Here are 100 books that Guapa fans have personally recommended if you like
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I’m a queer, nonbinary, Muslim, immigrant writer who has been reading their whole life and writing for part of it. I learned to write by reading–by devouring all kinds of books across different genres and paying attention to how words create feelings, worlds, and chronologies. I also learned to live by reading–I didn’t grow up with models of how to live a life that was true to my identities and so I read everything I could find about experiences that were adjacent to my own. The emergence of queer Muslim literature has been exciting to follow, and I try to read everything in the field.
At its core, this book is a mystery: a trans Syrian-American’s journey to find out what happened to his mother and how she was connected to an artist whose journal he finds.
But what I loved most about this book is the meditations on gender, on spirituality, and on birds. This book is an ornithologist’s dream.
Winner of the Lambda Literary Award for Transgender Fiction Winner of the ALA Stonewall Book Award—Barbara Gittings Literature Award Named Best Book of the Year by Bustle Named Most Anticipated Book of the Year by The Millions, Electric Literature, and HuffPost
From the award-winning author of The Map of Salt and Stars, a new novel about three generations of Syrian Americans haunted by a mysterious species of bird and the truths they carry close to their hearts—a “vivid exploration of loss, art, queer and trans communities, and the persistence of history. Often tender, always engrossing, The Thirty Names of Night…
I’m a queer, nonbinary, Muslim, immigrant writer who has been reading their whole life and writing for part of it. I learned to write by reading–by devouring all kinds of books across different genres and paying attention to how words create feelings, worlds, and chronologies. I also learned to live by reading–I didn’t grow up with models of how to live a life that was true to my identities and so I read everything I could find about experiences that were adjacent to my own. The emergence of queer Muslim literature has been exciting to follow, and I try to read everything in the field.
I love the way Bushra Rehman writes about immigrant New York in the 80s – in vignettes that thread together to convey a sense of time, place, and geography.
All her characters are portrayed sensitively and complexly: from the main protagonist Razia coming into her queerness, to Pakistani aunties with their own histories and trauma, to friends who grow further apart.
I love how much this story is about women as the cornerstones of community.
Razia Mirza grows up amid the wild grape vines and backyard sunflowers of Corona, Queens, with her best friend, Saima, by her side. When a family rift drives the girls apart, Razia's heart is broken. She finds solace in Taslima, a new girl in her close knit Pakistani-American community. They embark on a series of small rebellions: listening to scandalous music, wearing mini skirts, and cutting school to explore the city.
When Razia is accepted to Stuyvesant, a prestigious high school in Manhattan, the gulf between the person she is and the daughter her parents want her to be, widens.…
I’m a queer, nonbinary, Muslim, immigrant writer who has been reading their whole life and writing for part of it. I learned to write by reading–by devouring all kinds of books across different genres and paying attention to how words create feelings, worlds, and chronologies. I also learned to live by reading–I didn’t grow up with models of how to live a life that was true to my identities and so I read everything I could find about experiences that were adjacent to my own. The emergence of queer Muslim literature has been exciting to follow, and I try to read everything in the field.
From the first page, Fatimah Asghar’s writing pulled me in. It is poetic, playful, and vulnerable.
The story is about three orphaned sisters living under the care of their uncle and figuring out how to relate to each other and the world. I loved the candid explorations of childhood, gender, and, most of all, sisterhood.
LONGLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2022 WINNER OF THE CAROL SHIELDS PRIZE FOR FICTION 2023
'A grief-soaked and gorgeous debut novel . . . A poet first, Asghar picks up on the themes of her debut collection If They Come for Us - partition and fragmentation, borders and bodies - and plays with space and silence on the page . . . this fragmentary form has the effect of ephemerality - much like life' Sana Goyal, Guardian
In this heartrending, lyrical debut work of fiction, Fatimah Asghar traces the intense bond of three orphaned siblings who, after…
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…
I’m a queer, nonbinary, Muslim, immigrant writer who has been reading their whole life and writing for part of it. I learned to write by reading–by devouring all kinds of books across different genres and paying attention to how words create feelings, worlds, and chronologies. I also learned to live by reading–I didn’t grow up with models of how to live a life that was true to my identities and so I read everything I could find about experiences that were adjacent to my own. The emergence of queer Muslim literature has been exciting to follow, and I try to read everything in the field.
For me, this book of short stories is all about unforgettable characters: queer, Muslim on a spectrum between practicing and not, of various ethnic backgrounds. I love that the characters have complicated lives and make not easily understood decisions.
I love that the characters struggle against, with, and towards their identities. And: it’s really funny!
Award-winning novelist Randa Jarrar's new story collection moves seamlessly between realism and fable, history and the present, capturing the lives of Muslim women and men across myriad geographies and circumstances. With acerbic wit, deep tenderness, and boundless imagination, Jarrar brings to life a memorable cast of characters, many of them "accidental transients"a term for migratory birds who have gone astrayseeking their circuitous routes back home. Fierce and feeling, Him, Me, Muhammad Ali is a testament to survival in the face of love, loss, and displacement.
