Here are 89 books that When We Were Sisters fans have personally recommended if you like
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I’m a queer, nonbinary, Muslim, immigrant writer who has been reading their whole life and writing for part of it. I learned to write by reading–by devouring all kinds of books across different genres and paying attention to how words create feelings, worlds, and chronologies. I also learned to live by reading–I didn’t grow up with models of how to live a life that was true to my identities and so I read everything I could find about experiences that were adjacent to my own. The emergence of queer Muslim literature has been exciting to follow, and I try to read everything in the field.
This was the first novel I read about immigration, queerness, and Muslimness, the complex reasons why people choose to live in the Global South, and the complex reasons why people choose to leave.
I love the writing: it is lyrical and intimate, and the characters have stayed with me long since.
"Freewheeling and incendiary." - London Review of Books
"...vibrant, wrenching debut novel...sensuous and caustic, full of smoke and blood." - The New Yorker
A Middle-Eastern capital caught in the revolutionary wave of the Arab Spring. A day in the life of a young man disillusioned with both East and West and struggling to find a place for himself in a society ruled by hypocrisy and contradictions. Rasa works as an interpreter for Western journalists by day and divides his nights between the Guapa, an underground…
I’m a queer, nonbinary, Muslim, immigrant writer who has been reading their whole life and writing for part of it. I learned to write by reading–by devouring all kinds of books across different genres and paying attention to how words create feelings, worlds, and chronologies. I also learned to live by reading–I didn’t grow up with models of how to live a life that was true to my identities and so I read everything I could find about experiences that were adjacent to my own. The emergence of queer Muslim literature has been exciting to follow, and I try to read everything in the field.
At its core, this book is a mystery: a trans Syrian-American’s journey to find out what happened to his mother and how she was connected to an artist whose journal he finds.
But what I loved most about this book is the meditations on gender, on spirituality, and on birds. This book is an ornithologist’s dream.
Winner of the Lambda Literary Award for Transgender Fiction Winner of the ALA Stonewall Book Award—Barbara Gittings Literature Award Named Best Book of the Year by Bustle Named Most Anticipated Book of the Year by The Millions, Electric Literature, and HuffPost
From the award-winning author of The Map of Salt and Stars, a new novel about three generations of Syrian Americans haunted by a mysterious species of bird and the truths they carry close to their hearts—a “vivid exploration of loss, art, queer and trans communities, and the persistence of history. Often tender, always engrossing, The Thirty Names of Night…
I’m a queer, nonbinary, Muslim, immigrant writer who has been reading their whole life and writing for part of it. I learned to write by reading–by devouring all kinds of books across different genres and paying attention to how words create feelings, worlds, and chronologies. I also learned to live by reading–I didn’t grow up with models of how to live a life that was true to my identities and so I read everything I could find about experiences that were adjacent to my own. The emergence of queer Muslim literature has been exciting to follow, and I try to read everything in the field.
I love the way Bushra Rehman writes about immigrant New York in the 80s – in vignettes that thread together to convey a sense of time, place, and geography.
All her characters are portrayed sensitively and complexly: from the main protagonist Razia coming into her queerness, to Pakistani aunties with their own histories and trauma, to friends who grow further apart.
I love how much this story is about women as the cornerstones of community.
Razia Mirza grows up amid the wild grape vines and backyard sunflowers of Corona, Queens, with her best friend, Saima, by her side. When a family rift drives the girls apart, Razia's heart is broken. She finds solace in Taslima, a new girl in her close knit Pakistani-American community. They embark on a series of small rebellions: listening to scandalous music, wearing mini skirts, and cutting school to explore the city.
When Razia is accepted to Stuyvesant, a prestigious high school in Manhattan, the gulf between the person she is and the daughter her parents want her to be, widens.…
I’m a queer, nonbinary, Muslim, immigrant writer who has been reading their whole life and writing for part of it. I learned to write by reading–by devouring all kinds of books across different genres and paying attention to how words create feelings, worlds, and chronologies. I also learned to live by reading–I didn’t grow up with models of how to live a life that was true to my identities and so I read everything I could find about experiences that were adjacent to my own. The emergence of queer Muslim literature has been exciting to follow, and I try to read everything in the field.
For me, this book of short stories is all about unforgettable characters: queer, Muslim on a spectrum between practicing and not, of various ethnic backgrounds. I love that the characters have complicated lives and make not easily understood decisions.
I love that the characters struggle against, with, and towards their identities. And: it’s really funny!
