’ve authored several books. I am the co-chair and founder of the Horror Writers Association San Diego chapter, a short story instructor, co-creator of the Monster Gunslingers game, and member of writing organizations, including the Science Fiction and Fantasy Writers Association. I find speculative horror a fascinating lens by which to view challenges faced by underrepresented groups and women. I hope you enjoy these tales.
I generally don’t gravitate toward slasher horror with its brutal and gory storytelling, but I could not resist this fantastic anthology of superb horror authors focused on women's slasher stories. With supernatural twists and takes of revenge and violence, I greatly enjoyed the variety of styles and plots generally centered around the theme of women having to turn the tables in or take matters into their own hands, usually with blood-soaked results.
In particular, my favorites were standout stories by Cynthia Pelayo, R.J. Joseph, Sarah Budd, Stephanie Rabig, and Laurel Hightower, but they were all winners. I also appreciate that the anthology helped me discover new women horror authors, broadening my ever-growing to-be-read list.
21 women from across the world came together to evoke their inner Lizzie Borden and re-invent the slasher. Some embrace the tropes; others rip them to shreds. These powerful tales are provocative, contemporary and need to be told. Featuring own voices, you will discover the pen is mightier than the machete. Serial killers, revenge, lust and even the supernatural are just some of the elements in SLASH-HER. Like the authors, these stories are strong.
They are bloody and they pack a punch. Are you ready?
“It's a book the horror community needs and deserves to have - a love story…
In 1939, on a remote Pacific island, botanical researcher Irene Greer plunged off a waterfall to her death, leaving behind a legacy shrouded in secrets. Her great-niece Julia, a struggling journalist recovering from a divorce, seeks answers decades later.
Tasked with retrieving Dr. Greer’s discovery–a flower that could have world-changing…
I’ve been a fan of horror books since I was old enough to read, and one of my favorite subgenres has always been the haunted/evil house. Ghosts, demons, unnamed forces – I love it. One of the first books I ever wrote was about a demonic carnival, and I’ve returned to the theme of the haunted/evil house or place many times in both my long and short fiction. Even in real life, I have a fascination for visiting so-called haunted places: abandoned asylums, murder houses, etc. So it’s no surprise that I’d create a list of my favorite evil house books. I hope you enjoy them as much as I did.
This book isn’t nearly as well known as the others except to real aficionados of the genre. But it’s one of the scariest evil house novels ever written, in part because of the surprising twist at the end. A young couple decides to get out of the city for the summer and rent a house in upstate New York. Right away, there’s something odd: an elderly woman lives in the house, and she stays locked in her room all the time. As the days go by, it becomes obvious that something weird and terrifying is happening in the house, and there’s a reason the couple got it for such a cheap price. And by the time they discover the truth, it might be too late.
Ben and Marian Rolfe are desperate to escape a stifling summer in their tiny Brooklyn apartment, so when they get the chance to rent a mansion in upstate New York for the entire summer for only $900, it’s an offer that’s too good to refuse. There’s only one catch: behind a strange and intricately carved door in a distant wing of the house lives elderly Mrs. Allardyce, and the Rolfes will be responsible for preparing her meals.
But Mrs. Allardyce never seems to emerge from her room, and it soon becomes clear that something weird and terrifying is happening in…
Ever since I first read Alvin Schwartz’s Scary Stories to Tell in the Dark, I have been enamored of all things weird and creepy—so much so, in fact, that when I grew up, I started writing my own weird, creepy things! As a writer, I am drawn to horror that is shaped by its characters’ inner worlds, stories that explore the monsters in our heads, as well as our closets. The books on this list will haunt me for years to come. I hope that they will haunt you, too.
How far would you go in pursuit of connection? This was the question I was left with after reading this tense and brutal story collection that includes tapeworms, self-crucifixions, and a series of dangerously escalating bets.
Over the course of three unnerving stories, LaRocca explores themes of loss, loneliness, and how humans react to both with stomach-churning gusto, leaving me both horrified and enthralled. Not for the faint of heart and definitely not to be read while eating (I found this out the hard way).