Randa Jarrar is the author of a highly successful novel, A Map of Home, which…
I am the author of over a dozen LGBT novels. I wrote my college thesis on queer criminal coding in Victorian London novels vs. 20th-century American literature. I was a teenage fan of Leopold and Loeb fiction before I added to the canon myself. I chose these books for a queer murder compendium because each offers something unique to the genre. Challenge yourself by asking: do you have sympathy for these murderers? Is it dangerous when queer characters are criminals? Is it fair representation, since homosexuality is illegal to act on, identify with, or speak of in many places? Read these stories, and let their implications disturb you.
We’ll start with another novel (there are many) inspired in part by the Leopold and Loeb crime. This one swaps Chicago for Pittsburgh, and changes their mismatch in IQs for a stark class divide.
One of the variations I most enjoy in this retelling is that university students Paul Fleischer and Julian Fromme are both damaged when they meet. Julian is scarred physically from a car crash in his youth, and Paul is still recovering emotionally from the death of his father.
Additionally, since the book is set in the 1970s, their sexual involvement with one another is more explicit than the original story could allow (though it still comes with social stigma).
A captivating work of dark academia and crime, the obsession between these two compels them to court their own ruin.
A Literary Hub Best Book of Year * A Crime Reads Best Debut of the Year * A Newsweek 25 Best Fall Books * A Philadelphia Inquirer 10 Big Books for the Fall * An O Magazine.com LGBTQ Books That Are Changing the Literary Landscape * An Electric Lit Most Anticipated Debut * A Paperback Paris Best New LGBTQ+ Books To Read This Year Selection * A Passport Best Book of the Month
The Secret History meets Lie with Me in Micah Nemerever's compulsively readable debut novel-a feverishly taut Hitchcockian story about two college students, each with his own troubled…
I believe that the gap between the amount of LGBTQIA+ and heterosexual erotica is far too large in the mainstream. Queer people deserve to have quality, well-written, spicy romance just as much as the mom in Utah reading her Danielle Steel novels does. This includes, gay, bisexual, lesbian, queer, panromantic, polyamourous, and non-binary people just to list a few. People who don’t adhere to cis, heteronormativity deserve to know that they can love, have steamy sex, maintain healthy relationships, and do whatever it is they want to do. Through my books and queer activism, I intend to rectify this by normalizing queer romance novels and increasing accessibility of the genre.
Unlike the other recommendations I’ve given so far, this one is an ongoing series… and a manga.
Now, before you pull back. What if I told you that in addition to the beautiful art, this series had some of the most incredible and complex characters that I’ve seen in queer romance? What if I told you that it touched upon important topics like grief, internalized homophobia, familial expectations, depression, and what it’s like growing up gay in Japan?
Not to mention the sweet, spicy scenes between the two main characters as they grow together in their relationship. It’s one of my all time favorites and even if you aren’t a big manga reader or into anime, it truly is worth it.
A love story between an openly gay novelist and a young man coping with grief that was recently turned into an anime film!
Ever since his parents disowned him for being gay, Shun has been living with his aunt on a small island near Okinawa. One day, he meets Mio, a high school student who recently lost his own parents and now spends his days sitting by the sea. The two young men begin to open up to each other...until Mio reveals that he's leaving. Three years later, an adult Mio returns to the island to confess his true feelings,…
This delightful fable about the Golden Age of Broadway unfolds the warm story of Artie, a young rehearsal pianist, Joe, a visionary director, and Carrie, his crackerjack Girl Friday, as they shepherd a production of a musical version of A Midsummer Night's Dream towards opening night.
I’ve always loved retellings of all kinds, but my favorites subvert expectations, and I believe queer retellings provide the richest opportunities for subversion. In my own writing, I try to balance honoring the source material while also providing new perspectives, and nothing helps me achieve that more than reading widely. Retellings were also the subject of my master's critical thesis for Hamline University’s writing for children and young adults program.
What I loved most about Ferraro’s retelling of The Mysteries of Udolpho was his unique take on the classic YA love triangle. Not only does this love triangle stand out because it’s queer (all three characters involved are young men), but because it wasn’t obvious to me from the beginning how the love triangle would resolve. Typically, in love triangle stories, I can tell who the character – and thus the author – prefers. I’m pretty confident about who is going to win out in the end.
But Ferraro took his time developing each love interest, and his main character’s struggle to pick one over the other is palpable and well-written. I was left guessing until the very end, and the way the love triangle resolved was both surprising and satisfying.
In this queer gothic romance, a young marquis caught between freedom and passion, honor and love will have to unravel a centuries-old curse to find his own happy ending.
Trapped in a world of straight expectations, queer marquis Emile longs for independence. So, when his aunt declares he must marry to produce an heir or be disowned, he runs away disguised as a servant until he can come of age and reclaim his inheritance.