Award-winning novelist Randa Jarrar's new story collection moves seamlessly between realism and fable, history and the present, capturing the lives of Muslim women and men across myriad geographies and circumstances. With acerbic wit, deep tenderness, and boundless imagination, Jarrar brings to life a memorable cast of characters, many of them "accidental transients"a term for migratory birds who have gone astrayseeking their circuitous routes back home. Fierce and feeling, Him, Me, Muhammad Ali is a testament to survival in the face of love, loss, and displacement.
Randa Jarrar is the author of a highly successful novel, A Map of Home, which…
As an author of experimental and genre-bending books, I evangelize people not only to read more books but to read books outside of their comfort zone. And while it doesn’t take much work to get adult readers to consider Young Adult titles, getting them to read Middle-Grade books has been a much greater challenge, which is a shame because middle school has a lot to offer. Some of the best and most life-changing books exist within the Middle-Grade category. My own Middle-Grade books were written with readers of many age ranges in mind.
I could easily have recommended any of the Lemony Snicket books here, but this one distinguishes itself from the other entries in the series by being darker and with higher stakes than the books that came before or after it.
I appreciated how this book outshone its siblings by giving a twisted representation of medical systems (albeit through a humorous lens) as well as poking fun at medical charities and medical education. The series’ normally clownish villain becomes a more serious threat here. This book is the installment where the story grew up.
I liked it not only as a humorous children’s book but as a thriller and a horror novel.
BURST: The worst books ever to hit the New York Times Best Seller list!
The Baudeliares need a safe place to stay - somewhere far away from terrible villains and local police. A quiet refuge where misfortune never visits. Might Heimlich Hospital be just the place In Lemony Snicket's eighth ghastly installment in A Series of Unfortunate Events, I'm sorry to say that the Baudelaire Orphans will spend time in the hospital where they risk encountering a misleading newspaper headlines, unnecessary surgery, an intercom system, anesthesia, heart-shaped balloons and some very startling news about a fire. With more than half…
I’m a writer, theatre artist and calligrapher who has spent a lifetime dedicated to the look, sound, texture and meaning of words. Writing in verse and prose poetry gives me a powerful tool to explore hard themes. Poetry is economical. It makes difficult subjects personal. Through poetry, I can explore painful choices intimately and emerge on a different path at a new phase of the journey. While my semi-autobiographical novel These Are Not the Words “is about” mental health and drug addiction, I’ve shown this through layers of images, sounds, textures, tastes—through shards of memories long submerged, recovered through writing, then structured and fictionalized through poetry.
I’ll Be Watchingis a verse novel that evokes place and character in tight, specific moments. It’s a page-turner that tells a harrowing story of children in 1941 surviving on their own through the brutal winter in a small Prairie town. Nuanced and impressionistic, moments are layered to create a world of childhood without a supportive adult net. I love the restraint and the specificity of Porter’s writing. She has focussed on childhood, during the war, in a very ordinary, very unlikely location and written a thriller.
In a small prairie town like Argue, Saskatchewan, everyone knows everybody else's business. It's common knowledge that the Loney family has been barely hanging on, but when the Loney children's father George dies in a drunken stupor and their stepmother takes off with a traveling Bible salesman, it looks as though the children are done for. Who's to save them when everyone is coping with their own problems the lingering Depression and the loss of the town's young men to the Second World War? Under the watchful eye of their ghostly parents and…
“Truth may be stranger than fiction, but fiction is truer.” Frederic Raphael. When I was a child, a relative often told stories of a cowboy gear clad cousin who visited our New York family from Texas and claimed he’d once served in Pancho Villa’s army. These tales were the spark that eventually led to Viva, Rose! and my interest in storytelling as well. There’s something about the combination of lived experience and fiction that I find irresistibly engaging and exciting. I’ve worked as a journalist, ghostwriter, and editor, but my happiest happy place is writing and reading stories birthed from a molten core of real life.
The title offers an important hint that the focus isn’t solely on exterior events. In this sequel to The War That Saved My Life, World War II still rages across the English countryside, though Ada’s actually emotionally safer than she’d ever been when living with her mother. But memories of that time still give her terrible nightmares, and when a crisis makes her feel like they’re coming true, she discovers that there’s a big difference between fear and what you do with it. The horses, the lushly-depicted historical landscape, and a truly relatable and beautifully-wrought battle with the wars we carry inside make this a book I want to read over and over.