Three dark and disturbing horror stories from an astonishing new voice, including the viral-sensation tale of obsession, Things Have Gotten Worse Since We Last Spoke. For fans of Kathe Koja, Clive Barker and Stephen Graham Jones. Winner of the Splatterpunk Award for Best Novella.
A whirlpool of darkness churns at the heart of a macabre ballet between two lonely young women in an internet chat room in the early 2000s-a darkness that threatens to forever transform them once they finally succumb to their most horrific desires.
A couple isolate themselves on a remote island in an attempt to recover from…
Whether it’s campfire tales told with the moon high or bedtime fables told to get children to stay in their beds after lights out, I believe horror fiction is at its purest, most effective form as short prose. These collections of horror, fantasy, sci-fi, and Western tales are all touched by the weird and terrifying. The twin sensations of being unsettled by something you’ve read and of being unable to resist reading on are guiding lights in my own writerly pursuits. These collections and many more played a defining role in shaping my own debut dark fiction collection Pre-Approved for Haunting and Other Stories.
No one writing horror fiction today is better at punching the reader in the guts (or ripping those guts out and showing them to you) like Stephen Graham Jones. While he’s been touted more recently for his novel-length works, I first came to know SGJ’s writing via short stories. This collection is one of several stand-outs from his catalog.
When it comes to horror and weird fiction writing, SGJ’s versatility knows no bounds. Whether it’s the literary strangeness of “Father, Son, Holy Rabbit,” or the freaky folk horror of “Raphael” (elements of which SGJ has revisited in his Indian Lake novel trilogy), there are all kinds of scares in this collection. He even pulls off a shocking jump-scare fright in “Crawlspace” that has to be experienced first-hand.
These thirteen stories are our own lives, inside out. A boy's summer
romance doesn't end in that good kind of heartbreak, but in blood. A girl
on a fishing trip makes a friend in the woods who's exactly what she
needs, except then that friend follows her back to the city. A father hears a
voice through his baby monitor that shouldn't be possible, but now he
can't stop listening. A woman finds out that the shipwreck wasn't
the disaster, but who she's shipwrecked with. A big brother learns just
what he will, and won't, trade for one night of…
On Draakensky Windmill Estate, magick and mystery rule. Sketch artist Charlotte Knight is hired to live on the estate while illustrating poetry under the direction of the reclusive spinster, and wind witch, Jaa Morland—who believes in ghosts. Charlotte quickly encounters the voice…
I am a very realistic person, curious by nature, who loves a good thrill. A good twist—no matter the genre—that has all the above recommendations captures my attention. A feel-good chick flick or book does nothing for my curious side but adds a twist or two and you have me hooked. Love at war is that kind of book. It has a few twists that touch on important topics and leave you with a few thoughts to think about afterward. Life is not only marshmallows and sprinklers. Life is real and I like my books like that, too. Therefore, I call myself a multi-genre author. I don’t want to be bound by one genre.
There are many negatives about this book that told me to stay away. For me, the subject that deserved to be highlighted is forgiveness. The way the author weaved it into this story was perfect. The topic does not fit with the genre, and though paranormal and suspenseful, forgiveness ties it over for me.
Our Trespasses’ negative was the paranormal side of the book. I’m not a big fan of the genre but once my interest was piqued, I really enjoyed the book. In the end, it wasn’t that big negative, but it made me hesitant to read at first.
Drowning in a meaningless existence flipping burgers, Matthew Davis suddenly collapses from a powerful psychic connection he shares with his twin brother, Jake. The pain is violent and immediate, and Matt knows exactly what it means… hundreds of miles away, Jake has been viciously killed. But instead of severing their connection, the murder intensifies it and Matt begins to suffer the agony of Jake’s afterlife.
Hell bent on solving Jake’s murder in order to break the connection, Matt travels to his troubled hometown of Hatchett, Nebraska, where an old lover and savage new enemies expose the…
