Fans pick 87 books like The War I Finally Won

I’ve always been a voracious reader of the news and history, consuming everything from Johnny Tremain to Slaughterhouse-Five, from old-fashioned newspapers to online news feeds. I’ve also always loved writing fiction. I aligned my interests in history, the news, and writing in my first novel, The Blood Lie, based on a hate crime in my hometown in the 1920s. Since then, I’ve written two other novels based on true events: Ripped Away and my novel, listed below.

“Truth may be stranger than fiction, but fiction is truer.” Frederic Raphael. When I was a child, a relative often told stories of a cowboy gear clad cousin who visited our New York family from Texas and claimed he’d once served in Pancho Villa’s army. These tales were the spark that eventually led to Viva, Rose! and my interest in storytelling as well. There’s something about the combination of lived experience and fiction that I find irresistibly engaging and exciting. I’ve worked as a journalist, ghostwriter, and editor, but my happiest happy place is writing and reading stories birthed from a molten core of real life.

When I think of great novels, I don’t recall plot twists, beautiful language, or exotic settings. I remember the characters. How they met or didn’t meet, the challenges put before them. Great, unforgettable characters create great stories. They take risks, become friends with people society tells them not to, and don’t hide their motivations or fears. They show their humanity. A great character can make walking down a supermarket aisle an exciting adventure. Boring, one-dimensional ones can make a rocket launch seem like you’re reading about paint drying. All the books I discuss hit the character checklist tenfold. 

“Truth may be stranger than fiction, but fiction is truer.” Frederic Raphael. When I was a child, a relative often told stories of a cowboy gear clad cousin who visited our New York family from Texas and claimed he’d once served in Pancho Villa’s army. These tales were the spark that eventually led to Viva, Rose! and my interest in storytelling as well. There’s something about the combination of lived experience and fiction that I find irresistibly engaging and exciting. I’ve worked as a journalist, ghostwriter, and editor, but my happiest happy place is writing and reading stories birthed from a molten core of real life.

I’m a lover of all things Victorian and an obsessive researcher. Academic libraries are my favourite places in the world and I like nothing more than uncovering some weird nugget of information that forces me to reappraise what I thought I knew. With a PhD in Victorian domestic murder and a fascination with the weirder elements of Victorian life, it was almost inevitable I’d turn my hand to writing crime fiction set in that era. The five books I’ve recommended are some of the best crime novels set in the nineteenth century, but written more recently.

Spy stories have always captivated me. This fascination grew after I learned that throughout history, many women worked behind the scenes as key spies. How cool is that? So, I decided to write a girls' spy school set in Jane Austen's world. Junior Library Guild said this about A School for Unusual Girls, “An outstanding alternative history series entry and a must-have for teen libraries.” Scholastic licensed the series for their school book fairs. Ian Bryce, the producer of Spiderman, Transformers, Saving Private Ryan, and other blockbusters, optioned it for film. To date, more than 600,000 copies of my award-winning historical novels are in the hands of readers around the globe.

When I was small, a goblin lived in my closet. I was sure of it. At night, I huddled under my blanket, listening to the unexplainable noises coming from my closet. And yet, I also have felt like that monster hiding in the closet—afraid to enter the wide world, afraid of who I might meet and what they might think of me. I have felt different. Misunderstood. This list of monstrous middle-grade books shows how our story monsters are more than metaphors. They are a way to understand ourselves, our big emotions, our daydreams, and our nightmares. I guarantee these books will delight and empower younger and older readers.

All my life I’ve been pushing against limits. Being the oldest of five children born to a farm couple who became mill workers, I was frequently reminded by family that “people like us” did not need much education, didn’t get the good jobs, and shouldn’t “rise above themselves.” Being a girl, I had additional limits. Naturally, when I learned to read, I was drawn to books in which characters broke through unfair restraints to have adventures and accomplish great deeds. I wanted to be one of those people. By the time I came of age, I knew I had a shot at becoming the heroine of my own story!

Before I could start writing Into the Lion’s Mouth, I spent a lot of time researching the medieval and renaissance Venice. I was astounded to see how relevant that history is to today. Not only are there many parallels that can be drawn between the past and today there is so much to learn about the consistency of human nature. I find myself currently gravitating towards books that mix history and fiction and these are some of my favorites.

I’ve been obsessed with stories and storytelling ever since I learned to read, which is probably why fairy tales, some of the oldest stories around, play a huge role in Unwritten. What I love most about fairy tales is how exciting they are: they have magic, wicked witches, abandoned children, magical transformations…. And yet, the original fairy tales are often simply “story skeletons” –some are only a few pages (or even paragraphs) long. Still, they have endured over hundreds of years and are constantly evolving. I love studying what makes these tales continue to resonate with readers and thinking about how I can use these elements in my own work.