All Emile needs to do is keep his head down and bide his time, but he quickly stumbles into a mystery beyond his imagination. While working…
I was an odd kid—a bookworm worried about why I was different from others. Luckily, my family continuously reminded me that I belonged. Once out of the closet, I was able to appreciate the importance of families, both chosen and unchosen. I became a writer because I was compelled to articulate that importance and maybe help others understand how knowledge, trauma, emotions, and love move between the generations. Queer and family histories have inspired a lot of my journalism and fiction, but especially my new novel, This Is It. I hope it fits alongside these recommendations that explore queer multi-generational stories with wit, intelligence, and wisdom.
I love any work that can draw me in by being uncanny while still being emotional. This book is such a work. It's the story of a gay bar that houses a community of cross-generational queer people who become close-knit while the world outside becomes more and more hostile to them.
Though he tells the story with distance and coldness, Neil Bartlett made me feel like I belonged in that bar, in that community. Reading how the characters clutch at meaning and love, how they embrace who they are, and how they support one another had me rooting for them (and for myself) louder every time I turned a page.
It is 3 a.m. in The City, and in a dark corner of The Bar, two lovers collide in the beginnings of a passionate and violent affair.
Boy: nineteen, beautiful, ready for anyone to take him home, and 'O': the Older Man, cynical, unpredictable, and at the mercy of his personal demons. Their romance is orchestrated and observed by the owner of The Bar, Madame, who looks after her boys and ensures that their haven remains inviolate.
At once a joyful celebration of homosexual love and culture, and a devastating evocation of the homophobic climate which stemmed from the 80s…
When I first wrote The Sea Elephants, my protagonist (Shagun) and I were both asexual. My writing professor read the novel and said it’s dying to be a gay love story. Eventually, when I came out and rewrote the book from my newfound identity of queerness, I searched for queer stories that, like mine, were set outside the US or had non-American leads. And I realized that this is a significant gap that needs to be bridged. I felt a tremendous sense of solidarity with the books I did find. They made me feel less alone. Later, as an assistant professor of English, I’ve taught all of these books.
There are very few books that capture the particular suffering of loving someone and not being loved back.
Greenwell’s powerful debut novel is one of them. Set in the capital city of Bulgaria, the novel begins with an encounter that the narrator, an American teacher working abroad, has with Mitko, a sex worker. It is written in prose whose beauty, beat by beat, is as achingly beautiful as the unrequited love the narrator has for Mitko. This is one to savor slowly.
My copy is heavily underlined. Garth, a trained opera singer, reads like a dream. Accompany your reading with his readings from the work (they’re on YouTube).
Startlingly erotic and immensely powerful, Garth Greenwell's What Belongs to You tells an unforgettable story about the ways our pasts and cultures, our scars and shames can shape who we are and determine how we love.
Winner of the Debut of the Year Award at the British Book Awards. Shortlisted for the James Tait Black Prize.
'A searching and compassionate meditation on the slipperiness of desire . . . as beautiful and vivid as poetry' - Hanya Yanagihara, author of A Little Life
On an unseasonably warm autumn day, an American teacher enters a public bathroom beneath Sofia's National Palace…
Acquaintance is a work of LGBT historical fiction, a gay love story set in 1923 when the Ku Klux Klan was growing in influence, the eugenics movement was passing human sterilization laws, illegal liquor was fueling corruption, and Freud was all the rage.
I’ve been a longtime reader of romantic historical and fantasy fiction, and I love to see positive queer representation in those genres. Regardless of who we love, we all need a little escapism in our lives, and it’s even better when it has heart and depth as well as romance and humor and happy ever afters (and plenty of plot). My favorite relationship dynamic is not quite enemies-to-lovers and not quite opposites-attract…it’s more direct-vs-sneaky. I hope you enjoy my five favorites in this very specific niche!
This book is fast-paced: within the first chapter, the titular captive prince, Damon, is enslaved, stripped of his royal identity, and gifted to Laurent, the young prince of a decadent foreign court. Damon, yet another straightforward soldier type (they pair so well with the slippery types), is immediately caught up in the byzantine machinations of Laurent and his uncle and is hilariously out of his depth without ever seeming to realize it.
I appreciate Damon, but I adore Laurent. He is so snarky and cool-headed, running absolute rings around Damon and playing the game like a champion despite the very poor hand his uncle has dealt him. It’s a slow-burn romance, and I loved watching their relationship evolve slowly.
From global phenomenon C. S. Pacat comes the first novel in her critically acclaimed Captive Prince romance trilogy—includes an exclusive bonus story!
Damen is a warrior hero to his people, and the rightful heir to the throne of Akielos. But when his half brother seizes power, Damen is captured, stripped of his identity, and sent to serve the prince of an enemy nation as a pleasure slave.
Beautiful, manipulative, and deadly, his new master, Prince Laurent, epitomizes the worst of the court at Vere. But in the lethal political web of the Veretian court, nothing is as it seems, and…