Like the classic heroines of Sarah, Plain and Tall, Little Women, and Anne of Green Gables, Ada is a fighter for the ages. Her triumphant World War II journey continues in this sequel to the Newbery Honor-winning The War that Saved My Life
When Ada awakes from surgery on her club foot, the news that greets her will change the course of her life. Doors that her mother had shut tightly are swinging open-
But World War II rages on. Ada and her brother, Jamie, are forced to move into a cottage with the iron-faced…
In order to read, I need fast-paced action, adventure, compelling characters with depthful backstories and motives, and a way of challenging and commentating on the most controversial morals of the present day. To write, I need the exact same thing. Every world I create is filled with action in every chapter, characters with invincible will-strength, and situations that bend the very borders of moral thinking.
The Culling, The Sowing, and The Raising by Steven Dos Santos provides one of the most compelling stories of conflicting choices I have ever encountered. My strongest love for this story is the main protagonist, Lucky, and his stoicism through the hardships that he is forced to endure. This story taught me to always search for the best option in life, and that there is always a choice, even when it seems that there isn’t. From this story, I will always take with me the ability to love fiercely and do what I must for that love.
Recruitment Day is here...if you fail, a loved one will die For Lucian “Lucky” Spark, Recruitment Day means the Establishment, a totalitarian government, will force him to become one of five Recruits competing to join the ruthless Imposer task force. Each Recruit participates in increasingly difficult and violent military training for a chance to advance to the next level. Those who fail must choose an “Incentive”—a family member—to be brutally killed. If Lucky fails, he’ll have to choose death for his only living relative: Cole, his four-year-old brother. Lucky will do everything he can to keep his brother alive, even…
There's no particular reason why I'm the right person to talk about intrusive narrators. I studied math, not literature, in school, though variables can be as tricky as any imaginary character. As an unpopular child, I read a developmentally unhealthy number of books, but tragic backstories are a dime a dozen. I pepper my life with ironic asides to the Reader, but anyone with a devoted Reader (better yet, a dozen of them) can do that. To be honest, you'd probably have come up with a better list than I did. You should give it a shot.
When I first read this series as a child, I was surprised and delighted to find the pseudo-author Lemony Snicket breaking the fourth wall to comment on the pathos of the action, the meaning of obscure words, and the telling of stories.
Behind a veil of whimsy, Lemony gave my child-self a dark metaphor I didn't (yet) realize I needed and a new literary language. I wouldn't be the person I am without him.
Lemony Snicket's The Bad Beginning is the first book in the globally bestselling series A Series of Unfortunate Events. This exclusive gold foiled 20th anniversary hardback gift edition commemorates the miserable fact that every child in the world has wanted this brilliantly funny book for twenty years.
Perfect for fans of Roald Dahl and Mr Gum, young readers of 9 to 11 will adore the mischievously dark humour. Lemony Snicket's 'A Series of Unfortunate Events' has been made into a blockbuster Hollywood film starring Jim Carrey and is also a hit Netflix TV series. Now with new anniversary blurb by…
Imagination knows no bounds. That's what I love about reading and writing fantasy. No matter what you create, a name, a monster, or a type of food, it exists because it exists in your mind. I can get lost in the authors' worlds and become part of the adventure. I wrote the duology, yep, two books, after watching Lord of the Rings, The Fellowship of the Ring, at the cinema. When I arrived home, I had the first book plotted in my head: the characters, the conflict. In my head, I built a fantasy world without elves, hobbits, dragons, and dwarfs. Even the names of the characters. All thanks to the inspiring storytelling of Tolkien.
Now you've all heard of Mortal Instruments, the set of books that was never going to end, and the flop of the movie and the T.V. series being shut down, not giving the fans a H.E.A. But I bet you haven't heard of Infernal Devices. These are three books, yes, another trilogy. Although Infernal Devices is a prequel to Mortal Instruments, there is a huge difference between the two stories. And yes, I read them in the wrong order. But Mortal Instruments never took hold of my heart and squeezed it, like Clockwork Angel, Clockwork Prince, and Clockwork Princess did. These books have all the fantasy elements you would expect from a Cassandra Claire novel, the danger, the thrills, but what was added to all this was a heart-wrenching love story that will have you crying in your tissues and screaming why! Why is life so unfair?
First in Cassandra Clare's internationally bestselling Infernal Devices trilogy about the Shadowhunters.
Love is the most dangerous magic of all... First in the bestselling prequel series to The Mortal Instruments, set in Victorian London. Something terrifying is waiting for Tessa Gray in London's Downworld, where vampires, warlocks and other supernatural folk stalk the gaslit streets. Tessa seeks refuge with the Shadowhunters, a band of warriors dedicated to ridding the world of demons. Tessa finds herself fascinated by - and torn between - two best friends... This edition contains a map and a new foreword by Cassandra Clare. Read all the…
